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Punk

PUNKADEMICS

New edited collection on Punk & the Academy

Punkademics
Edited by Zack Furness

The basement show in the ivory tower…

In the thirty years since Dick Hebdige published Subculture: The Meaning of Style, the seemingly antithetical worlds of punk rock and academia have converged in some rather interesting, if not peculiar, ways. A once marginal subculture documented in homemade ‘zines’ and three chord songs has become fodder for dozens of scholarly articles, books, PhD dissertations, and conversations amongst well-mannered conference panelists. At the same time, the academic ranks have been increasingly infiltrated by professors and graduate students whose educations began not in the classroom, but in the lyric sheets of 7” records and the cramped confines of all-ages shows.

Punkademics explores these varied intersections by giving voice to some of the people who arguably best understand the odd bedfellows of punk and academia. In addition to being one of the first edited collections of scholarly work on punk, it is a timely book that features original essays, interviews, and select reprints from notable writers, musicians, visual artists, and emerging talents who actively cut & paste the boundaries between punk culture, politics, and higher education.

Contributors: Milo J. Aukerman, Maria Elena Buszek, Zack Furness, Alastair Gordon, Ross Haenfler, Curry Malott, Dylan AT Miner, Ryan Moore, Tavia Nyong’o, Mimi Thi Nguyen, Alan O’Connor, Waleed Rashidi, Helen L. Reddington, Stevphen Shukaitis, Michael Siciliano, Rubén Ortiz-Torres, Estrella Torrez, Daniel S. Traber, and Brian Tucker.

“The worlds of punk and academia are deliberately dichotomous: the ‘cred’ of the former become ‘certified credentials’ when you enter the latter. This important exploration of the space between the two is weird, uncomfortable, and fraught with mistakes. And we don’t give a fuck if you don’t like it.” – Anne Elizabeth Moore, author of Unmarketable: Brandalism, Copyfighting, Mocketing and the Erosion of Integrity and former editor, Punk Planet

“Zack Furness and his nerdy bunch impressively reveal how the alternative tentacles of youthful rebellion are infiltrating and disrupting the predictable routines of the academy.” – Craig O’Hara, author of The Philosophy of Punk: More than Noise

PDF available freely online (http://www.minorcompositions.info/?p=436).

UK release event June 7th in Brighton: http://www.facebook.com/events/387680207937772/

Book information site: http://www.punkademics.com/

Released by Minor Compositions, Wivenhoe / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Minor Compositions is an imprint of Autonomedia
http://www.minorcompositions.info |minorcompositions@gmail.com

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Zombies

SALVAGEPUNK IN THE BIRTHGRAVE

Launch of Combined and Uneven Apocalypse
Burial of Salvagepunk

Join China Miéville and Evan Calder Williams, on the occasion of Williams’ new book Combined and Uneven Apocalypse, for an evening of Salvagepunk and a discussion of its long pasts, its cursed present, and its uncertain future. Film to be shown, polemics to be launched, graves to be dug.

Saturday July 30th, 6pm
Free
Donations encouraged
Limehouse Town Hall
646 Commercial Road, E14 7HA
6 PM

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

MUSIC, POLITICS AND AGENCY

A one-day conference presented by:
Centre for Cultural Studies Research, University of East London
Faculty of Social Sciences, Open University
Media Industries Research Centre, University of Leeds

May 20th 2011
11:00 – 18:00
University of East London
Docklands Campus
Room EB.2.43
Permalink: http://culturalstudiesresearch.org/?p=694

Can music change anything, or does its potency lie merely in its exemplary status as an organised human activity? What are the effects of power relations on music and to what extent is music itself a site at which power relations can be reinforced, challenged or subverted? What are the economic, affective, corporeal or ideological mechanisms through which these processes occur? Has the age of  recorded music as a potent social force now passed, a relic of the twentieth century; or with the music industry in crisis, is music culture in fact the first post-capitalist sector of the cultural economy, only now emerging from the long shadow of the culture industry? What historical or contemporary examples can we draw on to address some or all of these questions?

This conference is programmed by Jeremy Gilbert (Centre for Cultural Studies Research, University of East London), David Hesmondhalgh (Media Industries Research Centre, Institute of Communications Studies) and Jason Toynbee (Centre for Research on Socio-Cultural Change, Open University).

The conference is free to attend, but pre-registration is recommended.
To register email j.gilbert@uel.ac.uk with the subject “Music, Politics and Agency Registration”
For any further information, email j.gilbert@uel.ac.uk

UEL Docklands Campus is best reached via Cyprus DLR (Docklands Light Railway) station, which is literally located at the campus.
For information about the campus, see http://www.uel.ac.uk/campuses/docklands.htm

Room EB.2.43 is on the second floor of the main building (‘East Building’) which is to the left of the main square upon entering from the square from Cyprus DLR .
See http://journeyplanner.tfl.gov.uk/user/XSLT_TRIP_REQUEST2?language=en to plan your journey.

Speakers and Papers

Anne Danielsen
Power, mediation, and aesthetics in the music of Public Enemy

Anne Danielsen is Professor and Head of Research in the Department of Musicology at the University of Oslo. Her publications include Pleasure and Presence: the Funk Grooves of James Brown and Parliament (2006) and Musical Rhythm in the Age of Digital Reproduction (2010).

Barry Shank
The political agency of music

Barry Shank teaches popular music, American studies and cultural theory in the department of Comparative Studies at Ohio State University.  He is the author ofDissonant Identities: The Rock’n’Roll Scene in Austin, Texas and A Token of My Affection: Greeting Cards and American Business Culture.  He is currently completing a book for Duke University Press entitled Silence, Noise, Beauty: The Political Agency of Music.

David Hesmondhalgh
Music and human flourishing

David Hesmondhalgh teaches and researches at the University of Leeds. His books include Creative Labour: Media Work in Three Cultural Industries (2011), co-written with Sarah Baker, and Western Music and its Others: Difference, Appropriation and Representation in Music (with Georgina Born, 2000).

Helen Reddington
The sound of women musicians in the punk era

Helen Reddington lectures in songwriting and production on the University of East London’s Music Cultures BA. Her research interests include the punk subculture and women’s engagement with music technology. Her book The Lost Women of Rock Music will appear revised in paperback in January 2012 and a double CD of archive material by her punk-pop band is due to be released by the label Damaged Goods later this year.

Jeremy Gilbert
Music after capitalism? Culture, creativity and markets

Jeremy Gilbert is Reader in Cultural Studies at the University of East London. His publications include (with Ewan Pearson) Discographies: Dance Music Culture and the Politics of Sound (Routledge 1999) and Anticapitalism and Culture: Radical Theory and Popular Politics  (Berg 2008). He is co-director of the Centre for Cultural Studies Research, editor of new formations and a founder member of Lucky Cloud Sound System.

John Street
Music as political thought and action: the arguments and the evidence

John Street is a professor of politics at the University of East Anglia. His latest book is Music and Politics, which is due to be published by Polity later this year. He is a member of the editorial group of the journal Popular Music.

Martin Stokes
Scale, agency and music in religious movements

Martin Stokes is University Lecturer in Ethnomusicology and Tutorial Fellow at St. John’s College, University of Oxford. Martin is an ethnomusicologist with a particular interest in social and cultural theory. His most recent book The Republic of Love: Cultural Intimacy in Turkish Popular Music, has just been published by the University of Chicago Press (2010).

Tim Lawrence
Rhizomatic musicianship: Arthur Russell and after

Tim Lawrence is a Reader in Cultural Studies at the University of East London and the programme leader of the Music Culture: Theory and Production degree. He is the author of Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003) and Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92 (Duke University Press, 2009). He is a founding member of the Centre for Cultural Studies Research and Lucky Cloud Sound System.

Tuulikki Pietilä
Body politic: youth musics in the “New South Africa”

Tuulikki Pietilä is a social anthropologist and a research fellow in the Helsinki Collegium for Advanced Studies. She has published a monograph and a number of articles on trade and gender in Kilimanjaro and the post-colonial Africa more broadly. Currently she is studying South African music and music industry.

—END—

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Punk Embrace

WORKERS’ AND PUNKERS’ UNIVERSITY’S INTERNATIONAL DAY SCHOOL 2011

A project in collaboration with East East: Partnership Beyond Borders Program
Metelkova, Ljubljana, 27th April – 2nd May 2011

Self-Management: The aim of the school will be to explore the relevance of the concept of workers’ self-management today – in a contradictory historical moment, when the search for an alternative to a capitalist mode of production is becoming more and more urgent and when there are self-management experiments emerging in places, where capitalist organization of production had the most devastating consequences (for example during Argentina’s financial collapse or in the deindustrialized zones of China and Russia), while at the same time capital itself tries to both cut the costs of management and to discipline the work force by utilizing certain technologies of organization of production reminiscent of self-management – and to critically examine the history of theories and practices of self-management, especially its Yugoslav version.

Main topics of the School: Yugoslav self-management: Was Yugoslav self-management a part of or an alternative to actually-existing socialisms? What was the relation between the workers’ councils movement in Hungary, Poland and Czechoslovakia and Yugoslav self-management? What were the theoretical and political foundations of Yugoslav self-management? What was the relation between various failed European uprisings, based on workers’ self-management, before the Second World War and strivings for self-management in Eastern European socialism after the war?

Self-management today: Theory and practice of workers’ takeovers of factories and companies in Latin America and postsocialist countries, self-management as a part of Bolivarian ‘socialism for 21st century’, social-democratic and corporatist models of self-management (Sweden, Spain, Japan), autonomous communities and autonomous zones.

Theories of self-management: Self-management and Marx/Marxism, relations between socialist economic theories and social regimes on the one hand and self-management on the other, polemical engagements between Rosa Luxemburg and Lenin and between humanist Marxism and dialectical materialists, the role of the concept of class struggle in theories of self-management.

Politics of self-management: Communism as an association of free producers (self-management as a basic form of organization of communist society), the question of abolishment of classes and the state (self-management as a form of post-class and unhierarchical organization of production), the question of party and political representation (self-management as a form of also political and not only economical organization), the question of democracy (and economic democracy).

IMPORTANT INFORMATION:

Working languages of the school will be ex-YU languages and English.

Each speaker will have 30 minutes available for a talk and 10 for a discussion.

Submission guidelines: submissions for presentations should include paper abstracts of max. 200 words, half a page CV, affiliation and contact details.

Submissions deadline: submissions of abstracts are expected by April 10, 2011.

Acceptance decisions will be communicated to the submitters by April 20, 2011.

We especially encourage participants from Central-Eastern Europe and the Balkans to apply.

Travel and accommodation costs will be covered for the selected participants (all the details will be communicated after the selection directly with the selected participants).

Please send inquiries to:
E.mail: primoz.krasovec@gmail.com

—END—

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Mediation

MEDIATIONS: VOLUME 25 NUMBER 1

‘Marx, Politics … and Punk’

Mediations 25.1 is out. The web site has some minor improvements, the PDF edition some major ones. If the links below don’t work, just navigate to mediationsjournal.org.

Please distribute widely!

MARX, POLITICS… AND PUNK

Volume 25, No. 1Fall 2010

Editors’ Note

Contributors

ARTICLES

Fredric Jameson: A New Reading of Capital

Is Capital about labor, or unemployment? Does Marxism have a theory of the political, or is it better off without one? Fredric Jameson previews the argument of his forthcoming book, Representing Capital.

Anna Kornbluh: On Marx’s Victorian Novel

As out of place as Marx himself might have been in Victorian England, Capital is less out of place than one might have thought among Victorian novels. But this does not have to mean that its mode of truth is literary. Anna Kornbluh explores the tropes that propel Capital in order to establish the novel relationship Marx produces between world and text.

Roland Boer: Marxism and Eschatology Reconsidered

The variations on the thesis of Marxism’s messianism are too many to count. But is it plausible to imagine that Marx or Engels took up Jewish or Christian eschatology, in any substantial form, into their thought? Roland Boer weighs the evidence.

Reiichi Miura: What Kind of Revolution Do You Want? Punk, the Contemporary Left, and Singularity

What does punk have to do with Empire? What does singularity have to do with identity? What does the logic of rock ‘n’ roll aesthetics have to do with a politics of representation? What does the concept of the multitude have to do with neoliberalism? The answer to all these questions, argues Reiichi Miura, is a lot more than you might think.

Alexei Penzin: The Soviets of the Multitude: On Collectivity and Collective Work: An Interview with Paolo Virno

One of the principle conundrums that confronts the theorization of the multitude is the relationship it entails between individual and collective. Alexei Penzin, of the collective Chto Delat / What Is To Be Done? Interviews Paolo Virno.

BOOK REVIEWS

Nataša Kovačević: New Money in the Old World: On Europe’s Neoliberal Disenchantment

What is left of the promise that was Europe? Does anything Utopian remain of the European project, or is it destined to become just another neoliberal power? Nataša Kovačević reviews Perry Anderson’s The New Old World.

Kevin Floyd: Queer Principles of Hope

In the “marketplace of ideas,” Marxism and queer studies are often presumed to be divergent and even opposed discourses. Contemporary work in both fields makes the case for a convergence. Kevin Floyd reviews José Esteban Muñoz’s Cruising Utoptia: The Then and There of Queer Futurity.

Madeleine Monson-Rosen: Under a Pink Flag

Is there a feminine relation to copyright in the contemporary period? Madeleine Monson-Rosen reviews Caren Irr’s Pink Pirates: Contemporary Women Writers and Copyright.

—END—

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com