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Tag Archives: Socialist Realism

Aesthetics

ARTPOLITIK

Inspired by the Institute for the Future of the Book, Minor Compositions is launching a digital form for the forthcoming book Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation by Neala Schleuning.

Over the next month the entirety of the draft manuscript will be posted here: http://artpolitik.digress.it.

Comments and discussions will be integrated into revisions of the book before it is printed later this year (which will, as with all other Minor Compositions titles, be available for free download).

Cheers, Stevphen Shukaitis

More Information

Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation
Neala Schleuning

Artpolitik examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century. Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics.

Artpolitik is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics. This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions.

Bio: Neala Schleuning is a writer and educator. She received her PhD in American Studies from the University of Minnesota in 1978 with an emphasis in political philosophy and intellectual history. Fulbright Scholar to the Russian Federation, she is the author of many articles, higher education policy papers, films and radio productions, and several books, including America: Song We Sang Without Knowing (1983); Idle Hands and Empty Hearts: Work and Freedom in the United States (1990); Women, Community, and the Hormel Strike of 1985-86 (1994); and To Have and to Hold: the Meaning of Ownership in the United States (1997).

Minor Compositions, Wivenhoe / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Requisite fb page: http://www.facebook.com/artpolitikthebook

Minor Compositions is an imprint of Autonomedia: http://www.minorcompositions.info

— Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

“Autonomy is not a fixed, essential state. Like gender, autonomy is created through its performance, by doing/becoming; it is a political practice. To become autonomous is to refuse authoritarian and compulsory cultures of separation and hierarchy through embodied practices of welcoming difference… Becoming autonomous is a political position for it thwarts the exclusions of proprietary knowledge and jealous hoarding of resources, and replaces the social and economic hierarchies on which these depend with a politics of skill exchange, welcome, and collaboration. Freely sharing these with others creates a common wealth of knowledge and power that subverts the domination and hegemony of the master’s rule.” – subRosa Collective

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

 

 

Lev Kulidzhanov's 'Karl Marx: The Early Years'

MARX AT THE MOVIES CONFERENCE

Dear All

This is a Call for Papers for a Conference on Marx and cinema that we are hosting at the University of Central Lancashire. We would really appreciate if you post it on various notice boards and forward it to friends and colleagues. Thanks.

Hope to as many of you in Preston next year!

Best wishes, Lars

Call for Papers
Marx at the Movies Conference
University of Central Lancashire
March 16-17, 2012

As the Lehmans Brothers filled for bankruptcy on September 15 2008 an era came to a halt. No more was there a belief that ‘the Market’ would work for the greater good as long as it was left un-regulated. As the belief in neoliberal theory and practice collapsed, many turned to the alternative theory – that of Marxism, not least because for Marx the challenge for human thought was not simply to understand the world but to change it.

Not for the first time Marx is ‘fashionable’. As David Harvey observes in his introduction to The Communist Manifesto: ‘The Communist Manifesto of 1847 is an extraordinary document, full of insights, rich in meanings and bursting with political possibilities. Millions of people all around the world – peasants, workers, soldiers, intellectuals as well as professionals of all sorts – have, over the years, been touched and inspired by it.’

The same can be said about filmmakers, film academics and students, in view of the fact that cinema, as a collective endeavour and as an industrial art, is an excellent ground to test Marxist dialectical thought. But how has cinema engaged with Marxist theory and practice? How has cinema engaged in processes to create radical social transformation, including decolonisation and the liberation of women? Is there a revival of Marxism in contemporary film theory and practice?

These are some of the questions we want to discuss during the two-day conference, hosted by theSchool ofJournalism, Media and Communication inPreston – a town of great importance to the history of the working class, as testified by Marx and Engels’ writings.

 

Papers are sought for topics such as:

* The problems of conveying Marxist thought on screen (including attempts to screen Capital)

* Representation of alienated and non-alienated labour and capital on screen

* The work of Sergei Eisenstein, Bertolt Brecht, Jean-Luc Godard, Chris Marker, Dušan Makavejev, Satyajit Ray, Ousmane Sembène, Alexander Kluge, Ken Loach, Lars von Trier. Are they Marxist filmmakers?

* Western and Eastern Marxist film theory and history Socialist production, distribution and exhibition of films

* Marxism, Third cinema and the cinema of revolt

* Marxism and feminist cinema

* Marxism, realism and non-realism

* Screen images of Marx, Engels and Lenin

Organising committee:
Professor Ewa Mazierska
Dr. Anandi Ramamurthy
Dr. Lars Kristensen

Deadline for abstracts (max 250 words): 1 December 2011.
Please send abstracts to Ewa Mazierska EHMazierska@uclan.ac.uk Or Lars Kristensen LLFKristensen@uclan.ac.uk

Notice: The conference is not expected to produce a surplus value

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com