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Marxism and Art

Marxism and Art

MARXISM AND ART

The Marx Memorial Library presents lectures on Marxism and Art with Dr Grant Pooke

 

Tuesday 24 September:

‘Red-Spectre Jitters: Francis Klingender, Art History and the Cold War’

 

Lectures begin at 7 pm in the Library.

Lectures are free although a collection will be taken.

 

Dr Laura Miller

Administrator

Marx Memorial Library

37a Clerkenwell Green

London EC1R 0DU

(Tel)  0207 253 1485

(Web site): http://www.marx-memorial-library.org

Marx Memorial Library

Marx Memorial Library

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academic.edu/GlennRikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskpoint.blogspot.com

North Atlantic Oscillation

North Atlantic Oscillation

THE DARK ARTS OF FINANCE

The Dark Arts of Finance: Speculation, Collaboration and Artistic Labour

Max Haiven

Wednesday March 19th @ 3-5PM, University of Essex, Room 5B.202

Unlike his contemporaries, and unlike so many of today’s commentators, Marx was unsatisfied with approaches to the financial sector that saw it as merely parasitic (or as any more parasitic than other forms of capitalist accumulation). Rather, he suggested that finance represented one important means by which a key crisis endemic to capitalism might be (temporarily) averted: it provided a forum within which otherwise competitive capitalist actors might pool their wealth in the interests of their class and of the system as a whole. Such an approach to finance, and to the important but often overlooked forms of inadvertent cooperation at the heart of capitalist accumulation, may help us explore the politics and potentialities of artists’ collectives amidst today’s “financialization” of art. What might be gained if we imagined the infiltration of “art” by financial methods, measures and metaphors not as a parasitic imposition, but as new grounds for collaboration? Can we not imagine increasingly individuated and competitive artists as unwittingly enrolled in some form of (re)productive collectivity by the speculative currents of the art market? And, if so, how might this open up new ways to imagine radical collectivities that do not merely seek to return art to its allegedly pre-financialized pedestal, but that seize upon this new situation dialectically?

Max Haiven is an assistant professor in the Division of Art History and Critical Studies at the Nova Scotia College of Art and Design in Canada. His book Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life is forthcoming from Palgrave MacMillan in 2014. His book Crises of the Imagination, Crises of Power: Capitalism, Creativity and the Commons will be published by Zed Books in March 2014. More information can be found at http://maxhaiven.com.

Sponsored by the Centre for Work, Organization, and Society.
This seminar is part of an ongoing workshop series on artist collectives.
For more information contact Stevphen Shukaitis: sshuka@essex.ac.uk

 

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski at Academia: https://independent.academia.edu/GlennRikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskpoint.blogspot.com

Aesthetics

Aesthetics

ART IN THE AGE OF REAL ABSTRACTION

Call for Papers | ‘Art in the Age of Real Abstraction’ | Deadline: 12 December 2013

Historic iterations of abstraction in the visual arts have traditionally been associated with terms such as the non-representational, the non-figurative, and the immaterial, in opposition to a loosely defined concept of realism. In the post-war period, however, both realism and abstraction became unstable concepts, deployed to refer to a range of diverse practices, from Nouveau Réalisme to Art Informel to Abstract Expressionism. This conference invites papers that rethink the relation between realism and abstraction in the period between 1970 and the contemporary moment. Of particular concern are the impacts of two intersecting events: the advent of Neoliberalism and the dismantling of Modernism in art history.

‘Art in the Age of Real Abstraction’ seeks to investigate contemporary forms of abstraction through the analysis of different modes of representation, affectivity and performativity, drawing lines of continuity and addressing points of ambiguity between post-war abstraction and contemporary iterations. In recent critical discourse reification has been described as both a process of abstraction and as a figural process. On this view ‘Real Abstraction’ might be understood as the becoming-concrete of the abstract. As such ‘Real Abstraction’ calls for a rethinking of what the terms realism, figuration and abstraction might mean today.

We welcome papers that address the critical stakes of abstraction in the visual arts as a representational economy and as an aesthetic strategy, a way of inhabiting the contradictions produced by capital, and as a means of generating meaning, memory and historical experience.

We encourage academics, researchers and artists to submit papers on the following issues and debates (amongst others):

* post-70s reconfigurations of abstraction

* the artwork and the commodity form

* feminist interventions in the history of abstraction

* abstraction and historic experience

* the intersection of realism and abstraction

* artwork as theory, artwork as historiography

****EXTENDED DEADLINE****

Speakers should be prepared to present papers for 20 min followed by a discussion.

Please send 300 word abstracts by December 12th to:

Rye Dag Holmboe: rye.holmboe.09@ucl. ac.uk

Andrew Witt: andrew.witt.09@ucl.ac.uk

The conference will be held on April 12th, 2014

http://www.ucl.ac.uk/art- history/staff-research/call_ for_papers

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Books

38th ANNUAL ASSOCIATION OF ART HISTORIANS CONFERENCE AND BOOKFAIR

The Open University, Milton Keynes
29 – 31 March 2012

Association of Art Historians (AAH) Conference: Aesthetics and Politics (Again?)

Session Convenors:

Alexander García Düttmann, Goldsmiths College, ADuttmann@aol.com

James Hellings, Teeside University j_hellings@hotmail.com

34 years ago New Left Books published Aesthetics and Politics, collecting together ‘the key texts of the classic debate within German Marxism’ by Adorno, Benjamin, Bloch, Brecht and Lukács. The collections editors (Rodney Livingstone, Perry Anderson and Francis Mulhern), assembled texts with coherent (if almost entirely antagonistic) inter-relationships – in what they refer to as an incomparable ‘tradition of major aesthetic debate’, held between the 1930s and 1950s in ‘Germany (…); the classical land of aesthetic thought inEurope’. The editors subtitles are fantastically revealing of perceived conflict; ‘Bloch against Lukács / Lukács against Bloch’, ‘Brecht against Lukács’, subtle condemnation; ‘Adorno on Lukács’, ‘Adorno on Brecht’ conviviality; ‘Benjamin with Brecht’, and conciliation; ‘Adorno to Benjamin / Benjamin to Adorno’.

Ideological differences over art (and its histories: Realism, Expressionism, Modernism) were the order of the day. But what’s happened to political aesthetics, Marxist or otherwise, since this golden age? Can we still speak of an ‘aesthetic field’ conditioned by ‘the two recurrent poles of all culture still subject to capital’, being either ‘autistically advanced or collusively popular’.

In recent years, Rancière has done most to ‘widen participation’ by opening up Left aesthetics to encompass the people and places who disrupt this either/ or – but (speaking with Eagleton) ‘how are we to receive and appropriate these polemics today?’ Potential contributors are asked to address the tenor of contemporary inter-relationships of aesthetics and politics by re-interpreting the ideas and authors of this past. The panel-session seeks to stage a dialectic of (dis-)agreement.

 

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Volumizer: http://glennrikowski.blogspot.com

Cultural Marxism

MARXISM IN CULTURE PROGRAMME FOR SUMMER TERM 2011

Friday 06 May
On Life in Marx
Stewart Martin (Middlesex University)

Friday 20 May
Capitalism and capital letters: the politics of typographic case
Gavin Edwards (Institute of English Studies)

Friday 03 June
Beyond Propaganda: Notes on Contemporary Cuban Art
Stephanie Schwartz (University College London)

Friday 17 June
Art and Value: An Economic Analysis of Contemporary Art
Dave Beech (Chelsea College of Art & Design)

All seminars start at 5.30pm, and are held in the Wolfson Room (unless otherwise indicated) at the Institute of Historical Research in Senate House, Malet St, London. The seminar closes at 7.30pm and retires to the bar.

Organisers: Matthew Beaumont, Alan Bradshaw, Warren Carter, Gail Day, Steve Edwards, Larne Abse Gogarty, Owen Hatherley, Esther Leslie, David Mabb, Antigoni Memou, Nina Power, Dominic Rhatz, Pete Smith & Alberto Toscano.

For further information, contact Warren Carter, at: w.carter@ucl.ac.uk or Esther Leslie at: e.leslie@bbk.ac.uk

***END***

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub,Bangor, northWales)  

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

LONDON SEMINAR ON CONTEMPORARY MARXIST THEORY – UPDATE 9th FEBRUARY 2011
 
 
9th February, 5pm
King’s College London, Strand Campus, S2.28
 
Alberto Toscano (Goldsmiths, University of London)
Marxism: A Realism of the Abstract?
The global economic and financial crisis has witnessed a deepening of interest in different forms of critical and radical thought and practice. This seminar will explore the new perspectives that have been opened up by interventions of contemporary Marxist theory in this political and theoretical conjuncture. It involves collaboration among Marxist scholars based in several London universities, including Brunel University, King’s College London, and the School of Oriental and African Studies. Guest speakers – from both Britain and abroad – will include a wide range of thinkers engaging with many different elements of the various Marxist traditions, as well as with diverse problems and topics. The aim of the seminar is to promote fruitful debate and to contribute to the development of more robust Marxist analysis. It is open to all.

 

2010/11 Seminar Series
  
9th November, 5pm
King’s College London, Strand Campus, S-1.04, Raked Lecture Theatre
Massimiliano Tomba (University of Padua)
The Historical Materialist at work: Re-reading “The Eighteenth Brumaire”
 
15th December, 5pm
King’s College London, Strand Campus, K.3.11 Raked Lecture Theatre
Peter D. Thomas (Brunel University)
Contours of Contemporary Western Marxism
  
19th January, 5pm
King’s College London, Strand Campus, S2.28
David Leopold (University of Oxford)
Stathis Kouvelakis (King’s College, London)
In Search of the Young Marx’s Politics
 
9th February, 5pm
King’s College London, Strand Campus, S2.28
Alberto Toscano (Goldsmiths, University of London)
Marxism: A Realism of the Abstract?
 
2nd March, 5pm
King’s College London, Strand Campus, room TBA
Gérard Duménil (Université de Paris X Nanterre)
Explaining the crisis of neoliberalism: Neither the falling profit rate nor mere financial craze
23rd March, 5pm
King’s College London, Strand Campus, room TBA
Esther Leslie (Birkbeck College)
Flat Screens and Liquid Crystals: On the Politics of Aesthetics and Vice Versa
4th May, 5pm
King’s College London, Strand Campus, room TBA
Costas Lapavitsas (SOAS)
Three Cheers for Marxist Monetary Theory: The Eurozone through the Prism of World Money
18th May, 5pm
King’s College London, Strand Campus, K.3.11 Raked Lecture Theatre
Gail Day (University of Leeds)
Dialectical Passions: Art Theory, Art History and Marxism

For further information, please contact:
Alex Callinicos, European Studies, King’s: alex.callinicos@kcl.ac.uk
Stathis Kouvelakis, European Studies, King’s:
stathis.kouvelakis@kcl.ac.uk
Costas Lapavitsas, Economics, SOAS:
cl5@soas.ac.uk
Peter Thomas, Politics and History, Brunel:
PeterD.Thomas@brunel.ac.uk

 

 

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All that is Solid for Glenn Rikowski: https://rikowski.wordpress.com

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

 
 

 

Marxism and Art

ART, PSYCHOANALYSIS AND REVOLUTION

Hervé Hubert-Klein
Art, Psychoanalysis and Revolution
From 29 January to 25 February 2011

Opening Saturday 29th of January at 6.00pm

The artist and psychoanalyst H. Hubert-Klein introduces his artistic work and discusses his conceptions in a roundtable conversation

Underdog Art Company
384, Old Kent Road, SE1 5AA
London, United Kingdom

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

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Rikowski Point: http://rikowskipoint.blogspot.com

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Situationism

Austerity ConDemed

ARTS AGAINST CUTS

ARTS AGAINST CUTS // DIRECT WEEKEND THIS SATURDAY AND SUNDAY [Jan 15th and 16th]

Camberwell College of Art, Wilson Road Building (off Peckham Rd)

Following on from the fantastic Long Weekend at Goldsmiths in December, the Turner Prize and National Gallery teach-ins, the Book Block and the many occupations and actions that emerged from that weekend, this Saturday 15th and Sunday 16th Arts Against Cuts are organising another weekend of action, planning, imagining, working and thinking together.

The schedule below has been drawn from the great list of proposals sent in. There will be lots of free space for anyone who wished to put forward ideas on the days, organised spontaneity.  Schedule may shift around a bit.

SATURDAY
* Saturday Creche all day
10 – 11            Breakfast (BYO)
11 – 12            Open Meeting
12 – 5              Parallel Spaces and Open Spaces Including…
* The Art of Direct Action, John Jordan talk and Workshop
* Posters and Graffitti in 1968 Atelier populaire oui, Aterlier bougeois non, talk and print making workshop, Warren Carter, Jess Baines, Jo Robinson
* Radical Education Workshop with Radical Education Collective
*  What shall we do with our cultural institutions? Precarious Workers Brigade
* Paid Not Played Choir & Political Music Collective music and lyric workshop
* Alter/ate Mobile Slogan Factory/ Counterproductions and CGTV
* Screen printing and Banner Making all day
5.00 CLOSING MEETING

SUNDAY
10 – 11            Breakfast (BYO)
11 – 12            Open Meeting
12 – 5              Parallel Spaces and Open Spaces Including…
* Object Sabotage with Evan Calder Williams, & Mute
* Mapping and Connecting with Trade Unions
* Video Box – 1-minute videos and Communist Gallery
* Book Block workshop
* Debt and Slavery, David Graeber
* Theatre of the Dead/ Dual Power – Planning for the 29th
* Fact Sheet Workshop and Free School
* EMA working group – Planning for 18th and 19th
* International Student Discussion/ Chelsea Project
5.00 CLOSING MEETING

After party gig with Chicago Boys in Camberwell

Arts Against Cuts was initiated across London Art Schools last Autumn.

 
We want to reclaim the public, critical space that universities and art schools should be, transforming those buildings into art schools for the future, bringing together art students, artists, cultural workers and those fighting the cuts from across the UK to share in defiance against the relentless marketization of our education and our lives. We will share knowledge and skills; we will collaborate across disciplines, ages and backgrounds; we will turn our imagination and desires into tools of disobedience. We will make sure that all the knowledge, ideas, tools and projects which emerge from the event will be disseminated and put into action in streets and public spaces across the country and be shared by all those in the anti-cuts movements. The Direct Weekend will be a feast of non stop workshops and presentations, slide shows and films, how-to sessions and skill shares, and a free space for spontaneous creation of events, actions and expressions. Its not important what art is but what it does, and right now it has the potential to turn the crisis of cuts into an opportunity for change.

http://artsagainstcuts.wordpress.com

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The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

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Rikowski Point: http://rikowskipoint.blogspot.com

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Volumizer: http://glennrikowski.blogspot.com

Crisis Sublime

HISTORICAL MATERIALISM CONFERENCE 2010 – REGISTRATION ON THE DOOR

PREREGISTRATION IS NOW CLOSED FOR THE CONFERENCE. HOWEVER YOU CAN COME 
AND REGISTER ON THE DOOR, THURSDAY THROUGH TO SUNDAY

Registration desk is at SOAS, Thornhaugh Square, Russell Square Underground station.

Thursday at 12:00

Friday at 9.00

Saturday at 9.00

Sunday at 9.00

All those who cannot afford the suggested unwaged contribution rate, or who only wish to attend a few sessions, should come to registration to discuss a fair contribution.

‘Crisis and Critique’: Historical Materialism Annual London Conference 2010

Central London, Thursday 11th to Sunday 14th November

Provisional Programme Now Available online: http://www.historicalmaterialism.org/conferences/annual7

Notwithstanding repeated invocations of the ‘green shoots of recovery’, the effects of the economic crisis that began in 2008 continue to be felt around the world. While some central tenets of the neoliberal project have been called into question, bank bailouts, cuts to public services and attacks on working people’s lives demonstrate that the ruling order remains capable of imposing its agenda. Many significant Marxist analyses have already been produced of the origins, forms and prospects of the crisis, and we look forward to furthering these debates at HM London 2010. We also aim to encourage dialogue between the critique of political economy and other modes of criticism – ideological, political, aesthetic, philosophical – central to the Marxist tradition.

In the 1930s, Walter Benjamin and Bertolt Brecht projected a journal to be called ‘Crisis and Critique’. In very different times, but in a similar spirit, HM London 2010 aims to serve as a forum for dialogue, interaction and debate between different strands of critical-Marxist theory. Whether their focus is the study of the capitalist mode of production’s theoretical and practical foundations, the unmasking of its ideological forms of legitimation or its political negation, we are convinced that a renewed and politically effective Marxism will need to rely on all the resources of critique in the years ahead.

Crises produce periods of ideological and political uncertainty. They are moments that put into question established cognitive and disciplinary compartmentalisations, and require a recomposition at the level of both theory and practice. HM London 2010 hopes to contribute to a broader dialogue on the Left aimed at such a recomposition, one of whose prerequisites remains the young Marx’s call for the ‘ruthless criticism of all that exists’.

Themes discussed by the Conference include: Activism * Adorno: Philosophy, Aesthetics, Politics * Aesthetics of Crisis * Art and Activism * Althusser and the Aleatory Encounter I: Conceptual Aspects * Althusser and the Aleatory Encounter II: Philosophical Contrasts * Applying Value Theory * Approaching Passive Revolutions * Art in Neoliberalism * The Arts and Capitalist Triumphant: American Culture in the 1940s * Between Political Economy and Political Struggles *  Beyond What Is and Isn’t to Be Done: The Question of Organisation Today * Biocapitalism * Bolshevik History * Book Launch: Jairus Banaji’s Theory as History * Capital and the Crisis of Nature * Capitalism, Labour, Photography * Centenary of Hilferding’s Finance Capital * China: Internal Struggles and External Perceptions * Class, Gender, Crisis: The Attack on Public Services and Welfare * Class and Nation in the Middle East * Climate Change and Ecological Crisis: Law, Gender, Technology * Commodities, Labour and Space * Conjuncture, Contingency and Overdetermination * The Contemporary Global Economy (Marx and the ‘Global South’ 1) * Crisis and Accumulation in Asia * Crisis of Representation: Philosophy, Politics, Aesthetics * Crisis in Greece, Crisis in the Eurozone * The Crisis this Time * Commons and Commonwealths * Commons and Communism, Past and Present * Confronting the Right * Cultural Contradictions of Capitalism * Death and Utopia: Bloch and Benjamin * Dependency and Exploitation in Latin America * Dimensions of the Crisis: History, Finance, and the Labour Process * Energy and Crisis * The End of Old and New Labour: What’s Left? * Eurozone Crisis: Causes and Ways Out * Feminism and the Critique of Political Economy * Financial Capital Before and After the Crisis * Financialisation: Theory and Practice * Forgotten Space: Capitalism and the Sea * Forms of Working-Class Resistance * From Crisis To Crises: Marxist Perspectives On Latin America In The Global Economy * From Crisis of Capitalism to Crisis of the Public Sector * Gender, Labour and the Future of Feminism * Geographies of Crisis and Critique I * Geographies of Crisis and Critique II * German Crises * Georg Lukács and the Aspiration Towards Totality * Gramsci * Historical Materialism, Universal History, and East Asia * Histories of Workers’ Struggles * The Ideology of the ‘Big Society’ * Imperialism: History and Theory * Intellectuals, Public Discourse and Education * International Relations, Militarism and Modes of Foreign Relations * Japanese and Western Marxism * Korsch, Lefebvre and Hegelian Marxism * Labour and Migration * Labour Power and the Marxian Analytics of Crisis * Latin America, Resistance and Political Economy * Legacies of Bolshevism * Lenin, Luxemburg and the Russian Revolution * Limits of Citizenship and Democracy * Managing Crisis: Fair Trade, Cooperatives,  Degrowth * Marx Against Eurocentrism (Marx and the ‘Global South’ 2) * Marx and Critique * Marxian Investigations * Marxism and Geopolitics * Marxism and International Law * Marxism and Politics Today * Marxism and Theories of Politics * Marxist Theories of Finance and Risk * Marxist Theory and Cultural Politics * Marx for Our Times * Marx, Normativity, Justice * Marx’s Capital and the Development of Capitalism Today * Music and Resistance * Neoliberalism and World Cinema: A Double Take * Palestine and Global Justice: Current and Historic Challenges for the Left * Poetics, Painting, Politics * Political Ecology in a Time of Crisis * Political Economy and Value Theory * The Politics and Political Economy of the Media * The Politics of Housing * Profit and the Crisis * Radicalism in Contemporary Art and Literature * Red October: Left-Indigenous Struggles in Modern Bolivia * Rethinking the State * Rosa Luxemburg  and the Critique of Political Economy * Screening: Comuna Under Construction * Servicing the Crisis * Sex in Crisis * Slavery and American Capitalism * Stasis, Contradiction, Hostility * Strategies for Art Today I * Strategies for Art Today II * Theorising the Crisis I * Theorising the Crisis II * Theorising the Crisis III * The Transformation of Chinese Marxism * Ultra-Leftism, Insurrection, and the City * Useless But True: Economic Crisis and the Peculiarities of Economic Science * Value and Struggles in China * Varieties of Capitalism I * Varieties of Capitalism II * Violence and Non-Violence * Walter Benjamin and Anthropological Materialism * Walter Benjamin and the Critique of Violence * Whither Feminism? * Who Rules the World? Contemporary Views on Ruling and Capitalist Classes * Workers, the Union Movement and the Crisis * Workers’ Self-Management and Alternative Work Organisation I * Workers’ Self-Management and Alternative Work Organization II * The Working Class after Neoliberalism: From the World to the East End of Glasgow * The Work of Daniel Bensaid *

Speakers include: Greg Albo * Bueno Aldo * Görkem Akgöz * Idris Akkuzu * Donatella Alessandrini * Anne Alexander * Jamie Allinson * Elmar Altvater * Marko Ampuja * James Anderson * Kevin Anderson * Alex Anievas * Caroline Arscott * Sam Ashman * John Ashworth * Tara Atluri * Maurizio Atzeni * Antonio Azevedo * Dario Azzellini * Abigail Bakan * Jeff Bale * Jairus Banaji * Laurent Baronian * Luca Basso * Amita Baviskar * Wesley Baxter * Dave Beech * Riccardo Bellofiore * Aaron Benanav * Marc Berdet * Janis Berzins * Beverley Best * Brenna Bhandar * Alain Bihr * Cyrus Bina * Robin Blackburn * Paul Blackledge * Joost de Bloois * Iain Boal * Roland Boer * Armando Boito * Patrick Bond * Bill Bowring * Chris Boyd * Umut Bozkurt * Honor Brabazon * Craig Brandist * Pepijn Brandon * Lutz Brangsch * Colm Breathnach * Peter Brogan * Heather Brown * Sebastian Budgen * Jonah Butovsky * Alex Callinicos * Liam Campling * Bob Cannon * Thomas Carmichael * The Carrot Workers Collective * Warren Carter * Noel Castree * Aude de Caunes * Maria Elisa Cevasco * Giorgio Cesarale * Sharad Chari * Matthew Charles * François Chesnais * Danielle Child * Christopher Chitty * Joseph Choonara * John Clegg * Perci Coelho * Sheila Cohen * Alejandro Colás * Nathan Coombs * John Cooper * Luke Cooper * Gareth Dale * Neil Davidson * Chuck Davis * Tim Dayton * Shane Deckard * Radhika Desai * Li Dianlai * Katja Diefenbach * Angela Dimitrakaki * James Dunkerley * Bill Dunn * Cedric Durand * Nick Dyer-Witheford * Caroline Edwards * Steve Edwards * Evie Embrechts * Katsuhiko Endo * Theresa Enright * Adam Fabry * Mauro Farnesi Camellone * Sara Farris * David Featherstone * Romain Felli * Oliver Feltham * David Fernbach * Michele Filippini * Ben Fine * Eoin Flaherty * Paul Flenley * Keith Flett * Kirsten Forkert * Des Freedman * Alan Freeman * James Furner * Nicola Fusaro * Jin Gao * Lindsey German * M.A. Gonzalez * Sara Gonzalez * James Goodman * Jamie Gough * Nicolas Grinberg * Agon Hamza  * Adam Hanieh * Bue Rübner Hansen * Jane Hardy * Lea Haro * Barnaby Harran * Barbara Harriss-White * Johan Hartle * Dan Hartley * Mike Haynes * Amrit Heer * Paul Heideman * Christoph Hermann * Chris Hesketh * Andy Higginbottom * Jan Hoff * John Holloway * Charlie Hore * Nik Howard * Peter Hudis * Ian Hussey * Ursula Huws * Anthony Iles * Ozlem Ingun * Robert Jackson * Dhruv Jain * Sang-Hwan Jang * Anselm Jappe * Olivier Jelinski * Heesang Jeon * Seongjin Jeong * Jonny Jones * Jyotsna Kapur * Marina Kaneti * Ioannis Kaplanis * Elif Karacimen * Rebecca Karl * Ken Kawashima * Alexander Keller Hirsch * Mark Kelly * Anneleen Kenis * Paul Kellogg * Christiane Ketteler * Sami Khatib * Jim Kincaid * Don Kingsbury * Stathis Kouvelakis * Sam Knafo * Juha Koivisto * Stathis Kouvelakis * Michael R. Krätke * Clarice Kuhling * Alexi Kukuljevic * Anne E. Lacsamana * Mikko Lahtinen * Ishay Landa * Costas Lapavitsas * Amanda Latimer * Nick Lawrence * Philippe Lege * Emanuele Leonardi * Esther Leslie * Alex Levant * Les Levidow * Iren Levina * Norman Levine * Ben Lewis * Aiyun Liang * Lars Lih * Jacob Carlos Lima * Por-Yee Lin * Duncan Lindo * Nicola Livingstone * Alex Loftus * Domenico Losurdo * Nikos Lountos * David Mabb * Denis Mäder * Yahya Madra * F.T.C. Manning * Paula Marcelino * Fábio Marvulle *  Pierre Matari * Paul Mattick * Patricia McCafferty * Daniel McCarthy * Andrew McGettigan * David McNally * James Meadway * Eileen Meehan * Antigoni Memou * Zhang Meng * David Michalski * China Miéville * Owen Miller * Seamus Milne * Andrew Milner * Dimitris Milonakis * Gautam Mody * Simon Mohun * Kim Moody * Colin Mooers * Michael Moran * Vittorio Morfino * Adam David Morton * Avigail Moss * Sara Motta * Tadzio Mueller * Sara Murawski * Douglas Murphy * Mary Jo Nadeau * Yutaka Nagahara * Immanuel Ness * Susan Newman * Michael Niblett *  Stephen Norrie * Benjamin Noys * Sebnem Oguz * Francisco Ojeda * Chris O’Kane * Kosuke Oki * Ken Olende * Ozlem Onaran * Ahmet Öncü * Ozgur Orhangazi * Judith Orr * Reecia Orzeck * Ceren Ozselcuk * Leo Panitch * Giorgos Papafragkou * Rose Parfitt * Mark Paschal * Jody Patterson * Laurie Penny * He Ping * Simon Pirani * Charles Post * Nina Power * Gonzalo Pozo-Martin * Lucia Pradella * Tim Pringle * Toni Prug * Muriel Pucci * Besnik Pula * Thomas Purcell * Sam Putinja * Uri Ram * Gene Ray * Jason Read * John Rees * Oliver Ressler * Felicita Reuschling * Larry Reynolds * John Roberts * John Michael Roberts * William Roberts * Ed Rooksby * Sadi dal Rosso * Christina Rousseau * Giorgos Sagriotis * Spyros Sakellaropoulos * Gregory Schwartz * David Schwartzman * Ian J. Seda-Irizarry * Ben Selwyn * Richard Seymour * Greg Sharzer * Greg Shollette * Jan Sieber * Oishik Sircar * Murray E.G. Smith * John Smith * Jeffrey Sommers * Panagiotis Sotiris * Michalis Spourdalakis * Kerstin Stakemeier * Julian Stallabrass * Guido Starosta * Engelbert Stockhammer * Robert Stolz * Ted Stolze * Kendra Strauss * Bronislaw Szerszynski * Jeff Tan * Keeanga-Yamahtta Taylor * Kampagiannis Thanassis * Tzuchien Tho * Martin Thomas * Peter Thomas * Peter Thompson * Hillel Herschel Ticktin * Vladimir Tikhonov * Oxana Timofeeva * Bruno Tinel * Tania Toffanin * Massimiliano Tomba * Stavros Tombazos * George Tomlinson * Samo Tomsic * Jan Toporowski * Alberto Toscano * Nicos Trimikliniotis * Ben Trott * Pei Kuei Tsai * Alan Tuckman * Deborah Tudor * Lori Turner * Alexej Ulbricht * Steve Vallance * Giovanna Vertova * Marina Vishmidt * Keith Wagner * Hilary Wainwright * Gavin Walker * Andrew Warstat * Ben Watson * Michael Watts * Mike Wayne * Alexis Wearmouth * Jeffery R. Webber * John Weeks * Brian Whitener * Evan Calder Williams * Frieder Otto Wolf * Xinwang Wu * Wu Xinwei * Galip Yalman * Faruk Yalvaç * Eddie Yuen * Rafeef  Ziadah * Mislav Zitko *

END

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Wavering on Ether: http://blog.myspace.com/glennrikowski

Rikowski Point: http://rikowskipoint.blogspot.com

Alternative Culture

HISTORICAL MATERIALISM LIMITED EDITION ARTWORK

Luibov Popova Untitled Textile Design on William Morris Wallpaper for HM 2010 by David Mabb

The artist David Mabb has created an artwork especially for Historical Materialism. Titled: Luibov Popova Untitled Textile Design on William Morris wallpaper for HM 2010, the print is issued in a run of 100. Mabb’s picture is made by screen printing a textile design by Luibov Popova in red and black over a section of William Morris wallpapers including: Fruit, Willow Boughs, Trellis, Brier Rabbit, Medway and Daisy. As a consequence of the different wallpapers employed and the registration process each work will be unique. The prints measures 52.5 x 70 cm., and each one is signed and numbered by the artist. To see the image go to: http://www.historicalmaterialism.org/news/mabb-print)

The artwork is available for purchase at the price of £75 (unframed, postage not included when applicable) and can be ordered by writing to historicalmaterialism@soas.ac.uk or obtained directly at the 7th London Historical Materialism Conference: ‘Crisis and Critique’ (SOAS, London 11th-14th November).

We hope you will see this as an opportunity to acquire a fascinating artwork and to support HM.

Mabb regularly reworks the artistic imagery of Marxism to produce starting new configurations. In this print he combines William Morris’s hand-made natural imagery, with the abstract machine aesthetics of the Russian Constructivists. In their own time, Morris and Popova were thwarted by economic realities; Morris’s designs proved too expensive for the working people he wished to reach, while the fledgling USSR proved unable to support the transformation of everyday life envisaged by Popova and her fellow Constructivists. Mabb reanimates these remnants of Marxist history fusing the legacies in lively and beautiful images for our time.

David Mabb is a widely exhibited artist and Reader in Art at Goldsmiths, University of London. He regularly exhibits at the Leo Kamen Gallery, Toronto and in 2004 he curated William Morris “ministering to the swinish luxury of the rich” at the Whitworth Art Gallery, Manchester. Recent exhibitions include: The Decorating Business, Oakville Galleries, Ontario; The Hall of the Modern, The Economist, London; Morris in Jaipur: The work of Art in the Context of Hand-made Reproduction, Mandawa Haveli, Jaipur, part of Jaipur Heritage International Festival, touring to The British Council Gallery, New Delhi; Art into Everyday Life, Contemporary Art Centre, Vilnius; and A Miniature Retrospective and Rhythm 69, Jugendstilsenteret/Kunstmuseet Kube, Alesund, Norway. He is exhibiting The Morris Kitsch Archive at Delaware Center for the Contemporary Arts until December 2010.

END

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com
Wavering on Ether: http://blog.myspace.com/glennrikowski

Rikowski Point: http://rikowskipoint.blogspot.com

Marxism and Art

SENSATIONAL MARXISMS: TOWARDS A COMMUNISM OF THE SENSES

Call for Papers

AAG 2011 – Seattle, USA, 12-16 April

Session organisers – Alex Loftus (Royal Holloway, University of London) and Erik Swyngedouw (University of Manchester)

Liberating ourselves from the horrors of the present requires an artistic and sensuous imagination that will be transformed in the coming of a future society. Sensuous experience is the raw material from which a revolutionary project might be realised. Equally, sensuous experience provokes new forms of political subjectivity. This is at the heart of Ranciere’s understanding of “the distribution of the sensible” and the relationship he theorises between politics and aesthetics. It might also be traced to other threads of Marxist thought. In part inspired by Epicurus, Marx thought deeply about sensuousness. He clearly also understood this through an artistic model (as Lefebvre claimed, Marx “imagines a society in which everyone would…perceive the world through the eyes of an artist, enjoy the sensuous through the eyes of a painter, the ears of a musician and the language of a poet”).

Discussions of affect and the affective within Geography have rarely included such considerations. Nevertheless, emerging practices within a relational and post-relational aesthetics have drawn significantly from new communist theory (Badiou, Zizek, Nancy) and reconnected with Marx’s theorisation of the senses (Roberts 2009). For Toscano (2008), this places the question of a “communism of the senses” within an understanding of both aesthetic and Marxist thought. At the same time, with the publication of Merrifield’s (2011) Magical Marxism, we have been challenged to think more freely about the positive foundations on which we struggle for radical change. As Merrifield writes: “Politics more than anything needs the magical touch of dream and desire, needs the shock of the poetic”.

This session will explore the role of poetics and sensuousness within politics and the struggle for a future society. Possible topics are:

·         The role of the senses in an “inaugural communism”
·         Marxist thought and relational sensuousness
·         Politics, aesthetics and the new communist theory
·         Magical, sensational marxisms
·         The Politics of the Senses
·         The Communist Imaginary today
·         Sensuous communist geographies
·         Emerging Communist Geographies

If you are interested in participating, please contact either Alex Loftus (alex.loftus@rhul.ac.uk) or Erik Swyngedouw (erik.swyngedouw@manchester.ac.uk).

Erik Swyngedouw
Professor of Geography
School of Environment and Development
Manchester University

New books:
Heynen N, Kaika M, Swyngedouw E (Eds.) In the Nature of Cities, Routledge, London and New York, 2005.

Swyngedouw Erik, Social Power and the Urbanization of Water Flows of Power, Oxford University Press, 2004.
ISBN 0-19-823391-4

Webpage: http://www.sed.manchester.ac.uk/geography/staff/swyngedouw_erik.htm

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon at MySpace: http://www.myspace.com/coldhandsmusic

Cold Hands & Quarter Moon Profile: https://rikowski.wordpress.com/cold-hands-quarter-moon/

The Ockress: http://www.theockress.com

Wavering on Ether: http://blog.myspace.com/glennrikowski

Marxism and Art

THE QUESTION OF CLASS: AN ONGOING CHALLENGE TO ART HISTORY

A Conference in Honour of Andrew Hemingway

Saturday 19 June 2010
Gustav Tuck Lecture Theatre
University College London

Organisers: Warren Carter and Frederic J. Schwartz

10.00 Introduction

Fred Schwartz (University College London)

10.15 Landscape/Class/Ideology
Chair: Tom Gretton (University College London)

Alan Wallach (College of William & Mary)
“Toward a Social History of Mid-Nineteenth Century American Landscape Painting”

Alex Potts (University of Michigan)
“The Shifting Terrain of Nineteenth- and Twentieth-Century Art Histories”

12.15 Lunch

13.15 Marxism & Modernism
Chair: Warren Carter (University College London)

Gail Day (University of Leeds)
“Realism, Totality, and the Militant Citoyen: Or, What Has Lukacs To Do With Contemporary Art?”

Respondents:
Esther Leslie (Birkbeck, University of London)
Michael Corris (Sheffield Hallam University)
Jody Patterson (Ecole Normale Supérieure)
Barnaby Haran (University College London)

15.15 Tea

15.15 Marxist Historiography & Art History
Chair: Matthew Beaumont (University College London)

Steve Edwards (Open University)
“Forms of History”

Respondents:
Caroline Arscott (Courtauld Institute)
John Roberts (University of Wolverhampton)
Fred Schwartz (University College London)
Fred Orton (University of Leeds)

17.45 Valediction

Pete Smith (Thames Valley University)

18.00 Closing Remarks

Tamar Garb (University College London)

Admission is free and all are welcome, but spaces must be reserved.
Please contact Warren Carter (w.carter@ucl.ac.uk) by Wednesday 9 June.

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon at MySpace: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Wavering on Ether: http://blog.myspace.com/glennrikowski