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Dead Man Working

Dead Man Working

DEAD MAN WORKING

NEW TITLE FROM ZerO Books

Dead Man Working

By Carl Cederstrom and Peter Fleming

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Capitalism has become strange. Ironically, while the ‘age of work’ seems to have come to an end, working has assumed a total presence – a ‘worker’s society’ in the worst sense of the term – where everyone finds themselves obsessed with it. So what does the worker tell us today? ‘I feel drained, empty – dead’; This book tells the story of the dead man working. It follows this figure through the daily tedium of the office, to the humiliating mandatory team building exercise, to awkward encounters with the funky boss who pretends to hate capitalism and tells you to be authentic. In this society, the experience of work is not of dying…but neither of living. It is one of a living death. And yet, the dead man working is nevertheless compelled to wear the exterior signs of life, to throw a pretty smile, feign enthusiasm and make a half-baked joke. When the corporation has colonized life itself, even our dreams, the question of escape becomes ever more pressing, ever more desperate.

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‘Cederstrom and Fleming, like a present day Virgil, bravely venture into an underworld full of shades whose entire lives have been put to work, who throw themselves heart and soul into the job, and who are constantly implored by management gurus to ‘be themselves,’ ‘feel free,’ and ‘have fun’ in the office. This fascinating and dark little book is an excellent and disturbing introduction to what increasingly large realms of the world of work have become’ – Michael Hardt, Co-author of Empire, Multitude, and Commonwealth.

‘What has work done to us? Cederstrom and Fleming’s brilliant dark and witty book tells us the truth. Working in our sleep? Dressing up as infants? Deprivation tank addiction? Fitness centrers? Suicide? Email? If you didn’t already know what work has made you become then this book might have a devastating effect on your life. Read it!’ – Simon Critchley, Hans Jonas Professor, New School for Social Research.

‘Dead Man Working’ at Zero Books: http://www.zero-books.net/books/dead-man-working

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub,Bangor, northWales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

Capitalist Crisis

A CRISIS OF CAPITALISM – ANDREW KLIMAN

Andrew Kliman will speak on “A Crisis of Capitalism (Not Neoliberalism, Financialization, or Stagnant Wages)” for the Student  Action Initiative of  The New School on Wed. Feb. 22 at 8:00 p.m. The  talk will take place at 80 Fifth Avenue (SW corner of 14th St.), Room 529, and it is open to the public. Kliman will investigate the causes of the Great Recession and discuss the surprising results of data analysis which shows that the rate of profit has fallen ever since the end of the post-World War II boom.

Information: student-action-initiative@gmail.com

Andrew Kliman is Professor of Economics at Pace University. He is author of the just-published book, The Failure of Capitalist Production: Underlying Causes of the Great Recession, and of Reclaiming Marx’s “Capital”: A Refutation of the Myth of Inconsistency.

N.Y.U. Professor Bertell Ollman wrote about the new book, “One of the very best of the rapidly growing series of works seeking to explain our economic crisis. … The scholarship is exemplary and the writing is crystal clear. Highly recommended!”

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Cold Hands & Quarter Moon

‘STAGNANT’ – BY COLD HANDS & QUARTER MOON – A NEW REMIX & VIDEO

 

“Psychology is a modern politician”

 

“Maximum levels of boredom

Disguised as maximum fun”

 

A new remix from the album track.

Mix made on 28th January 2012.

Copyright CHAQM. 

The new remix: http://www.youtube.com/watch?v=YkP_Mi5ideo

Live at the Belle View pub, Bangor, north Wales: http://www.youtube.com/watch?v=GLjxeHvvhJQ

MySpace recording of ‘Stagnant’: http://www.myspace.com/coldhandsmusic   

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Volumizer: http://glennrikowski.blogspot.com

Victor Rikowski

CHEERFUL SIN – A SONG BY VICTOR RIKOWSKI

This is a song written by Victor Rikowski during his third year at Bangor University, north Wales.

Says Victor:

“I’ve always wanted to do a recording of this song or a live performance or something, so now I’ve done this. Having only just bought myself a USB sound card thingy, this is my first bit of recording that I’ve done on my own for many years. This is the fruit of a sleepless night’s labour”

29th October 2011

Cheerful Sin: http://www.youtube.com/watch?v=tIbX5aKUjO8

Victor Rikowski Channel on YouTube: http://www.youtube.com/user/VictorRikowski

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Situationism

SPECTACULAR CAPITALISM

Spectacular Capitalism: Guy Debord and the Practice of Radical Philosophy
Richard Gilman-Opalsky

Despite recent crises in the financial system, uprisings in Greece, France, Tunisia, and Bolivia, worldwide decline of faith in neoliberal trade policies, deepening ecological catastrophes, and global deficits of realized democracy, we still live in an era of “spectacular capitalism.” But what is “spectacular capitalism?” Spectacular capitalism is the dominant mythology of capitalism that disguises its internal logic and denies the macroeconomic reality of the actually existing capitalist world. Taking on this elusive mythology, and those who too easily accept it, Richard Gilman-Opalsky exposes the manipulative and self-serving narrative of spectacular capitalism.

Drawing on the work of Guy Debord, Gilman-Opalsky argues that the theory of practice and practice of theory are superseded by upheavals that do the work of philosophy. One could ask: Who better raises questions about public and private spheres of influence and control, Jürgen Habermas or the water war activists who made a rebellion in Cochabamba, Bolivia in the spring of 2000? Or, has any sociological theorist done better than the Zapatistas to reframe and raise questions about indigenous identity? Spectacular Capitalism makes the case not only for a new philosophy of praxis, but for praxis itself as the delivery mechanism for philosophy – for the field of human action, of contestation and conflict, to raise directly the most irresistible questions about the truth and morality of the existing state of affairs.

“Richard Gilman-Opalsky’s Spectacular Capitalism rescues Situationist theory and praxis from merely antiquarian and art-historical commentary and puts it in dialogue with the project of a radical philosophy for leaving the 21st century.” – McKenzie Wark, author of A Hacker Manifesto and Gamer Theory

Bio: Richard Gilman-Opalsky is Assistant Professor of Political Philosophy in the Department of Political Science at the University of Illinois at Springfield. He is the author of Unbounded Publics: Transgressive Public Spheres, Zapatismo, and Political Theory (Lexington Books, 2008), as well as numerous articles.

PDF available freely online: http://www.minorcompositions.info/spectacularcapitalism.html
ISBN 978-1-57027-228-8

Released by Minor Compositions, London / New York / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.
Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info |info@minorcompositions.info

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Cold Hands & Quarter Moon

COLD HANDS & QUARTER MOON – TWO NEW TRACKS

Cold Hands & Quarter Moon entered two new tracks on their MySpace site today.

These are ‘Stagnant’ and ‘Slaves & Masters

You can listed to these new tracks at: http://www.myspace.com/coldhandsmusic

There are various versions of ‘Stagnant’ now available:

Live at the Belle View, Bangor, north Wales:  http://www.youtube.com/watch?v=GLjxeHvvhJQ 

Session in the basement: http://www.youtube.com/watch?v=StqTevvSQ_k

The Cold Hands & Quarter Moon Profile is at: https://rikowski.wordpress.com/cold-hands-quarter-moon/

In addition, you can see ‘Daystar’, (an excellent video and song) by Will Roberts, who also plays in Cold Hands & Quarter Moon, at: http://www.youtube.com/watch?v=s6f_pA5XUPk

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

The Ockress: http://www.theockress.com

Wavering on Ether: http://blog.myspace.com/glennrikowski

MySpace Profile: http://www.myspace.com/glennrikowski

Victor

COLD HANDS & QUARTER MOON

 
Introduced by Victor Rikowski
 
The band members:

Victor Rikowski – Guitar & Vocals

Alex Lowther-Harris – Guitar, Banjo, Accordion & Vocals

Louie Ashton-Butler – Vocals

Nicholas Frost – Violin

Jack Rennie – Bass Guitar

William J Roberts – Hand Percussion

In the autumn of 2008, Aaron Ledbury suggested to me that some kind of jam should take place between two musicians; namely, him and me. I knew he played the ukulele and he knew that I played the guitar and bass. A month or two later, Alex Lowther-Harris, who was a banjo, guitar & synthesiser extraordinaire, joined us. We began to do some general jamming, with me on the bass, Alex on banjo and Aaron on ukulele. It was around winter 2008/spring 2009 that we began to make it a regular thing. Sunday was our compulsory weekly jam. For the rest of the year we were trying to figure out what our band/music was about and what we wanted to get out of the whole thing. We recorded quite a few of our jam sessions on Dictaphone. We were working on a big repertoire of songs; songs without lyrics in a band without a singer. Most of the songs were a bunch of chords which Aaron would jam/improvise over occasionally, with Alex and me occasionally having our own time in the spotlight. In one song I played flute and Aaron played harmonica and Alex played guitar. We often swapped, switched and sometimes even modified our instruments. Our style was a kind-of bluegrass, jamming and, predominantly, blues style. But without any singer, lyrics or main melody for all of our songs we were stuck for where to go next. But we didn’t really care. We enjoyed playing music and having fun with it. Alex and Aaron wrote the songs/chords together and I wrote the baselines along with their ideas.

Late at night one day the three of us went down to the beach on the Menai Straight between Bangor and Anglesey. It was a stone beach with huge boulders and calm water. It was very dark and very cold but it was also very beautiful. We played for about half an hour before complaining about how cold our hands were. We carried on playing nonetheless. We then noticed that the moon was quarter full. It was in memory of that magical night that the band then became Cold Hands & Quarter Moon.

The academic year came to a close. Over the summer holidays I began writing songs again. I hadn’t written a song in years and it was nice to start again. I wrote them purely for my own enjoyment but when I came back to university and played a couple of them to Aaron he said he really liked them and that he wanted to work on them for the band. From then on the band had developed a whole new perspective. We were a band that did songs. The style of the songs maintained the original blues ethic, but also added in folk and even a few punk and country influences. The band line up began to change rapidly from then on. At the beginning of the year it was just me and Aaron in the band; me on guitar and vocals and Aaron on bass. Alex didn’t seem to like the new direction of the band, so then it was just me and Aaron.

However, Aaron and I both knew that we needed more musicians/singers in order to get the band to be how we wanted it to be. The next person to join the band was Nicholas Frost, who is a really good violinist and plays for the Bangor University Orchestra. He did a great job with the songs that we had. When Nick came to his first practice he brought along with him a guy known as Louie, who is a very good singer and recently (December 2009) performed a vocal solo in the Bangor University Winter Concert. I had been thinking for a week or two about finding myself another female singer but then suddenly it struck the band as obvious; why didn’t Louie join the band? We had a second singer.

Eventually Alex came back into the band playing banjo, guitar and, very brilliantly, the accordion. It was done: the band line-up was complete. Alex began to write songs too, and writing them very quickly. We began to practice regularly and for long hours of the day, much to our housemates’ annoyance. Just when we were getting pretty tight and ready to tour the pubs and open-mike’s of Bangor, disaster struck. Aaron was being thrown out of university because of his financial difficulties concerning last year’s rent. We had lost our bassist, the bassist who had learnt and written all the bass lines for the new songs by me and Alex along with the couple of cover songs we did.

We had to find a new bassist. Jack Rennie was the next person to join the band in autumn 2009 as the bassist. We began practicing again and re-learning the songs we had already done. Before too long we were performing songs in the pubs and open-mikes in Bangor. First we performed in the ‘Bell Vue’ (which was my personal favourite), and the next one we did was at ‘The Underground’ or ‘The Venue’ on Bangor High Street. The next was Open-Mike at ‘The Greek’. We did a session in the recording studio soon after that, which I was using as coursework for my music degree.

For quite some time I was thinking about having a drummer and Jack Rennie had an electric drum kit. I knew how rare/difficult it is for a band to get a drummer and so this was likely to be the only opportunity of having one but, having realized that it wouldn’t suit the aesthetics of the band, I stuck with what we had. But I still wanted some percussion in the band. I went down to the shop and bought some bongos, a tambourine and an egg shaker. Soon after this William Roberts wanted to join the band as our percussionist. So now we’ve settled for the six of us and look forward to recording more songs in the studio and performing more folk/blues/country songs in pubs and open-mike sessions.

Victor Rikowski

Cold Hands & Quarter Moon

You can hear some of the band’s session on YouTube:

‘Brown Shoes’ composed by Alex Lowther-Harris: http://www.youtube.com/watch?v=S5ijUrtSOzQ

‘Traitor’ composed by Victor Rikowski: http://www.youtube.com/watch?v=FRIP6SyI1X4 

‘Human Herbs’ composed by Victor Rikowski: http://www.youtube.com/watch?v=2h7tUq0HjIk

‘Reverence’ composed by Alex Lowther-Harris: http://www.youtube.com/watch?v=hVLjpWJfHgo

‘Stagnant’ composed by Victor Rikowski: http://www.youtube.com/watch?v=StqTevvSQ_k

Posted here Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk