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Zizek

THE ZIZEK AND MEDIA STUDIES READER

CALL FOR PAPERS

Since the early 1970s, film, media, and cultural theorists have appealed to Lacanian psychoanalytic theory in order to discern processes of subjectivization, representation, and ideological interpellation.  In much of the early approaches to Lacanian theory in these fields, concepts such as the ‘mirror stage’, the Imaginary, the Symbolic, and the ‘gaze’ figured heavily.  However, beginning with the work of theorists such as Jacqueline Rose, Joan Copjec and Slavoj Žižek, a new approach to Lacan has been advanced, one which pays closer attention to concepts such as sexual difference, the objet petit a (the object-cause of desire), fantasy, the Real, enjoyment, and the drive.  Žižek in particular has advanced a political-philosophical re-interpretation of Lacan that has spawned a whole new wave of Žižekian film, media, and cultural theory that shows a marked difference from an early Lacanian approach.  They differ insofar as a Žižekian approach demonstrates connections between the media, ideology, the objet petit a, the Real, the drive, and enjoyment.

We are seeking papers to be included in an edited collection titled, The Žižek and Media Studies Reader.  Papers should discuss Žižek’s relevance for and connection to one of the following areas of media studies:  film/cinema; popular culture; and, new/digital media.  Suggested topics include:

·      A Žižekian reading of a particular film/popular culture artefact

·      Ideology critique

·      Media politics

·      Subjectivity/Identity studies

·      Media in the context of the ‘demise of symbolic efficiency’

·      Communicative capitalism

·      The relationship between media and desire/drive

·      Media and fantasy

·      Media and enjoyment

Please submit abstracts between 250-500 words and a short biographical statement by September 15th, 2012 to either

Matthew Flisfeder matthew.flisfeder@gmail.com<mailto:matthew.flisfeder@gmail.com>
or
Louis-Paul Willis louis-paul.willis@uqat.ca<mailto:louis-paul.willis@uqat.ca>

Accepted papers, between 8000-12 000 words (including endnotes), must be submitted by April 30th, 2013.

 

Originally at: http://www.historicalmaterialism.org/news/distributed/reminder-cfp-the-zizek-and-media-studies-reader  

 

**END**

 

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

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Zizek

THE ZIZEK AND MEDIA STUDIES READER – CALL FOR PAPERS

Call for Papers:  The Žižek and Media Studies Reader

Since the early 1970s, film, media, and cultural theorists have appealed to Lacanian psychoanalytic theory in order to discern processes of subjectivization, representation, and ideological interpellation.  In much of the early approaches to Lacanian theory in these fields, concepts such as the ‘mirror stage’, the Imaginary, the Symbolic, and the ‘gaze’ figured heavily.  However, beginning with the work of theorists such as Jacqueline Rose, Joan Copjec and Slavoj Žižek, a new approach to Lacan has been advanced, one which pays closer attention to concepts such as sexual difference, the objet petit a (the object-cause of desire), fantasy, the Real, enjoyment, and the drive.  Žižek in particular has advanced a political-philosophical re-interpretation of Lacan that has spawned a whole new wave of Žižekian film, media, and cultural theory that shows a marked difference from an early Lacanian approach.  They differ insofar as a Žižekian approach demonstrates connections between the media, ideology, the objet petit a, the Real, the drive, and enjoyment.

We are seeking papers to be included in an edited collection titled, The Žižek and Media Studies Reader.  Papers should discuss Žižek’s relevance for and connection to one of the following areas of media studies:  film/cinema; popular culture; and, new/digital media.  Suggested topics include:

–      A Žižekian reading of a particular film/popular culture artefact
–      Ideology critique
–      Media politics
–      Subjectivity/Identity studies
–      Media in the context of the ‘demise of symbolic efficiency’
–      Communicative capitalism
–      The relationship between media and desire/drive
–      Media and fantasy
–      Media and enjoyment

Please submit abstracts between 250-500 words and a short biographical statement by September 15th, 2012 to either Matthew Flisfeder matthew.flisfeder@gmail.com or Louis-Paul Willis louis-paul.willis@uqat.ca

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Money Menace

FOURTH CRITICAL FINANCE STUDIES CONFERENCE

15-17 August 2012
Call for Papers
Essex Business School, University of Essex
Colchester, UK

‘…In what is broadly called commentary, the hierarchy between primary and secondary text plays two roles which are in solidarity with each other. On the one hand it allows the (endless) construction of new discourses. The dominance of the primary text…..is the basis for an open possibility of speaking. But on the other hand the commentary’s only role, whatever the techniques used, is to say at last what was silently articulated “beyond”, in the text. By a paradox which it always displaces but never escapes, the commentary must say for the first time what had, nonetheless, already been said, and must tirelessly repeat what had, however, never been said.’ (Foucault, 1981: 55-56)

Critical Finance Studies Conference

Studying finance critically is playing with / being played by the normative forces of financial apparatuses; risking one’s self in the course of producing radically novel ways of thinking and comprehending finance and, ultimately, of creating new possibilities of life. With this in mind the Fourth Annual Critical Finance Studies conference will be held this year at the University of Essex, Essex Business School, August 15th -17th. With a conference gap in 2011 and with a financial crisis that is still on the agenda, and perhaps even stronger than ever, even compared with 2008, we have decided to devote this year’s conference to the ongoing financial crisis.

The Financial Crisis– futures and pasts re-interpreted

We strongly encourage papers that contribute to our ongoing collaborative research project that seeks to engage finance in new and critical ways and from a variety of perspectives and disciplines. This is especially important when trying to understand the current ‘financial situation’, e.g. how people in everyday work and life are affected, how the environment is affected, how theories cope and adapt in the face of a protracted crisis, and how politicians, professional bodies and professionals respond to or promote change or not. We encourage papers that tackle these sorts of issues and, with this in mind, the conference is organized around three sub-streams: an open stream on theory, method, and critique; a stream on financial imaginaries/imagining finance; and a stream on sustainability/finance (see below for more details). The conference finale will comprise a semi-public and interdisciplinary panel in order to, we hope, create some interesting debates, and inspire new thoughts and create new possibilities of life.

Papers should be submitted to the allocated convenor for each sub-theme. We encourage and welcome passionate academic work in different stages and forms, but they all need to be developed enough so that the audience can be intellectually challenged and involved in discussions. The deadline for an extended abstract (about 1000 words) is 15th April 2012. A review panel will announce their decision of acceptance within two weeks from the deadline. Accepted papers should be submitted in their final form by 1 July 2012.

The conference is organised by Dr Ann-Christine Frandsen at Essex Business School, Essex University in collaboration with Dr Thomas Bay Stockholm University (Forslund and Bay, 2009). The venue will be at the University of Essex, Colchester Campus. The conference language will be English. Discussants will be appointed – introducing papers, chairing sessions, involving participants.

Open Stream: Theory, Method, and Critique

Convenors: Jason Glynos, Department of Government, University of Essex ljglyn@essex.ac.uk & Ann-Christine Frandsen, Accounting Group, Essex Business School, frandsen@essex.ac.uk

We invite papers in finance studies that provoke critical engagement with current practices, open up pathways for effective political mobilization and socio-economic transformation, or sketch out possible counter-visions entailing alternative practices and forms of governance. The open stream is designed to catch contributions that tackle issues that fit the conference theme but do not necessarily fall neatly into one of the titled streams. For example: How might critical engagements with finance tell us something about the way markets are performed in other areas of economic life? What forms of subjectivity might different finance practices promote? How should we think the connections between finance and other sectors of the economy? What role should key concepts such as merit and remuneration, surplus labour, speculation, technology, and competition play in how we theorize and imagine finance?

The politics of financial reform draws on a range of characterizations, diagnoses, and prognoses of the recent financial crisis. Such ‘problematizations’ matter because they set in train path dependencies that invite us to problematize those problematizations themselves. Some, for example, seek to avoid heaping blame onto a few individual ‘bad apples’, one of the most trenchant narratives repeatedly and insistently articulated in the mass media. Some seek to avoid locating the fault with finance as such. Others argue that the financial crisis should be understood as a hubris-induced elite debacle rather than a systems accident or fiasco (Engelen et al 2011). The tension between explanatory and interpretive dimensions in these problematizations is never far from the surface, but what is clear is that the way finance is characterized, problematized, and contested has consequences for citizens and for policy makers, not least because of the sorts of futures they open up or close down. This raises issues about how different theoretical perspectives and methodological techniques shape the way we characterize, problematize, and contest financial practices and associated policy and media representations at elite and popular levels; or about how different sorts of critique emerge, relate, and interact with one another, for example, normative and ideological forms of critique.

We encourage the submission of papers that draw on poststructuralist, post-marxist, psychoanalytic, Deleuzian, Foucauldian, and other traditions, and that explore a range of theoretical, methodological, and critical issues linked to the analysis of finance. What forms of innovative, progressive, and sustainable banking and finance do such perspectives enable us to imagine? What role should experiment play in these efforts to conjure alternative visions? How should these experiments be financed? What innovative means of critique are available to citizens living in democratic polities with a tightly coupled nexus of elites in politics-finance-media? What role should music, film, television, social networking platforms, and other media play in facilitating both the process of critique and the conjuring of counter-visions of finance practice and governance?

Stream 2: Financial Imaginaries/Imagining Finance

Convenor: Christian de Cock, Management Group, Essex Business School cdc@essex.ac.uk

A key area of concern in this stream is the “imaginary of finance”, the semiotic system that gives meaning and shape to the economic field in which finance is embedded. Empirically we encourage the submission of papers that explore how, despite the convulsions of 2008 and their continuing reverberations, this imaginary has remained pretty much intact anno 2012 (in that we have witnessed over and over again the re-articulation of established themes and genres). Established financial imaginaries have no doubt proved extremely powerful in shaping the thoughts and perceptions of key political and economic decision makers and it would be interesting to learn more about the mechanics of this. Theoretically we encourage papers that can enrich and develop the notion of “imaginary” itself within a financial context. Examples could include Lacan’s (Real-Symbolic-Imaginary) or Iser’s (Real-Fictive-Imaginary) triad.  We also encourage the submission of papers that can offer new ways of imagining finance. Following Yusoff and Gabrys (2011), we see imagination as “a way of sensing, thinking, and dreaming the formation of knowledge, which creates the conditions for material interventions in and political sensibilities of the world”. What are the conditions of possibility to change dominant framings of the financial imagination? Can we re-imagine the organization of finance as an ethical, societal, and cultural problem? Can we open up a generative space of unknowing which can create the possibility to take us beyond the seemingly eternal dialectic of economic catastrophe and ‘business as usual’? These are just some of the questions you may help formulate answers to.

Stream 3: Sustainability / Finance

Convenor: Steffen Böhm, Management Group, Essex Business School and interdisciplinary Centre for Environment and Society, University of Essex, steffen@essex.ac.uk

Finance is arguably at the heart of what might be called the global capitalist economy, which is geared towards ever increasing growth of production and consumption. A whole host of critics and social movements have pointed to the unsustainable nature of this self-referential system, and particularly its negative environmental consequences. Specifically, financial service industries have been repeatedly accused of funding environmentally very damaging extractive industry projects (such an open pit mining, oil tar sands, etc), contributing to the creation of speculative bubbles of commodity markets (e.g. leading to higher basic food prices), and endangering the livelihood of indigenous and other communities (threatened by global industries invading their land, for example), to name but a few of the grievances that have been articulated. We are seeking contributions that map, evaluate and expand such critiques of finance and its problematic relation to sustainability.

On the other hand, however, finance increasingly likes to portray itself as part of the solution, rather than part of the problem. The financial services industry has arguably made some efforts to positively contribute to issues such as climate change (e.g. through carbon disclosure), land grab and livelihoods in developing countries (e.g. through the Equator Principles) and environmental protection in more general terms (e.g. through the UN Global Compact). While some might accuse such initiatives as ‘hot air’ or even ‘greenwash’, which often lack real power and impact, there are more concrete efforts to offer sustainable finance solutions, ranging from microfinance to carbon offsetting, from community finance to payments for environmental services. What should we make of this move of finance ‘going green’ and ‘ethical’? What empirical evidence is there to suggest that such finance approaches to solving environmental and social issues are actually working?

Overall, then, we encourage submissions that problematize the relationship between sustainability and finance in its broadest sense. We are not only interested in critiques of current finance approaches to sustainability, but particularly encourage studies of how groups and communities can use money and finance in novel ways to live more sustainable lives. We are hence keen to explore the ways of how finance can make a contribution to another possible world.

For any general enquiry about the conference please contact Ann-Christine Frandsen. Any specific questions related to one of the streams each please contact relevant convenor

Organising committee: (Alphabetic order)
Professor Steffen Böhm
Professor Christian de Cock
Dr Ann-Christine Frandsen
Dr Jason Glynos
Dr Pik Liew
Dr Sumohon Matilal
Chloe Warren – Marketing Officer, EBS

Organiser: Ann-Christine Frandsen Essex Business School, University of Essex, Colchester Campus, Wivenhoe Park, Colchester CO4 3SQ, UK

Phone: +44 (0)1206 87 869 809

Email: frandsen@essex.ac.uk

To find out more about Essex Business School visit: http://www.essex.ac.uk/ebs

In Collaboration with

Thomas Bay, Stockholm University

References:

D. Forslund and T. Bay, (2009). ‘The eve of critical finance studies’.  Ephemera: Theory and Politics in Organization. Vol. 9(4), pp. 285-299.

M. Foucault, (1981). ‘The Order of Discourse’ (Inaugural Lecture at the College de France, given 2 December, 1971). In R. Young (ed), Untying the Text: a Post-Structuralist Reader.  London: Methuen, 1981, pp. 48-78.

Dr Steffen Böhm | Professor in Management and Sustainability | Essex Business School | University of Essex | Colchester CO4 3SQ, UK | Rm 5NW.4.4 | Tel. +44(0)1206 87 3843 | http://www.essex.ac.uk/ebs/staff/profile.aspx?ID=727
http://steffenboehm.net

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Baruch Spinoza

BEYOND SPINOZA

Beyond Spinoza invite proposals for 30 minute presentations which trace or explore the presence of Early Modern philosophical concepts in contemporary philosophy and psychoanalysic theory. These could include, but are not limited to:

Spinoza and French philosophy (Badiou, Deleuze), Spinoza and psychoanalysis (Freud, Lacan), Spinoza and politics (Balibar, Macherey), Spinoza and self-transformation (Foucault, Lacan), Spinoza and schizoanalysis (Guattari, Deleuze), Leibniz and French philosophy (Deleuze, Gueroult), Leibniz and contemporary art, Leibniz and maths.

Beyond Spinoza is a collective of London-based postgraduate students who wish to enrich and deepen their understanding and enjoyment of contemporary philosophy by exploring its historical and conceptual roots.

The series will run once a week, for three consecutive weeks, at Goldsmiths College in July 2011. Each session will comprise two 30 minute presentations followed by discussion and drinks. The series will be followed later in the year by a publication of revised papers.

Please submit proposals of around 300 words to beyondspinoza@gmail.com on or before the 1st June 2011

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‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Dr Linus

2ND INTERNATIONAL SUMMER INSTITUTE IN QUALITATIVE RESEARCH: PUTTING THEORY TO WORK

Education and Social Research Institute, Manchester Metropolitan University, 18 – 22 July 2011

Summer Institute Director: Maggie MacLure

Plenary Keynote Speakers 2011:

DEBORAH BRITZMAN, York University, Canada
‘On matters of soft theory and affected belief: a psychoanalytic approach to the defense of theory’.

LINDA TUHIWAI SMITH, University of Waikato, New Zealand
‘Decolonizing research in new spaces with new possibilities’?

HARRY TORRANCE, Manchester Metropolitan University
‘Mixed methods research: what is the role of qualitative methods’?

LISA MAZZEI, Gonzaga University, USA
‘Plugging one text into another: thinking with theory in qualitative research’

HELEN COLLEY, Manchester Metropolitan University
‘Time, space and ethics: thinking through Marx’

KATE McCOY, State University of New York (New Paltz)
‘Heroin’s monstrous beauties: mark(et)ing affect and abject

KERI FACER, Manchester Metropolitan University
‘Democracy, education and reclaiming narratives of the future’

BILL GREEN, Charles Sturt University, Australia 
‘Emergent methodologies in educational research’

MAGGIE MACLURE, Manchester Metropolitan University
‘”The first secret of the stammerer”: writing without representing’

Putting Theorists to Work (Practical Sessions): Butler, Derrida, Braidotti, Lacan, Foucault, Bourdieu, Deleuze, and others.

Delegate-led sessions (optional): for delegates wishing to present their own research.

The Summer Institute will be of interest to qualitative researchers who are looking for stimulating engagements with theory, from doctoral students to more experienced researchers, across the social sciences, education, health and caring professions.

Standard delegate fee: £295
Email inquiries: SIQR@mmu.ac.uk
Information and registration: www.esri.mmu.ac.uk/siqr/about.php

A note from Maggie MacLure:

This is just to let you know that the keynote presentations from *last year’s* Summer Institute are downloadable, as audio-files, text and/or powerpoint presentations, from: http://www.esri.mmu.ac.uk/siqr/downloads.php 

Speakers include: Patti Lather, Stephen Ball, Neil Mercer, Erica Burman, Ian Parker, Nick Lee, Maggie MacLure, Bridget Somekh, Lorna Roberts, Liz Jones, Rachel Holmes.  

We still have some places available for this year’s event, so I have included the information again below.

Do circulate to anyone who might be interested.

Best wishes 

Maggie MacLure

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

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Volumizer: http://glennrikowski.blogspot.com

Philosophy

CENTRE FOR RESEARCH IN MODERN PHILOSOPHY SEMINARS

Centre for Research in Modern European Philosophy (CRMEP)
Kingston University London
Research Seminars, Semester 2, January-April 2011
Thursdays/Fridays, 6-8pm

Open to all

20 January
‘Hegel’s Other Woman: The Figure of Niobe in Hegel’s Lectures on Fine Art’
Andrew Benjamin (Aesthetics and Critical Theory, Monash University)
Venue: Art Workers Guild Lecture Hall, 6, Queen Square, London, WC1N 3AT

27 January
‘Lacan and the Cahiers pour l’analyse’
Tom Eyers (CRMEP, Kingston)
Venue: John Galsworthy Building, Penrhyn Road Campus, Kingston

3 February
‘Basic Concepts of Transcendental Materialism’
Rainer E. Zimmermann (Philosophy, University of Applied Sciences, Munich)
Venue: Swedenborg Hall, 20-21 Bloomsbury Way, London, WC1A 2TH

10 February
‘”Look Out It’s Real”: Documentary Truth and Tear Gas’
Hito Steyerl (Artist, Berlin)
Venue: Swedenborg Hall, 20-21 Bloomsbury Way, London, WC1A 2TH

11 March
‘Assembling Untimeliness: On Gerhard Richter’s Paintings’
Paul Rabinow (Anthropology, University of California, Berkeley)
Venue: Swedenborg Hall, 20-21 Bloomsbury Way, London, WC1A 2TH

17 March
‘Disjunctive Captures of the Body and Movement’
Bojana Cvejic (CRMEP, Kingston University)
Venue: John Galsworthy Building, Penrhyn Road Campus, Kingston

14 April
‘Eleven Theses on Marx and Marxism’
Étienne Balibar (University of Paris X and Irvine, University of California)
Venue: Swedenborg Hall, 20-21 Bloomsbury Way, London, WC1A 2TH

Dr Stella Sandford

Principal Lecturer in Modern European Philosophy
Centre for Research in Modern European Philosophy
Kingston University

Holmwood House
Penrhyn Road Campus
Kingston upon Thames
KT1 2EE
+44 (0)20 8417 2088
www.kingston.ac.uk/crmep

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Volumizer: http://glennrikowski.blogspot.com

 
 

Zizek

EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT LACAN (BUT WERE AFRAID TO ASK HITCHCOCK)

NEW EDITION

Edited by SLAVOJ ŽIŽEK

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Radical philosopher, polymath, film star, cult icon, and author of over 30 books: Slavoj Žižek is one of the most controversial and leading contemporary public intellectuals, simultaneously acclaimed as the ‘Elvis of cultural theory’ and denounced as ‘the most dangerous philosopher in the West’. He regularly features on lists of the top public intellectuals and remains a thorn in the side of both the right and the liberal left.

Hitchcock gets onto the analyst’s couch in this extraordinary volume of cinematographic case studies. The wide range of contributors bring to bear an unrivalled enthusiasm and theoretical sweep to the entire Hitchcock oeuvre, analyzing movies such as REAR WINDOW and PSYCHO.

An extraordinary landmark in Hitchcock studies, this new edition features a brand-new essay by Slavoj Žižek, psychoanalyst, philosopher and presenter of THE PERVERT’S GUIDE TO CINEMA. The contributors include Fredric Jameson, the leading American literary critic and Marxist political theorist.

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CONTENTS

FOREWORD TO THE SECOND EDITION

INTRODUCTION

Alfred Hitchcock, or, The Form and its Historical Mediation – Slavoj Žižek

PART ONE – The Universal: Themes

Hitchcockian Suspense – Pascal Bonitzer

Hitchcock’s Objects – Mladen Dolar

Spatial Systems in NORTH BY NORTHWEST – Fredric Jameson

A Perfect Place to Die: Theatre in Hitchcock’s Films – Alenka Zupaničič

PUNCTUM CAECUM, or, Of Insight and Blindness – Stojan Pelko

PART TWO – The Particular: Films

Hitchcockian SINTHOMS – Slavoj Žižek

The Spectator Who Knew Too Much – Mladen Dolar

The Cipher of Destiny – Michel Chion

A Father Who Is Not Quite Dead – Mladen Dolar

NOTORIOUS – Pascal Bonitzer

The Fourth Side – Michel Chion

The Man Behind His Own Retina – Miran Božovič

The Skin and the Straw – Pascal Bonitzer

The Right Man and the Wrong Woman – Renata Salecl

The Impossible Embodiment – Michel Chion

PART THREE – The Individual – Hitchcock’s Universe

‘In His Bold Gaze My Ruin Is Writ Large’ – Slavoj Žižek

What’s wrong with THE WRONG MAN? – The Hitchcockian Allegory – From I to A – PSYCHO’S Moebius band – Aristophanes reversed – ‘A triumph of the gaze over the  eye’ – The narrative closure and its vortex – The gaze of the Thing – ‘Subjective destitution – The collapse of intersubjectivity

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Praise for SLAVOJ ŽIŽEK

“The most formidably brilliant exponent of psychoanalysis, indeed of cultural theory in general, to have emerged in many decades.” Terry Eagleton

“The most dangerous philosopher in the West.” Adam Kirsch, NEW REPUBLIC

“Slavoj Žižek has put the Soul back into philosophy.” TIMES LITERARY SUPPLEMENT

“He is the closest thing philosophy currently has to a superstar.” Hermione Eyre, INDEPENDENT

“Žižek is the undisputed spritz master of international cinema studies.” VILLAGE VOICE

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SLAVOJ ZIZEK is a professor at the European Graduate School , Intern ational Director of the Birkbeck Institute for the Humanities, Birkbeck College , University of London , and a senior researcher at the Institute of Sociology, University of Ljubljana , Slovenia . His other books from Verso include LIVING IN THE END TIMES, FIRST AS TRAGEDY, THEN AS FARCE, IN DEFENSE OF LOST CAUSES, THE SUBLIME OBJECT OF IDEOLOGY, WELCOME TO THE DESERT OF THE REAL, THE PLAGUE OF FANTASIES and DID SOMEBODY SAY TOTALITARIANISM? He has also appeared in the films ZIZEK! and THE PERVERT’S GUIDE TO CINEMA.

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ISBN: 978 1 84467 621 7 / $26.95 / £16.99 / CAN$33.50 / Paperback / 304 pages

ISBN: 978-1-84467-622-4 / $100.00 / £55.00 / $125.00 / Hardback / 304 pages

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For more information and to buy the book visit:

http://www.versobooks.com/books/466-466-everything-you-always-wanted-to-know-about-lacan-%28but-were-afraid-to-ask-hitchcock%29

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ACADEMICS BASED OUTSIDE NORTH AMERICA MAY REQUEST AN INSPECTION COPY – PLEASE CONTACT tamar@verso.co.uk

ACADEMICS BASED WITHIN NORTH AMERICA MAY REQUEST AN EXAMINATION COPY – PLEASE CONTACT clara@versobooks.com

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Alternative Culture

 

COMMONALITIES CONFERENCE

Please join us for “Commonalities: Theorizing the Common in Contemporary Italian Thought,” a conference sponsored by the journal diacritics. The event, to be held at Cornell University on September 24-25, 2010, will bring together a number of leading thinkers around the theme and question of the common. Participants will include Kevin Attell, Franco “Bifo” Berardi, Remo Bodei, Bruno Bosteels, Cesare Casarino, Roberto Esposito, Ida Dominijanni, Michael Hardt, Antonio Negri (by video conference), and Karen Pinkus. More information can be found at the conference website (www.commonconf.com) or by contacting Professor Timothy Campbell (tcc9@cornell.edu)

Il manifesto
For the better part of a decade the position of Italian thought in the Anglo-American academy has increasingly grown in importance. From issues as far ranging as bioethics and bioengineering, to euthanasia, to globalization, to theorizing gender, to the war on terror, works originating in Italy have played a significant, perhaps even the dominant, role in setting the terms and conditions of these debates. Indeed it might well be that no contemporary thought more than Italian enjoys greater success today in the United States. If twenty years of postmodernism and poststructuralism were in large measure the result of French exports to the United States — Derrida, Lacan, Deleuze, and Foucault — today a number of Italian philosophical exports are giving rise to a theoretical dispositif that goes under a variety of names: post-Marxist, posthuman, or most often biopolitical. Yet the fact that Italian thought enjoys such enormous success in the United States and elsewhere begs an important question, one put to me polemically recently by a prominent Italian philosopher. Is there really such a thing as contemporary Italian thought? And if there is what in the world do its proponents have in common?

By way of responding, it might be useful to recall some details about the recent reception of Italian thought in the American academy. In the aftermath of the end of the postmodern — which a number of American observers savored as spelling the end of the use and abuse of philosophy by large numbers of literary critics — two works appeared in English within a span of three years: Giorgio Agamben’s ‘Homo Sacer’ and Michael Hardt and Antonio Negri’s ‘Empire’. Stepping into the void left by the departure of what in the United States was known as “theory,” these works made a number of bold theoretical claims about the relation between political power and individual life (Agamben) and globalization and collective life (Hardt and Negri), claims that uncannily – sometimes almost prophetically – addressed some of the most pressing issues in our current state of affairs. Equally a number of important works of Italian feminism appeared over roughly the same period. Works by Adriana Cavarero and Rosi Braidotti, among others, deeply influenced a whole generation of American theorists in fields like gender studies, political philosophy, and law. Looking back it’s difficult to overestimate the influence of all these figures when accounting for the intellectual success of Italian thought today. Certainly it became possible for other voices to be heard, Paolo Virno, and more recently Franco Berardi, Roberto Esposito, and Maurizio Lazzarato among others.

But to take up again the question at hand: what do authors as seemingly different as Agamben and Negri, Berardi and Esposito, Braidotti and Bodei, or Cavarero and Virno have in common outside of the mere fact of writing in Italian? Beyond a common language, is there, for example, such a thing as a common Italian philosophical tradition of which they are all a part? Some, most notably, Mario Perniola, would say yes, one found in the elements of repetition, transmission, mixture, and body that together forged an Italian philosophical culture over the last 300 years. Deleuze and Guattari would have said no, arguing that Italy has historically “lacked a milieu” for philosophy. For them the reason for this lack could be found in Italy’s proximity to the Holy See, which continually aborted philosophy across the peninsula, reducing Italian thought to mere rhetoric, philosophy’s shadow, and allowing only for the occasional “comet” to briefly light up the philosophical sky. Yet what if Italian thought today does in fact enjoy a milieu? What “event” or “events” in the recent past might have fashioned a milieu for the emergence of Italian thought? What would the features of that milieu look like?

Undoubtedly, the decade-long Italian 1968 would have played the decisive role. The votes on abortion, the emergence of counterculture and student and feminist movements, and changes in labor and production all deeply changed the space in which politics — as well as philosophy – was practiced. Indeed one of the central features of the Italian 1968 was precisely the emphasis on politics as philosophy and philosophy as a form (among others) of politics. We can see this in the place 1968 and 1977 awarded political militancy; in the increasing prominence given to questions of subjectivization; and more broadly in the birth of new forms of social and political life separated from those that had previously dominated.

Yet Italy’s long 1968 wasn’t enough on its own. It was only with 1989 and the fall of the Berlin Wall that politics and philosophy truly begin to pass intensely into each other, to stay with the language of Deleuze and Guattari. Although it may seem less the case for those writing in Italy, when seen from the outside 1989 was experienced as trauma more in Italy than in the rest of Europe. The result forced a number of thinkers to re-examine the fundamental political and philosophical categories that had underpinned decades if not centuries of thought: what meaning would the end of a certain form of common life have for politics, for philosophy, for culture? Such a calling into question of the previous understanding of the common had the effect of reterritorializing politics and philosophy under new terms and new problematics, one of which will be “life,” broadly speaking. It is only when 1968 is considered as the motor for deterritorialization of the common in political theory and philosophy and 1989 as the turn toward its reterritorialization as newly mapped by (among other things) biopolitical theory that something like a milieu is constructed for contemporary Italian thought.

This is not to say that proponents of Italian thought share the same understanding of the common or even celebrate it. Clearly they do not. Yet the centrality of the common raises a number of questions about Italian thought and Italian public life today. What does it mean to be or have in common in 2010? What are the effects of questioning the weight of shared life and what possible futures are there for the common? How might singularities be thought together so as to create new forms of life and what kinds of co-habitations or contaminations might reinforce these new forms of life? These kinds of questions are ones Italian thought, in all its diversity, has placed at the forefront of contemporary theory, questions that in turn raise fundamental questions about the nature of relationality and of a politics that would seek to strengthen relations and to extend them in order to create yet further relationality. Such is the force of Hardt and Negri’s discussion of the capacity for love near the end of Commonwealth, though one can well imagine others, including a capacity for play, for attention, and for compassion too.

Yet the relationality implicit in these new forms of shared life doesn’t only lead to greater and more positive capacities for relationality among singularities. The deterritorialization of the common as biopolitics, the posthuman or even insurrection by no means conjures away the specter of power; thus with greater capacity on the one hand comes the possibility of more intense and invasive forms of power on the other. The question then becomes: how are new forms of the common that are being forged today — shared singularities, mirror neurons, impersonality – also being reterritorialized and recontained, and by whom? Is it possible that more intense forms of relationality might signal a return to the very terms that earlier critiques of the common had attempted to uncover? On the one hand the recent success of social networking sites like Facebook suggests that new forms of virtual relations involving vast numbers of “friends” are not only possible but involve ever greater exposure to others. On the other hand such exchanges continue to be premised on the notion that my body and my opinions belong to me, what the Invisible Committee unforgetably characterized as treating “our Self like a boring box office,” using whatever prosthesis is at hand “to hold onto an I.” In such a neo-liberal scenario, the circulation of information, of goods, of persons, of persons as goods is taken to mean a return to a common mode of being-together. It’s a film we’ve seen countless times before: the common’s reinscription in contexts less open to affect that are continually based upon a conflation of connnectivity with more open modes of relating.

These questions among others will be the foundation for a two-day conference sponsored by the journal Diacritics to be held on the campus of Cornell University on September 24-25, 2010. The conference, titled “Commonalities: Theorizing the Common in Italian Thought,” will bring together a number of Italian voices so as to think together not only the relation between Italy and the common but to consider emerging forms of the common and common life today as well as consider the efficacy of a term like the common for a progressive (bio)politics. Equally, the event, the first of its kind of recent memory in the United States, is an occasion to register the state of Italian thought today. When seen from the other side of the Atlantic, no other contemporary thought more than Italian seems better suited today to offer what Foucault called an ontology of the present. At a minimum, and pace my doubting Italian philosopher, the editorial and intellectual success of Italian thought merits a closer look.

Featured at the conference will be some of the leading philosophical figures from Italy today, including Franco Berardi, Remo Bodei, Cesare Casarino, Ida Dominjanni, Roberto Esposito, Michael Hardt, and Antonio Negri. The conference will be transmitted over the internet at http://www.commonconf.com. A number of Cornell students will be blogging the conference live over the two days.

Antonio Negri

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Self Divided

SELF, PSYCHOANALYIS AND SOCIETY IN THE 21ST CENTURY

RC36 Symposium
Gothenburg, Sweden
July 10, 2010

The relationship of self and society has intrigued philosophers, psychoanalysts, and sociologists for over a century. In the early part of the last century, as economic conditions fostered alienation, malaise and despair, the neo-Marxist Frankfurt School, among the first scholars influence by both the Economic and Philosophical Manuscripts, as well as Freudian psychology, began to investigate and theorize the social psychological factors that disposed certain people to Fascism. At about the same time, in the US, scholars such as Cooley, James and above all GH Mead began to think about socialization and the formation of self. These early perspectives played a major role in the rise of symbolic interactionism.

These theories have seen a number of developments and transformations. While the work of Reich, Fromm, Adorno and Horkhiemer was groundbreaking, Marcuse, Habermas and Jessica Benjamin have added to that tradition. Surely the work of Althusser, Lacan and Foucault has added a number of other concerns and dimensions.

For the past few years, a number of scholars have gathered together before the American Sociological Association meetings to discuss the vagaries of contemporary selfhood, largely, but not exclusively from a psychoanalytical perspective. This year, given the many European and International scholars that will be attending the ISA, we decided to move our venue to Gothenburg, Sweden, and schedule our meeting the day before ISA meets. The meeting will be sponsored by RC36 Alienation Theory and Research.

We would like to invite all interested scholars to join us in what have been among the most stimulating meetings. Please send an abstract of about 200-250 words to Lauren Langman, Llang944@aol.com and Lynne Chancer, lchancer@hunter.cuny.edu. Please send by April 25, 2010. 

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