Skip navigation

Tag Archives: Imagination

Crisis

THE FINANCIALIZED IMAGINATION AND BEYOND

Call for Papers—The Financialized Imagination and Beyond
Special issue of TOPIA: Canadian Journal of Cultural Studies, Fall 2013
Proposals due: September 14, 2012

Link to PDF version of the CFP: http://t.co/xcuw44bq

Edited by Max Haiven (New York University/Nova Scotia College of Art and Design University) and Jody Berland (York University)

Narrowly defined as the so-called “FIRE” industries (high finance, insurance and real estate), finance has gained tremendous power over the global economy in recent years. Critics describe “financialization” as a profound and far-reaching social and cultural shift. Advances in financial modelling, computing and communications technology have changed the nature and power of financial speculation, but the vast expansion of new forms of debt, credit and everyday financial services have also had dramatic impacts on daily life. From credit cards to sub-prime mortgages, from student debt to the privatization of pensions, from pay-day loans to online stock trading, financial practices have become mainstream cultural issues. Films, biographies, novels, television shows and web-texts about finance and financiers (lionized or demonized) are more popular than ever. Logics of finance inform and shape public policy and social institutions, from hospitals and schools to science and cultural production, with “risk management,” “return on investment,” and “market efficiency” as key weapons of the neoliberal lexicon. Driven in part by immaterial, speculative, leveraged wealth, capitalism normalizes precarious labour and life in both material and immaterial forms, and each of us is expected to manage our risk portfolios and embrace a life of endless speculation. While the politics of debt, predatory lending and speculative capital have long shaped geopolitical realities, especially in the developing world, the unapologetic “age of austerity” threatens a new intensity of inequality and exploitation, with dramatic human and ecological consequences.

Facing continuous global financial crises and new social movements emerging to contest this “age of austerity,” cultural studies has important questions to ask about the financialized imagination. How is “finance” represented in fiction, film, journalism and art? How is finance itself a form of “representation” as well as a cultural phenomenon driven by beliefs, narratives and technologies? How do representational technologies contribute to the production of wealth? How do we explain the charisma of the speculator, the valorization of “risk management” and the fetishization of “financial literacy” under hyper-neoliberalism? What are finance’s effects on cultural production and the political economy of culture? How is the rise of digitized financial power related to the global play of material and immaterial economics, labour and culture? How is financialization connected to and expressed through race, class, gender, sexuality, colonialism, imperialism and ablism? What are the geopolitical and affective consequences of financialization? How do we historicize and “periodize” financialization, and what is at stake in analyzing what Marx called “fictitious capital”? What are the effects of financialization on everyday culture? How is debt linked to politics of precarity, disposability or borders? Are there ecologies of financialization? How does finance’s tremendous power to commodify potential futures as present-day “risk” affect how we imagine the future? What are the contours and limits of the “financialized imagination”? Have we moved from a society of the spectacle to a society of speculation? What lies beyond?

Social movements such as the Occupy movement and, more broadly, anti-austerity struggles from Athens to Chile, Nigeria to India, Korea to Montreal have been waging cultural struggles over the meaning of debt, the uses and abuses of banking, and the nature of economic power. Critical films, fiction, blogs and other genres seek to probe finance, financialization and the financial crisis, with varying degrees of success.

TOPIA invites contributors to propose academic articles, shorter “offerings,” reviews and review essays for a special issue on the “financialized imagination and beyond.” Themes and topics include (but are not limited to):

 

*Cultural representations of finance, financialization, financiers and the financial crisis in and across media

* The cultural politics of debt and credit in everyday life: government spending, ecological debt and debt as a paradigm of social discipline

* Finance as representation of space, time, knowledge, culture, materiality or immateriality

* Calculation and the new common sense: the fate of futurity, the cultural idiom of speculation and the practices of “risk management”

* Finance capital(ism) and the politics and economics of cultural production: the financing of culture

*The cultural politics of crisis

*The interplay of oppressions (gender, sexuality, race, class, ability, citizenship) and finance, from racialized predatory sub-prime lending to women-focused microcredit schemes, from the “Wall Street Man” to the legacies of debt-bondage and slavery

* The roots and legacies of colonialism and imperialism in finance (and vice versa)

* The financialization of daily life and social institutions

* The cultural and affective dimensions of finance, financial labour and financial speculation: how are cultures of speculation built and reproduced? What does financial wealth represent? What kinds of affects and sensations are produced by wealth through speculation, display, or loss?

* Tension and interplay between material and immaterial capital, labour and culture, money and power

* Historical precedents and patterns of finance and financialization: narrating events from Tulip Mania to the collapse of the Asian Tigers; from the speculative value of enslaved Africans to the predatory sub-prime mortgage industry that thrived on inner-city poverty 

* Struggles against finance, financialization and austerity, and their spaces, strategies, narratives, potentials and limits

* Horizons beyond the crisis
Prospective authors should submit a 300-word proposal, accompanied by a brief biographical note, to the editors by September 14, 2012. Selected authors will be invited to prepare articles by February 15, 2013, with publication dependent on the peer-review process. The issue will be published in Fall 2013.

More information can be found at TOPIA’s website, http://www.yorku.ca/topia.

Please direct proposals and queries to Max Haiven at maxhaiven@nyu.edu, and to Jody Berland at jberland@yorku.ca.

Originally published in http://www.historicalmaterialism.org/news/distributed/call-for-papers-the-financialized-imagination-and-beyond  

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Volumizer: http://glennrikowski.blogspot.com

Cold Hands & Quarter Moon

Cold Hands & Quarter Moon

MEMEFEST FESTIVAL OF SOCIALLY RESPONSIVE COMMUNICATION AND ART 2012

Memefest, an international organization dedicated to promoting new, productive and relevant forms of cultural activism, together with the Queensland College of Art, Griffith University, this year introduces the Memefest/Griffith-QCA award for ‘Imaginative Critical Intervention’.

This award invites cultural activists, creatives and thinkers from the productive margins of professions, radical theorists, imaginative intellectuals and anyone who is uncomfortable with the status quo and dreams of alternative futures that are more satisfying, just, and sustainable, to submit projects for peer feedback, broader dissemination, and a chance to work collaboratively with other imaginative activists, artists, researchers and intellectuals.

Memefest FESTIVAL 2012 theme: DEBT (debt, la dette, χρέος, dolg, задолженность, долг, debito, дълг, ŝuldo, חוב, schuld, deuda, borç …)

You can’t evict an idea whose time has come! 

These words express the nature of the current global movement against the rule of money over life. They belong to the people, the 99%, who are bringing the fundamental urgent issues to the streets, into the media, into the realm of public consciousness, into the schools, universities, jobs, homes and intimate discussions and relationships. 

These words also express something else. They speak about a state of mind, a focus and a concise articulation of the problem. The idea whose time has come is mainly about three things. First: interventions that create a rupture in the order of things with the goal to redefine our fields of experience and the relationship between being, doing and saying. Second: dialogue. Third: creating new emancipatory social institutions. 

If communication and art are to play a relevant role in shaping a future worth having, we need to further redirect, reinvent and re-imagine our own understanding and the way we think, theorise and practice them both. Debt is not only an opportunity to do so, but also an urgent responsibility. 

The Friendly Competition

Participants are invited to submit works three categories: critical writing, visual communication practice and the participatory art/communication category Beyond…

This year’s theme for Visual communication practice and Critical writing is: DEBT. Participants will respond with their work to three carefully chosen texts:

I. First written text is taken from the book Debt, the first 5000 years by American social anthropologist David Greaber in which he explains the function of debt in human history, showing that the current situation is not as natural at all as it seems to be.

II. Second visual text is taken from the documentary Debtocracy by Katerina Kitidi and Aris Hatzistefanou, who together with economist Samir Amin, philosopher Alain Badiou, sociologist and geographer David Harvey and other guests research the reasons for the crisis in Greece, while also showing how Latino American Ecuador stood up to the IMF and refused to acknowledge legitimacy to their enforced slavery. 

III. Third is the song No Banker Left Behind by American slide guitar virtuoso, taken from his politically engaged and critically acclaimed album Pull Up Some Dust and Sit Down (2011). 

Category Beyond…:

While a lot of subversive writing, communication and art has emerged which challenges the status quo using its own conventions, very few of these initiatives have employed a mode of communication that is not rooted in commercial culture itself.

The ‘Beyond…’ category hopes to bring out new visual and conceptual forms of communication and art which catalyse social change while engaging people as something more than mere consumers.

This category draws on the traditions of independent artistic practice in that the entries will have no brief other than to identity and radically address important issues on a deeply felt personal level. However, we expect that, unlike most ‘museum’ art, it will generate genuine participatory relations with its audience and be able to work outside institutional sites and conventions. Participatory art and communication is the core principle of what we are looking for at Beyond…

More about Beyond… here: http://www.memefest.org/en/competition/beyond_intro/

Awards: 

The international editorial and curatorial board will select the most convincing works. Among strong traditional awards, which you can see on www.memefest.org, two new awards are introduced this year.

1) The first Griffith-QCA/ Memefest Award for Critical Imaginative Critical Intervention.

Best authors of all three categories (critical writing, visual communication practice and Beyond…) will be invited toBrisbaneto take part in a special extradisciplinary workshop resulting in a public intervention in the city ofBrisbane.

2) Authors of best works in the category: critical writing will be invited to publish their work in the academic peer reviewed journal Zoontechnica http://zoontechnica.com.

Deadline for your submissions is May 30th.

Participation is free of charge and there is no age limit or any other restriction. Your work can be submitted online.

See more about our Awards here: www.memefest.org/en/competition/awards_2012/

More information on the whole Friendly competition: http://www.memefest.org/en/competition/intro/

More information on the Festival of Socially responsive communication and Art: www.memefest.org

Contact Patricia Laboca: memefest@memefest.org

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub,Bangor, northWales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

Autonomia

Autonomia

AUTONOMEDIA – NEW TITLES

New Titles

 

Revolutions in Reverse: Essays on Politics, Violence, Art, and Imagination

David Graeber

Capitalism as we know it appears to be coming apart. But as financial institutions stagger and crumble, there is no obvious alternative. There is good reason to believe that, in a generation or so, capitalism will no longer exist: for the simple reason that it’s impossible to maintain an engine of perpetual growth forever on a finite planet. Yet faced with this prospect, the knee-jerk reaction is often to cling to what exists because they simply can’t imagine an alternative that wouldn’t be even more oppressive and destructive. The political imagination seems to have reached an impasse. Or has it?

In this collection of essays David Graeber explores a wide-ranging set of topics including political strategy, global trade, debt, imagination, violence, aesthetics, alienation, and creativity. Written in the wake of the anti-globalization movement and the rise of the war on terror, these essays survey the political landscape for signs of hope in unexpected places.

At a moment when the old assumption about politics and power have been irrefutably broken the only real choice is to begin again: to create a new language, a new common sense, about what people basically are and what it is reasonable for them to expect from the world, and from each other. In this volume Graeber draws from the realms of politics, art, and the imagination to start this conversation and to suggest that that the task might not be nearly so daunting as we’d be given to imagine.

More information

Buy the book here

++

Communization and its Discontents: Contestation, Critique, and Contemporary Struggles

Edited by Benjamin Noys

Can we find alternatives to the failed radical projects of the twentieth century? What are the possible forms of struggle today? How do we fight back against the misery of our crisis-ridden present? ‘Communization’ is the spectre of the immediate struggle to abolish capitalism and the state, which haunts Europe,Northern Californiaand wherever the real abstractions of value that shape our lives are contested. Evolving on the terrain of capitalism new practices of the ‘human strike’, autonomous communes, occupation and insurrection have attacked the alienations of our times. These signs of resistance are scattered and have yet to coalesce, and their future is deliberately precarious and insecure.

Bringing together voices from inside and outside of these currents Communization and Its Discontents treats communization as a problem to be explored rather than a solution. Taking in the new theorizations of communization proposed by Tiqqun and The Invisible Committee, Théorie Communiste, post-autonomists, and others, it offers critical reflections on the possibilities and the limits of these contemporary forms, strategies, and tactics of struggle.

More information

Buy the book here

++

19 & 20: Notes for a New Social Protagonism

Colectivo Situaciones, with introductions by Michael Hardt & Antonio Negri

New book from Colectivo Situaciones… an 18th Brumaire for the 21st Century: militant research on the December 19th and 20th, 2001 uprisings inArgentina… In the heat of an economic and political crisis, people inArgentinatook to the streets on December 19th, 2001, shouting “¡Qué se vayan todos!” These words – “All of them out!” – hurled by thousands banging pots and pans, struck at every politician, economist, and journalist. These events opened a period of intense social unrest and political creativity that led to the collapse of government after government. Neighborhoods organized themselves into hundreds of popular assemblies across the country, the unemployed workers movement acquired a new visibility, workers took over factories and businesses. These events marked a sea change, a before and an after forArgentinathat resonated around the world.

Colectivo Situaciones wrote this book in the heat of that December’s aftermath. As radicals immersed within the long process of reflection and experimentation with forms of counterpower that Argentines practiced in shadow of neoliberal rule, Colectivo Situaciones knew that the novelty of the events of December 19th and 20th demanded new forms of thinking and research. This book attempts to read those struggles from within. Ten years have passed, yet the book remains as relevant and as fresh as the day it came out. Multitudes of citizens from different countries have learned their own ways to chant ¡Qué se vayan todos!, fromIcelandtoTunisia, fromSpaintoGreece, fromTahrir SquaretoZuccottiPark. Colectivo Situactiones’ practice of engaging with movements’ own thought processes resonates with everyone seeking to think current events and movements, and through that to build a new world in the shell of the old.

More information

Buy the book here

++

Undressing the Academy, or The Student Handjob

University of Strategic Optimism

The weary student handbook genre is in need of a belligerent mauling. This is our crack at the job. We don’t want to talk down to anyone, but neither do we want to chat them up, so this is an attempt at thinking out the university from our own perspective, that of students. Here we air our dirty snapshot of the academy, at least semi-naked, just as we come across it. This potted guide is our pot shot at undressing and dressing down this place, the university, and understanding our place within it: its problems and potential, its power-relations and its possibilities for politicization. This is our attempt to share some of the knowledge to be gleaned in the university, but a knowledge that is rarely measured on any certificate come graduation day.

Written collectively by the University for Strategic Optimism, in the queasy come-down afterglow of the recent wave of student activism in the UK (but looking forward to cracking-off another round), this guide attempts to contextualize our struggle and to bring it closer to home. Just what is the university that we are fighting for anyway? And what perhaps could it be?

More information

Buy the book here

 

**END**

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

 

Utopia

 

WHAT IS THE RADICAL IMAGINATION?

 

“What is the Radical Imagination?” a special issue (4.2) of Affinities: Journal of Radical Theory, Culture and Action

Edited by Max Haiven and Alex Khasnabish

Read and download for free at: www.affinitiesjournal.org

 

Launch party: joint launch with Upping the Anti #11,  January 15, 2011, 8:30pm, Toronto Free Gallery, 1277 Bloor St. W (at Landsdown).  $5 cover, $10 includes a copy of UTA11.  Details here.  In conjunction with the North American Anarchist Studies Network Conference.

 
 
Table of contents:
Editorials/Introductions

Max Haiven, Alex Khasnabish: “What is the radical imagination? A Special Issue”

 

Interventions: Struggles
 
Franco BIFO Berardi: “Precariousness, Catastrophe and Challenging the Blackmail of the Imagination”

 

Taiaiake Alfred: “What is Radical Imagination? Indigenous Struggles in Canada”



Julie E. Dowsett: “Commodity Feminism and the Unilever Corporation: Or, How the Corporate Imagination Appropriates Feminism”



Phanuel Antwi and Amber Dean: “Unfixing Imaginings of the City: Art, Gentrification, and Cultures of Surveillance”



 

Interventions: Provocations
  
 
Larissa Lai: “Other Presents: Imagining the Human and Beyond”

Justin Paulson

“The Uneven Development of Radical Imagination”

Chris Churchill

“A Radical and Elitist Imagination? Political Paternities and Alternatives in the History of Ideas”

Petra Rethmann

“A few notes on the question, what is radical imagination?”

Randy Martin

“Dancing Through the Crisis”

 

Interventions: Openings

Allan Antliff: “Anarchist Imaginaries”

Judy Rebick: “Re-Imagining Revolution”



Patrick Reinsborough: “Giant Whispers: Narrative Power, Radical Imagination and a Future Worth Fighting For…”



Glen Coulthard: “Place against Empire: Understanding Indigenous Anti-Colonialism”

 

Peer Reviewed Articles
Rachel Elaine Strasinger

“Beyond Protest: Radical Imagination and the Global Justice Movement”

Terry Maley

“Participatory Budgeting and the Radical Imagination: In Europe but not in Canada?”

Michael Truscello

“The Disruptive Time of the Gift: (Radical) Imagination at Work in Free and Open Source Software”

 

Read and download for free at:  www.affinitiesjournal.org

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

 

Cultural Marxism

MARXISM AND CULTURE: CALL FOR BOOK PROPOSALS

Marxism and Culture 
Series Preface (Pluto Press) 
Call for Book Proposals 

The Marxism and Culture series aims to revive, renew and develop Marxism as an emancipatory tool for analyzing media and cultural practices within capitalism and class society. During the 1990s Marxism got bashed; it was especially easily mocked once its ‘actually existing’ socialist version was toppled with the fall of the Berlin Wall. Postmodernism made Marxism a dirty word, and class struggle a dirty thought and even dirtier deed. But those days that consigned Marxism to history themselves now seem historical. The crash of neo-liberalism in a now global economy has trashed many so-called certainties about the superiority of capitalism. A new spirit of critical questioning is emergent in the context of a crisis that is political, economic, social, cultural and ecological. 

Marxism, however critically its inheritance is viewed, cannot be overlooked by the increasing numbers who make efforts to provide an analysis and a consequent practice. Our series is dedicated to exploring both Marxist methodologies and the role of culture in this situation, from the mass media to the avant-garde. Culture is the contested terrain on which we imagine alternative models of social being and critically decode the ways we remain tied, by habits and perspectives, values and emotions, to the horizon of capital. We welcome proposals that contribute to the understanding of our urgent situation through the prism of culture. 

Books published in the series so far: 

Marxism and Media Studies: Key Concepts and Contemporary Trends – Mike Wayne 

Philosophizing the Everyday, The Philosophy of Praxis and the Fate of Cultural Studies – John Roberts 

Marxism and the History of Art, from William Morris to the New Left – Andrew Hemingway (ed) 

Red Planets, Marxism and Science Fiction – Mark Bould & China Mieville 

Dark Matter, Art and Politics in the Age of Enterprise Culture , Gregory Scholette 

Magical Marxism, Subversive Politics and the Imagination, Andy Merrifield 

Series Editors 
Esther Leslie (e.leslie@bbk.ac.uk
Mike Wayne (michael.wayne@brunel.ac.uk

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Volumizer: http://glennrikowski.blogspot.com

Raymond Williams

TENSES OF IMAGINATION: RAYMOND WILLIAMS ON SCIENCE FICTION, UTOPIA AND DYSTOPIA

http://www.peterlang.com/index.cfm?vID=11826&vLang=E&vHR=1&vUR=2&vUUR=1

New from Peter Lang:

TENSES OF IMAGINATION: RAYMOND WILLIAMS ON SCIENCE FICTION,  UTOPIA AND DYSTOPIA

Edited by Andrew Milner

Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien,
2010. X, 243 pp.
Ralahine Utopian Studies. Vol. 7
Edited by Raffaella Baccolini, Joachim Fischer, Tom Moylan and Michael
J. Griffin
ISBN 978-3-03911-826-7 pb.
sFr. 52.– / €* 35.60 / €** 36.60 / € 33.30 / £ 30.– / US-$ 51.95

Raymond Williams was an enormously influential figure in late twentieth-century intellectual life as a novelist, playwright and critic, ‘the British Sartre’, as The Times put it. He was a central inspiration for the early British New Left and a close intellectual supporter of Plaid Cymru. He is widely acknowledged as one of the ‘founding fathers’ of cultural studies, who established ‘cultural materialism’ as a new paradigm for work in both literary and cultural studies. There is a substantial secondary literature on Williams, which treats his life and work in each of these respects. But none of it makes much of his enduring contribution to utopian studies and science fiction studies. This volume brings together a complete collection of Williams’s critical essays on science fiction and futurology, utopia, and dystopia, in literature, film, television, and politics, and with extracts from his two future novels, The Volunteers (1978) and The Fight for Manod (1979). Both the collection as a whole and the individual readings are accompanied by introductory essays written by Andrew Milner.

Contents: Space Anthropology, Utopia, and Putropia. Left Culturalism: Science Fiction (1956) – William Morris (1958) – George Orwell (1958) – The Future Story as Social Formula Novel (1961) – Terror (1971) – Texts in their Contexts. Cultural Materialism: Nineteen Eighty-Four (1971) – The City and the Future (1973) – On Orwell: An Interview (1977) – On Morris: An Interview (1977) – Learning from Le Guin. (Anti-) Postmodernism: Utopia and Science Fiction (1978) – The Tenses of Imagination (1978) – Beyond Actually Existing Socialism (1980) – Resources for a Journey of Hope (1983) – Nineteen Eighty-Four in 1984 (1984) – The Future Novels: From The Volunteers (1978) – From The Fight for Manod (1979).

‘With the twenty-first-century reader very much in mind, Andrew Milner’s selection of texts offers a new, “alternative” Raymond Williams – the critic and occasional author of science fiction, the futurologist, the wary, self-questioning utopian thinker for whom intellectual pessimism is a lazy response and never the last word.’ – Professor Patrick Parrinder, University of Reading

‘The future was the ultimate stake in all Raymond Williams’s thinking and writing, as Andrew Milner simply and powerfully shows us now, by assembling a volume of writings on science fiction and utopianism that turns out to be a very substantial, wide-ranging reader in Williams’s work as a whole. The defining importance of “the sense of the future”, as he called it, the future as the essential discipline of political and moral imagination, is the lesson of this very welcome collection.’ – Professor Francis Mulhern, Middlesex University.

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

 

I See You!

I See You!

SITUATIONS

 

The latest edition of the journal Situations: Project of the Radical Imagination is now out.

 

Vol 3, No 1 (2009)

Table of Contents

Scholarship With a Purpose – Liberation Technology: Marcuse’s Communist Individualism
Alberto Toscano

The Financial Meltdown: Facing the Economic Crisis
Stanley Aronowitz

The Biggest “October Surprise” of All: A World Capitalist Crash
Loren Goldner

Leveraging ourselves out of Crisis – Again!
Aida Sy and Tony Tinker

Class and Political Philosophy
Stanley Aronowitz

Time is on Our Side: Rewriting the Space of Imagination
Eric J Weiner

Leftist Travelogues: The Whole World on a Plate
Susan Willis

 

Situations current issue: http://ojs.gc.cuny.edu/index.php/situations/issue/current

 

Situations Home Page: http://ojs.gc.cuny.edu/index.php/situations/index

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk