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Paulo Freire

Paulo Freire

CRITICAL KNOWLEDGE AND PRAXIS – REMINDER

ANGLIA RUSKIN SEMINAR

May 13th 2015, 3.30-6.30pm.

Marconi Building, Room 104, Anglia Ruskin University, Chelmsford Campus.

Professor Dave Hill and Cassie Earl and the Department of Education are delighted to invite you to a special session of the CEJ (Critical Education and Justice) Research Group at Anglia Ruskin University:

 

Critical Knowledge and Praxis

With Professor Mike Neary, Dr. Sarah Amsler & Dr. Joss Winn from the University of Lincoln

 

The seminar will explore the fate of critical knowledge and praxis and how it might have a role in progressive politics and revolutionary struggles against current injustices created and exacerbated by the violence of capitalist abstractions: Money, the State and its other institutional forms, e.g. the neoliberal university.

A key issue for the seminar will be the extent to which it is possible to operate as a critical scholar within a neo-liberal university, and to what extent it is necessary to develop other social institutions to carry through with the implications that form the substance of our work.

 

Reading

Amsler, S. (2014) For feminist consciousness in the academy, Special Issue on Materialist Feminisms against Neoliberalism, Politics and Culture. Sarah’s new book ‘The Education of Radical Democracy‘ will be published in April.

Neary, M. (2014) ‘Making with the University of the Future: pleasure and pedagogy in higher and higher education’.  In: J. Lea (Ed.) (2015) Enhancing Learning and Teaching in Higher Education: engaging with the dimensions of practice. Maidenhead: Open University Press.

Winn, J. (2015) The co-operative university: Labour, property and pedagogyPower and Education, 7 (1).

 

See: http://josswinn.org/2015/03/anglia-ruskin-seminar-critical-knowledge-and-praxis/

If you are coming from outside the University and need directions, please contact either Dave Hill (dave.hill@anglia.ac.uk) or Cassie Earl (cassie.earl@anglia.ac.uk)

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Fat Cat Food

Fat Cat Food

MONEY, DEBT AND FINANCE: TOWARDS A POLITICAL ECONOMY OF FINANCIAL INNOVATION

Call for participants

The Open Political Economy Network (OPEN) of The Open University will be holding its first workshop on Friday, 26 June.

Title: Money, debt and finance: towards a political economy of financial innovation

Organisers: Dimitris P. Sotiropoulos (The Open University Business School) and Andrew Trigg (Department of Economics, The Open University).

Date: Friday 26 June 2015

Place: The Open University in London, Room 2 (Ground Floor), 1-11 Hawley Crescent, Camden Town, London NW1 8NP. Nearest underground: Camden Town (Northern Line).

Modern developments in financial innovation, usually described by the term ‘financialization’, have been mostly approached from two distinct viewpoints. On the one hand, the mainstream financial literature heavily downplays the historical and social nature of financial innovation in relation to risk management. On the other hand, critical approaches in the field of political economy tend to see contemporary trends in financial innovation as a distortion of capitalist economic structures. This event explores an alternative research agenda in political economy based on Marx’s analysis and other related currents in Political Economy. Financial crises can thus be seen as moments innate in the workings of the economic system but not necessarily a sign of decline; finance and financial innovation can be integral to capitalism and not parasitic or dysfunctional within it.

By drawing on the research and expertise of a diverse range of scholars, the event will explore possible foundations for a new analytical paradigm for considering the political economy of money, debt and financial innovation. The workshop is also an opportunity for participants (academics, students, activists) to engage in a dialogue with the speakers and share their perspectives about the development of this paradigm.

Speakers will include (in alphabetical order):

Paul Auerbach, Kingston University, London

Riccardo Bellofiore, University of Bergamo, Italy

Ole Bjerg, Copenhagen Business School, Denmark

Dick Bryan, University of Sydney, Australia

Bob Jessop, Lancaster University, UK

John Kannankulam, Marburg University, Germany

Spyros Lapatsioras, University of Crete, Greece

John Milios, National Technical University of Athens, Greece

Dimitris P. Sotiropoulos, The Open University Business School, UK

Jan Toporowski, SOAS, London

Andrew Trigg, The Open University, UK

 

Workshop details

The workshop is funded by the Open University research centre, IKD, and is open to all. Registration is free but necessary as there are limited spaces available. Lunch and refreshments will be provided. More information will follow, including a programme and abstracts of papers.

For registration please email: Atalanta Richards at Socsci-IKD-Events@open.ac.uk

For further information:  https://www.open.ac.uk/ikd/events/

 

First Published in http://www.historicalmaterialism.org/news/distributed/call-for-participants-money-debt-and-finance-towards-a-political-economy-of-financial-innovation

images

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

money

North Atlantic Oscillation

North Atlantic Oscillation

THE DARK ARTS OF FINANCE

The Dark Arts of Finance: Speculation, Collaboration and Artistic Labour

Max Haiven

Wednesday March 19th @ 3-5PM, University of Essex, Room 5B.202

Unlike his contemporaries, and unlike so many of today’s commentators, Marx was unsatisfied with approaches to the financial sector that saw it as merely parasitic (or as any more parasitic than other forms of capitalist accumulation). Rather, he suggested that finance represented one important means by which a key crisis endemic to capitalism might be (temporarily) averted: it provided a forum within which otherwise competitive capitalist actors might pool their wealth in the interests of their class and of the system as a whole. Such an approach to finance, and to the important but often overlooked forms of inadvertent cooperation at the heart of capitalist accumulation, may help us explore the politics and potentialities of artists’ collectives amidst today’s “financialization” of art. What might be gained if we imagined the infiltration of “art” by financial methods, measures and metaphors not as a parasitic imposition, but as new grounds for collaboration? Can we not imagine increasingly individuated and competitive artists as unwittingly enrolled in some form of (re)productive collectivity by the speculative currents of the art market? And, if so, how might this open up new ways to imagine radical collectivities that do not merely seek to return art to its allegedly pre-financialized pedestal, but that seize upon this new situation dialectically?

Max Haiven is an assistant professor in the Division of Art History and Critical Studies at the Nova Scotia College of Art and Design in Canada. His book Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life is forthcoming from Palgrave MacMillan in 2014. His book Crises of the Imagination, Crises of Power: Capitalism, Creativity and the Commons will be published by Zed Books in March 2014. More information can be found at http://maxhaiven.com.

Sponsored by the Centre for Work, Organization, and Society.
This seminar is part of an ongoing workshop series on artist collectives.
For more information contact Stevphen Shukaitis: sshuka@essex.ac.uk

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski at Academia: https://independent.academia.edu/GlennRikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskpoint.blogspot.com

Knowledge

Knowledge

20th and 21st CENTURY FRENCH AND FRANCOPHONE STUDIES INTERNATIONAL COLLOQUIUM

 

20th and 21st Century French and Francophone Studies International Colloquium

New York City: March 6-8 2014

Co-organized and hosted by

NYU, CUNY Graduate Center and Columbia University

 

Call for Papers/ Appel à communications

Money / L’Argent

 

This conference, to be held in New York City on March 6, 7 and 8 2014, will focus on the role that money, economics, dépense, financial crises and equitable or unjust economic distribution have played in 20th and 21st century French and Francophone literatures, visual cultures, theatre, history, theory, translation studies and gender and ethnic studies. Since the financial crises of 2008, there has been an ever widening debate about the role that financial gain plays in the production of culture and the functioning of institutions of higher education throughout the world. At the same time, the crises have energized communities that put into question the culture of capital and the ties between capitalism and culture, all of which has created particularly dynamic, ideological, moral and cultural power struggles. This conference will serve as an open discussion on the way money has worked in stories, aesthetic forms, translations, methodologies, curricula and our own institutions from 1900 to the present.

 

Possible topics include:

Economics and the Cultural Field

National or Global Culture?

Financial Crises and the Avant-garde

Gender and Economic Disparities

Fetishism and the Taboo of Money

Writers and their Institutions

Cinematic Production and Globalization

Copyright and Royalties in the Digital Age

Cultural and Economic Centers and Peripheries

Culture and the Welfare State

Anti-capitalism

“Occupy Wall Street” and “le Comité invisible”

The Great Depression and Art

Money/Colonialism/Postcolonialism

Money/Migration/Art

Poetry and/versus Money

Cognitive Capitalism and the Study of Literature and Film

Esthetic Practices and the Working Class

 

Proposals for individual presentations and for complete panels can be submitted in French or English by August 31, 2013. Please send them to ffsmoney2014@gmail.com. The proposal should be from 200-250 words for each presentation and should include the affiliation, the name and the email address of each participant.

 

Organizers:

Peter Consenstein (CUNY)

Ludovic Cortade (NYU)

Madeleine Dobie (Columbia)

Philip Watts (Columbia)

 

20th and 21st Century French and Francophone Studies International Colloquium

New York City: March 6-8 2014

Co-organized and hosted by

NYU, CUNY Graduate Center and Columbia University

 

Call for Papers/ Appel à communications

Money / L’Argent

 

Ce colloque, qui aura lieu à New York le 6, 7 et 8 mars 2014, met l’accent sur les rôles que jouent l’argent, l’économie, la dépense, les crises financières et la répartition économique—juste ou injuste—dans la littérature, les cultures visuelles, le théâtre, l’histoire, la théorie, la traduction et l’étude de la sexualité et de l’ethnicité au sein des études françaises et francophones des 20e et 21e siècles. Les crises financières de 2008 ont lancé un débat de plus en plus étendu sur l’importance du gain financier dans la production culturelle et dans les systèmes universitaires dans le monde. Ces crises remettent en cause les rapports entre le capitalisme et la culture. Ainsi s’ouvrent des luttes de pouvoirs idéologique, culturelle et morale. Ce colloque se veut un lieu de discussion au sujet du rôle de l’argent dans la littérature, les formes esthétiques, les traductions, les méthodologies et même les programmes d’étude de nos propres universités du début du 20e siècle jusqu’à nos jours.

 

Pistes de réflexion (liste non exhaustive):

L’économie et les champs culturels

Culture nationale ou mondiale?

Les crises financières et les avant-gardes

Genre, sexualité et inégalités économiques

Fétichisme et tabou de l’argent

Les écrivains et les institutions

Le cinéma et la mondialisation

Les droits d’auteur à l’ère numérique

Centres et périphéries culturelles et économiques

La production culturelle et l’État-providence

L’Anticapitalisme

« Occupy Wall Street » et le « Comité invisible »

La crise économique des années 30 et l’art

Argent/Colonialisme/Post-colonialisme

Argent/Migration/Art

La poésie et/versus l’argent

Le capitalisme cognitif et l’étude de la littérature et du cinéma

Les pratiques esthétiques de la classe ouvrière

 

Les propositions de communication individuelles et de panels complets pourront être soumises en français ou en anglais jusqu’au 31 août 2013 à cette adresse email : ffsmoney2014@gmail.com. Veuillez joindre un résumé de 200-250 mots pour chaque communication ainsi que le nom, l’affiliation et le courriel de chaque participant.

Organisateurs :

Peter Consenstein (CUNY)

Ludovic Cortade (NYU)

Madeleine Dobie (Columbia)

Philip Watts (Columbia)

 

First published in: http://www.historicalmaterialism.org/news/distributed/cfp-20th-21st-century-french-and-francophone-studies-colloquium-money-largent-nyc-6-8-march-2014

 

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Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.youtube.com/watch?v=YkP_Mi5ideo (new remix, and new video, 2012)  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Capitalism in Crisis

FINANCE AND THE REALIZATION OF VALUE IN THE “SOCIAL FACTORY”

Call for Papers: Association of American Geographers ( AAG ) Annual Meeting 2013, Los Angeles April 9 -13th

Finance and the Realization of Value in the “Social Factory”

Co-organized by Mark Kear (Simon Fraser University) and Lana Swartz (University of Southern California)

Session Overview

This session explores the changing role of money and finance in the realization of value outside traditional sites of production, and through social processes and activities not historically associated with value production. Over the last three decades geographers have documented dramatic transformations in the nature of labor in affluent capitalist states. These transformations have been attended by a growth in insecure, casualized, and irregular employment; a blurring of work and non-work time as well as a rise in the prominence of “entrepreneurial,” “affective,” “creative” and “immaterial” labour. Italian autonomists (e.g. Hardt and Negri 2010, Marazzi 2011, Vecellone 2007) argue that these shifts in the nature of work have dispersed and decentralized the valorization process to a point where ‘the whole society is placed at the disposal of profit’ (Negri, 1989: 79 cited in Gill and Pratt 2007) – turning society into a “social factory” for the production of value. This “real subsumption of society under capital,” however, creates challenges for the regulation of productive processes and the realization of value created beyond the “factory gate.”

With these challenges in mind, we hope to explore how innovations in payments systems, banking, financial analytics and credit scoring products as well as other financial apparatuses (e.g. loan products, mobile apps, transaction services, etc.) enable the capitalization and regulation of diffuse value producing activity (in the home, online, etc.), and help capture surpluses produced through such activity. According to Hardt and Negri (2009: 289) “only finance is able to oversee and compel the flexibility, mobility and precariousness of biopolitical labor-power;” however, the specific financial devices (Muniesa, Millo and Callon 2007) and mechanisms through which everyday activities and forms of sociality are rendered sources of economic value remain largely unstudied.

The current efforts of financial institutions, state regulators and consumer advocates to build a more “inclusive” financial system, develop new products, and harness new data sources, promise to produce new “spaces” into which financial markets can expand and “empower” the excluded. Some of these efforts lay new infrastructures of value transfer and production, while others work to privatize and “ride the rails” of public systems (Maurer 2012). We hope this session will facilitate a rewarding and critical discussion about this post-subprime crisis future of financialization – its vectors, contradictions, geographies, and targets for resistance.

Possible paper topics and themes include:

– Money and payment infrastructures

– Financial empowerment, financial inclusion and financial citizenship

– Behavioral finance, financial education and financial subject formation

– Geographies of transactional finance

– Biocapitalism / cognitive capitalism

– South-to-north policy transfer / finance and the “bottom of the pyramid”

– Asset-based welfare and neoliberalization

– Mobile banking and prepaid cards

– Finance and precarity

– Financial ethnography

– Consumer finance, social protection and personal responsibility

– Finance and class

– Resistance to financialization

– Finance and the commons

– Financial reform

– Finance and measurement (e.g. data, scoring, and risk)

– Finance and social capital

– Debtor-creditor relations

– Finance and philanthrocapitalism

Submissions need not be limited to these suggestions; we welcome abstracts with expansive interpretations of these topics and themes.

Please send proposed titles and abstracts of up to 250 words to Mark Kear ( mkear@sfu.ca ) and Lana Swartz ( dswartz@usc.edu ) by October 1st , 2012.

References

Gill, R., & Pratt, A. (2008). In the Social Factory? Immaterial Labour, Precariousness and Cultural Work. Theory Culture and Society , 25 (7-8), 1–30.
Marazzi, C. (2011). The Violence of Financial Capitalism . Los Angeles: Semiotext(e).
Maurer, B. (2012). Mobile Money: Communication, Consumption and Change in the Payments Space. Journal of Development Studies , 48 (5), 589–604.
Muniesa, F., Millo, Y., & Callon, M. (2007). An introduction to market devices. Socialogical Review , 55 (2), 1–12.
Negri, A., & Hardt, M. (2009). Commonwealth . Cambridge: Belknap Press of Harvard Press.
Vercellone, C. (2007). From Formal Subsumption to General Intellect: Elements for a Marxist Reading of the Thesis of Cognitive Capitalism. Historical Materialism , 15 (1), 13–36.

First published at: http://www.historicalmaterialism.org/news/distributed/2nd-cfp-aag-2013-la-9-13-april-finance-and-the-realization-of-value-in-the-social-factory

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‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski’s paper, Critical Pedagogy and the Constitution of Capitalist Society has been published at Heathwood Press as a Monthly Guest Article for September 2012, online at:

http://www.heathwoodpress.com/monthly-guest-article-august-critical-pedagogy-and-the-constitution-of-capitalist-society-by-glenn-rikowski/

Heathwood Press: http://www.heathwoodpress.com

Crisis

THE FINANCIALIZED IMAGINATION AND BEYOND

Call for Papers—The Financialized Imagination and Beyond
Special issue of TOPIA: Canadian Journal of Cultural Studies, Fall 2013
Proposals due: September 14, 2012

Link to PDF version of the CFP: http://t.co/xcuw44bq

Edited by Max Haiven (New York University/Nova Scotia College of Art and Design University) and Jody Berland (York University)

Narrowly defined as the so-called “FIRE” industries (high finance, insurance and real estate), finance has gained tremendous power over the global economy in recent years. Critics describe “financialization” as a profound and far-reaching social and cultural shift. Advances in financial modelling, computing and communications technology have changed the nature and power of financial speculation, but the vast expansion of new forms of debt, credit and everyday financial services have also had dramatic impacts on daily life. From credit cards to sub-prime mortgages, from student debt to the privatization of pensions, from pay-day loans to online stock trading, financial practices have become mainstream cultural issues. Films, biographies, novels, television shows and web-texts about finance and financiers (lionized or demonized) are more popular than ever. Logics of finance inform and shape public policy and social institutions, from hospitals and schools to science and cultural production, with “risk management,” “return on investment,” and “market efficiency” as key weapons of the neoliberal lexicon. Driven in part by immaterial, speculative, leveraged wealth, capitalism normalizes precarious labour and life in both material and immaterial forms, and each of us is expected to manage our risk portfolios and embrace a life of endless speculation. While the politics of debt, predatory lending and speculative capital have long shaped geopolitical realities, especially in the developing world, the unapologetic “age of austerity” threatens a new intensity of inequality and exploitation, with dramatic human and ecological consequences.

Facing continuous global financial crises and new social movements emerging to contest this “age of austerity,” cultural studies has important questions to ask about the financialized imagination. How is “finance” represented in fiction, film, journalism and art? How is finance itself a form of “representation” as well as a cultural phenomenon driven by beliefs, narratives and technologies? How do representational technologies contribute to the production of wealth? How do we explain the charisma of the speculator, the valorization of “risk management” and the fetishization of “financial literacy” under hyper-neoliberalism? What are finance’s effects on cultural production and the political economy of culture? How is the rise of digitized financial power related to the global play of material and immaterial economics, labour and culture? How is financialization connected to and expressed through race, class, gender, sexuality, colonialism, imperialism and ablism? What are the geopolitical and affective consequences of financialization? How do we historicize and “periodize” financialization, and what is at stake in analyzing what Marx called “fictitious capital”? What are the effects of financialization on everyday culture? How is debt linked to politics of precarity, disposability or borders? Are there ecologies of financialization? How does finance’s tremendous power to commodify potential futures as present-day “risk” affect how we imagine the future? What are the contours and limits of the “financialized imagination”? Have we moved from a society of the spectacle to a society of speculation? What lies beyond?

Social movements such as the Occupy movement and, more broadly, anti-austerity struggles from Athens to Chile, Nigeria to India, Korea to Montreal have been waging cultural struggles over the meaning of debt, the uses and abuses of banking, and the nature of economic power. Critical films, fiction, blogs and other genres seek to probe finance, financialization and the financial crisis, with varying degrees of success.

TOPIA invites contributors to propose academic articles, shorter “offerings,” reviews and review essays for a special issue on the “financialized imagination and beyond.” Themes and topics include (but are not limited to):

 

*Cultural representations of finance, financialization, financiers and the financial crisis in and across media

* The cultural politics of debt and credit in everyday life: government spending, ecological debt and debt as a paradigm of social discipline

* Finance as representation of space, time, knowledge, culture, materiality or immateriality

* Calculation and the new common sense: the fate of futurity, the cultural idiom of speculation and the practices of “risk management”

* Finance capital(ism) and the politics and economics of cultural production: the financing of culture

*The cultural politics of crisis

*The interplay of oppressions (gender, sexuality, race, class, ability, citizenship) and finance, from racialized predatory sub-prime lending to women-focused microcredit schemes, from the “Wall Street Man” to the legacies of debt-bondage and slavery

* The roots and legacies of colonialism and imperialism in finance (and vice versa)

* The financialization of daily life and social institutions

* The cultural and affective dimensions of finance, financial labour and financial speculation: how are cultures of speculation built and reproduced? What does financial wealth represent? What kinds of affects and sensations are produced by wealth through speculation, display, or loss?

* Tension and interplay between material and immaterial capital, labour and culture, money and power

* Historical precedents and patterns of finance and financialization: narrating events from Tulip Mania to the collapse of the Asian Tigers; from the speculative value of enslaved Africans to the predatory sub-prime mortgage industry that thrived on inner-city poverty 

* Struggles against finance, financialization and austerity, and their spaces, strategies, narratives, potentials and limits

* Horizons beyond the crisis
Prospective authors should submit a 300-word proposal, accompanied by a brief biographical note, to the editors by September 14, 2012. Selected authors will be invited to prepare articles by February 15, 2013, with publication dependent on the peer-review process. The issue will be published in Fall 2013.

More information can be found at TOPIA’s website, http://www.yorku.ca/topia.

Please direct proposals and queries to Max Haiven at maxhaiven@nyu.edu, and to Jody Berland at jberland@yorku.ca.

Originally published in http://www.historicalmaterialism.org/news/distributed/call-for-papers-the-financialized-imagination-and-beyond  

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‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Volumizer: http://glennrikowski.blogspot.com

Money

Money

VALUE, MONEY AND CRISIS: A WORKSHOP ON THE WORK OF HANS-GEORG BACKHAUS

The Department of Sociology, Goldsmiths, University of London invites you to:

Value, Money and Crisis: A Workshop on the Work of Hans-Georg Backhaus

Presentations by Riccardo Bellofiore and Tommaso Redolfi Riva, responses by Chris Arthur and Werner Bonefeld

4 June 2012
Room 137, Richard Hoggart Building, Goldsmiths, University of London
4-6 pm
All welcome

Hans-Georg Backhaus is one of the most provocative thinkers of the Frankfurt School. Together with Helmut Reichelt, Alfred Schmidt, and Hans-Jürgen Krahl, he was at the origin of the Neue Marx-Lektüre. Building on Adorno’s critical sociology, Backhaus has been engaged in a problematization of the Marxian critique of political economy which takes seriously its roots in Hegel’s Logic. Questioning orthodox Marxism and Engels’s legacy, he has advanced a whole-scale reconstruction of Marxian theory, confronting the inconsistencies in Das Kapital, and rescuing Marxism as a critical theory of society. The most important of his essays were collected in Dialektik der Wertform: Untersuchungen zur marxschen Okonomiekritik (The Dialectic of the Value Form: Investigations into Marx’s Critique of Economics) by the German publisher Caira. Very few of them are available in English, but the seminal contributions (in particular his 4-part Materials for the Reconstruction of Marx’s Theory of Value) have now been published in Italian under the editorship of Bellofiore and Redolfi Riva. At the core of Backhaus’s reconstructive project is the uniqueness of Marx in building the only monetary theory of value available to us, together with a full recognition of the fetish character and the displaced/perverted nature of contradictory capitalist reality. Backhaus’s contributions put the question of the ‘constitution’ of capitalist social ‘objectivity’ once again on the agenda of Marxian theory and politics. They are essential today for anyone preoccupied with building an analysis of the crisis – one that would not only depart radically from mainstream economic theory, but go far deeper than Neo-Ricardianism and Keynesianism.

Riccardo Bellofiore has published books on Marx, Luxemburg, Minsky, Napoleoni, globalization, and the current economic crisis. With Giovanna Vertova he has a FB page, Economisti di classe. He teaches at the University of Bergamo, Italy.

Tommaso Redolfi Riva studied Philosophy and History of Political Economy in the Universities of Pisa and Florence. Together with Riccardo Bellofiore he is the editor of Hans Georg Backhaus, Dialettica della forma di valore, Roma, 2009.

Chris Arthur is the author of The New Dialectic and Marx’s Capital.

Werner Bonefeld teaches at theUniversity ofYork. He recently edited Subverting the Present, Imagining the Future: Insurrection, Movement, Commons.

 

Further information: http://www.gold.ac.uk/sociology/calendar/?id=5410

 

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Money MenaceTHE EVIL AXIS OF FINANCE

THE EVIL AXIS OF FINANCE: THE US-JAPAN-CHINA STRANGLEHOLD ON THE GLOBAL FUTURE (Clarity Press, 2012)

Richard Westra, Graduate School of Law, Nagoya University, Japan

 

The story Westra tells of international economic depredation and humanity’s stolen future is truly chilling. From its Wall Street command centre, and funded by Japan and China, the United States ensnares the world’s states and people in a sinister, rigged, zero-sum game. This game, played for the narrowest of ends and to the benefit of an international cohort of uber-rich, traps humanity in a twilight zone of long decay, with its major players intent on preventing a more equitable international order from emerging from the detritus. We ignore the arguments of “The Evil Axis of Finance” at our peril.

 

INTRODUCTION: THE STANGLEHOLD ON THE GLOBAL FUTURE

CHAPTER ONE: THE ‘FREE WORLD’ DESIGN FOR PROSPERITY

 Constituents of a New Real Economy

 The Golden Age Algorithm

CHAPTER TWO: JAPAN AND CHINA IN THE FUTURE PERFECT TENSE

 Anticommunism and the Rebirth ofJapanin the ‘Free World’

 ‘Free World’ Exclusion and the Rise of Mao ZedongChina

CHAPTER THREE: FROM GOLDEN AGE TO GLOBALIZATION

 What Goes Up…

 The US at the Global Crossroads, But Hardly Sinking Down

CHAPTER FOUR: IDLE MONEY IS THE DEVIL’S PLAYGROUND

 ‘Resident Evil’

 ‘Fists Full of Dollars’

CHAPTER FIVE: ROTATING MELTDOWNS

 ‘Banksta’sParadise’

 ‘For a Few Dollars More’

CHAPTER SIX: THE CHAINS OF CHINA

 The Chinese Connection

 Charles Dickens Meets Henry Ford at the Pearl River Delta

 Red Queen, White Queen

CHAPTER SEVEN: THE ARMAGEDDON TRIFECTA

 The Tea Party is Over

 The End of Food

 No ‘Day After Tomorrow’

CONCLUSION: WHITHER THE EXITS?

 

Amazon: http://www.amazon.com/Evil-Axis-Finance-US-Japan-China-Stranglehold/dp/0932863906/ref=sr_1_1_title_0_main?s=books&ie=UTF8&qid=1330663805&sr=1-1

**END**

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

Costas Lapavitsas

Costas Lapavitsas

FINANCIALISATION IN CRISIS

http://www.brill.nl/financialisation-crisis

Financialisation in Crisis
Edited by Costas Lapavitsas

The turmoil of 2007-2009 is a crisis of financialised capitalism, and for this reason it is systemic and unusual. The crisis commenced in the sphere of finance, spread to production, and then became a world recession. Its unusual character is apparent since never before has a global economic crisis been triggered by banks lending to workers to buy houses. Moreover, state intervention to forestall the crisis becoming a major depression has been unprecedented. This book brings together several well-known political economists to analyse the domestic and international aspects of financialisation, thus putting the crisis in its appropriate context. It draws on Marxist and other heterodox economics to cast light on the broader implications of financialisation and crisis for society.

Biographical note
Costas Lapavitsas is Professor of Economics at the School of Oriental and African Studies. He has published extensively on the political economy of money and finance. His publications include Social Foundations of Markets, Money and Credit (Routledge, 2003).

Readership
Academic libraries, institutes, university courses, policy centres and political/social activists. Those interested in radical explanations of the rise of finance, the transformation of the economy and the recurrence of crisis.

Table of contents
List of Tables and Figures
Introduction: A Crisis of Financialisation, Costas Lapavitsas

PART I: DOMESTIC FINANCIALISATION AND THE ROOTS OF THE CRISIS

1. Financialised Capitalism: Crisis and Financial Expropriation, Costas Lapavitsas

2. The Political Economy of the Subprime Meltdown, Gary Dymski

3. On the Content of Banking in Contemporary Capitalism, Paulo L. Dos Santos

4. Central Banking in Contemporary Capitalism: The Limits of Monetary Policy, Demophanos Papadatos

PART II: INTERNATIONAL FINANCIALISATION AND THE GLOBAL IMPACT OF THE CRISIS

5. On the Historical Significance and Social Costs of the Subprime Financial Crisis: A Comparison with Japan, Makoto Itoh

6. Oil and Finance in the Global Markets, Carlos Morera Camacho and José Antonio Rojas Nieto

7. Developing Countries in the Era of Financialisation: From Deficit Accumulation to Reserve Accumulation, Juan Pablo Painceira

8. Global Integration of Middle-Income Developing Countries in the Era of Financialisation: The Case of Turkey, Nuray Ergüneş

References
Notes on Contributors
Index

 

**END**

 

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Money Menace

FOURTH CRITICAL FINANCE STUDIES CONFERENCE

15-17 August 2012
Call for Papers
Essex Business School, University of Essex
Colchester, UK

‘…In what is broadly called commentary, the hierarchy between primary and secondary text plays two roles which are in solidarity with each other. On the one hand it allows the (endless) construction of new discourses. The dominance of the primary text…..is the basis for an open possibility of speaking. But on the other hand the commentary’s only role, whatever the techniques used, is to say at last what was silently articulated “beyond”, in the text. By a paradox which it always displaces but never escapes, the commentary must say for the first time what had, nonetheless, already been said, and must tirelessly repeat what had, however, never been said.’ (Foucault, 1981: 55-56)

Critical Finance Studies Conference

Studying finance critically is playing with / being played by the normative forces of financial apparatuses; risking one’s self in the course of producing radically novel ways of thinking and comprehending finance and, ultimately, of creating new possibilities of life. With this in mind the Fourth Annual Critical Finance Studies conference will be held this year at the University of Essex, Essex Business School, August 15th -17th. With a conference gap in 2011 and with a financial crisis that is still on the agenda, and perhaps even stronger than ever, even compared with 2008, we have decided to devote this year’s conference to the ongoing financial crisis.

The Financial Crisis– futures and pasts re-interpreted

We strongly encourage papers that contribute to our ongoing collaborative research project that seeks to engage finance in new and critical ways and from a variety of perspectives and disciplines. This is especially important when trying to understand the current ‘financial situation’, e.g. how people in everyday work and life are affected, how the environment is affected, how theories cope and adapt in the face of a protracted crisis, and how politicians, professional bodies and professionals respond to or promote change or not. We encourage papers that tackle these sorts of issues and, with this in mind, the conference is organized around three sub-streams: an open stream on theory, method, and critique; a stream on financial imaginaries/imagining finance; and a stream on sustainability/finance (see below for more details). The conference finale will comprise a semi-public and interdisciplinary panel in order to, we hope, create some interesting debates, and inspire new thoughts and create new possibilities of life.

Papers should be submitted to the allocated convenor for each sub-theme. We encourage and welcome passionate academic work in different stages and forms, but they all need to be developed enough so that the audience can be intellectually challenged and involved in discussions. The deadline for an extended abstract (about 1000 words) is 15th April 2012. A review panel will announce their decision of acceptance within two weeks from the deadline. Accepted papers should be submitted in their final form by 1 July 2012.

The conference is organised by Dr Ann-Christine Frandsen at Essex Business School, Essex University in collaboration with Dr Thomas Bay Stockholm University (Forslund and Bay, 2009). The venue will be at the University of Essex, Colchester Campus. The conference language will be English. Discussants will be appointed – introducing papers, chairing sessions, involving participants.

Open Stream: Theory, Method, and Critique

Convenors: Jason Glynos, Department of Government, University of Essex ljglyn@essex.ac.uk & Ann-Christine Frandsen, Accounting Group, Essex Business School, frandsen@essex.ac.uk

We invite papers in finance studies that provoke critical engagement with current practices, open up pathways for effective political mobilization and socio-economic transformation, or sketch out possible counter-visions entailing alternative practices and forms of governance. The open stream is designed to catch contributions that tackle issues that fit the conference theme but do not necessarily fall neatly into one of the titled streams. For example: How might critical engagements with finance tell us something about the way markets are performed in other areas of economic life? What forms of subjectivity might different finance practices promote? How should we think the connections between finance and other sectors of the economy? What role should key concepts such as merit and remuneration, surplus labour, speculation, technology, and competition play in how we theorize and imagine finance?

The politics of financial reform draws on a range of characterizations, diagnoses, and prognoses of the recent financial crisis. Such ‘problematizations’ matter because they set in train path dependencies that invite us to problematize those problematizations themselves. Some, for example, seek to avoid heaping blame onto a few individual ‘bad apples’, one of the most trenchant narratives repeatedly and insistently articulated in the mass media. Some seek to avoid locating the fault with finance as such. Others argue that the financial crisis should be understood as a hubris-induced elite debacle rather than a systems accident or fiasco (Engelen et al 2011). The tension between explanatory and interpretive dimensions in these problematizations is never far from the surface, but what is clear is that the way finance is characterized, problematized, and contested has consequences for citizens and for policy makers, not least because of the sorts of futures they open up or close down. This raises issues about how different theoretical perspectives and methodological techniques shape the way we characterize, problematize, and contest financial practices and associated policy and media representations at elite and popular levels; or about how different sorts of critique emerge, relate, and interact with one another, for example, normative and ideological forms of critique.

We encourage the submission of papers that draw on poststructuralist, post-marxist, psychoanalytic, Deleuzian, Foucauldian, and other traditions, and that explore a range of theoretical, methodological, and critical issues linked to the analysis of finance. What forms of innovative, progressive, and sustainable banking and finance do such perspectives enable us to imagine? What role should experiment play in these efforts to conjure alternative visions? How should these experiments be financed? What innovative means of critique are available to citizens living in democratic polities with a tightly coupled nexus of elites in politics-finance-media? What role should music, film, television, social networking platforms, and other media play in facilitating both the process of critique and the conjuring of counter-visions of finance practice and governance?

Stream 2: Financial Imaginaries/Imagining Finance

Convenor: Christian de Cock, Management Group, Essex Business School cdc@essex.ac.uk

A key area of concern in this stream is the “imaginary of finance”, the semiotic system that gives meaning and shape to the economic field in which finance is embedded. Empirically we encourage the submission of papers that explore how, despite the convulsions of 2008 and their continuing reverberations, this imaginary has remained pretty much intact anno 2012 (in that we have witnessed over and over again the re-articulation of established themes and genres). Established financial imaginaries have no doubt proved extremely powerful in shaping the thoughts and perceptions of key political and economic decision makers and it would be interesting to learn more about the mechanics of this. Theoretically we encourage papers that can enrich and develop the notion of “imaginary” itself within a financial context. Examples could include Lacan’s (Real-Symbolic-Imaginary) or Iser’s (Real-Fictive-Imaginary) triad.  We also encourage the submission of papers that can offer new ways of imagining finance. Following Yusoff and Gabrys (2011), we see imagination as “a way of sensing, thinking, and dreaming the formation of knowledge, which creates the conditions for material interventions in and political sensibilities of the world”. What are the conditions of possibility to change dominant framings of the financial imagination? Can we re-imagine the organization of finance as an ethical, societal, and cultural problem? Can we open up a generative space of unknowing which can create the possibility to take us beyond the seemingly eternal dialectic of economic catastrophe and ‘business as usual’? These are just some of the questions you may help formulate answers to.

Stream 3: Sustainability / Finance

Convenor: Steffen Böhm, Management Group, Essex Business School and interdisciplinary Centre for Environment and Society, University of Essex, steffen@essex.ac.uk

Finance is arguably at the heart of what might be called the global capitalist economy, which is geared towards ever increasing growth of production and consumption. A whole host of critics and social movements have pointed to the unsustainable nature of this self-referential system, and particularly its negative environmental consequences. Specifically, financial service industries have been repeatedly accused of funding environmentally very damaging extractive industry projects (such an open pit mining, oil tar sands, etc), contributing to the creation of speculative bubbles of commodity markets (e.g. leading to higher basic food prices), and endangering the livelihood of indigenous and other communities (threatened by global industries invading their land, for example), to name but a few of the grievances that have been articulated. We are seeking contributions that map, evaluate and expand such critiques of finance and its problematic relation to sustainability.

On the other hand, however, finance increasingly likes to portray itself as part of the solution, rather than part of the problem. The financial services industry has arguably made some efforts to positively contribute to issues such as climate change (e.g. through carbon disclosure), land grab and livelihoods in developing countries (e.g. through the Equator Principles) and environmental protection in more general terms (e.g. through the UN Global Compact). While some might accuse such initiatives as ‘hot air’ or even ‘greenwash’, which often lack real power and impact, there are more concrete efforts to offer sustainable finance solutions, ranging from microfinance to carbon offsetting, from community finance to payments for environmental services. What should we make of this move of finance ‘going green’ and ‘ethical’? What empirical evidence is there to suggest that such finance approaches to solving environmental and social issues are actually working?

Overall, then, we encourage submissions that problematize the relationship between sustainability and finance in its broadest sense. We are not only interested in critiques of current finance approaches to sustainability, but particularly encourage studies of how groups and communities can use money and finance in novel ways to live more sustainable lives. We are hence keen to explore the ways of how finance can make a contribution to another possible world.

For any general enquiry about the conference please contact Ann-Christine Frandsen. Any specific questions related to one of the streams each please contact relevant convenor

Organising committee: (Alphabetic order)
Professor Steffen Böhm
Professor Christian de Cock
Dr Ann-Christine Frandsen
Dr Jason Glynos
Dr Pik Liew
Dr Sumohon Matilal
Chloe Warren – Marketing Officer, EBS

Organiser: Ann-Christine Frandsen Essex Business School, University of Essex, Colchester Campus, Wivenhoe Park, Colchester CO4 3SQ, UK

Phone: +44 (0)1206 87 869 809

Email: frandsen@essex.ac.uk

To find out more about Essex Business School visit: http://www.essex.ac.uk/ebs

In Collaboration with

Thomas Bay, Stockholm University

References:

D. Forslund and T. Bay, (2009). ‘The eve of critical finance studies’.  Ephemera: Theory and Politics in Organization. Vol. 9(4), pp. 285-299.

M. Foucault, (1981). ‘The Order of Discourse’ (Inaugural Lecture at the College de France, given 2 December, 1971). In R. Young (ed), Untying the Text: a Post-Structuralist Reader.  London: Methuen, 1981, pp. 48-78.

Dr Steffen Böhm | Professor in Management and Sustainability | Essex Business School | University of Essex | Colchester CO4 3SQ, UK | Rm 5NW.4.4 | Tel. +44(0)1206 87 3843 | http://www.essex.ac.uk/ebs/staff/profile.aspx?ID=727
http://steffenboehm.net

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Eurozone Crisis

BREAKING UP? A ROUTE OUT OF THE EUROZONE CRISIS

Friday 9 December, 2011
Doors open at 6 pm; the panel will begin at 6.30 pm
Brunei Gallery Theatre, SOAS , WC1H 0XG

Join us for a timely and urgently needed discussion over the future of the eurozone, the possibility of exit, and what it will all mean for the people of Europe . Bringing together leading economists, political scientists and financial journalists, the discussion will play a critical role in setting the terms of the debate for the tumultuous period that lies ahead.

The panel includes:
Costas Lapavitsas, professor, department of economics, SOAS, and lead author of a series of groundbreaking reports on the eurozone crisis from the Research on Money and Finance network.
George Irvin, professor, department of development studies, SOAS, and author of ‘Super Rich: the Growth of Inequality in Britain and the United States ‘.
Paul Mason, BBC economics editor and author of ‘Meltdown: The End of the Age of Greed’.
Stathis Kouvelakis, reader in political theory, King’s College London.

The panel will be chaired by Seamus Milne, associate editor at The Guardian.

Please register your participation (see link below or visit the RMF website) and arrive as early as possible.

Read the latest RMF report on the eurozone crisis: http://www.researchonmoneyandfinance.org 
Register: https://docs.google.com/a/soas.ac.uk/spreadsheet/viewform?hl=en_US&formkey=dDRpWjBGaXNhTmxyb3lLUUFQdnRvcmc6MA

Jeff Powell
School of Oriental and African Studies (SOAS)
University of London
+44 (0)7817184435

****
The latest report by the Research on Money and Finance (RMF) group on the eurozone crisis, entitled Breaking Up? A Route Out of the Eurozone Crisis, is now available at http://www.researchonmoneyandfinance.org
****

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Cheerful Sin’ – a new song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

John Holloway

RAGE AGAINST THE RULE OF MONEY

Three Public Lectures by John Holloway

 

Rage Against the Rule of Money: http://johnhollowayinleeds.files.wordpress.com/2011/10/holloway-leeds-15-11-2010-45.jpg

Three public lectures by John Holloway, Leverhulme Visiting Professor at the MA in Activism and Social Change, School of Geography, University of Leeds: http://www.geog.leeds.ac.uk/study/masters/courses/maasc

28th November: Rage
6pm, Business School Western Lecture Theatre. Business School. University of Leeds

29th November: The Rule of Money
6pm, Business School Western Lecture Theatre. Business School. University of Leeds

30th November: Break the Power of Money! Communise!
6pm, The Space Project,  37-38 Mabgate Green Leeds.

Funded by the Leverhulme Trust, Professor John Holloway is spending some time as a visiting professor at the School of Geography, University of Leeds in 2011 and is teaching at the MA in Activism and Social Change: http://www.geog.leeds.ac.uk/study/masters/courses/maasc

The lectures are free and open to the public and there is no need to book.

About the venues:
Business School Western Lecture Theatre, G01, University of Leeds, LS2 9JT: http://www.teachingspace.leeds.ac.uk/room_details.asp?ID=1-01-087-2570-GR+-G01

Information about how to get to the Business School (LUBS) in a map here: http://business.leeds.ac.uk/fileadmin/webfiles/General/lubs_map.pdf

Space project: http://www.spaceproject.org.uk/, 37-38 Mabgate Green, LS9 7DS.  It’s a non commercial space in Leeds facilitated by the Really Open University http://reallyopenuniversity.wordpress.com/.

See a map here: http://pedallers.files.wordpress.com/2010/10/p1030288.jpg.

For more information about these lectures contact: s.gonzalez@leeds.ac.uk or 0113 343 6639

Source: http://johnhollowayinleeds.wordpress.com/

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Cheerful Sin’ – a new song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com