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Dr Jekyll & Mr Hyde

FIFTH INTERNATIONAL CONFERENCE AND FESTIVAL ON GLOBAL CULT FILM TRADITIONS

Call for Papers
The 5th International Conference and Festival on Global Cult Film Traditions Presents:

Cine-Excess V: Subverting the Senses: The Politics and Aesthetics of Excess

The Cine-Excess Cult Film Conference and Festival brings together leading international scholars and critics with global cult filmmakers. Cine-Excess comprises of a 3 day conference alongside plenary talks, filmmaker interviews and 5-7 UK theatrical premieres of up and coming cult releases.  The event also features its own dedicated DVD label, with recent releases including the official UK Blu-ray release of Dario Argento’s Suspiria (1977).  A new director’s cut of Cannibal Holocaust (1979) is currently being completed in conjunction with Shameless Films for release in Summer 2011.

Previous guests of honour to the annual Cine-Excess event have included John Landis (An American Werewolf in London, The Blues Brothers, Trading Places), Roger Corman (The Masque of the Red Death, The Little Shop of Horrors, The Intruder, The Wild Angels, Bloody Mama), Stuart Gordon (Re-Animator, King of the Ants, Stuck) and Brian Yuzna (Society, Beyond Re-Animator, The Dentist), Dario Argento (Deep Red, Suspiria, Inferno) and Joe Dante (The Howling, Gremlins, The Hole.) Our keynotes have included Sir Christopher Frayling (Head of the Arts Council), Professor Mark Jancovich (University of East Anglia), Professor Martin Barker (University of Wales, Aberystwyth), Matt Hills (University of Cardiff), Professor Jeffrey Sconce (Northwestern University), Professor Chris Jenks (Brunel University) and Professor Richard Dyer (Kings College, London.)

Papers from Cine-Excess III are currently being developed into the book Screening the Undead to be published by I.B. Tauris.  A Cine-Excess Journal is also under development and will publish further papers from the forthcoming conference.

Cine-Excess V focuses on the theme of the controversial cult image in its political, historical and aesthetic contexts. With the resurgence of critical interest in the 1980s ‘video nasties’, as well as whole new generation of films being subject to official state control, the cult image is now becoming a crucial index between the censor and the censored. In order to investigate this further, Cine-Excess V will consider global case-studies of the controversial cult image, looking at both their political and aesthetic particularities. The event will consider the cult image in a broad remit, focusing on a range of cult media and technologies, including film, television, games, comics, and digital media. Proposals are welcomed on, but not limited to, the following topics and areas:

* Rediscovering the Horrific Real: The Resurgence of ‘Realist’ horror cinema

* Red, White and Grue-some: New Generations of US Splatter

* Realm of the Censored: Case-Studies of the Censored Image

* Trans-European Excess: Cult Controversies from the New Europe

* Censored Communities: Cult Audiences and the Subcultural

* I Split on Your Grave Again and Again and Again: Neo-Nasties and Retro Remakes

* Euotrashed! Extreme Auteurs From Ruggero Deodato, Umberto Lenzi, Joe D’Amato and Beyond

* The Ontology of Obscenity: The Politics and Aesthetics of the Erotic Image

* Degraded Genres, Debated Tastes: Cannibal Movies, Zombie Flicks, Torture Porn and Beyond

* Chrome, Metal and Controversy:  Cult Biker, Cop and Gang Flicks

* ‘Extreme’ television: From Masters of Horror to Dead Set and Beyond

* Perverse Pedagogies: Teaching the Controversial Image

* Extreme Icons: Cult Performers, Performative Excess.

* National and transnational traditions and stylistic practices

* Four-colour, fumetti and graphic novels – cult, comics and graphic adaptations

* Technologies of Terror: Remediating Controversial Images in New media

* Female Avengers: Controversial Cult Femmes

* Third World Threats: Cult Controversies Beyond the Western Gaze

* Aesthetics of ‘restraint’ and ‘excess’

* The Devil Within Her: The Cult Possession Movie

We welcome individual paper submissions, panels and roundtable proposals. Please send a 300-word abstract and a short (one page) C.V. by 7th March 2011 to:

Leon Hunt, Co-Director of Cine-Excess V, School of Arts: leon.hunt@brunel.ac.uk  
Filippo Del Lucchese, Co-Director of Cine-Excess V, School of Social Sciences: filippo.dellucchese@brunel.ac.uk

Cine-Excess V is currently confirming its line-up of filmmaking Guests of Honour and its official UK theatrical premieres for official release in February 2011. For further information and regular updates on the event please visit http://www.cine-excess.co.uk or contact: Xavier Mendik, Director of the Cine-Excess International Cult Film Conference and Festival Director of the Cine-Excess DVD Label School of Arts, Brunel University, Uxbridge, Middlesex, UB8 3PH: Xavier.mendik@brunel.ac.uk

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

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Community

THE ECSTACY OF COMMUNITY AND THE FORECLOSURE OF THE POLITICAL FIELD

Dr Margret Grebowicz

Date: Wednesday 17th March

Time: 4pm – 5.30pm

Venue: Birt Acres Lecture Theatre, Bute Building

Host: JOMEC, Cardiff University

Contact: Paul Bowman, BowmanP@cf.ac.uk

Feminist critiques—and defences—of pornography have been around for decades.  But how does the advent of porn as an internet phenomenon change the way we think of the relationships between speech, freedom, and sex? Engaging with Baudrillard and Butler, I argue that cyberporn has important consequences for political ontology in general, which should reorient critics of pornography to focus on questions of community, sexual/political intelligibility, and the conditions of the possibility of social change.

Dr Margret Grebowicz (Goucher College, Baltimore) is spending 2009-10 as a Researcher at The University of Dundee. She is interested in social and political philosophy through a continental lens, with particular emphasis on gender and the production of knowledge and culture.  She is editor of Sci-Fi in the Mind’s Eye: Reading Science through Science Fiction (2007) and Gender After Lyotard (2007). Her most recent projects concern internet pornography, radical democratic theory, and animal studies—sometimes even in conjunction.  She is currently working on two books: one on Donna Haraway’s later work, and the other, a short book on internet pornography and American democracy. 

ALL WELCOME

Dr Paul Bowman

JOMEC, Cardiff University

http://cardiff.academia.edu/PaulBowman

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Wavering on Ether: http://blog.myspace.com/glennrikowski