Skip navigation

Tag Archives: Precarious Labor

Aesthetics

ARTLEAKS

7th of November 2012, 7pm, Khalili lecture theatre, SOAS.

Presentation of the international platform ArtLeaks and on the urgency of launching the ArtLeaks Gazette
Corina L. Apostol, Vlad Morariu, Vladan Jeremic, Dmitry Vilensky

ArtLeaks is an international platform for cultural workers where instances of abuse, corruption and exploitation are exposed and submitted for public inquiry. ArtLeaks stresses the urgent need to seriously revise these workers’ relationship with institutions, networks and economies involved with the production and consumption of art and culture. The goal of ArtLeaks is to create a space where one could engage directly with actual conditions of cultural work internationally – conditions that affect those working in cultural production as well as those from traditionally creative fields. Furthermore, ArtLeaks is developing in the direction of creating transversal alliances between local activist and cultural workers groups, through which we may collectively tackle situation of repression and inequality.

While building on previous models that emerged in the highly politicized milieus of the 1970s and 1980s, such as the institutional critique practice of left-wing collectives like Art Workers Coalition, The Guerrilla Art Action Group, Art & Language, PAD/D, Group Material to name just a few, ArtLeaks seeks to expand the scope of these historical precedents towards international geo-political engagement. One of the outcome of ArtLeaks working assemblies was the establishment of alliances with international groups such as: W.A.G.E.(NYC), Occupy Museums (NYC), Arts & Labor (NYC), Haben und Brauchen (Berlin), the Precarious Workers Brigade (London), The May Congress of Creative Workers (Moscow).

For the 2012 Historical Materialism Conference, members of ArtLeaks will present the outcome of their previous working assemblies which took place this year in Berlin, Moscow and Belgrade and bring up for discussion the urgent need to establish ArtLeaks Gazette (forthcoming 2013). This regular, on-line publication aims to be a tool for empowerment in the face of the systemic abuse of cultural workers’ basic labor rights, repression or even blatant censorship, and the growing corporatization of culture that we face today.

More about the ArtLeaks Gazette: http://art-leaks.org/artleaks-gazette/

More about ArtLeaks: http://art-leaks.org/

 

**END**

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

MySpace Profile: http://www.myspace.com/glennrikowski

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

 

Critique

Critique

SUBJECTIVITY – VOLUME 5 ISSUE 1 (April 2012)

Special Issue: Collective Becomings
Edited by Stevphen Shukaitis & Joanna Figiel
http://www.palgrave-journals.com/sub/journal/v5/n1/index.html

Franco ‘Bifo’ Berardi is a contemporary writer, autonomist theorist and media activist. He founded the magazine A/traverso (1975-1981), and was part of the staff of Radio Alice, the first pirate radio station in Italy (1976-1978). His work analyzes the role of media and information technology in post-industrial capitalism, in particular drawing from schizoanalysis and aesthetics to investigate processes of subjectification within precarious labor.

This issue of Subjectivity, which is the first major engagement with Bifo’s work in English, focuses on the themes of collective becomings, whether manifest in the eruption of new political movements, within the workings of the economy, or in the artistic sphere. It is not just a collection of essays that take Bifo’s ideas as their starting point, but rather a collection of essays that all start from the conjuncture of Bifo’s ideas, the issues and conditions raised by them, with forms of collective becomings in the present.

The purpose then is not to consider Bifo’s work in isolation, but rather to develop it as a tool, one that is explored through continued usage and application. This conjunctive approach is the most productive and valuable feature of Bifo’s writing, and autonomist analysis more generally: its ability to act as a kind of crossroads for bringing together different forms of political analysis and social theory, to act as a bridge between them.

Issue Contents:

Introduction
Stevphen Shukaitis & Joanna Figiel

Angels of love in the unhappiness factory
Dave Eden

Labor of recombination
Abe Walker

Creative labor in Shanghai: Questions on politics, composition and ambivalence
Anja Kanngieser

Cinematic and aesthetic cartographies of subjective mutation
Michael Goddard

The Novel Form in Italian Postmodernity: Genna’s Day of Judgment
Giuseppina Mecchia

Reassessing recomposition: 40 years after the publication of Anti-Oedipus
Franco ‘Bifo’ Berardi

— 
Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

“Autonomy is not a fixed, essential state. Like gender, autonomy is created through its performance, by doing/becoming; it is a political practice. To become autonomous is to refuse authoritarian and compulsory cultures of separation and hierarchy through embodied practices of welcoming difference… Becoming autonomous is a political position for it thwarts the exclusions of proprietary knowledge and jealous hoarding of resources, and replaces the social and economic hierarchies on which these depend with a politics of skill exchange, welcome, and collaboration. Freely sharing these with others creates a common wealth of knowledge and power that subverts the domination and hegemony of the master’s rule.” – subRosa Collective

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

World Crisis

BEYOND PRECARIOUS LABOR: RETHINKING SOCIALIST STRATEGIES

A Conference sponsored by the Center for Place, Culture and Politics & The Socialist Register

May 12th and 13th, 2011

CUNYGraduateCenter

365Fifth Avenue@34th Street

Free and open to the public; no registration required

Final schedule TBA

CONFIRMED SPEAKERS include:

Gilbert Achcar, Professor of Development Studies and International Relations, School of Oriental and African Studies, University of London

Patrick Bond, Professor and Director of the Centre for Civil Society, University of KwaZulu-Natal, South Africa

Ursula Huws, Professor of International Labour Studies at the Working Lives Research Institute, London Metropolitan University

Saru Jayaraman, Restaurant Opportunities Center

Leo Panitch, Editor, the Socialist Register

Ai-Jen Poo, Domestic Workers United

Saket Soni, New Orleans Worker Center for Racial Justice

Hilary Wainwright, Co-editor of Red Pepper and Research Director of the New Politics Project of the Transnational Institute, Amsterdam

And many others …

—END—

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com