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The Failure of Capitalism

The Failure of Capitalism

MARX AND PHILOSOPHY REVIEW OF BOOKS – JULY 2015

New reviews and an updated list of books for review recently published online in the Marx and Philosophy Review of Books

Chris Arthur on Carver and Blank on “The German Ideology”

Hans Despain on David Weil, The Fissured Workplace

Mike Wayne on Walter Benjamin, Radio Benjamin

Bart Zantvoort on David Graeber, The Utopia of Rules

Joshua Moufawad-Paul on The FBI’s Secret War on America’s Maoists

Gary Roth on Richard Sennett, Together

To receive notification of new reviews and comments when they appear join the Marx and Philosophy Society’s email list or follow us on facebook or twitter.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sean Sayers, Editor
Marx and Philosophy Review of Books
66 Havelock Street, Canterbury, Kent CT1 1NP, UK
http://www.marxandphilosophy.org.uk/reviewofbooks/ 
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First Published in http://www.historicalmaterialism.org/news/distributed/marx-and-philosophy-review-of-books-13

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Critique of Political Economy

Critique of Political Economy

MARX AND PHILOSOPHY REVIEW OF BOOKS

New reviews and an updated list of books for review recently published online in the Marx and Philosophy Review of Books

  • Michael Maidan on FoucaultLectures on the Will to Know
  • Pete Green on books by Dunn and Radice on global capitalism
  • Sean Ledwith on RothGreece What Is to Be Done?
  • Nathan Wood on Naomi KleinThis Changes Everything
  • Alex Cistelecan on Marxism and the Critique of Value
  • Daniel Fraser on Fredric JamesonThe Antinomies of Realism

To receive notification of new reviews and comments when they appear join the Marx and Philosophy Society’s email list or follow us on facebook  or twitter.

Marx and Philosophy Society: http://marxandphilosophy.org.uk/society

Published in http://www.historicalmaterialism.org/news/distributed/marx-and-philosophy-review-of-books-11

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Culture

Culture

REVIEWS IN CULTURAL THEORY – CALL FOR REVIEWERS

Dear All 

We’re inviting you to contribute to Reviews in Cultural Theory by offering to review one of the books listed below. We also welcome proposals for longer review essays, focusing on recent or forthcoming (2013-) titles. If you are interested in contributing a review or a review essay to RCT, please write to us at editors@reviewsinculture.com

If you have not visited us lately, we also invite you to our read recent reviews and essays, including Liam Young on Wolfgang Ernst’s Media Archeology, Melissa Haynes on Mel Y. Chen’s Animacies, Alison Shonkwiler on Marie-Hélène Huet’s The Culture of Disaster, as well as Graeme MacDonald’s research note, “The Resources of Culture.” 

Books Available for Review

Isabel Altamirano-Jiménez. Indigenous Encounters with Neoliberalism: Place, Women, and the Environment in Canada and Mexico. University of British Columbia Press, 2013.

Perry Anderson. The Indian Ideology. Three Essays Collective, 2013.

Emily Apter. Against World Literature: On the Politics of Untranslatability. Verso, 2013.

Nadine Attewell. Better Britons: Reproduction, National Identity, and the Afterlife of Empire. University of Toronto Press, 2013.

Alain Badiou and Fabien Tarby. Philosophy and the Event. Polity, 2013.

Étienne Balibar. Equaliberty: Political Essays. Duke University Press, 2014.

Maria del Pilar Blanco and Esther Peeren, eds. The Spectralities Reader: Ghosts and Haunting in Contemporary Cultural Theory. Bloomsbury, 2013.

Pierre Bourdieu. On the State: Lectures at the Collège de France 1989-1992. Polity, 2014.

Joram Ten Brink and Joshua Oppenheimer, eds. Killer Images: Documentary Film, Memory, and the Performance of Violence. Wallflower Press, 2013.

Judith Butler and Athena Athanasiou. Dispossession: The Performative in the Political. Polity, 2013.

Javier Sanjinés C. Embers of the Past: Essays in Times of Decolonization. Duke University Press, 2013.

Timothy Campbell and Adam Sitze, eds. Biopolitics: A Reader. Duke University Press, 2013. 

Anita Say Chan. Networking Peripheries: Technological Futures and the Myth of Digital Universalism. MIT Press, 2013.

Jeffrey Jerome Cohen, ed. Prismatic Ecology: Ecotheory beyond Green. University of Minnesota Press, 2013.

William E. Connolly. The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism. Duke University Press, 2013.

Stuart Elden. The Birth of Territory. University of Chicago Press, 2013.

Maximillian C. Forte, ed. Who Is an Indian? Race, Place, and the Politics of Indigeneity in the Americas. University of Toronto Press, 2013.

Nancy Fraser. Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis. Verso, 2013.

Danielle Fuller and DeNel Rehberg Sedo. Reading Beyond the Book: The Social Practices of Contemporary Literary Culture. Routledge, 2013.

Sigfried Giedion. Mechanization Takes Command: A Contribution to Anonymous History. University of Minnesota Press, 2013 (orig. 1948).

N. Katherine Hayles and Jessica Pressman, eds. Comparative Textual Media: Transforming the Humanities in the Postprint Era. University of Minnesota Press, 2013.

Jennifer Henderson and Pauline Wakeham, eds. Reconciling Canada: Critical Perspectives on the Culture of Redress. University of Toronto Press, 2013.

Fredric Jameson. The Antinomies of Realism. Verso, 2013.

Adrian Johnston and Catherine Malabou. Self and Emotional Life: Philosophy, Psychoanalysis, and Neuroscience. ColumbiaUniversity Press, 2013.

Stefan Jonsson. Crowds and Democracy: The Idea and Image of the Masses from Revolution to Fascism. ColumbiaUniversity Press, 2013.

Razmig Keucheyan. Trans. Gregory Elliott. Left Hemisphere: Mapping Critical Theory Today. Verso, 2013.

Thomas King. The Inconvenient Indian: A Curious Account of Native People in North America. University of Minnesota Press, 2013.

Bruno Latour. An Inquiry into Modes of Existence: An Anthropology of the Moderns. Harvard University Press, 2013.

Lisa Lee and Hal Foster, eds. Critical Laboratory: The Writings of Thomas Hirschhorn. MIT/October, 2013.

A. L. McCready. Yellow Ribbons: The Militarization of National Identity in Canada. Fernwood, 2013.

Meg McLagan and Yates McKee, eds. Sensible Politics: The Visual Culture of Nongovernmental Activism. Zone Books, 2013.

Sandro Mezzadra and Brett Neilson. Border as Method, or, the Multiplication of Labor. Duke University Press, 2013.

Michael Mikulak. The Politics of the Pantry: Stories, Food, and Social Change. McGill-Queen’s University Press, 2013.

Timothy Morton. Hyperobjects: Philosophy and Ecology after the End of the World. University of Minnesota Press, 2013.

Ronald Niezen. Truth and Indignation: Canada’s Truth and Reconciliation Commission on Indian Residential Schools. University of Toronto Press, 2013.

Samantha Pinto. Difficult Diasporas: The Transnational Feminist Aesthetic of the Black Atlantic. New York University Press, 2013.

Janet Roitman. Anti-Crisis. Duke University Press, 2013.

Carrie Smith-Prei. Revolting Families: Toxic Intimacy, Private Politics, and Literary Realisms in the German Sixties. University of Toronto Press, 2013.

Squatting Europe Kollective. Squatting in Europe: Radical Spaces, Urban Struggles. Minor Compositions/Autonomedia, 2013.

Ann Laura Stoler, ed. Imperial Debris: On Ruins and Ruination. Duke University Press, 2013.

 

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Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Jonathan Sperber

Jonathan Sperber

JONATHAN SPERBER’S NEW BIOGRAPHY SEEKS TO BURY KARL MARX, NOT PRAISE HIM

Karl Marx, A Nineteenth Century Life
By Jonathan Sperber,
Liveright Publishing, 2013

A Review by Barry Healy

Barry Healy

September 26, 2013 — Links International Journal of Socialist Renewal — In life Karl Marx lived a tumultuous, revolutionary life and in death he has likewise been less than tranquil. Alive, he was the best hated man in Europe. For the ruling classes and police spies he personified the “spectre” that was haunting the continent, the demonic rise of communist revolution.

After his death he was bleached of his humanity, canonised by his admirers and slandered by his bourgeois enemies. Both misrepresented him.

His enormous collection of notes and half-formulated writings were bequeathed first to his long-time political collaborator Frederick Engels and later to the German Social Democratic Party (SPD). Engels laboured long and hard and managed to produce the second and third volumes of Capital.

Stumbling across Marx’s notebooks on anthropological research, Engels also managed to write The Origin of the Family, Private Property and the State, the classic Marxist statement on the topic. Karl Kautsky of the SPD cobbled together the volumes of the Theories of Surplus Value, which formed the last instalments of Capital.

Along the way Kautsky and the SPD turned themselves into the arbiters of Marxism, the font of all wisdom on the man and his work. Kautsky was even referred to as the “Pope of Marxism”.

The messy details of Marx’s life – such as fathering an illegitimate child – were buried and the image of the prophet who foretold the inevitable collapse of capitalism was manufactured.

Below that edifice was buried Marx’s radicalism. Within the German SPD, social reform replaced revolution – the perfect justification for the party’s bureaucratisation and adaptation to peaceful coexistence with capitalism.

A leading SPD intellectual, Eduard Bernstein, propagated a version of Marxism in which the working class would slowly take over and socialise society — through building the SPD. This would be an organic process based on social evolution driven by scientific developments, which would take an extended period.

That strand of defanged Marxism exposed itself when the SPD supported the German government in WWI. However, as if in an historical horror show, the Stalinised Soviet Union took over the care of this mummified version of Marxism.

The Communist Party of Great Britain symbolised this process in 1954 by moving Marx’s remains and erecting the granite monolith that glowers over Highgate Cemetery today. The simple, original gravestone lies broken at the first grave.

The Stalinists seized control of Marx’s intellectual legacy by gathering all his writings and overseeing the production of his collected works (known by their German initials as the MEGA). Careful selection kept Marx’s dangerous thoughts from the eyes of the masses.

With the collapse of the Eastern Bloc, these collected papers have been translated by a new group of academics, producing what is known as MEGA2. This enlarged body of work is available for scholars. We can expect in years to come that historians and others will be mining it for nuggets of information similar to how Jonathan Sperber has done in this minutely researched volume.

Selective

Sperber, an expert in early 19th century Germany and the German language, should be perfect for this task of revealing the real Karl Marx. In many ways he is, but unfortunately his eye is selective.

He has come not just to dust off the accretions of history from the real Marx, but to bury Marxism for all time. Sperber’s tome, which he sets the mission of being the authoritative text on Marx has some peculiar assertions and omissions.

The book begins quite insightfully, exploring Marx’s early history by situating him in the revolutionary times in which he lived. By delving into the faction fights in which Marx engaged, not only is Marx’s point of view reported, but also the arguments raised against him, which fills out the record.

However, Sperber revels in any hostile gossip that opponents piled onto Marx or Engels. Any tirade is accepted as fact, whereas Marx’s polemics are subjected to minute, critical examination.

Sperber’s method at times turns peculiar. He insists that this famous sentence from the Communist Manifesto is mistranslated: “All that is solid melts into air, all that is holy is profaned and man is at last compelled to face, with sober senses, his real conditions of life, and his relations with his kind.”

He contends that in English it should read: “Everything that firmly exists and all the elements of the society of orders evaporate, everything sacred is desecrated and men are finally compelled to regard their position in life and their mutual relations with sober eyes.”

Why does he insist on a bland translation? Because Sperber’s project is to demonstrate that Marx is irrelevant to this century and his translation is part of his case.

Marx was not describing the epic results of capitalism on society in that sentence, Sperber says. He was only commenting on the bourgeois overthrow of feudalism (“the society of orders”). Sperber’s point is that the Manifesto was only looking backwards, not referring to the ongoing revolutionising effects of capitalism.

Such an argument is a wilful misreading not only of the Manifesto, but of the entire body of Marx’s works. Sperber pronounces that, being mired in old-fashioned irrelevancy, Marxism means nothing today.

Oddly, in this he refracts, as if though a glass darkly, arguments that Bernstein raised against the Communist Manifesto. For Bernstein the Manifesto was a product of a younger, hot-headed radical Marx, emerging from the conspiratorial matrix of the French Revolution and should not be considered relevant to the modern age.

Positivist?

Sperber also goes into a long-winded critique, covering many pages, in which he insists that Marx was not a dialectician, but was an unconscious, though inconsistent positivist. Now this really is passing strange.

Logical positivism was still evolving during Marx’s lifetime. But its progenitor, Auguste Comte, wrote in the early 19th Century and had followers in and around the workers’ movement. Marx ripped into Comte, calling his work “trashy”.

Positivism held that society was evolving towards a more sophisticated future through scientific advancement.

Sperber, while arguing his positivist case against Marx, does not actually define what he means by the term. By inference it appears that it includes, for him, the collection of evidence and the analysis of data – in short the scientific method – plus a teleological belief in the steady advance of human civilisation. These are certainly elements of positivism and lend it its semi-religious flavour, even though it is secularist. Positivism is an extreme form of empiricism that reifies the scientific method and imposes it on sociology.

The degenerate bureaucrats of the German SPD were certainly influenced by positivism, because it let them off the hook of having to organise and lead the class struggle. Stalinism, with its mechanical materialist worship of the Five-Year Plan wilfully mixed dialectics with positivism.

Sperber says that philosophically Marx was stuck halfway along a line that stretched from Hegel at one end, with his “distrust of empirical evidence”, and positivists at the other end with their “scientific method and scientific form of empiricism”.

Now, to say that Hegel, who studied the scientific developments of his day, “distrusted empirical evidence” is quite something. To picture Karl Marx as a kind of philosophical muddle-headed wombat is to take a leap into void.

Hegel taught that every moment contains within it the possibility of future developments. This future-that-is-not-yet-present is a metaphysical concept. Hegel used the word geist (spirit) to describe the motivating force that drove these possibilities to fruition.

Marx stripped the metaphysics out of Hegelianism, turning Hegel on his head as it were, and developed what is now known as historical materialism to explain how history is driven forward.

Sperber has it wrong. Above all, Marx believed that the possibility of social progress depended on human intervention – revolutionary activity expressed through class struggle. Positivism passively depends on the advancement of science.

Marx’s argument against positivism was that it failed to discern the inner dynamics of society, which dialectical social science could expose. He granted that Comte, as a mathematician and physicist, was certainly “superior” to Hegel in scientific knowledge. However, “even here Hegel is infinitely greater when one considers the whole”. In fact, Marx said, “compared with Hegel” Comte was “wretched”.

‘Static’ economics?

Sperber is also at pains to criticise supposed failings in Marxist economic theory, which he delves into over 10 pages. It is a brave writer who tries to summarise Marxist economics in such a brief space and Sperber more than fails the job.

Following on from his inability to understand Hegelian or Marxist dialectics, Sperber can’t see the dynamic thrust of Marx’s economics. For Sperber, Marx’s grasp of economic reality was “static”, effectively “snapshots of the 1860s”.

However, just opening volume I of Capital and reading the list of contents confounds this. The process of the production of capital, the relationship of use value and exchange value making up the commodity, the fetishism of the commodity, the transformation of money into capital, the labour process and valorisation process, etc. Every page is drenched in the application of dialectics, which is the understanding of reality in movement, to economics.

To drive his points home Marx quotes from the British government factory inspectors’ reports to illustrate of the reality of working class conditions (these are “snapshots” according to Sperber).

Sperber is on slightly surer ground when he criticises Marx’s theorising about the tendency of the rate of profit to decline over time. Over the years Marx made several different attempts at explaining this tendency and never succeeded to his own satisfaction.

Sperber also delves into Marx’s newspaper editorships, indicating that his papers were dominated by strident, unreadable polemics. However, he makes no mention, for example, of the prominence of poetry in Marx’s newspapers. S.S. Pawer, in Karl Marx and World Literature, available since 1976, records the trouble to which Marx went to get the best of contemporary radical poets into his papers.

Sperber thinks that Marx’s literary allusions in his journalism were unintelligible to a mass audience, whereas Pawer shows that that his contemporaries were able to pick up the references easily. Interestingly, Sperber totally misses the myriad Biblical references and advanced use of theological logic in Marx’s writings.

Similarly, for Sperber, Marx’s organising activities to keep Britain from entering the American Civil War on the side of the Confederacy are absent. In fact, Marx’s keen interest in North American events appears right in the preface to Capital volume I and his activity was immense.

The development of Marx’s thinking about British rule in India Sperber dismisses as a strain of “petit-bourgeois” radicalism. The evolution and intellectual vigour of Marx’s engagement with the question is masterfully discussed in Kevin Anderson’s Marx at the Margins, which was available while Sperber was at work on his book, but rates no mention.

On and on it goes. Sperber’s conclusion is that Marx’s ideas are stuck in “the matrix of the early nineteenth century, the age of the French Revolution and its aftermath, of Hegel’s philosophy and its Young Hegelian critics, of the early industrialisation of Great Britain and the theories of political economy emerging from them”.

Sperber misses the point

Sperber completely misses the point: when Marx inverted Hegel’s dialectics and applied it to political economy he did not just create a new economic theory with some attendant radical posturing. Marxism is a philosophy of human action aimed at the complete liberation of the entire human race and the rescue of the planet from capitalist over-exploitation.

Marx was a critic of capitalism and, ironically it is capitalism that has kept its nemesis, Karl Marx alive. Capitalism’s myriad oppressions demand analysis and resistance. In that, the ideas and revolutionary example of Karl Marx are vibrant.

It is only with the death of capitalism that Karl Marx will finally be buried, because we will no longer have need of his world historic contribution. Notwithstanding Jonathan Sperber, Marx will then rest in peace with the grateful blessings of all humanity.

[Barry Healy is a member of Socialist Alliance in Perth, Western Australia. A shorter version of this review appeared in Green Left Weekly.]

Source: LINKS: International Journal of Socialist Renewal – http://links.org.au/node/3530

 

**END**

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.youtube.com/watch?v=YkP_Mi5ideo (new remix, and new video, 2012)

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

 

REVIEWS IN CULTURAL THEORY – VOLUME 3 NUMBER 2 (NOVEMBER 2012)

Dear All

We’re writing to announce the publication of several recent reviews accessible at reviewsinculture.com. We’d also like to invite you to contribute to RCT by offering to review one of the books listed in the latter half of this message.

 

Recent Reviews

No Faith in Form: Claire Bishop. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso, 2012. 388 pp.

“Working in the Space Between”: Understanding Collaboration inContemporary Artistic Practice: Grant H. Kester. The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press, 2011. 309 pp.

Moving Mountains: Art History for the Neoliberal Era: Nato Thompson, ed. Living as Form: Socially Engaged Art from 1991-2011. Creative Time Books and MIT Press, 2012. 280 pp.

Psycho-History: Joan Wallach Scott. The Fantasy of Feminist History. Duke University Press, 2011. 187pp.

Rethinking Race and Digital Divides: Lisa Nakamura and Peter A. Chow-White, eds. Race After the Internet. Routledge, 2012. 343 pp.

Colonial Trains, Postcolonial Tracks: Marian Aguiar. Tracking Modernity: India’s Railway and the Culture of Mobility. University of Minnesota Press, 2011, xxiv +226 pp.

The Art World’s Dark Matter: Gregory Sholette.  Dark Matter: Art and Politics in the Age of Enterprise Culture. Pluto Press, 2011. 240 pp.

Deconstructing the “Middle Class”; Constructing its Transnational History: A. Ricardo Lopez and Barbara Weinstein (eds.) The Making of the Middle Class: Toward a Transnational History. Duke University Press, 2012. 446pp.

No Local: Globalization and the Remaking of Americanism: Sarika Chandra. Dislocalism: The Crisis of Globalization and the Remobilizing of Americanism. OhioStateUniversity Press. 2011. 303pp.

Critical Practice as Desire: Robyn Wiegman. Object Lessons. Duke University Press, 2012. 398 pp.

 

Books Available for Review

In addition to inviting reviewers for the books listed below, we also welcome proposals for longer review essays, focusing on recent or forthcoming (2012-) titles. If you are interested in contributing a review or a review essay to RCT, please write to us at editors@reviewsinculture.com:

Aliyyah Abdur-Rahman. Against the Closet: Black Political Longing and the Erotics of Race. Duke UP, 2012.

Dora Apel. War Culture and the Contest of Images. Rutgers UP, 2012.

Chadwick Allen. Trans-Indigenous: Methodologies for Global Native Literary Studies. University of Minnesota Press, 2012.

Andrew Baldwin, Laura Cameron, and Audrey Kobayashi, eds. Rethinking the Great White North: Race, Nature, and the Historical Geographies of Whiteness in Canada. University of British Columbia Press, 2012.

James Cairns and Alan Sears. The Democratic Imagination: Envisioning Popular Power in the Twenty-First Century. University of Toronto Press, 2012.

Eric Cazdyn. The Already Dead: The New Time of Politics, Culture, and Illness. Duke UP, 2012.

Hamid Dabashi. The Arab Spring: The End of Postcolonialism. Zed Books, 2012.

Élisabeth de Fontenay. Trans. Will Bishop. Without Offending Humans: A Critique of Animal Rights. University of Minnesota Press, 2012.

Mel Y. Chen. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Duke UP, 2012.

Wolfgang Ernst. Digital Memory and the Archive. University of Minnesota Press, 2012.

Judith Farquhar and Qicheng Zhang. Ten Thousand Things: Nurturing Life in Contemporary Beijing. Zone Books, 2012.

Roderick A. Ferguson. The Reorder of Things: The University and Its Pedagogies of Minority Difference. University of Minnesota Press, 2012.

Melissa S. Fisher. Wall Street Women. Duke UP, 2012.

Stephanie Foote and Elizabeth Mazzolini, eds. Histories of the Dustheap: Waste, Material Cultures, Social Justice. MIT Press, 2012.

Margot Francis. Creative Subversions: Whiteness, Indigeneity, and the National Imaginary. University of British Columbia Press, 2012.

Philip S. Gorski, ed. Bourdieu and Historical Analysis. Duke UP, 2012.

Dianne Harris. Little White Houses: How the Postwar Home Constructed Race in America. University of Minnesota Press, 2013.

Marie-Hélène Huet. The Culture of Disaster. University of Chicago Press, 2012.

Engin F. Isin. Citizens Without Frontiers. Contiuum, 2012.

Ralina L. Joseph. Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial. Duke UP, 2012.

Sarah Kember and Joanna Zylinska. Life After New Media: Mediation as a Vital Process. MIT Press, 2012.

Maurizio Lazzarato. Trans. Joshua David Jordan. The Making of the Indebted Man. MIT Semiotext(e), 2012.

Jonathan Levy. Freaks of Fortune: The Emerging World of Capitalism and Risk in America. Harvard UP, 2012.

Denise Markonish, ed. Oh, Canada: Contemporary Art from North North America. MIT Press, 2012.

Michelle Murphy. Seizing the Means of Reproduction: Entanglements of Feminism, Health, and Technoscience. Duke UP, 2012.

Sianne Ngai. Our Aesthetic Categories: Zany, Cute, Interesting. Harvard UP, 2012.

Bruce Robbins. Perpetual War: Cosmopolitanism from the Viewpoint of Violence. Duke UP, 2012.

Hilary Rose and Steven Rose. Genes, Cells and Brains: The Promethean Promises of the New Biology. Verso, 2012.

Jacqueline Rose. The Last Resistance. Verso, 2013.

Srila Roy, ed. New South Asian Feminisms: Paradoxes and Possibilities. Zed Books, 2012.

Tony D. Sampson. Virality: Contagion Theory in the Age of Networks. University of Minnesota Press, 2012.

Roberto Schwarz. Two Girls. Trans. Francis Mulhern. Verso, 2013.

Gilbert Simondon. Trans. Drew S. Burk. Two Lessons on Animal and Man.University of Minnesota Press, 2012.

Matt Stahl. Unfree Masters: Recording Artists and the Politics of Work. Duke UP, 2012.

Jonathan Sterne. MP3: The Meaning of a Format. Duke UP, 2012.

Linda Tuhiwai Smith. Decolonizing Methodologies: Research and Indigenous Peoples. Zed Books, 2012.

John Urry. Societies Beyond Oil: Oil Dregs and Social Futures. Zed Books, 2013.

McKenzie Wark. Telesthesia: Communication, Culture & Class. Polity, 2012.

Sara Warner. Acts of Gaiety: LGBT Performance and the Politics of Pleasure. University of Michigan Press, 2012.

Cary Wolfe. Before the Law: Humans and Other Animals in a Biopolitical Frame. University of Chicago Press, 2012.

Matthew Wolf-Meyer. The Slumbering Masses: Sleep, Medicine & Modern American Life. University of Minnesota Press, 2012.

 

Reviews in Cultural Theory: http://reviewsinculture.com/

 

**END**

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Aesthetics

INTERNATIONAL RESEARCH JOURNAL OF ARTS AND SOCIAL SCIENCES

International Research Journal of Arts and Social Sciences

http://www.interesjournals.org/IRJASS

International Research Journal of Arts and Social Sciences (IRJASS)

The International Research Journal of Arts and Social Sciences (IRJASS) is a multidisciplinary peer-reviewed journal that is published monthly by International Research Journals (http://www.interesjournals.org/IRJASS/Contents/2012%20Content/September.htm). IRJASS is dedicated to increasing the depth of the subject across disciplines with the ultimate aim of expanding knowledge of the subject.

Editors and Reviewers

IRJASS is seeking energetic, qualified and high profile researchers to join its editorial team as editors, sub-editors or reviewers. Kindly send your resume to: irjass@interesjournals.org

Call for Research Articles

IRJASS will cover all areas of the subject. The journal welcomes the submission of manuscripts that meet the general criteria of significance and scientific excellence, and will publish:

* Original articles in basic and applied research
* Case studies
* Critical reviews, surveys, opinions, commentaries and essays

We invite you to submit your manuscript(s) to: irjass@interesjournals.org for publication. Our objective is to inform authors of the decision on their manuscript(s) within four weeks of submission. Following acceptance, a paper will normally be published in the next issue. Guide to authors and other details are available on our website:

http://www.interesjournals.org/IRJASS/Contents/2012%20Content/September.htm

IRJASS IS AN OPEN ACCESS JOURNAL
One key request of researchers across the world is unrestricted access to research publications. Open access gives a worldwide audience larger than that of any subscription-based journal and thus increases the visibility and impact of published works. It also enhances indexing, retrieval power and eliminates the need for permissions to reproduce and distribute content. IRJASS is fully committed to the Open Access Initiative and will provide free access to all articles as soon as they are published.

Best regards
Tega Dafinone
Editorial Assistant, International Research Journal of Arts and Social Sciences (IRJASS)
E-mail: irjass@interesjournals.org
http://www.interesjournals.org/IRJASS

 

**END**

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

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Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

 

Communisation

ON THE COMMONS

We’re pleased to announce the publication of a Special Issue of Reviews in Cultural Theory, “On the Commons“, featuring work contributed by participants at the inaugural Banff Research in Culture residency:  http://reviewsinculture.com/special-issue/ . This issue of RCT is guest edited by Margrit Talpalaru and Matthew MacLellan.

For info on Banff Research in Culture, which just finished its second iteration, visit: http://www.banffcentre.ca/programs/program.aspx?id=1068 and  http://www.banffcentre.ca/programs/program.aspx?id=1210 .

 

With best wishes,

Sarah Blacker and Justin Sully


Reviews in Cultural Theory
Department of English and Film Studies
3-5 Humanities Centre
University of Alberta
Edmonton, Alberta, Canada
T6G 2E5

 

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

 

 

The Incident

REVIEW 31 – LATEST ARTICLES (JULY 2012)

Marika Lysandrou on Badiou’s ‘The Adventure of French Philosophy’:
http://review31.co.uk/article/view/49/a-double-critique

Dan Barrow on Geoff Dyer’s ‘Zona’:
http://review31.co.uk/article/view/48/the-last-word

Marc Farrant on Balibar’s ‘Politics and the Other Scene’:
http://review31.co.uk/article/view/47/border-country

Tom Snow reviews Mark Godfrey’s ‘Alighiero E Boetti’:
http://review31.co.uk/article/view/46/the-extrovert-and-the-introvert

Rosa Ainley on ‘The Architecture of Failure’:
http://review31.co.uk/article/view/45/future-past-tense

Sebastian Truskolowski on The Hipster Myth:
http://review31.co.uk/article/view/42/the-hipster-myth

Belinda Webb reviews ‘Letters to Hitler’:
http://review31.co.uk/article/view/43/dear-f%EF%BF%BDhrer

Robert Barry on ‘Turing’s Cathedral’:
http://review31.co.uk/article/view/44/one-dimensional-universe

 

About Review 31: http://review31.co.uk/about

Originally published at: http://www.historicalmaterialism.org/news/distributed/latest-articles-from-review-31

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

 

 

 

Aesthetics

REVIEWS IN CULTURAL THEORY

Dear All

We’re writing to announce the publication of several new reviews accessible at reviewsinculture.com. We’d also like to invite you to contribute to RCT by offering to review one of the books listed in the latter half of this message.

New Reviews

The Pig Stays in the Picture: Visual/Literary Narratives of Human-Animal Intimacies: Susan McHugh. Animal Stories: Narrating Across Species Lines. University of Minnesota Press, 2011. 280pp.

No Exit? Imagining Radical Refusal: Simon During. Exit Capitalism: Literary Culture, Theory, and Post-Secular Modernity. Routledge, 2010. 280 pp.

Architectural Positions: Pier Vittorio Aureli. The Possibility of an Absolute Architecture. MIT Press, 2011. 251 pp.

Pattern Pre-Recognition: Richard Grusin. Premediation: Affect and Mediality in America after 9/11. Palgrave Macmillan, 2010. 208 pp.

Reading Age and Disability in Film: Sally Chivers. The Silvering Screen: Old Age and Disability in Cinema. University of Toronto Press, 2011. 213 pp.

The Meaning of Christ and the Meaning of Hegel: Slavoj Žižek and John Milbank. The Monstrosity of Christ: Paradox or Dialectic? Ed. Creston Davis. MIT Press, 2009. 320 pp.

Affecting Feminist Subjects, Rewriting Feminist Theory: Clare Hemmings. Why Stories Matter: The Political Grammar of Feminist Theory. Duke University Press, 2011. 272 pp.
Books Available for Review

In addition to inviting reviewers for the books listed below, we also welcome proposals for longer review essays, focusing on recently published (2012-) titles. If you are interested in contributing a review or a review essay to RCT, please write to us at editors@reviewsinculture.com.

Charles R. Acland. Swift Viewing: The Popular Life of Subliminal Influence. Duke University Press, 2012.

Giorgio Agamben. The Kingdom and the Glory: For a Theological Genealogy of Economy and Government. Trans. Lorenzo Chiesa and Matteo Mandarini. Stanford UP, 2011.

Alain Badiou. Trans. Gregory Elliott. The Rebirth of History: Times of Riots and Uprisings. Verso, 2012.

Lauren Berlant. Cruel Optimism. Duke University Press, 2011.

Bruno Bosteels. Badiou and Politics. Duke University Press, 2011.

Susan Brown, Jeanne Perreault, Jo-Ann Wallace, and Heather Zwicker, eds. Not Drowning But Waving: Women, Feminism and the Liberal Arts. University of Alberta Press, 2011.

James V. Catano and Daniel A. Novak, eds. Masculinity Lessons: Rethinking Men’s and Women’s Studies. John Hopkins University Press, 2011.

Eric Cazdyn. The Already Dead: The New Time of Politics, Culture, and Illness. Duke University Press, 2012.

May Chazan, Lisa Helps, Anna Stanley, and Sonali Thakkar. Home and Native Land: Unsettling Multiculturalism in Canada. Between the Lines Press, 2011.

Rey Chow. Entanglements, or Transmedial Thinking about Capture. Duke University Press, 2012.

Jean Comaroff and John L. Comaroff. Theory from the South: or, How Euro-America is Evolving Toward Africa. Paradigm, 2012.

William E. Connolly.  A World of Becoming. Duke University Press, 2011.

Grant H. Kester. The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press, 2011.

Vicky Kirby. Quantum Anthropologies: Life at Large. Duke University Press, 2011.

Tonya K. Davidson,OndinePark, and Rob Shields, eds. Ecologies of Affect: Placing Nostalgia, Desire, and Hope.  Wilfrid Laurier University Press, 2011.

Kit Dobson and Áine McGlynn, eds. Transnationalism, Activism, Art. University of Toronto Press, 2012.

Boris Groys. Introduction to Antiphilosophy. Verso, 2012.

David Harvey. Rebel Cities: From the Right to the City to the Urban Revolution. Verso, 2012.

Sharon Patricia Holland. The Erotic Life of Racism. Duke University Press, 2012.

Andrew Karvonen. The Politics of Urban Runoff: Nature, Technology and the Sustainable City. MIT Press, 2011.

Garry Neil Kennedy. TheLastArtCollege:Nova ScotiaCollegeof Art and Design, 1968-1978. MIT Press, 2012.

Katie King. Networked Reenactments: Stories Transdisciplinary Knowledges Tell. Duke University Press, 2012.

Michael G. Lacy and Kent A. Ono, eds. Critical Rhetorics of Race.New York University Press, 2011.

Stephanie Li. Signifying Without Specifying: Racial Discourse in the Age of Obama. Rutgers UP, 2011.

A. Ricardo López and Barbara Weinstein, eds. The Making of the Middle Class: Toward a Transnational History. Duke University Press, 2012.

Lucio Magri. The Tailor of Ulm: Communism in the Twentieth Century. Verso, 2012.

Walter D. Mignolo. The Darker Side of Western Modernity: Global Futures, Decolonial Options. Duke University Press, 2011.

Nicholas Mirzoeff. The Right to Look: A Counterhistory of Visuality. Duke University Press, 2011.

Martha Nussbaum. The New Religious Intolerance: Overcoming the Politics of Fear in an Anxious Age. Harvard UP, 2012.

Elizabeth A. Povinelli. Economies of Abandonment: Social Belonging and Endurance in Late Liberalism. Duke University Press, 2011.

S.S. Prawer. Karl Marx and World Literature. Verso, 2011.

Jacques Rancière. Staging the People: The Proletarian and His Double. Verso, 2011.

Jacques Rancière. The Intellectual and His People: Staging the People, Volume 2. Verso, 2012.

Sherene Razack, Malinda Smith, and Sunera Thobani,eds.Statesof Race: Critical Race Feminism for the 21st Century. Between the Lines Press, 2011.

Mark Rifkin. The Erotics of Sovereignty: Queer Native Writing in the Era of Self-Determination. University of Minnesota Press, 2012.

Gayle S. Rubin. Deviations: A Gayle Rubin Reader. Duke University Press, 2011.

Peter Sloterdijk. Bubbles: Spheres Volume I: Microspherology. Trans. Wieland Hoban. Semiotext(e), 2011.

Joe Soss, Richard C. Fording, and Sanford F. Schram. Disciplining the Poor: Neoliberal Paternalism and the Persistent Power of Race. University of Chicago Press, 2011.

Joan Wallach Scott. The Fantasy of Feminist History. Duke University Press, 2012.

Gayatri Chakravorty Spivak. An Aesthetic Education in the Era of Globalization. Harvard UP, 2012.

Bernard Stiegler. The Re-Enchantment of the World: The Value of the Human Spirit vs Industrial Populism. Trans. Trevor Arthur. Continuum, 2012.

Tiqqun. Preliminary Materials for a Theory of the Young-Girl. Trans. Ariana Reines. Semiotext(e), 2012.

Jini Kim Watson. The NewAsianCity: Three-Dimensional Fictions of Space and Urban Form. University of Minnesota Press, 2011.

Robyn Wiegman. Object Lessons. Duke University Press, 2012.

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

Posted here by Glenn Rikowski

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REVIEW 31

Progress

This is a new online progressive review, launched only last week – Review 31 (www.review31.co.uk).

With a diverse mix of scholars and journalists it will be reviewing the pick of the latest titles in the humanities and social sciences, with a particular emphasis on politics, history, art and literature. 

Content is free – no subscription is required.

Follow Review 31 on Twitter @review31.

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

Critical Sociology

CRITICAL SOCIOLOGY REVIEW ESSAYS

Critical Sociology‘s book review section will now begin focusing on publishing more comprehensive review essays. Such essays of approximately 5,000 words in length generally examine three to four books of a similar topic through a scholarly lens. For example, we currently have four titles that examine the economic crisis from a critical/left perspective. They are:

1. McNally, David. Global Slump: The Economics and Politics of Crisis and Resistance
2. Lilley, Sasha. Capital and its Discontents: Conversations with Radical Thinkers in a Time of Tumult
3. Albo, Greg, Sam Gindin, and Leo Panitch. In and Out of Crisis: The Global Financial Meltdown and Left Alternatives
4. Calhoun, Craig and Georgi Derluguian. Business as Usual: The Roots of the Global Financial Meltdown

Alternatively, a review essay may draw on a single book title and discuss its relevance along a broad  framework such as contemporary scholarship, or in light of recent e vents, or its utility in an activist setting, etc.

In addition, Critical Sociology welcomes review essays concerned with contemporary media and cultural productions, including but not limited to fiction, cinema, and independent music. These review essays should meet the same criteria set out for book review essays, discussed above.

If you are interested in writing a book review essay for the journal or proposing a potential review essay of your own, please contact the book review editor, George Sanders, at the following e-mail: critsoc.reviews@gmail.com

If you are interested in writing a culture review essay (concerned with fiction, cinema, music, photography and the graphic arts, etc.) for the journal or proposing a potential review essay of your own, please contact the media and culture editor, Graham Cassano, at the following e-mail: critsoc.mediaculture@gmail.com
*****
Professor David Fasenfest
Dept of Sociology
Wayne State University
Editor, Critical Sociology 
crs.sagepub.com
Series Editor
Studies in Critical Social Science
www.brill.nl/scss

Posted here by Glenn Rikowski

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Marx and Education - Jean Anyon

REVIEW OF ‘MARX AND EDUCATION’ BY JEAN ANYON

The Education Review is an open access journal that has published reviews of books in education continuously since 1998.

Education Review has just published the following essay review:

McGrew, Ken. (2011 May 2) To Bravely Speak: An Essay Review of Jean Anyon’s “Marx and Education.” Vol.14 No.5 (May 2, 2011).

This item can be accessed under “Essay Book Reviews” at http://nepc.colorado.edu/education-review

Direct link to Ken McGrew’s review: http://www.edrev.info/essays/v14n5.pdf 

Ken McGrew is the author of Education’s Prisoner’s: Schooling and Political Economy, and the Prison Industrial Complex (2008). His primary research interests are in social justice, critical theory, philosophical pragmatism, educational philosophy, sociology of education, social inequality, social psychology, political socialization, and critical legal studies.

Also see, ‘The Last Page’ by Ken McGrew, in Dissent (Summer 2004): http://www.dissentmagazine.org/article/?article=358   

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