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Tag Archives: Minor Compositions

Aesthetics

THE METROPOLITAN FACTORY: MAKING A LIVING AS A CREATIVE WORKER – A WORKERS’ INQUIRY

Minor Compositions is launching a workers’ inquiry into the shaping of creative, cultural, and artistic labor in the metropolis.

We are currently searching for accomplices and comrades to take part and further develop this investigation. There is a description and more information below.

Cheers
Stevphen Shukaitis

The Metropolitan Factory: making a living as a creative worker

Website: http://metropolitanfactory.wordpress.com
Short survey on creative labor here: https://www.surveymonkey.com/s/97K8BNK

Surviving as a cultural or artistic worker in the city has never been easy. Creative workers find themselves celebrated as engines of economic growth, economic recovery and urban revitalization even as the conditions for our continued survival become more precarious. How can you make a living today in such a situation? That is, how to hold together the demands of paying the rent and bills while managing all the tasks necessary to support one’s practice? How to manage the tensions between creating spaces for creativity and imagination while working through the constraints posed by economic conditions?

In a more traditional workplace it is generally easy to distinguish between those who planned and managed the labor process and those who were involved in its executions: between the managers and the managed. For creative workers these distinctions become increasingly hard to make. Today the passionate and self-motivated labor of the artisan increasingly becomes the model for a self-disciplining, self-managed labor force that works harder, longer, and often for less pay precisely because of its attachment to some degree of personal fulfilment in forms of engaging work. And that ain’t no way to make a living, having to struggle three times as hard for just to have a sense of engagement in meaningful work.

This project sets out to investigate how cultural workers in the metropolis manage these competing tensions and demands. The goal is to bring together the dispersed knowledges and experiences of creative workers finding ways to make a living in the modern metropolis. And by doing that to create a space to learn from this common experiences that often are not experienced as such while we work away in different parts of the city.

:: Minor Compositions ::
http://www.minorcompositions.info
Autonomous Politics & Aesthetics in the Revolutions of Everyday Life

 

**END**

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Volumizer: http://glennrikowski.blogspot.com

Aesthetics

ARTPOLITIK

Inspired by the Institute for the Future of the Book, Minor Compositions is launching a digital form for the forthcoming book Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation by Neala Schleuning.

Over the next month the entirety of the draft manuscript will be posted here: http://artpolitik.digress.it.

Comments and discussions will be integrated into revisions of the book before it is printed later this year (which will, as with all other Minor Compositions titles, be available for free download).

Cheers, Stevphen Shukaitis

More Information

Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation
Neala Schleuning

Artpolitik examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century. Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics.

Artpolitik is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics. This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions.

Bio: Neala Schleuning is a writer and educator. She received her PhD in American Studies from the University of Minnesota in 1978 with an emphasis in political philosophy and intellectual history. Fulbright Scholar to the Russian Federation, she is the author of many articles, higher education policy papers, films and radio productions, and several books, including America: Song We Sang Without Knowing (1983); Idle Hands and Empty Hearts: Work and Freedom in the United States (1990); Women, Community, and the Hormel Strike of 1985-86 (1994); and To Have and to Hold: the Meaning of Ownership in the United States (1997).

Minor Compositions, Wivenhoe / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Requisite fb page: http://www.facebook.com/artpolitikthebook

Minor Compositions is an imprint of Autonomedia: http://www.minorcompositions.info

— Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

“Autonomy is not a fixed, essential state. Like gender, autonomy is created through its performance, by doing/becoming; it is a political practice. To become autonomous is to refuse authoritarian and compulsory cultures of separation and hierarchy through embodied practices of welcoming difference… Becoming autonomous is a political position for it thwarts the exclusions of proprietary knowledge and jealous hoarding of resources, and replaces the social and economic hierarchies on which these depend with a politics of skill exchange, welcome, and collaboration. Freely sharing these with others creates a common wealth of knowledge and power that subverts the domination and hegemony of the master’s rule.” – subRosa Collective

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

 

 

Mountain Walk

Mountain Walk

WALKING ARCHIVES

A new book on biotech, art, and politics in Argentina…

Walking Archives: The Soy Children
Eduardo Molinari

“Eduardo Molinari has produced a compelling document demonstrating that the process of recombination can be wrenched from capital’s oppressive grip, and put to use to expose and critique its expansion from modern imperialism to a molecular invasion that establishes full spectrum biocolonization. Juxtaposing fragments of political and cultural history, political theory, mythology, and ecological study, in conjunction with personal memories and observations, Molinari produces an associational web that yields a long-awaited radicalization of relational aesthetics.” – Critical Art Ensemble

Who are children of genetically modified soy production? What disowned bastards are produced by the hybridization of agri-business, biotech, capital, and culture?

To answer these questions the Archivo Caminante (Walking Archive) embarks on a trip through the opaque and strange world of genetically modified soya plants in Argentina in search of its inhabitants, forms and structures, languages and narratives: the forces that swirl around the soya rhizome. In the style of Gulliver’s Travels it makes visible some of the routes in the soya chain giving shape to a new international division of labor food policy in global semiocapitalism.

More than 50% of the cultivated lands in Argentina are for soya production, with 90% of that area covered by Monsanto products and representatives. This agrarian system and its results are only possible using Roundup herbicide, the brand name of Monsanto’s glyphosate. The rhizome formed by soya production dives deep into the Argentine society: it organizes new political alliances, and, above all, modifies the social and cultural structure of the country. Is there a transgenic culture inside semiocapitalism? Does the soyazation process modify culture and society, or is it the other way around, and soyazation is only possible in a transgenic culture?

Bio: Eduardo Molinari is a visual artist who lives and works in Buenos Aires, Argentina. In 2001 he founded the Archivo Caminante (Walking Archive), a visual archive in progress that delves into existing and imaginary relations between art, history and politics.

PDF available freely online (http://www.minorcompositions.info/?p=365).

Released by Minor Compositions, Wivenhoe / New York / Port Watson, Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Minor Compositions is an imprint of Autonomedia
http://www.minorcompositions.info | info@minorcompositions.info

 

*****END*****

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog 

Turbulence

SEMINAR ON POLITICAL ORGANIZATION

University of Essex March 12th

Essex Centre for Work, Organization and Society Seminar

Lessons of 2011: Three Theses on Political Organization
Rodrigo Nunes, Pontifical Catholic University of Rio Grande Do Sul
March 12th, 4PM-6PM @ University of Essex Room 5N.7.23

With the Arab Spring, the Spanish indignados, Occupy and so much more, 2011 is likely to go down in history as a very special year – perhaps even the beginning of something. But what would that something be? This presentation attempts to draw some conclusions about the present state and future of politics and organization by examining the practices of the movements that erupted in the last year. Thinking beyond their usual representation by the media, trying to avoid either describing them as something entirely new and unheard of or as manifestations of an ultimately non-political culture, what can be the lessons of 2011?

Bio: Rodrigo Nunes is a post-doctoral fellow at (Pontifical Catholic University of Rio Grande Do Sul, Brazil), with a PNPD/CAPES grant. He has a PhD in philosophy from Goldsmiths College, University of London, and is a member of the editorial collective of Turbulence (http://www.turbulence.org.uk). His writing, on philosophy, art and politics, has appeared in such publications as Radical Philosophy, Deleuze Studies, Transform, Mute, ephemera, The Guardian, Z and others.

Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

“Autonomy is not a fixed, essential state. Like gender, autonomy is created through its performance, by doing/becoming; it is a political practice. To become autonomous is to refuse authoritarian and compulsory cultures of separation and hierarchy through embodied practices of welcoming difference… Becoming autonomous is a political position for it thwarts the exclusions of proprietary knowledge and jealous hoarding of resources, and replaces the social and economic hierarchies on which these depend with a politics of skill exchange, welcome, and collaboration. Freely sharing these with others creates a common wealth of knowledge and power that subverts the domination and hegemony of the master’s rule.” – subRosa Collective

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Occupy

OCCUPY EVERYTHING!

Just in time for Valentine’s Day… a new collection of essays on the composition of current struggles…

Occupy Everything! Reflections on why it’s kicking off everywhere
Edited by Alessio Lunghi & Seth Wheeler

Penned after the 2010 European student unrest and before what is now commonly referred to as the “Arab spring” began to escalate, BBC Newsnight economist Paul Mason’s “20 Reasons Why It’s Kicking Off Everywhere” sought to establish an understanding of the motivations behind these globally disparate, yet somehow connected struggles.

What roles do the “graduate with no future,” the “digital native” or the “remainder of capital” play in the current wave of unrest? What are the ideas, ideologies, motivations or demands driving these movements? How is struggle organized and coordinated in the age of memetic politics and viral ad campaigns?

This collection of essays seeks to further explore Paul Mason’s original 20 Reasons in an attempt to better understand our turbulent present.

“A startling insight into the aims, dreams and ideologies of a generation of radicalized youth.” –Paul Mason, author of Meltdown and Why It’s Kicking Off Everywhere

“…an encomium to still, as yet, unfocused possibilities. Each fragment is provocative and possessed of the same energies as the movements it seeks to describe.” – Aaron Peters, Open Democracy

“…this book has the inside track on how we can keep ‘kicking off’  for an end to capitalism and for the establishment of a global commons. Read, discuss and take action.”– Ewa Jasiewicz, Trade Union Organizer / Journalist

Contributors: 500 Hammers – Thomas Gillespie & Victoria Habermehl – The Free Association – Deterritorial Support Group – Ben Lear & Raph Schlembach – Camille Barbagallo & Nicholas Beuret – David Robertshaw, Rohan Orton & Will Barker – Antonis Vradis – Tabitha Bast & Hannah McClure – Andre Pusey & Bertie Russell – Federico Campagna – Emma Dowling

PDF available freely online (http://www.minorcompositions.info/?p=372).

Released by Minor Compositions, Wivenhoe / New York / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info |info@minorcompositions.info

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Bonuses for Some

A USER’S GUIDE TO (DEMANDING) THE IMPOSSIBLE

New booklet on art and activism…

A Users Guide to (Demanding) the Impossible: Laboratory of Insurrectionary Imagination

This guide is not a road map or instruction manual. It’s a match struck in the dark, a homemade multi-tool to help you carve out your own path through the ruins of the present, warmed by the stories and strategies of those who took Bertolt Brecht’s words to heart: “Art is not a mirror held up to reality, but a hammer with which to shape it.”

It was written in a whirlwind of three days in December 2010, between the first and second days of action by UK students against the government cuts, and intended to reflect on the possibility of new creative forms of action in the current movements.

“Art is useless, so they tell us, as soon as it truly affects the world it loses its status as art. (You never know, it might slide down the slippery slope, becoming instrumental, propaganda, or even worse craft!). The strange thing is that those who tell us this are often the same people who put art to the crudest instrumental use – the art market. Maybe what they mean is that – art is useless when it’s not ultimately used to make a profit. Perhaps it’s the same logic as that which argues that education has no use outside slotting us into the mutilated world of work and consumption. This guide is for those of us who suspect that art has other uses and who are prepared to seek them.”

PDF available freely online (http://www.minorcompositions.info/usersguide.html), and discounts for ordering multiple copies.

64 pages, A6 size (4.134 x 5.827)

To be released June 1st, 2011

Released by Minor Compositions,London /New York / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info |info@minorcompositions.info

— 
Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

**END**

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Guy Debord

SPECTACULAR CAPITALISM

Spectacular Capitalism Release Party and Presentation 
Saturday June 25th @ 7PM @ X Marks the Bökship (http://bokship.org)
210/ Unit 3 Cambridge Heath Road London E2 9NQ

Over the past forty years the ideas and practices of Guy Debord and the Situationist International have become a constant reference point for those involved in radical politics, the arts, and cultural theory. Despite this ubiquity Debord’s work has been reduced to a palatable cliché rather than being used as a tool for crafting an ongoing practice of critique and engagement. Come on join us to celebrate the release of Richard Gilman-Opalsky’s new book, Spectacular Capitalism: Guy Debord and the Practice of Radical Philosophy, as we excavate this potential from the historical wreckage. 

Drawing on the work of Guy Debord, Gilman-Opalsky argues that the theory of practice and practice of theory are superseded by upheavals that do the work of philosophy. Spectacular Capitalism makes the case not only for a new philosophy of praxis, but for praxis itself as the delivery mechanism for philosophy – for the field of human action, of contestation and conflict, to raise directly the most irresistible questions about the truth and morality of the existing state of affairs.

Commentary and response from Gavin Grindon:

“Richard Gilman-Opalsky’s Spectacular Capitalism rescues Situationist theory and praxis from merely antiquarian and art-historical commentary and puts it in dialogue with the project of a radical philosophy for leaving the 21st century.” – McKenzie Wark, author of A Hacker Manifesto and Gamer Theory

Organized by Minor Compositions (http://www.minorcompositions.info) and the Centre for Ethics and Politics @ Queen Mary, University of London (http://cfep.org.uk)

Spectacular Capitalism: Guy Debord and the Practice of Radical Philosophy
Richard Gilman-Opalsky
http://www.minorcompositions.info/spectacularcapitalism.html
To be released June 2011
ISBN 978-1-57027-228-8

Bio: Richard Gilman-Opalsky is Assistant Professor of Political Philosophy in the Department of Political Science at the University of Illinois at Springfield. He is the author of Unbounded Publics: Transgressive Public Spheres, Zapatismo, and Political Theory (Lexington Books, 2008), as well as numerous articles.

Released by Minor Compositions, London / New York / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.
Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info |info@minorcompositions.info

*****

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

NEW LINES OF ALLIANCE, NEW SPACES OF LIBERTY – RELEASE EVENT

December 1, 2010, 7PM @ Bluestockings Books

172 Allen Street (between Stanton and Rivington), New York
(http://www.bluestockings.com)

At the dawn of the 1980s, in the wake of the defeat of the autonomous movements of the 1970s, Félix Guattari and Antonio Negri embarked on an extraordinary collaboration to rescue communism from its own disrepute: to rethink categories of economic analysis and political organization. Today we find ourselves in a situation where such a rethinking is needed more than ever. Come join us for a celebration of the re-release of an expanded version of their work. Discussion and commentary with Jim Fleming, Alexander Galloway, Stevphen Shukaitis, and Miriam Tola

Information about the book:

“The project: to rescue ‘communism’ from its own disrepute. Once invoked as the liberation of work through mankind’s collective creation, communism has instead stifled humanity. We who see in communism the liberation of both collective and individual possibilities must reverse that regimentation of thought and desire which terminates the individual….”

Thus begins the extraordinary collaboration between Félix Guattari and Antonio Negri, written at dawn of the 1980s, in the wake of the crushing of the autonomous movements of the previous decade. Setting out Guattari and Negri diagnose with incisive prescience transformations of the global economy and theorize new forms of alliance and organization: mutant machines of subjectivation and social movement.

Prefiguring his collaboration with Michael Hardt, Negri and Guattari enact a singular hybridization of political and philosophical traditions, bringing together psychiatry, political analysis, semiotics, aesthetics, and philosophy. Against the workings of an increasingly integrated world capitalism, they raise the banners of singularity, autonomy, and freedom to search out new routes for subversion.

This newly expanded edition includes previously untranslated materials and a new introduction by Matteo Mandarini.

“After the highpoint of the subversive decade 1968-1977, Italian autonomist Marxism and French theory of desire meet at the intersection of two different methodologies of subjectivation. Social recomposition of the working class and molecular proliferation of desire merge, and together open a new space for theory and for social action. While the ideologies of the twentieth century are falling, Toni Negri and Félix Guattari trace the lines of a new vision of autonomy.” – Franco ‘Bifo’ Berardi

http://www.minorcompositions.info/newlines.html

Released by Minor Compositions, London / New York / Port Watson

Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Released in conjunction with MayFlyBooks (http://mayflybooks.org)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Wavering on Ether: http://blog.myspace.com/glennrikowski

Rikowski Point: http://rikowskipoint.blogspot.com