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Aesthetics

Aesthetics

BOOM!

BOOM! Growth, Form and Sustainable Bodies 1946–67

4-5 April

History of Art Department

University College London

 

CALL FOR PAPERS

This conference is organised to coincide with the Richard Hamilton retrospective at the Tate Modern in February 2014, which will include the reconstruction of Growth and Form (ICA, 1951). Growth and Form negotiated a problematic that in the two decades after the end of WWII preoccupied different strands of artistic and architectural research across Europe. Namely, the effects of booming expansion – economic, demographic, urban, technological, material, visual –  on the embodied subject within the context of a spreading capitalist pan-humanism championed abroad by the US. Some of the key historical coordinates that this conferences sets out to engage with in relation to cultural production include: the so-call consumer-led miracle in Europe, the international context of Edward Steichen’s The Family of Man (1955), the baby boom, Hiroshima and Nagasaki, the first tests of the H-bomb, postwar developments in cybernetics and artificial intelligence, futurology and technological dystopia.

We encourage submissions for 30 minutes papers in the following areas of research: growth, reproducibility and sustainability as artistic strategies; urban growth, future habitats and exhibitions as habitats; technology, ecology and new sciences in art and exhibition making; humanism, ecology and sustainability; reproduction and feminist practices. We invite papers that address how artworks, films, images and exhibitions in the 1950s and early 60s mediated this experience within the boundaries of US-rescued Europe and explore the extent to which the local, national and global became increasingly interdependent for artists caught between the end of WWII and the early Cold War phase.

DEADLINE for submission: extended to 25 February 2014

Abstracts should be no longer than 300 words. Please include your name, email address and institutional affiliation (where possible) at the end of the document.

Send to: BoomUCL@gmail.com

Organised by Giulia Smith and Teresa Kittler

**END**

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Radical Thinkers

RADICAL THINKERS SET 5 & RADICAL THINKERS CLASSIC EDITIONS

OUT NOW

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RADICAL THINKERS SET 5

Verso presents Set 5 of the highly popular Radical Thinkers series,
continuing its commitment to bring classic works of philosophy to a new
audience readership through affordable, attractively designed new editions.
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LAUNCH EVENT with TARIQ ALI and PETER OSBORNE

MEDITATIONS ON SPINOZA: THE APOSTLE OF REASON
http://www.tate.org.uk/modern/eventseducation/film/22966.htm

Part of the ‘In Defense of Philosophy’ series at Tate Modern

Friday 25th February 2011, 18.30
Tate Modern, Bankside London SE1 9TG

Christopher Spencer’s SPINOZA: THE APOSTLE OF REASON (1994) is the second film to be shown in the In Defense of Philosophy series. Written by Tariq Ali, the film presents the life and thought of Baruch Spinoza against the turmoil of seventeenth-century Europe. A fascinating modern man, Spinoza challenged orthodoxy in both religion andpolitics, angering his traditional contemporaries. Spinoza’s remarkable intellectual legacy has influenced thinkers as varied as Ludwig Wittgenstein, Gilles Deleuze, Albert Einstein and John Berger.

The film will be followed by a conversation with Tariq Ali and Peter Osborne.

Tate Modern Starr Auditorium
£10 (£8 concessions), booking recommended

For tickets book online here: http://www.tate.org.uk/modern/eventseducation/film/22966.htm or call 020 7887 8888.
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RADICAL THINKERS SET 5

OUT NOW

ALL BOOKS / PAPERBACK / ONLY ?8.99/$15.95
BUY THE FULL SET FOR THE DISCOUNT PRICE OF ?85
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Louis Althusser – MACHIAVELLI AND US, 978 1 84467 675 0
“Althusser, poised between modernism and postmodernism, meets Machiavelli, poised between the Middle Ages and modernity.”–Antonio Negri.
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Etienne Balibar and Immanuel Wallerstein – RACE, NATION, CLASS: AMBIGUOUS
IDENTITIES, 978 1 84467 671 2
The modernity of racism and its relationship to contemporary capitalism.
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Jean Baudrillard – PASSWORDS, 978 1 84467 676 7
In the spirit of Deleuze’s Abécédaire, PASSWORDS offers twelve entry
points into Baudrillard’s thought.
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Jeremy Bentham – THE PANOPTICON WRITINGS, 978 1 84467 666 8
A definitive collection of Bentham’s work on the model prison, key to Foucault’s theory of power
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Guy Debord – COMMENTS ON THE SOCIETY OF THE SPECTACLE,
978 1 84467 672 9
“Guy Debord is a time bomb, and a difficult one to defuse.” – Michael Löwy
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Hal Foster – DESIGN AND CRIME, 978 1 84467 670 5
“DESIGN AND CRIME is cool, measured, and steady, like a Gunsmoke shootout.”–Greil Marcus
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André Gorz – CRITIQUE OF ECONOMIC REASON, 978 1 84467 667 5
“Gorz’s greatest work, and a crucial book for our time” — LE MONDE

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Fredric Jameson – BRECHT AND METHOD, 978 1 84467 677 4

“Elegant dissection of Brecht’s method, from estrangements to allegory and beyond”– MODERN DRAMA
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Peter Osborne – THE POLITICS OF TIME: MODERNITY AND AVANT-GARDE, 978 1
84467 673 6
Elaborates a dialectics of modernity, eternity and tradition.
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Edward W. Soja – POSTMODERN GEOGRAPHIES: THE REASSERTION OF SPACE IN
CRITICAL SOCIAL THEORY, 978 1 84467 669 9
“One of the most challenging and stimulating books ever written”—David Harvey
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Sebastiano Timpanaro – FREUDIAN SLIP: PSYCHOANALYSIS AND TEXTUAL
CRITICISM, 978 1 84467 674 3
“A firework display of erudition.”–Perry Anderson
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Slavoj Žižek, Ernesto Laclau, and Judith Butler – CONTINGENCY, HEGEMONY,
UNIVERSALITY, 978 1 84467 668 2
The Hegelian legacy, Left strategy, and post-structuralism versus Lacanian psychoanalysis
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RADICAL THINKERS SET 5 (full set) 978 1 84467 678 1
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Praise for RADICAL THINKERS:

“An extremely pleasant surprise: a new imprint from Verso called Radical Thinkers, and a pile of white-covered paperbacks by the likes of Theodor Adorno, Fredric Jameson, Guy Debord and Walter Benjamin. Not only do they have nifty cover designs, they are ridiculously cheap.” Nick Lezard, GUARDIAN:  http://www.guardian.co.uk/books/2009/aug/15/jean-baudrillard-transparency-of-evil

“A compendium of left-wing philosophical and political thought, inoculating it against the ‘great idea’ of philosophy-as-self-help. As a way of transforming… formless disgust into educated critique, these books are a fine, cheap and decidedly elegant starting point.” —  Owen Hatherley http://www.3ammagazine.com/3am/radical-thought/

“A golden treasury of theory” — Eric Banks, BOOKFORUM

“Verso’s beautifully designed Radical Thinkers series, which brings together seminal works by leading left-wing intellectuals, is a sophisticated blend of theory and thought. The 12 authors whose writings are included in the series have worked tirelessly to expose the mechanisms by which culture and knowledge are manufactured, managed and controlled” — Ziauddin Sardar, NEW STATESMAN http://www.newstatesman.com/200604170041
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For more information & to buy the books visit: http://www.versobooks.com/series_collections/5-radical-thinkers
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RADICAL THINKERS CLASSIC EDITIONS
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To celebrate 40 years of radical publishing, Verso is reissuing four of the most popular and seminal titles from previous Radical Thinkers series in beautiful new hardback editions with black and red foil-embossed covers.
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RADICAL THINKERS CLASSIC EDITIONS:

HARDBACKS (EACH) ?14.99/$24.95
BUY THE FULL SET FOR THE DISCOUNT PRICE OF £45
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Theodor Adorno – MINIMA MORALIA: REFLECTIONS FROM DAMAGED LIFE, 978 1 84467 661 3

“A classic of twentieth century thought…whose translation is by far the best yet done of any work of Critical Theory.” – TIMES LITERARY SUPPLEMENT

“A volume of Adorno is equivalent to a whole shelf of books on literature.” – Susan Sontag
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Louis Althusser – FOR MARX, 978 1 84467 662 0

“Louis Althusser influenced so many discourses, actions and existences by the radiant and provocative voice of his thought” –– Jacques Derrida
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Raymond Williams – CULTURE AND MATERIALISM, 978 1 84467 663 7

“The left’s foremost cultural historian and critic” – COMMENT
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Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertold Brecht, Georg Lukács
– AESTHETICS AND POLITICS, 978 1 84467 664 4

“They are key texts in the study of modernism, of expressionist drama and of realism, and of many closely related general questions … It is genuinely an indispensable volume” — Raymond Williams
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Radical Thinkers Classic Editions (full set) 978 1 84467 665 1
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For more information and to buy the books visit: http://www.versobooks.com/series_collections/14-14-radical-thinkers-classic-editions
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Violence

VIOLENCE AND REPRESENTATION

Saturday 18 September 2010, 10.30–17.00

To coincide with the exhibition Exposed: Voyeurism, Surveillance and the Camera, this symposium explores violence as a subject in relation to representations in the broadest range of historical and geographical contexts. It includes international artists, photojournalists and theorists who from their distinctive perspectives will attempt to unveil notions of spectatorship and consumption of violent images in contemporary culture. Key questions will encompass the notion of the political, apolitical or depoliticised spectator of representations of violence; the consequences of these kinds of practice and the difference between photo reportage and art photography. 

Speakers include Shahidul Alam, Steve Edwards, Susan Meiselas, Simon Norfolk, John Roberts, Julian Stallabrass and Alberto Toscano.

Supported by Oxford Art Journal, the Open University and the British Council

Tate Modern Starr Auditorium
£20 (£15 concessions), booking recommended

Violence and Representation

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Boris Groys

A POST-COMMUNIST MANIFESTO

Boris Groys talks at the ICA

Wednesday 21st July, 6.45pm

Institute of Contemporary Art
12 Carlton House Terrace
London
SW1Y 5AH

Tickets £12

With the collapse of neoliberalism, the idea of communism has made a surprise return to the table.  Thinkers such as Slavoj Zizek, Toni Negri and Alain Badiou, have argued that communism, a society based on equality, is now proved to be the only alternative to the chaos of capitalism. Building on this discussion, the renowned art critic and thinker Boris Groys argues that the strength of the communist vision comes from the fact that it represents the subordination of the economy to politics.

For more information on the event or to buy tickets go to:
http://ica.org.uk/24948/Talks/Boris-Groys-A-PostCommunist-Manifesto.html

Or call the ICA box office on +44 (0)20 7930 3647

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COMRADES OF TIME

Boris Groys’s lecture at the TATE MODERN

Thursday 22nd July, 6.30-8pm
Tate Modern
Starr Auditorium
53 Bankside
London
SE1 9TG

Tickets £10

In this special lecture Boris Groys, will respond to the FRANCIS ALYS’ exhibition at Tate Modern with the provocative and counter-intuitive insight that has made him one of the most important thinkers and art critics today.

For more information on the event or to buy tickets go to:
http://www.tate.org.uk/modern/eventseducation/talksdiscussions/22015.htm

Or call the TATE box office on +44 (0)20 7887 8888

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Boris Groys is Professor of Aesthetics, Art History, and Media Theory at the Center for Art and Media Technology in Karlsruhe, and since 2005, the Global Distinguished Professor in the Faculty of Arts and Science, NYU. He has published numerous books including Art Power and The Total Art of Stalinism.

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Since Plato, philosophers have dreamed of establishing a rational state rules through the power of language. In this radical and disturbing account of Soviet philosophy, Boris Groys argues that communism shares that dream and is best understood as an attempt to replace financial with linguistic bonds as the cement uniting society. The transformative power of language, the medium of equality, is the key to any new communist revolution.

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For more information visit: http://www.versobooks.com/books/ghij/g-titles/groys_boris_the_communist_postscript.shtml

To buy this book in the UK: http://www.bookdepository.co.uk/book/9781844674305/The-Communist-Postscript

or: http://www.amazon.co.uk/Communist-Postscript-Boris-Groys/dp/1844674304/ref=sr_1_1?ie=UTF8&s=books&qid=1265807841&sr=8-1-spell

To buy the book in the US: http://www.amazon.com/Communist-Postscript-Boris-Groys/dp/1844674304/ref=sr_1_1?ie=UTF8&s=books&qid=1265807799&sr=1-1-spell

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Don’t Look Back
Radical Thinkers and the Arts since 1909

Thursday 26 November 2009, 18.30–20.00

On the 100th anniversary of the Futurism Manifesto, join critical thinkers Terry Eagleton, Simon Critchley, Kate Soper, Eyal Weizman, and chair Alberto Toscano in exploring a century of radical thinking and the arts – and debating what lies ahead. The recent Futurism exhibition at Tate Modern reminds us of an age when politics and aesthetics were densely interwoven in an explosive rejection of the past. This distinguished panel will assess the legacy of modernism to ask how today’s radical thinkers might understand the role of the arts at the dawn of the twenty first century and beyond.

Speakers:

Terry Eagleton is Professor of English Literature at the University of Lancaster and author of Literary Theory: An Introduction, The Illusions of Postmodernism and Reason, Faith, and Revolution: Reflections on the God Debate.

Simon Critchley is Professor of Philosophy at the New School for Social Research in New York and author of The Book of Dead Philosophers, On Humour and Continental Philosophy: A Very Short Introduction.

Kate Soper is a Professor in the Department of Humanities, Arts and Languages at London Metropolitan University and author of To Relish the Sublime: Culture and Self-realisation in Postmodern Times and What Is Nature?: Culture, Politics and the Non-Human.

Eyal Weizman is an architect and Director of the Centre for Research Architecture at Goldsmiths College, University of London and author of Hollow Land: Israel’s Architecture of Occupation.

Chair: Alberto Toscano, editor of Historical Materialism, lecturer in sociology at Goldsmiths College, University of London and author of The Theatre of Production: Philosophy and Individuation Between Kant and Deleuze.

In collaboration with Verso to coincide with the of launch of Set 4 of Verso’s Radical Thinkers series.

Supported by New Statesman

Tate Britain  Auditorium
£8 (£6 concessions), booking recommended
For tickets book online
or call 020 7887 8888

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