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Decentering Rushdie: Cosmopolitanism and the Indian Novel in English
Ohio State University Press
By Pranav Jani

2010 304 pp.
$49.95 cloth 978-0-8142-1133-5
$9.95 CD 978-0-8142-9232-7

Book website:

“Pranav Jani’s scholarship is sound and invitingly written—calm, patient, and exacting. This is a valuable contribution to postcolonial scholarship, and I would definitely assign it to my students in graduate seminars. It is very welcome to see this important case made—one that a few scholars have broached in other ways—and Jani does it beautifully.” —Timothy Brennan, professor of Cultural Studies and Comparative Literature, University of Minnesota

“Pranav Jani’s Decentering Rushdie is a lucid, insightful treatment of seven Anglophone Indian novels written by five different authors, and it will go a long way toward raising awareness of these often overlooked writers. Jani also highlights the achievements of Indian women writers. I strongly recommend it to anyone interested in Anglophone Indian novels.” —Patrick Colm Hogan, professor of English, University of Connecticut

Interrogating current theories of cosmopolitanism, nationalism, and aesthetics in Postcolonial Studies, Decentering Rushdie offers a new perspective on the Indian novel in English. Since Salman Rushdie’s Midnight’s Children won the Booker Prize in 1981, its postmodern style and postnational politics have dominated discussions of postcolonial literature. As a result, the rich variety of narrative forms and perspectives on the nation that constitute the field have been obscured, if not erased altogether.

Reading a range of novels published between the 1950s and 1990s, including works by Nayantara Sahgal, Kamala Markandaya, Anita Desai, and Arundhati Roy, Decentering Rushdie suggests an alternative understanding of the genre in postcolonial India. Pranav Jani documents the broad shift from nation-oriented to postnationalist perspectives following the watershed crisis of the Emergency of the 1970s. Recovering the “namak-halaalcosmopolitanism” of early novels—a cosmopolitanism that is “true to its salt”—Decentering Rushdie also explains the rise and critical celebration of postnational cosmopolitanism.

Decentering Rushdie thus resituates contemporary literature within a nuanced history of Indian debates about cosmopolitanism and the national question. In the process, Jani articulates definitions of cosmopolitanism and nationalism that speak to the complex negotiation of language, culture, and representation in postcolonial South Asia.

Pranav Jani is assistant professor of English at The Ohio State University.

For more information visit: or call 800-621-2736 to place an order.

The Ohio State University Press
180 Pressey Hall
1070 Carmack Rd.
Columbus, Ohio 43210

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Labor and the Logic of Abstraction: An Interview with Moishe Postone


In this interview with Timothy Brennan, Moishe Postone, author of Time, Labor, and Social Domination, discusses the Marxian critical theory of capitalism against the background of the author’s intellectual biography and central historical developments of recent decades. The interview focuses on his reinterpretation of Karl Marx’s critical theory, especially on the notion of the historical specificity of the categories that purportedly grasp capitalism and its historical dynamic. It also engages the author’s understandings of Georg Lukács, the Frankfurt School, and poststructuralism, while addressing issues of capitalism’s historical transformations, its possible abolition, and the reconstitution of progressive politics. 

From South Atlantic Quarterly, Vol.108 No.2, pp.305-330 (2009), at:



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