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Communisation

Communisation

CENTRE FOR THE STUDY OF THE STATE, POWER, AND GLOBALISATION: FALL SEMESTER SEMINAR SERIES

Richmond, the American International University in London 

Centre for the Study of the State, Power, and Globalisation 

FALL SEMESTER SERIES

17th September 2014

Easier to Imagine the End of the World than the End of Capitalism?

Luke Cooper (Richmond, AIUL)

The contemporary political imagination is characterised by ‘capitalist realism’: the widespread belief there is no alternative to capitalism. If even today’s dissident movements cannot generate a sense of a realisable utopia, then where does this leave the emancipatory hopes of radical modernity? Luke Cooper discusses “what’s left after history ended”.

Luke Cooper, Assistant Professor in International History at Richmond, AIUL is author (with Simon Hardy) of Beyond Capitalism? The Future of Radical Politics (Zero Books).

22nd October 2014

Markets, Money, and Morality: Assessing What Money Can’t Buy

Simon Choat (Kingston University)

12th November 2014

Organisation of the Organisation-less: Understanding Networked Social Movements

Rodrigo Nunes (PUC-Rio)

6pm, Room 216

Asa Briggs Hall

Ansdell Street

Kensington campus

Nr tube High Street Kensington and Gloucester Road

First Published in http://www.historicalmaterialism.org/news/distributed/centre-for-the-study-of-the-state-power-and-globalisation-fall-semester-series-richmond-aiul

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

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Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Communisation

Communisation

ORGANISATION OF THE ORGANISATIONLESS: COLLECTIVE ACTION AFTER NETWORKS

By Rodrigo Nunes

Part of the PML Books series. A collaboration between Mute and the Post-Media Lab*

Series editors: Clemens Apprich, Josephine Berry Slater, Anthony Iles & Oliver Lerone Schultz.

Rejecting the dichotomy of centralism and horizontalism that has deeply marked millennial politics, Rodrigo Nunes’ close analysis of network systems demonstrates how organising within contemporary social and political movements exists somewhere between – or beyond – the two. Rather than the party or chaos, the one or the multitude, he discovers a ‘bestiary’ of hybrid organisational forms and practices that render such disjunctives false. The resulting picture shows how social and technical networks can and do facilitate strategic action and fluid distributions of power at the same time. It is by developing the strategic potentials that are already immanent to networks, he argues, that contemporary solutions to the question of organisation can be developed.

http://www.metamute.org/editorial/books/organisation-organisationless-collective-action-after-networks

Rodrigo Nunes is a lecturer in modern and contemporary philosophy at the Catholic University of Rio de Janeiro (PUC-Rio), Brazil. He coordinates the research group Materialismos, which investigates the resurgence of metaphysical speculation in contemporary philosophy and its interfaces with other fields such as politics, science and anthropology. He has been involved in several political initiatives over the years, such as the first editions of the World Social Forum and the Justice for Cleaners campaign in London. He is a member of the editorial collective of Turbulence (http://turbulence.org.uk).

Rodrigo Nunes is a co-editor of What Would it Mean to Win?, Turbulence Collective (Eds.), PM Press,  2010

Reviews of ‘What Would it Mean to Win?’

‘Powerful vision of the possible and the seldom-seen present.’ —Rebecca Solnit, author, Hope in the Dark and A Paradise Built in Hell

‘This kind of innovative thinking, which emerges from the context of the movements, opens new paths for rebellion and the creation of real social alternatives.’ —Michael Hardt, co-author, Commonwealth, Multitude and Empire

(2014. ISBN 978-1-906496-75-3; ebook ISBN 978-1-906496-82-1)

First Published in http://www.historicalmaterialism.org/news/distributed/out-now-organisation-of-the-organisationless-collective-action-after-networks-rodrigo-nunes-pml-books-mute

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Turbulence

SEMINAR ON POLITICAL ORGANIZATION

University of Essex March 12th

Essex Centre for Work, Organization and Society Seminar

Lessons of 2011: Three Theses on Political Organization
Rodrigo Nunes, Pontifical Catholic University of Rio Grande Do Sul
March 12th, 4PM-6PM @ University of Essex Room 5N.7.23

With the Arab Spring, the Spanish indignados, Occupy and so much more, 2011 is likely to go down in history as a very special year – perhaps even the beginning of something. But what would that something be? This presentation attempts to draw some conclusions about the present state and future of politics and organization by examining the practices of the movements that erupted in the last year. Thinking beyond their usual representation by the media, trying to avoid either describing them as something entirely new and unheard of or as manifestations of an ultimately non-political culture, what can be the lessons of 2011?

Bio: Rodrigo Nunes is a post-doctoral fellow at (Pontifical Catholic University of Rio Grande Do Sul, Brazil), with a PNPD/CAPES grant. He has a PhD in philosophy from Goldsmiths College, University of London, and is a member of the editorial collective of Turbulence (http://www.turbulence.org.uk). His writing, on philosophy, art and politics, has appeared in such publications as Radical Philosophy, Deleuze Studies, Transform, Mute, ephemera, The Guardian, Z and others.

Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

“Autonomy is not a fixed, essential state. Like gender, autonomy is created through its performance, by doing/becoming; it is a political practice. To become autonomous is to refuse authoritarian and compulsory cultures of separation and hierarchy through embodied practices of welcoming difference… Becoming autonomous is a political position for it thwarts the exclusions of proprietary knowledge and jealous hoarding of resources, and replaces the social and economic hierarchies on which these depend with a politics of skill exchange, welcome, and collaboration. Freely sharing these with others creates a common wealth of knowledge and power that subverts the domination and hegemony of the master’s rule.” – subRosa Collective

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‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Turbulence

WHAT WOULD IT MEAN TO WIN? TURBULENCE BOOK

Our book, ‘What Would it Mean to Win?’ is published by PM Press in April 2010. It contains all the articles from the now out-of-print first issue of the magazine, our collective text ‘Move into the Light? Postscript to a Turbulent 2007’, and a previously unpublished extended interview by PM Press author Sasha Lilly with Turbulence editors Michal Osterweil and Ben Trott. John Holloway has written a Foreword.

BACK COVER BLURB: “Movements become apparent as ‘movements’ at times of acceleration and expansion. In these heady moments they have fuzzy boundaries, no membership lists – everybody is too engaged in what’s coming next, in creating the new, looking to the horizon. But movements get blocked, they slow down, they cease to move, or continue to move without considering their actual effects. When this happens, they can stifle new developments, suppress the emergence of new forms of politics; or fail to see other possible directions. Many movements just stop functioning as movements. They become those strange political groups of yesteryear, arguing about history as worlds pass by. Sometimes all it takes to get moving again is a nudge in a new direction… We think now is a good time to ask the question: What is winning? Or: What would–or could–it mean to ‘win?’”

REVIEWS

“Where is the movement today? Where is it going? Are we winning? The authors of the essays in this volume pose these and other momentous questions. There are no easy answers, but the discussion is always insightful and provocative as the writers bravely take on the challenge of charting the directions for the Left at a time of ecological crisis, economic collapse, and political disillusionment.” – Walden Bello, Executive Director of Focus on the Global South

“Turbulence presents an exciting brand of political theorising that is directed and inspired by current strategic questions for activism. This kind of innovative thinking, which emerges from the context of the movements, opens new paths for rebellion and the creation of real social alternatives.“ – Michael Hardt, co-author of ‘Commonwealth’ , ‘Multitude’ and ‘Empire’.

“The history of the past half-century and particularly the last decade is as easily told as a series of victories as defeats, maybe best as both. Sometimes we won–and this is what makes the ‘What Does It Mean to Win?’ anthology
such a powerful vision of the possible and the seldom-seen present. The authors of this book connect some of the more remarkable events of the last decade–in Oaxaca, in the banlieus of Paris, in the crises of neoliberalism– into a constellation of possibilities and demands, demands on the world but also demands on the readers, to think afresh of what is possible and what it takes to get there. As one author begins, ‘The new movements embodied and posited deliberate reactions to the practical and theoretical failures of previous political approaches on the left.’ This is the book about what came after the failures, and what’s to come” – Rebecca Solnit, author of ‘Hope in the Dark’ and ‘A Paradise Built in Hell.’

CONTENTS

‘Preface’, by Turbulence Collective

‘Foreword: Hope Moves Faster than the Speed of Thought’, by John Holloway

‘Are We ‘Winning’?’, by Turbulence Collective

‘Politics in an Age of Fantasy’, by Stephen Duncombe

‘Enclosing the Enclosers’, by Gustavo Esteva

‘Singularisation of the Common’, by Sandro Mezzadra and Gigi Roggero

‘A New Weather Front’, by Paul Sumburn

‘Money for Nothing’, by Max Henninger

‘Walking in the Right Direction?’, by Ben Trott

‘Organise Local, Strike Global’, by Valery Alzaga and Rodrigo Nunes

‘Solidarity Economics’, by Euclides André Mance

‘Compositional Power’, an interview with Todd Hamilton and Nate Holdren

‘‘Becoming-Woman?’ In Theory or in Practice?’, by Michal Osterweil

‘Politicising Sadness’, by Colectivo Situaciones

‘Commonism’, by Nick Dyer-Witheford

‘The Crazy Before the New’, by Kay Summer and Harry Halpin

‘Move into the Light? Postscript to a Turbulent 2007’, by Turbulence Collective

‘An Interview with the Turbulence Collective’, by Sasha Lilly with Michal Osterweil and Ben Trott

BOOK DETAILS
Author: Turbulence Collective
Publisher: PM Press (Oakland, CA)
ISBN: 978-1-60486- 110-5
Published: April 2010
Format: Paperback
Page Count: 160
Dimensions: 9 by 6
Subjects: Politics, Philosophy, Activism

ORDER A COPY FOR YOUR LIBRARY
Ask your university, city or town library to order to a copy of the book. Just provide them with the ‘Book Details’ above and they should be able to do the rest themselves.

REVIEW THE BOOK
We’re looking for individuals and publications interested in reviewing the book. If this takes your fancy, drop us a note letting us know your name, address and the publication you’re considering writing for and we’ll get the publisher to send you a copy of the book.

LAUNCH EVENTS
We’ll be organising a series of events to launch the book, the first of which will take place in the San Francisco Bay Area, California, on March 14, 15 and 16.

For more information, see: http://turbulence.org.uk/2010/02/turbulence-events-in-san-francisco-bay-area-in-march/

Turbulence: http://turbulence.org.uk

AVAILABLE FOR PRE-ORDER FROM:

PM PRESS: https://secure.pmpress.org/index.php?l=product detail&p=193 

AMAZON.COM:
http://www.amazon.com/What-Would-Mean- Win-Press/dp/160486110X/ref=sr_1_ 1?ie=UTF8&s=books&qid=1266057060&sr=8-1

BOOKS-A-MILLION: http://www.booksamillion.com/product/9781604861105 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Cold Hands & Quarter Moon: https://rikowski.wordpress.com/cold-hands-quarter-moon/

Turbulence

TURBULENCE 5

OUT NOW!

TURBULENCE 5

AND NOW FOR SOMETHING COMPLETELY DIFFERENT?

Until recently, anyone who suggested nationalising the banks would have been derided as a ‘quack’ and a ‘crank’, as lacking the most basic understanding of the functioning of a ‘complex, globalised world’. The grip of ‘orthodoxy’ disqualified the idea, and many more, without the need even to offer a counter-argument.

And yet, in this time of intersecting crises, when it seems like everything could, and should, have changed, it paradoxically feels as though very little has. Individuals and companies have hunkered down to try and ride out the crisis. Nationalisations and government spending have been used to prevent change, not initiate it. Anger and protest have erupted around different aspects of the crises, but no common or consistent reaction has seemed able to cohere. We appear unable to move on.

For many years, social movements could meet and recognise one another on the *common ground* of rejecting neoliberalism, society’s old *middle ground* — those discourses and practices that defined the centre of the political field. The crisis of the middle has meant a crumbling of the common.

And what now? Will neoliberalism continue to stumble on without direction, zombie-like? Or, is it time for something completely different?

CONTENTS:

Turbulence: ‘Life in limbo?’

Gifford Hartman, ‘California in Crisis: Everything touched by capital turns toxic’

Bini Adamczak and Anna Dost, ‘What would it mean to lose? On the history of actually-existing failure’

Frieder Otto Wolf and Tadzio Mueller, ‘Green New Deal: Dead end or pathway beyond capitalism?’

p.m., ‘It’s all about potatoes and computers: Recipes for the cook-shops of the future’

Colectivo Situaciones, ‘Disquiet in the impasse’

George Caffentzis, ‘‘Everything must change so that everything can stay the same’: Notes on Obama’s Energy Plan’

Walter Mignolo, ‘The communal and the decolonial’

Massimo De Angelis, ‘The tragedy of the capitalist commons’

Rebecca Solnit, ‘Falling Together’

Rodrigo Nunes, ‘What were you wrong about ten years ago?’

ALSO FEATURING…

…a collection of texts, ten years after the protests against the World Trade Organisation in Seattle, asking people from across the global movement, ‘What were you wrong about ten years ago?’, at t-10.

Contributors to the feature are: David Solnit, Gustavo Esteva, Emir Sader, Phil McLeish, Rubia Salgado, João Pedro Stédile, A CrimethInc ex-Worker, Precarias a la Deriva, Trevor Ngwane, Marcela and Oscar Olivera, Heloisa Primavera, Chris Carlsson, The Free Association, David Bleakney, Olivier de Marcellus, Go Hirasawa and Sabu Kohso, John Clarke, Guy Taylor, Thomas Seibert, Dr Simon Lewis, Amador Fernández-Savater.

The Issue is illustrated by the photo series ‘Flat Horizon’ by Marcos Vilas Boas.

Turbulence: Ideas for Movement are: David Harvie, Keir Milburn, Tadzio Mueller, Rodrigo Nunes, Michal Osterweil, Kay Summer, Ben Trott.

http://www.turbulence.org.uk

ORDER A COPY

Copies can be ordered from editors@turbulence.org.uk

Turbulence is free, but we ask that you make a donation towards postage: http://turbulence.org.uk/donate/ (any additional donations greatly appreciated!)

All texts are also freely available via our website as of today.

HELP OUT

A collection of resources to help publicise the issue (posters, flyers, web-banners, etc…) can be found here:
http://turbulence.org.uk/turbulence-5/turbulence-5-resources/

Get in touch if you can help out translating any of the articles in this issue: editors@turbulence.org.uk

Order a bundle of the magazine to distribute in your part of the world.

+++++++++++++++++++++++++++++++++++++++++++++++++++++
www.turbulence.org.uk // www.myspace.com/turbulence_ideas4movement //
www.twitter.com/turbulence_mag // editors@turbulence.org.uk

Turbulence’s Facebook Page:
http://www.facebook.com/pages/Turbulence-Ideas-for-Movement/171769885530

To stay informed about future ‘Turbulence’ publications and projects, subscribe to our (very!) low-traffic e-newsletter here: https://lists.riseup.net/www/info/turbulenceannouncementslist

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

2009102016401brazilmid2[1]POLITICS, POETICS AND POPULAR EDUCATION IN BRAZILIAN CINEMA, 1962-1979

‘Stronger are the powers of the people’: politics, poetics and popular education in Brazilian cinema, 1962-1979

December 4 (6.30pm – 10pm) 
December 5th and 6th (2pm to 10pm)

At No-w-here, First Floor, 316-318 Bethnal Green Road, London, E2 OAG

Full programme and further information: http://www.no-w-here.org.uk/index.php?cat=1&subCat=docdetail&&id=212

The late 1950s and early 1960s were a period of intense social and economic transformation in Brazil. It was also a period of political upheaval, curbed by the 1964 military coup, and one in which the relations between politics, poetics and popular education, the role of the cultural producer, the vanguard-popular-mass culture nexus, were absolutely central to the cultural and political debate.

‘Stronger are the powers of the people’, a programme of films and debates curated and presented by Brazilian philosopher, artist and political activist Rodrigo Nunes, uses Brazilian films from 1962 to 1979 as ‘monuments’ whose animating forces can be put again into play to understand how the problems posed by the period are expressed in the aesthetic and political choices of filmmakers.

In particular, it examines one of the most neglected experiences of that time – the Popular Culture Centres (CPCs) – as a central node of the practical and theoretical articulation of those debates. With this, the programme addresses them not only in their historical situatedness, but above all in relation to those problems that animate artistic and political practice in the present, when so much is made of the intersections between politics, art, and pedagogy, and there is a growing interest in recovering past experiences of this convergence – above all, from the 1960s, and increasingly, from peripheral countries such as Brazil. What can the problems of those years teach us regarding what we are or would like to be doing today? How can the proposals emerging in this field then – Paulo Freire’s pedagogy, Liberation Theology, Augusto Boal’s Theatre of the Oppressed,tropicalismo, Helio Oiticica’s, Lygia Clark’s and Lygia Pape’s researches, cinema novo – resonate with us today?

The programme includes the rare collective work Five Times Favela, the only CPC-produced film, and the first film for many of that generation’s directors; Glauber Rocha’s internationally acclaimed Land in Anguish and Antonio das Mortes; Ruy Guerra’s The Guns and its sequel, The Fall; and Leon Hirszman’s ABC of the Strike.

Rodrigo Nunes has a PhD in philosophy from Goldsmiths College, University of London, where he prepared a thesis on immanence and philosophy in Foucault and Deleuze with a grant from CAPES – Brazilian government. As an organiser, popular educator and artist, he has been involved in many political initiatives in Latin America and Europe, including the organisation of the first three editions of the World Social Forum. He is a member of the editorial collective of Turbulence (http://www.turbulence.org.uk). His work, as writer and translator, has appeared in such publications as ephemera, Mute, Transform, and he has forthcoming papers in Radical Philosophy and Third Text.

This project is supported by Raven Row, the Brazilian embassy in London, and No.w.here.

Films

Cinco vezes favela (Five times favela), various authors, 1962: The only film the Popular Culture Centre (CPC) brought to completion, it comprises five episodes directed by Miguel Borges, Joaquim Pedro de Andrade, Caca Diegues, Marcos Farias and Leon Hirszman, and was responsible for a split between the CPC and the cinema novo group. Some of the key figures in the CPC reportedly considered the film both a commercial and a political flop, and filmmakers such as Diegues and Arnaldo Jabor (though not Hirszman) left after decrying a narrow, instrumental conception of the relation between aesthetics and politics. With a cast including many of Augusto Boal’s colleagues from Teatro de Arena (and, most notably, CPC founder Oduvaldo Viana Filho), it captures a group of young filmmakers grappling with the same problems – how to create a form adequate to the specificity of Brazilian content? How to do so in a way that reaches beyond a middle-class audience, and plays a role in the transformation of Brazilian society from below? What is popular culture, and how must the artist deal with it? – while working through a host of influences, from Russian revolutionary cinema to neo-realism. Joaquim Pedro de Andrade’s Couro de gato (Catgut) was included in a list of the 100 best shorts of all times selected by the Clermont-Ferrand Festival.

Os Fuzis (The guns), Ruy Guerra, 1964: One of the greatest achievements of the first crop of cinema novo – alongside Nelson Pereira dos Santos’ Vidas secas (Barren lives) and Glauber Rocha’s Deus e o Diabo na Terra do Sol (Black God White Devil) (1964) –, it showcases many of the period’s defining traits: the rural Northeastern setting, the use of location, natural light and non-professional actors. At the same time, in its plot about the existential and moral crises undergone by a group of soldiers sent to a small town to stop the starving victims of the draught from attacking a food warehouse, it provides in arguably the clearest way the keys to reading some of the political limitations of cinema novo at this stage. It won the Silver Bear at the Berlin Festival.

Terra em transe (Land in anguish), Glauber Rocha, 1967: Part roman à clef about the Joao Goulart government and the 1964 military coup, part schematic description of the dynamics of the post-colonial world, part baroque allegory about the destiny of Latin America, part gauntlet thrown at the right and left of post- coup Brazil: one of Rocha’s most celebrated films, it finds the effects of his ‘epic-didactic’ cinema all the more effective because its target is much clearer. A whole generation at a crossroads appears in the vacillations of the main character, his multiple allegiances to social transformation and to his own class, to aesthetics and to politics, to utopia, the heat of the struggle, and his professional situation as a hired pen; the choice for armed struggle, which the film suggests in ambiguous fashion, was already brewing as it was produced. Nominated to the Palme d’Or at Cannes, best film at the Havana Film Festival.

O Dragão da Maldade contra o Santo Guerreiro (Antônio das Mortes), Glauber Rocha, 1969: Rocha’s first international co-production, first film in colour, and first using direct sound. He would often refer to it as ‘my western’, but, despite some nods at John Ford and Howard Hawks, it is clear that the oeuvre in question here is above all his own. Like a revision of his two earlier films that relaunches its questions, but also seems to run out of answers, it already points towards some of the procedures (such as the long, semi-improvised takes) that would characterise his work in the exile that immediately follows it. The plot finds Antônio das Mortes, the gunman hired by landowners to kill cangaceiros (highwaymen), brought out of retirement for one last job which, once executed, causes him to question the side on which he has fought over the years. Won best director and a nomination to the Palme d’Or at Cannes.

A Queda (The Fall), Ruy Guerra, 1976: An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

ABC da greve (ABC of the strike), Leon Hirszman, 1979-91: While preparing the cinema version of groundbreaking 1957 Teatro de Arena play Eles não usam black tie on location in the ABC (the auto industry belt around São Paulo), Hirszman has the opportunity to document the most powerful strikes in over a decade of Brazilian history. The latter would become a catalyst and a convergence point for the opposition to the military regime, intellectuals, artists, returning exiles, eventually leading to the creation of the Worker’s Party – whose biggest leader, Lula, was the president of the metalworkers union who led the strikes. Running into problems with the regime’s censorship because of the material, Hirszman dies in 1987 leaving the film unfinished until 1991, when his two daughters and son eventually release a final cut. The narration and text are provided by Ferreira Gullar, poet, who was president of the CPC at the time of the military coup.

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