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Tag Archives: Justin Sully

Communisation

ON THE COMMONS

We’re pleased to announce the publication of a Special Issue of Reviews in Cultural Theory, “On the Commons“, featuring work contributed by participants at the inaugural Banff Research in Culture residency:  http://reviewsinculture.com/special-issue/ . This issue of RCT is guest edited by Margrit Talpalaru and Matthew MacLellan.

For info on Banff Research in Culture, which just finished its second iteration, visit: http://www.banffcentre.ca/programs/program.aspx?id=1068 and  http://www.banffcentre.ca/programs/program.aspx?id=1210 .

 

With best wishes,

Sarah Blacker and Justin Sully


Reviews in Cultural Theory
Department of English and Film Studies
3-5 Humanities Centre
University of Alberta
Edmonton, Alberta, Canada
T6G 2E5

 

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‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

 

 

Culture

REVIEWS IN CULTURAL THEORY

Dear friends and colleagues

We are pleased to announce the launch of Reviews in Cultural Theory, a new journal that will be publishing reviews and review essays every two weeks at http://www.reviewsinculture.com Our website will also maintain an announcements section that will be updated weekly with new CFPs, job postings, and other relevant news from the field. The journal emerges from our sense that the rapid growth of work in cultural theory over the past decade demands new forums for tracking the development of this field. Focusing on the distribution of short and timely reviews contributed by scholars working in a wide array of fields, Reviews in Cultural Theory was conceived as a way of responding to the dynamism and pace of the contemporary theorization of culture.

Published online bi-weekly and collected into issues twice yearly, Reviews in Cultural Theory hopes to foreground new work in this field as well as the emergent community of scholars who share an interest in the complex and changing problems of culture today. Reviews to be published in the journal’s first year chart the contemporary shape of cultural theory, touching on Visual Culture, Gender Studies, Geography, Queer Theory, Marxism, Postcolonial Studies, Cultural History, and Sound Studies, among other fields and subjects, established and emerging.

We invite you to take a moment and flip through our first handful of reviews. Please subscribe to our RSS feed, or check back in the coming months for updated news, announcements, and upcoming reviews of Susan Buck-Morss’ Hegel, Haiti, and Universal History, Jody Berland’s North of Empire: Essays on the Cultural Technologies of Space, Enrique Dussel’s Twenty Theses on Politics, Michael Fried’s Why Photography Matters as Art as Never Before, and Cary Wolfe’s What is Posthumanism?, among others. We welcome you to contact us if you have recent work you are interested in reviewing or having reviewed.

The editors: Sarah Blacker and Justin Sully

Posted here by Glenn Rikowski

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Alternative Culture

ALTERNATIVE CULTURE NOW: THE POLITICS OF CULTURE AT THE PRESENT CONJUNCTURE

 

Call for Proposals:

‘Alternative Culture Now: The Politics of Culture at the Present Conjuncture’
Conference and Event
Budapest, Hungary
April 8-10, 2010

Proposal Deadline: January 25, 2010

How do things stand with respect to the fate of the alternative? Branded and normativized, incorporated into a whole ensemble of mainstream discourses, and no longer the threat it once posed to capitalist and communist states alike, the political and social force of the alternative seems to have faded away. And yet the dream of the alternative continues to inspire political and social movements, artists, theorists, and all kinds of creative practices. How might we begin to situate and think alternativity as a global phenomenon at this precise conjuncture in world history? What is alternative about culture today? And what might or can it become?

The alternative, of course, has always been phraseable in the singular and the plural. On the one hand, it is a phenomenon locked into local configurations, a multi-polar and non-totalizable practice of myriad deviation. Here, its ambit can be that of a family drama or workplace, a national concatenation, or the homogenizing logic of a dominant cultural medium or genre. The dreams it holds in reserve are vitally minor: the fissuring of a regime with a joke or dissidence, the freedom mobilized in small, almost imperceptible defections or reversals. The production of the alternative is in this sense the aggregate, spontaneous effort of innumerable cultural agents to resist every species of stasis and capture, every grammar and vernacular, every gestural hierarchy and total system.

At the same time, this molecular vision of the alternative, of a plurality of fissions and margins, has always been accompanied by attempts to think what it is in the tendency of a moment which suppresses cultural possibilities on a global level. This is a dream of a communication or inter-mediation between margins, a system of deviances which comprehensively address the conditions which negatively hypostatize the life of the virtual. Global patriarchy, violent state expansionisms, the inhibiting logics of capital, and the globalization of the English language can be envisioned as transnational, systematized normativities that threaten cultural specificity or possibility in a way that is never exhausted by its expression on the register of the local. Is there, in this sense, only one alternative: an alternative to which there is no alternative? This notion of a single alternative-a universal difference necessary to shelter the future lives of difference–immediately sets into motion its own paradoxical dialectics of alternativity, itself appearing to erase the thing it promises. How do we escape this vortex, or at least make its impasses productive?

Is one alternative more important than another? Can alternatives be exhausted or rendered obsolete? What kind of method could we develop to test the valences of alternatives? Can or should alternative culture polemically charge the space of its own marginality, or would this degenerate into an infinite sectarianism?

We understand “alternative culture” to include diverse forms of cultural expression and activity, which are connected by their shared goal of creating just, humane, and equitable human relations by means of their opposition to existing cultural, social, and political forms.

This conference encourages contributions from scholars, educators, artists, cultural workers, policy makers, journalists, and others involved in alternative culture and international cultural policies. We are especially interested in contributions addressing alternative culture in Central/Eastern Europe and countries/regions of the former Soviet Union.

Areas of inquiry for submissions may include, but are not limited to, the following general topics in relation to the politics of alternative culture today:

Aesthetics – Collectivity – post-Communist Culture – Creativity – Cultural Studies – Eastern Europe – Geography -Globalization – Higher Education – Media – Memory/Nostalgia – Music – New Media – ex-Socialist History – ex-Soviet Urban Spaces – Visual Culture

The “Alternative Culture Now: The Politics of Culture at the Present Conjuncture” conference will take place at the OSA Archivum in Budapest, Hungary, April 8-10, 2010. It is organized and sponsored by the International Alternative Culture Center, with the support of the Department of Sociology and Social Anthropology (Central European University) and the Canada Research Chair in Cultural Studies (University of Alberta). The conference format will be diverse, including paper presentations, panels, round-table exchanges, artistic performances, and exhibitions. We encourage individual and collaborative paper and panel proposals from across the disciplines and from artists and community members.

Paper Submissions should include: (1) contact information; (2) a 300-500 word abstract; and (3) a one page curriculum vitae or a brief bio.

Panel Proposals should include: (1) a cover sheet with contact information for chair and each panelist; (2) a one-page rationale explaining the relevance of the panel to the theme of the conference; (3) a 300 word abstract for each proposed paper; and (4) a one page curriculum vitae for each presenter.

Please submit individual paper proposals or full panel proposals via e-mail attachment by January 25, 2010 to 
alternativeculturenow@gmail.com with the subject line “Alternative Culture Now.” Attachments should be in .doc or .rtf formats. Submissions should be one document (i.e. include all required information in one attached document).

Website: http://www.alternativeculture.org

Conference Organizing Team: Sarah Blacker (University of Alberta, Canada), Jessie Labov (Ohio State, USA), Andrew Pendakis (University of Bonn, Germany), Justin Sully (McMaster University, Canada), Imre Szeman (University of Alberta, Canada), Maria Whiteman (University of Alberta, Canada), and Olga Zaslavskaya (OSA, Hungary)

Sarah Blacker
Department of English and Film Studies
3-5 Humanities Centre
University of Alberta
Edmonton, Alberta, Canada
T6G 2E5

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk