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Tag Archives: Avant-Garde

David Mabb

David Mabb

DAVID MABB

At the William Morris Gallery
Lloyd Park, Forest Road
Walthamstow, London, E17 4PP
020 8496 4390
London, United Kingdom
27 June to 27 September 2015

Open Wednesday to Sunday, 10am – 5pm; free

William Morris and Russian artist El Lissitzky both wanted to change people’s lives through their art. Whilst Morris saw beauty in the past, Lissitzky sought a new visual language for the future.

In his latest work, British artist David Mabb celebrates the utopian ideas of these two men through their seminal book designs: Morris’s Kelmscott Chaucer and Lissitzky’s For the Voice, a revolutionary book of poems by Vladimir Mayakovsky considered one of the finest achievements in Russian avant-garde bookmaking.

Comprising 30 canvasses, Announcer takes over the gallery space, interweaving and contrasting the two designs so that Morris and Lissitzky’s graphic s are never able to fully merge or separate.

William Morris Gallery: http://www.wmgallery.org.uk/

WMimages

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

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Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Becoming Human

Becoming Human

MARXISM IN CULTURE SEMINARS – SPRING TERM 2013

Friday 22 March 2013

17:30-19:30
Room 349 (Senate House, Malet Street, London)

Anke Gilleir (University of Leuven)

“Anna Blume is Put to Death”: The Reframing of Rosa Luxemburg in the German Avant-Garde

In the eyes of many avant-garde artists and intellectuals, the leaders of the German Spartakist movement, Karl Liebknecht and Rosa Luxemburg, quite literally embodied the revolution and served as examples of a total commitment to the people’s liberation. After the brutal assassination of Liebknecht and Luxemburg in January 1919 in the wake of the so-called November Revolution, the avant-garde attempted to keep the revolution alive, in part through the commemoration of the political protagonists in its artistic productions. However, this process of immortalization reveals the boundaries of an art and literature that so far had defied all forms of traditional mimetic and iconic representation. In this paper, I focus in particular on the artistic materialization (or lack thereof) of Rosa Luxemburg, and illustrate how the German avant-gardes, with few exceptions, lacked the visual and rhetorical means to represent her as a revolutionary woman intellectual. 

Anke Gilleir is associate professor of Modern German literature at the University of Leuven, where she teaches various subjects on the bachelor and master program. Her main point of interest since the beginning of her research has been “extraordinary women who in eccentrical directions [rush] out of the orbit prescribed to their sex” (Mary Wollstonecraft) in the field of literature from the late eighteenth century onward. In contemporary terms this means that gender is the leitmotiv in her research on German women’s literature, on literature and politics, aesthetics, ideology and intellectualism, and historiography of literature. Her latest publication is a volume on the German-Jewish author and philosopher Margarete Susman (1872-1966): Grenzgänge zwischen Dichtung, Philosophie und Kulturkritik. Über Margarete Susman (Wallstein Göttingen 2012, co-edited with Barbara Hahn) and together with Lorella Bosco she is currently preparing a volume on women artists and writers of the German avant-garde: Schmerz, Lust. Weibliche Avantgarde in Deutschland.

All welcome.

www.marxisminculture.org

First published in: http://www.historicalmaterialism.org/news/distributed/next-marxism-in-culture-senate-house-friday-22-march

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Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales); and at http://www.youtube.com/watch?v=YkP_Mi5ideo (new remix, and new video, 2012)  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

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The Flow of Ideas: http://www.flowideas.co.uk

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Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Radical Thinkers

RADICAL THINKERS SET 5 & RADICAL THINKERS CLASSIC EDITIONS

OUT NOW

————————————–
RADICAL THINKERS SET 5

Verso presents Set 5 of the highly popular Radical Thinkers series,
continuing its commitment to bring classic works of philosophy to a new
audience readership through affordable, attractively designed new editions.
—————————————-
LAUNCH EVENT with TARIQ ALI and PETER OSBORNE

MEDITATIONS ON SPINOZA: THE APOSTLE OF REASON
http://www.tate.org.uk/modern/eventseducation/film/22966.htm

Part of the ‘In Defense of Philosophy’ series at Tate Modern

Friday 25th February 2011, 18.30
Tate Modern, Bankside London SE1 9TG

Christopher Spencer’s SPINOZA: THE APOSTLE OF REASON (1994) is the second film to be shown in the In Defense of Philosophy series. Written by Tariq Ali, the film presents the life and thought of Baruch Spinoza against the turmoil of seventeenth-century Europe. A fascinating modern man, Spinoza challenged orthodoxy in both religion andpolitics, angering his traditional contemporaries. Spinoza’s remarkable intellectual legacy has influenced thinkers as varied as Ludwig Wittgenstein, Gilles Deleuze, Albert Einstein and John Berger.

The film will be followed by a conversation with Tariq Ali and Peter Osborne.

Tate Modern Starr Auditorium
£10 (£8 concessions), booking recommended

For tickets book online here: http://www.tate.org.uk/modern/eventseducation/film/22966.htm or call 020 7887 8888.
—————————————-
RADICAL THINKERS SET 5

OUT NOW

ALL BOOKS / PAPERBACK / ONLY ?8.99/$15.95
BUY THE FULL SET FOR THE DISCOUNT PRICE OF ?85
—————————————
Louis Althusser – MACHIAVELLI AND US, 978 1 84467 675 0
“Althusser, poised between modernism and postmodernism, meets Machiavelli, poised between the Middle Ages and modernity.”–Antonio Negri.
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Etienne Balibar and Immanuel Wallerstein – RACE, NATION, CLASS: AMBIGUOUS
IDENTITIES, 978 1 84467 671 2
The modernity of racism and its relationship to contemporary capitalism.
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Jean Baudrillard – PASSWORDS, 978 1 84467 676 7
In the spirit of Deleuze’s Abécédaire, PASSWORDS offers twelve entry
points into Baudrillard’s thought.
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Jeremy Bentham – THE PANOPTICON WRITINGS, 978 1 84467 666 8
A definitive collection of Bentham’s work on the model prison, key to Foucault’s theory of power
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Guy Debord – COMMENTS ON THE SOCIETY OF THE SPECTACLE,
978 1 84467 672 9
“Guy Debord is a time bomb, and a difficult one to defuse.” – Michael Löwy
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Hal Foster – DESIGN AND CRIME, 978 1 84467 670 5
“DESIGN AND CRIME is cool, measured, and steady, like a Gunsmoke shootout.”–Greil Marcus
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André Gorz – CRITIQUE OF ECONOMIC REASON, 978 1 84467 667 5
“Gorz’s greatest work, and a crucial book for our time” — LE MONDE

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Fredric Jameson – BRECHT AND METHOD, 978 1 84467 677 4

“Elegant dissection of Brecht’s method, from estrangements to allegory and beyond”– MODERN DRAMA
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Peter Osborne – THE POLITICS OF TIME: MODERNITY AND AVANT-GARDE, 978 1
84467 673 6
Elaborates a dialectics of modernity, eternity and tradition.
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Edward W. Soja – POSTMODERN GEOGRAPHIES: THE REASSERTION OF SPACE IN
CRITICAL SOCIAL THEORY, 978 1 84467 669 9
“One of the most challenging and stimulating books ever written”—David Harvey
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Sebastiano Timpanaro – FREUDIAN SLIP: PSYCHOANALYSIS AND TEXTUAL
CRITICISM, 978 1 84467 674 3
“A firework display of erudition.”–Perry Anderson
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Slavoj Žižek, Ernesto Laclau, and Judith Butler – CONTINGENCY, HEGEMONY,
UNIVERSALITY, 978 1 84467 668 2
The Hegelian legacy, Left strategy, and post-structuralism versus Lacanian psychoanalysis
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RADICAL THINKERS SET 5 (full set) 978 1 84467 678 1
—————————————–
Praise for RADICAL THINKERS:

“An extremely pleasant surprise: a new imprint from Verso called Radical Thinkers, and a pile of white-covered paperbacks by the likes of Theodor Adorno, Fredric Jameson, Guy Debord and Walter Benjamin. Not only do they have nifty cover designs, they are ridiculously cheap.” Nick Lezard, GUARDIAN:  http://www.guardian.co.uk/books/2009/aug/15/jean-baudrillard-transparency-of-evil

“A compendium of left-wing philosophical and political thought, inoculating it against the ‘great idea’ of philosophy-as-self-help. As a way of transforming… formless disgust into educated critique, these books are a fine, cheap and decidedly elegant starting point.” —  Owen Hatherley http://www.3ammagazine.com/3am/radical-thought/

“A golden treasury of theory” — Eric Banks, BOOKFORUM

“Verso’s beautifully designed Radical Thinkers series, which brings together seminal works by leading left-wing intellectuals, is a sophisticated blend of theory and thought. The 12 authors whose writings are included in the series have worked tirelessly to expose the mechanisms by which culture and knowledge are manufactured, managed and controlled” — Ziauddin Sardar, NEW STATESMAN http://www.newstatesman.com/200604170041
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For more information & to buy the books visit: http://www.versobooks.com/series_collections/5-radical-thinkers
—————————————-
RADICAL THINKERS CLASSIC EDITIONS
—————————————-
To celebrate 40 years of radical publishing, Verso is reissuing four of the most popular and seminal titles from previous Radical Thinkers series in beautiful new hardback editions with black and red foil-embossed covers.
—————————————-
RADICAL THINKERS CLASSIC EDITIONS:

HARDBACKS (EACH) ?14.99/$24.95
BUY THE FULL SET FOR THE DISCOUNT PRICE OF £45
—————————————-
Theodor Adorno – MINIMA MORALIA: REFLECTIONS FROM DAMAGED LIFE, 978 1 84467 661 3

“A classic of twentieth century thought…whose translation is by far the best yet done of any work of Critical Theory.” – TIMES LITERARY SUPPLEMENT

“A volume of Adorno is equivalent to a whole shelf of books on literature.” – Susan Sontag
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Louis Althusser – FOR MARX, 978 1 84467 662 0

“Louis Althusser influenced so many discourses, actions and existences by the radiant and provocative voice of his thought” –– Jacques Derrida
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Raymond Williams – CULTURE AND MATERIALISM, 978 1 84467 663 7

“The left’s foremost cultural historian and critic” – COMMENT
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Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertold Brecht, Georg Lukács
– AESTHETICS AND POLITICS, 978 1 84467 664 4

“They are key texts in the study of modernism, of expressionist drama and of realism, and of many closely related general questions … It is genuinely an indispensable volume” — Raymond Williams
———————————–
Radical Thinkers Classic Editions (full set) 978 1 84467 665 1
————————————
For more information and to buy the books visit: http://www.versobooks.com/series_collections/14-14-radical-thinkers-classic-editions
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Become a fan of Verso on Facebook: http://www.facebook.com/#!/pages/Verso-Books-UK/122064538789
And get updates on Twitter too: http://twitter.com/VersoBooksUK

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Volumizer: http://glennrikowski.blogspot.com

The Black Rock

SEMINAR ON THE AVANT-GARDE

KCL EUROPEAN STUDIES RESEARCH STUDENTS SEMINAR presents:

Tuesday 2nd November 2010, 5pm

Chrysi Papaioannou – From New Left Books to the October group: editorial collectives, publishing houses, and the emergence of an avant-garde paradigm

All meetings in room D11, French Department, East Wing, Strand Campus

All welcome!

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The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Eisenstein

EISENSTEIN-CINEMA-HISTORY

SEMINAR AND CONFERENCE

Featuring the World Premiere of Sergei Eisenstein’s UNPUBLISHED “Notes for a General History of Cinema”
Free and Open to the Public

Sept. 30 & Oct. 1, 2010, Columbia University
http://museonazionaledelcinema.it/filmtheories/events.php?id=10

SEMINAR: Thursday, Sept. 30
7:30 PM – 9:30 PM
Columbia University: Faculty House (64 Morningside Drive, New York, NY – click for map)

Speaker: Antonio Somaini (Professor, University of Genoa)
“The Possibilities of Cinema: History as montage in Eisenstein’s ‘Notes for a General History of Cinema'”
Respondent: John MacKay (Professor of Slavic Literature and Language, Yale University)
CONFERENCE: Friday, Oct. 1

9:00 AM – 6:30 PM
Columbia University: 501 Schermerhorn, (1190 Amsterdam Ave., New York, NY – click for map) Conference Schedule:

9:00 AM – 10:20 AM    Panel: “Eisenstein and the Comic”

Hannah Frank (Graduate Student in Cinema Studies, University of Chicago)
      “‘A New Kind of Weapon’: Eisenstein’s Drawings as a Theory of the Comic”
Ada Ackerman (Graduate Student in Art History, Paris-Ouest-Nanterre-La Défense and Université de Montréal)
      “Why Daumier’s art seemed so ‘cinematic’ to Eisenstein”
Luka Arsenjuk (Graduate Student in Literature, Duke University)
      “Eisenstein’s Comic Dynamism”

10:20 AM – 10:45 AM Coffee Break

10:45 AM – 12:00 PM
Yuri Tsivian (Professor of Art History, University of Chicago)
            “Chaplin and the Russian Avant-Garde: The Law of Fortuity in Art”
12:15 PM – 1:45 PM Lunch Break

2:00 PM – 3:00 PM
Masha Salazkina (Associate Professor of Cinema, Concordia University)
       “Eisenstein’s General History of Cinema: General Historical Context”

3:00 PM – 4:00 PM
Mikhail Iampolski (Professor of Comparative Literature and Russian and Slavic Studies, NYU)
       “Point, Pathos and Totality”

4:00 PM – 4:20 PM Coffee Break

4:20 PM – 6:00 PM Roundtable Discussion
Moderator:  Philip Rosen (Professor of Modern Culture and Media, Brown University)
Participants: Antonio Somaini, Yuri Tsivian, Masha Salazkina, Mikhail Iampolski, John MacKay

6:00 PM – 6:45 PM Reception: Schermerhorn

6:45 PM Film Screening (501 Schermerhorn): News From Ideological Antiquity: Marx – Eisenstein – Capital (Directed by Alexander Kluge, 2008, 84 min.) 
Sponsors: Columbia University Seminars on Cinema & Interdisciplinary Interpretation and Sites of Cinema, The Harriman Institute, Film Program, School of the Arts, Columbia University, Permanent Seminar on Histories of Film Theories, Museo del cinema di Torino, Turin, Italy: http://museonazionaledelcinema.it/filmtheories

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—END—

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

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The Flow of Ideas: http://www.flowideas.co.uk

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Just Space

SPACES OF ALTERITY

Conference: Call for Papers

Spaces of Alterity: Conceptualising Counter-Hegemonic Sites, Practices and Narratives

University of Nottingham, UK
28th-29th April 2011

Confirmed Plenary Speakers:

China Miéville and Dr. Alberto Toscano

This two day international conference for postgraduate and early career researchers explores interdisciplinary conceptions and representations of radical, counter-hegemonic space.

As concerns grow over such issues as spatial privatisation, commodification and homogenisation, surveillance, extra-legal spaces, social and political ‘non-spaces’, and the loss of common or public spaces, so too a plethora of interventions—across genre and disciplinary boundaries—have been launched in opposition to these trends. Examples are diverse, and can be found, for example, in literary studies of estranging narratives in contemporary fiction; spatial representations in film, TV and new media; the creation of critical spaces of alterity in political activism (such as semi-autonomous zones); psychogeographical spatial strategies, and philosophical and theoretical conceptions of counter-hegemonic space.

We invite proposals for papers of 20 minutes from candidates across the arts and humanities, welcoming individual papers as well as group panels that respond to these and other conceptions of counter-hegemonic “Spaces of Alterity”. Possible research questions include, but are not limited to:

    • What estranging utopian, dystopian, post-apocalyptic and science fiction spaces of alterity are being utilised in contemporary aesthetic and cultural productions, e.g. film, literature, TV, art, computer games?
    • How do these narratives travel across media and what changes occur when they are adapted, reworked and transformed? What research questions are raised by such collaborations, transmissions and intermedial dialogues?
    • How can we approach traditionally-understood print and audio-visual texts in relation to virtual spaces of alterity, such as fan-based communities, social networking sites and other sites developed through user-generated content (UGC)?
    • What are the relationships between textual spaces of alterity and non-textual forums, communities and dialogues?
    • What physical spaces of alterity are being constructed in contemporary urban environments?
    • How are such spaces critical, oppositional or subversive and how do they draw on the contributions of local communities and organisations?
    • How do spaces of alterity which are informed by traditionally-understood “texts” function on the Internet and how can they inform our understanding of filmic, visual and literary textual methodologies and approaches?
    • What forms can counter-hegemonic, avant-garde, or ‘subtractive’ spaces—which can be spatial, but also temporal or conceptual—take?
    • What political, artistic, or scientific practices can such spaces foster? How does distance from institutions help form alternative political, literary and artistic practices?

Abstracts of 250-300 words should be sent by email as a Word attachment to spacesofalterity@gmail.com by Wednesday 3rd November 2010 and should include name, affiliation, e-mail address, title of paper and 4 keywords.

Conference website: http://www.nottingham.ac.uk/cultural-studies/research/conferences.aspx

Speakers:

China Miéville is a distinguished “Weird Fiction” novelist, activist, and lecturer in creative writing at the University of Warwick. His publications include King Rat (1998), Perido Street Station (2000), and Iron Council (2004). In 2010 he won the Arthur C. Clarke Award for an unprecedented second time with his latest novel, The City and the City (2009).

Alberto Toscano is senior lecturer in Philosophy at Goldsmiths, University of London. He has published extensively on social and political subjectivity, biopolitics, and the philosophy of Alain Badiou. His most recent work is Fanaticism (2010, Verso)

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Cold Hands & Quarter Moon Profile: https://rikowski.wordpress.com/cold-hands-quarter-moon/

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No Future

NO FUTURE

NO FUTURE: AN INTER-DISCIPLINARY INTERNATIONAL CONFERENCE
Durham University, UK
25-27 March 2011

First Call for Papers

From biblical apocalypse to the nihilism of the late nineteenth century, from the Enlightenment invention of progress to the counter-cultures of the late twentieth century, from technological utopianism to contemporary anticipations of environmental catastrophe, western civilization has been consistently transfixed by the figurative potential of the future. ‘No Future’ seeks to connect and inter-animate these disparate ways of thinking about the future, while at the same time questioning the basis of the various discourses of futurity they have produced, and which have proliferated in recent years. ‘No Future’ thus also implicitly questions what it is – other than the preoccupations of the present – that is invoked when we talk about the future.

The conference aims to stage a series of inter-disciplinary encounters around these different senses of ‘No Future’, and to examine the value and implications of adopting a ‘futurist’ position across and between a range of disciplines in the Humanities and Social Sciences. Contributions may take retrospective form, re-assessing significant moments in past discourses of futurity such as apocalypticism, Enlightenment ideas of progress, the persistence of the apparent dialectical unity of utopia/dystopia, the constructions of Modernism and the Historical Avantgarde, the symbolic projections of psychoanalytic theory. Others might examine the disciplinary shifts that have displaced or dispersed avantgardism in postmodernity, opening out onto such themes as transhumanism, post-postmodern reinflections of the dialectic, and various forms of contemporary utopianism. All of these are related to the central question of the ideological and aesthetic implications of any appeal to futurity, at the heart of which lies the tension between the future as rhetorical evasion and the future as the most persistent and deeply embedded of all heuristic devices.

Keynote speakers:
Mikhail Epstein (Emory)
Jean-Michel Rabaté (Pennsylvania)
Patricia Waugh (Durham)

Plenary panels:

Apocalyptic Futures
Lenin and Futurity
Bloch and Utopian Futures

Proposals for individual papers or integrated panels that engage with any aspect of the central theme are invited. Papers should be of 20 minutes duration to allow adequate time for discussion, and proposals for integrated panels should comprise a chair and three speakers.

Proposals that specifically engage with any of the following themes are particularly welcome:

Ontologies of the Future
Forms of Utopia
Dystopian Futures
Aesthetics and Technology
Eco-criticism and Ecotopia
Gendered Futures
Transhumanism
Futurism(s)
Futures of Freud
Dialectics of the Future
The Future of Theory

Proposals should be no longer than 250 words and should be submitted as an attachment to: alastair.renfrew@durham.ac.uk by Friday 2nd July 2010.

Further information will be available in due course at the conference web-site: http://www.dur.ac.uk/mlac/research/nofuture

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Noir

Noir

FILM NOIR, AMERICAM WORKERS AND POSTWAR HOLLYWOOD

 

New Noir Book:

“Busts This Town Wide Open”: Film Noir, American Workers and Postwar Hollywood

Dennis Broe, University of Florida Press

Order now for a 40% Discount with Code Listed Below

Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Broe’s interdisciplinary examination is a cogent argument for the centrality of class in the creation of film noir, demonstrating how the form itself came to fruition during one of the most active periods of working-class agitation and middle-class antagonism in American history.

In the 1940s, both radicalized union members and protagonists of noir films were hunted and pursued by the law. The book details how, after World War II, members of the labor movement who waged a series of strikes that paralyzed American industry, including Hollywood, were forced to use extralegal means because of pressure applied by new legislation such as the Taft-Hartley Act. In the same way the film noir protagonist moves further and further outside the law in this period until the films become a lament for a change hoped for but not achieved. The book then marks the sharp distinction between noir and the police procedural where the working class cop, now shorn of his or her radical sympathies, becomes the subject of the film.

A coda describes noir under Reagan and Bush (“A Thousand Points of Dark”) and post-9/11 noir which alternately resists and validates the replaying of the Cold War as the War on Terror.

What the Critics are saying:

‘[This is] an intriguing study of U.S. film noir as a left-wing cultural formation. Broe makes an informative and convincing case for the repressed, often overlooked working class determinants of early noir, and his discussion of individual films is consistently insightful. This is an important addition to the literature on the subject.’ James Naremore, author of More Than Night: Film Noir in Its Contexts

‘With keen insight and a deep appreciation of the politics of film noir, Broe has broken new ground in the interpretation of cinema itself. With this book film noir has found its most astute and informed critic.’ Gerald Horne, author of Class Struggle in Hollywood, 1930-50

‘Broe puts the red back in the black. His book contours amidst the shadows of film noir those battles and tussles of the laboring classes that have too often been written out of film history, as out of the authorized narrative of U.S. history. Through wonderfully synthetic overviews and deft extended readings, a panoply of films is shown to chart in devious and overt ways the ups and down of union power and working class perspectives.’ Esther Leslie, author of Walter Benjamin and Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde

‘[The book is] a bracing alternative history of how noir represented the roiling state of American culture in the 1940s … His categorization scheme will carry great weight in all future discussion of noir’s thematic landscape.’ Donald Malcolm, Noir City Sentinel

For a special 40% discount, until October 1, 2009, call toll free 800-226-3822, or order online at: http://upf.com/book.asp?id=BROEXS07 with discount code NOIR9.

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