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PROVOCATIVE PEDAGOGIES: PERFORMATIVE TEACHING AND LEARNING IN THE ARTS

School of Fine & Performing Arts, University of Lincoln, UK 
14 October 2017

 

 

Organisers:

Dr Lee Campbell, Lecturer in Fine Art, University of Lincoln, UK
Lisa Gaughan, Director of Teaching & Learning and Senior Lecturer, University of Lincoln

Keynote: Fred Meller, Senior Lecturer, Performance:  Design & Practice, Central Saint Martins, University of the Arts, London

PROVOCATIVE PEDAGOGIES: PERFORMATIVE TEACHING AND LEARNING IN THE ARTS is an international conference exploring the possibilities of the emerging field of ‘performative pedagogy’ and its potential as useful and applicable to enabling learning across a range of artistic and possibly other disciplines.

We welcome submissions from individuals and groups across all creative disciplines who deploy pedagogic approaches with an emphasis on performativity to drive learning. We invite papers, provocations and practical demonstrations that showcase good practice of making positive usage of performative teaching and learning.

Submitting a proposal:
We welcome proposals for 15-20 minute papers and practical workshops (to last up to 1 hour).

Please use the following format for proposals:
•            Name, institutional affiliation, contact details
•            Title of paper or workshop
•            250-word paper summary (max 1 page A4)
•            50-word contributor biography

Send proposals as a Word doc by email to Dr Lee Campbell, lcampbell@lincoln.ac.uk  and Lisa Gaughan, lgaughan@lincoln.ac.uk

Deadline: Friday 30th June 5pm. Notification of successful applicants: 2nd week of  July 2017

All abstracts will undergo a peer review process to ensure quality and relevance to conference theme and ambition.

 

Notes on organisers and keynote speaker:

Dr Lee Campbell is an artist, curator and academic. His practice plays with the parameters of contemporary art that draw attention to the performative and the participative within an art historical vernacular and seeks to theorise, articulate and demonstrate how we may construct meaning between politics of space and the politics of artist articulated through visual and verbal languages. He is very interested in pedagogical approaches which prioritise performative tactics.

Fred Meller’s research interests lie in the process of making performance as a dialogical design practice. Specifically, how the principles and characteristics of Performance can be used to interrogate, explore and expand the nature of teaching and learning in the subject area.  In particular, she has been researching disruptive pedagogy and relationships of power in teaching and learning and design practice.

Lisa Gaughan is the Director of Teaching and Learning for the School of Fine & Performing Arts University of Lincoln. She has worked at the University of Lincoln for 12 years and taught across a number of Degree Programmes. She has a background in Community Theatre and Student Engagement Initiatives. She recently led a project on Students’ Engagement in Curriculum Design which she will be presenting on at the National HEA Conference in Manchester in July 2017.

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: https://www.researchgate.net/profile/Glenn_Rikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

By Robert White

 

 

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PASTORAL – ART @ COMPOTES – FOREST GATE

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By Robert White

Compôtes

118 Woodgrange Road, Forest Gate, London, E7 0EW

Bakery, deli, café.

On Friday 12th February 2016, I went to see the opening of the Pastoral art exhibition at Compôtes in Forest Gate, east London. There was some wonderful art on display. The exhibition was curated by Gabrielle Luca Iozzi and featured exhibits by the following artists: Giuseppe Iozzi, Sabela Mahlangu, Fungai Marima, Jose Pindian, and Robert White.

Pastoral is open free to view at Compôtes until March 12th 2016.

The cakes and soup at Compôtes are particularly good. The freshly baked bread is top notch. Compôtes is close to both Forest Gate and Wanstead Park train stations.

Glenn Rikowski: 18th February 2016

SDC14921

Giuseppe Iozzi

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Cultural Studies

Cultural Studies

INTRODUCTION TO CULTURAL STUDIES: CULTURE, TECHNOLOGY AND POWER

A Free Course!

First Session: 23rd February 2016

OPEN SCHOOL EAST

 

Open School East
The Rose Lipman Building
43 De Beauvoir Rd
London N1 5SQ

 

Details of a free course in Cultural Studies at Open School East in London, starting next week, can be found at https://jeremygilbertwriting.wordpress.com/2016/02/10/free-course-introduction-to-cultural-studies-culture-technology-power/

Please disseminate to anyone who might be interested
Thanks
Jeremy Gilbert
http://www.jeremygilbert.org
@jemgilbert

 

Free Course! Introduction to Cultural Studies: Culture, Technology & Power

From February to June this year, I’ll be teaching on a free fortnightly course at Open School East in Dalston which will be be covering a number of key issues in contemporary cultural politics – race, gender, sexuality, technology, neoliberalism, music, money, the future, etc. I’ll be taking most of the sessions – Stephen Maddison will do the one on queer politics.

Anyone is welcome and it should be very interesting.

These lectures / seminar are technically the second part of a free course titled ‘Introduction to Cultural Studies: Culture, Technology & Power’, but they should be accessible and interesting whether you are completely new to these things, or an advanced cultural theory postgrad, or anything in between.

Please do pass on to anyone who might be interested.

For more details about the course, the context, etc. see HERE and HERE

 

Open School East: http://www.openschooleast.org/

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Neil Whitehead

Neil Whitehead

HOW I LEARNT TO LOVE THE SEAGULLS

Photography Exhibition: How I Learnt To Love The Seagulls

By Neil Philip Whitehead

The Window Gallery

Jubilee Library

Brighton

Saturday 9th January 2016

2.30-4.30pm

 

How I Learnt To Love The Seagulls is a whimsical yet in-depth study of the birds that are hard to avoid seeing. The series combines genres of photography using studio, street, and nature photography and experiments with ways of displaying photography. The work is humorous, emotive, beautiful and even political, and is an untypical look at our most noticeable wildlife.

114 framed C-Prints printed on Matt Fujicolor Professional, 1 Hard Back Silk Lustre Book.

Brighton Jubilee Library.

Window Gallery, inside and out.

There will be snacks, wine, and a nice time on
Saturday 9th 2:30pm til 4:30.

If you can’t make it to that, the exhibition will be on show
4th January 2016 until 10th of January 2016.

10am to 7pm – Monday to Thursday
10am to 5pm – Friday to Sunday.

RSVP to: gulls@neilphilipwhitehead.co.uk

See more @: http://heyevent.uk/event/re6p3rgdhth4ca/photography-exhibition-how-i-learnt-to-love-the-seagulls

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

The City

The City

MEDIATED CITIES

Mediated Cities Book Series

Open Call for Contributions
Intellect Books will launch its Mediated Cities book series April 01-03, 2016 with three books.

Digital Futures and the City of Today:  New Technologies and Physical Spaces. ISBN: 978-1-78320-560-8
Filming the City: Urban Documents, Design Practices & Social Criticism Through the Lens. ISBN: 978-1-78320-554-7
Imaging the City: Art, Creative Practices and Media Speculations. ISBN: 978-1-78320-557-8

This is a call for chapter contributions for the following book in the series from the perspective of all disciplines that engage with issues of the city, its design, mediation, representation and experience.

Contributions are welcome from urban design, planning, cultural studies, digital art, emerging technologies, social media, film, photography  etc.

The next book in the series will be drawn from the conference: Digital-Cultural Ecology and the Medium-Sized City.

For details: http://architecturemps.com/bristol-uk/

ABSTRACT DEADLINE: 15th NOVEMBER, 2015

This conference is organised by the journal Architecture_MPS, Intellect Books, the University of the West of England and the Centre for Moving Image Research. The publication series is a joint AMPS / Intellect Books initiative. See: http://architecturemps.com/publications-2/

download (1)

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Commons

Commons

AFFECTS AND AESTHETICS OF THE UNDERCOMMONS

Call for Papers: Affects & Aesthetics of the Undercommons
As part of the 8th Art of Management & Organization Conference
1st-4th September 2016 @ Bled, Slovenia
Conference theme: Empowering the intangible: exploring, feeling and expressing through the arts
See: http://www.artofmanagement.org/bled-slovenia-2016/

What affects circulate within the undercommons today (Harney & Moten, 2013)?

What is the relation between affective spaces and aesthetics in the construction of forms of collective intelligence and subjectivities, particularly in the ways this relation is worked with to expand forms of political action? The undercommons are organized through “engaging aesthetic rationality in the process of political transformation, of turning politics into art, everyday life into an aesthetically governed domain” (Katsiaficas 2001) – a “minor politics” (Thoburn 2003): one that is not based upon calling forth an already existing identity or position, but rather a politics based on a continual intensive and affective engagement of constant self-institution.

Might it be possible that we are already enmeshed in a world of unidentified autonomous organizations, a milieu of potential liberation that has remained imperceptible because of a narrow understanding of what organizations are? And might it not be that this imperceptibly, rather than being a condition to be addressed as a problem, could rather be part of building of what Robin D.G. Kelley and James Scott (2002) call an infrapolitical sphere: a space for politics coming out of people’s everyday experiences that do not express themselves as radical political organization at all.

As a conference stream “Affects & Aesthetics of the Undercommons” proposes to explore the these temporary and constantly shifting, yet always renewed, forms of organizing: the organizing that takes beneath and below as well as outside of formal organizations. These relations and their affectivity embody and express the movement of the social imaginary, or the constant process of becoming. Revolutions of everyday life, whether unseen or encoded in a hidden transcript, exists as a privileged location for political analysis and action precisely because it is where forms of collective intelligence, creativity, and social wealth are manifested.

Please send proposals / abstracts to s.shukaitis@essex.ac.uk by December 7th, 2015.
This stream is welcoming of non-standard forms of presentation, performance, and intervention.

Commons

Commons

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

The Glass Factory

The Glass Factory

THE GLASS FACTORY

A monthly evening of alternative music and performances of all shapes and sizes

Next performances: Saturday 14th November 2915; 5th December 2015; 9th January 2016

Time: 4.00 – 8.00pm

Red Door Studios

E6 3RW

 

Red Door Studios

Masterman Road (rear 120 High St South)

E6 3RW

Email: Curator.reddoor@gmail.com

Phone: 07753186009

Nearest tube: East Ham

Bus routes: 101, 104, 115, 58, 474

Accessible by bus from: Stratford, Forest Gate, Leytonstone, Wanstead, Canning Town, Aldgate.

 

The Glass Factory @ Facebook: https://www.facebook.com/events/1644757859074990/

Red Door Studios & Facebook: https://www.facebook.com/RedDoorStudiosE6

Red Door Studios website: http://www.reddoorse6.co.uk/

Glassimages

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

 

Social Movements

Social Movements

OCCUPATION CULTURE

New book on art & squatting released…
Occupation Culture: Art & Squatting in the City from Below
Alan W. Moore

Occupation Culture is the story of a journey through the world of recent political squatting in Europe, told by a veteran of the 1970s and ‘80s New York punk art scene. It is also a kind of scholar adventure story. Alan W. Moore sees with the trained eye of a cultural historian, pointing out pasts, connections and futures in the creative direct action of today’s social movements.

Occupation Culture is based on five years of travel and engaged research. It explicates the aims, ideals and gritty realities of squatting. Despite its stature as a leading social movement of the late twentieth century, squatting has only recently received scholarly attention. The rich histories of creative work that this movement enabled are almost entirely unknown.

PDF available freely online: http://www.minorcompositions.info/?p=684

“Reporting on close to forty years of exploits Alan W. Moore’s Occupation Culture is no academic treatise but a Picaresque adventure story filled with both detailed observations and broader reflections on the political and cultural significance of art and squatting that stretches across the Atlantic from the United States to Europe.” – Gregory Sholette, author of Dark Matter: Art and Politics in the Age of Enterprise Culture

“Occupy wasn’t just a movement, it is a long-standing strategy and, frankly, a form of living. Alan W. Moore has seen firsthand more squats and occupations than anyone, and he brings his sensibility to bear on this global phenomena. A must read for occupiers, whether artist, activist or renter.” – Nato Thompson, curator at Creative Time, editor of Living as Form: Socially Engaged Art from 1991-2011

Bio: Alan W. Moore worked with the artists’ groups Colab and helped start the cultural center ABC No Rio in New York City. He has published on artists’ groups, cultural districts and cultural economies, and is the author of Art Gangs: Protest and Counterculture in New York City (2011). He lives in Madrid.

Released by Minor Compositions, Wivenhoe / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info | minorcompositions@gmail.com

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

David Mabb

David Mabb

DAVID MABB

At the William Morris Gallery
Lloyd Park, Forest Road
Walthamstow, London, E17 4PP
020 8496 4390
London, United Kingdom
27 June to 27 September 2015

Open Wednesday to Sunday, 10am – 5pm; free

William Morris and Russian artist El Lissitzky both wanted to change people’s lives through their art. Whilst Morris saw beauty in the past, Lissitzky sought a new visual language for the future.

In his latest work, British artist David Mabb celebrates the utopian ideas of these two men through their seminal book designs: Morris’s Kelmscott Chaucer and Lissitzky’s For the Voice, a revolutionary book of poems by Vladimir Mayakovsky considered one of the finest achievements in Russian avant-garde bookmaking.

Comprising 30 canvasses, Announcer takes over the gallery space, interweaving and contrasting the two designs so that Morris and Lissitzky’s graphic s are never able to fully merge or separate.

William Morris Gallery: http://www.wmgallery.org.uk/

WMimages

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Test Dept

Test Dept

FUEL TO FIGHT DS30: TEST FILM & BOOK EVENT

June 13 @ 6PM, firstsite, Colchester: http://www.firstsite.uk.net/page/fuel-to-fight-ds30-test-dept-film-book-event
Followed by party at the Waiting Room
The legendary London industrial noise musicians Test Dept are presenting a special screening of their film DS30 at the firstsite on the 13 June.

Marking 30 years since the 1984-5 miners’ strike, DS30 is a political collage of sound and image. The film is set within the monumental structural lines of Dunston Staiths built on the River Tyne in 1893 to ship coal from the Durham coalfields to the world. Featuring footage of mining communities and industry along the River Tyne and of the wider mining community together with footage and sounds from Test Dept’s own archive related to the strike, DS30 reflects on the group’s nationwide Fuel to Fight Tour in support of the miners, during which they collaborated with local activists and mining communities. These included Kent miner Alan Sutcliffe, who performed as writer and guest vocalist on live and recorded material and the South Wales Striking Miners’ Choir, with whom they recorded the album ‘Shoulder to Shoulder’ to raise money for the Miners’ Hardship Fund.

This screening of DS30 is accompanied by a selection of archive material of the group on film and video and will be followed by a Q & A with founding member Paul Jamrozy, who will be joined by Peter Webb (from PC Press), and Stevphen Shukaitis (from the University of Essex).

This event also celebrates the release of the book Total State Machine, a major historical document and visual representation of Test Dept, published by PC-Press. There will be a launch event following the screening.

Test Dept formed in the decaying docklands of South London in late 1981. The group made raw, visceral music out of re-purposed scrap metal and machinery scavenged from industrial waste-ground and derelict factories; a percussive sound with a political edge performed live against monumental slide and film projections in recently abandoned industrial spaces. Drilling, pounding, grinding, metal bashing – a Constructivist/Futurist-inspired soundtrack to the death throes of industrial Britain.

SCHEDULE
6:00 PM Doors Open
6:15-7:15: Film screening
7:15-8:00 Discussion with Test Department
8:00-11:00 Move to Waiting Room for drinks, DJs

Event page: https://www.facebook.com/events/695456000563749/

Stevphen Shukaitis

Autonomedia Editorial Collective

http://www.autonomedia.org

http://www.minorcompositions.info

images (2)

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Crisis

Crisis

DANGEROUS TIMES FESTIVAL 2015

Ways to Change the World

Saturday 27th & Sunday 28th June

Rich Mix

35-47 Bethnal Green Road

LONDON E1 6LA

Website: http://dangeroustimes.net

Dangerous Times is an annual festival of radical discussion, debate, music, comedy, art.

Participants include: David Harvey, Lindsey German, Natalie Bennett, Tariq Ali, Owen Jones, John Rees, Francesca Martinez, Danny Dorling, Jeremy Corbyn, Clare Solomon, Kate Hudson, Chris Nineham, Ava Vidal, Kate Hudson, Katherine Connelly, James Meadway, Sam Fairbairn

Registration: http://www.eventbrite.co.uk/e/dangerous-times-festival-2015-tickets-15710379167

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Celestial Dome Inverted

Celestial Dome Inverted

EMBRACING THE RANDOM: ESSAYS ON THE MUSIC OF TOOL, ESOTERICISM AND CREATIVE EXPRESSION

REMINDER – CALL FOR PAPERS

Essays are invited which examine themes of the esoteric in the interconnected areas of popular culture which include the musical projects of Maynard James Keenan, visionary artwork (especially that inspired by N,N-Dimethyltryptamine (DMT or N,N-DMT)), and spiritual worldviews. This is a collection that proposes to explore these creative forms of expression, with a focus on how they manifest in contemporary Western contexts. Such scholarly analyses of this area of popular culture will add new perspectives and insights into subcultures and lifestyles as well as into the specific art and music scenes.

 

Topics could include, but are not limited to:

 Occult and mystical symbology in the music of Tool

 Essays on Maynard James Keenan’s other bands, A Perfect Circle and Puscifer

 Dreams, visions, and DMT

 Visionary art and spirituality (in Western contexts)

 Entheogens and artistic expression (in indigenous Amazonian Amerindian cultural contexts)

 Judeo-Christianity and the lyrics of Tool

 Mathematics, sacred geometry, the physical universe, cosmology, and the music of Tool

 Analysis of the artwork of Alex Grey

 Lachrymology and pseudo-religions

 Esotericism, altered states of consciousness, and music subcultures

New Materialism

New Materialism

 

Essays are invited from scholars in the disciplines of ethnomusicology, music studies, cultural studies, study of religions, art history, philosophy, psychology, and related disciplines. Cross-disciplinary analysis is welcome. Proposals should take the form of an approximately 300-500 word abstract, a provisional title, as well as a short biography (50-100 words).

All proposals must be received via email by June 15, 2015. Please send all proposals and questions to the editor, Dr Jenny Butler at j.butler@ucc.ie and cc. to butler.jennifer@gmail.com

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

TOOL

TOOL