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Aesthetics

Aesthetics

ART IN THE AGE OF REAL ABSTRACTION

Call for Papers | ‘Art in the Age of Real Abstraction’ | Deadline: 12 December 2013

Historic iterations of abstraction in the visual arts have traditionally been associated with terms such as the non-representational, the non-figurative, and the immaterial, in opposition to a loosely defined concept of realism. In the post-war period, however, both realism and abstraction became unstable concepts, deployed to refer to a range of diverse practices, from Nouveau Réalisme to Art Informel to Abstract Expressionism. This conference invites papers that rethink the relation between realism and abstraction in the period between 1970 and the contemporary moment. Of particular concern are the impacts of two intersecting events: the advent of Neoliberalism and the dismantling of Modernism in art history.

‘Art in the Age of Real Abstraction’ seeks to investigate contemporary forms of abstraction through the analysis of different modes of representation, affectivity and performativity, drawing lines of continuity and addressing points of ambiguity between post-war abstraction and contemporary iterations. In recent critical discourse reification has been described as both a process of abstraction and as a figural process. On this view ‘Real Abstraction’ might be understood as the becoming-concrete of the abstract. As such ‘Real Abstraction’ calls for a rethinking of what the terms realism, figuration and abstraction might mean today.

We welcome papers that address the critical stakes of abstraction in the visual arts as a representational economy and as an aesthetic strategy, a way of inhabiting the contradictions produced by capital, and as a means of generating meaning, memory and historical experience.

We encourage academics, researchers and artists to submit papers on the following issues and debates (amongst others):

* post-70s reconfigurations of abstraction

* the artwork and the commodity form

* feminist interventions in the history of abstraction

* abstraction and historic experience

* the intersection of realism and abstraction

* artwork as theory, artwork as historiography

****EXTENDED DEADLINE****

Speakers should be prepared to present papers for 20 min followed by a discussion.

Please send 300 word abstracts by December 12th to:

Rye Dag Holmboe: rye.holmboe.09@ucl. ac.uk

Andrew Witt: andrew.witt.09@ucl.ac.uk

The conference will be held on April 12th, 2014

http://www.ucl.ac.uk/art- history/staff-research/call_ for_papers

**END**

Posted here by Glenn Rikowski

Books

38th ANNUAL ASSOCIATION OF ART HISTORIANS CONFERENCE AND BOOKFAIR

The Open University, Milton Keynes
29 – 31 March 2012

Association of Art Historians (AAH) Conference: Aesthetics and Politics (Again?)

Session Convenors:

Alexander García Düttmann, Goldsmiths College, ADuttmann@aol.com

James Hellings, Teeside University j_hellings@hotmail.com

34 years ago New Left Books published Aesthetics and Politics, collecting together ‘the key texts of the classic debate within German Marxism’ by Adorno, Benjamin, Bloch, Brecht and Lukács. The collections editors (Rodney Livingstone, Perry Anderson and Francis Mulhern), assembled texts with coherent (if almost entirely antagonistic) inter-relationships – in what they refer to as an incomparable ‘tradition of major aesthetic debate’, held between the 1930s and 1950s in ‘Germany (…); the classical land of aesthetic thought inEurope’. The editors subtitles are fantastically revealing of perceived conflict; ‘Bloch against Lukács / Lukács against Bloch’, ‘Brecht against Lukács’, subtle condemnation; ‘Adorno on Lukács’, ‘Adorno on Brecht’ conviviality; ‘Benjamin with Brecht’, and conciliation; ‘Adorno to Benjamin / Benjamin to Adorno’.

Ideological differences over art (and its histories: Realism, Expressionism, Modernism) were the order of the day. But what’s happened to political aesthetics, Marxist or otherwise, since this golden age? Can we still speak of an ‘aesthetic field’ conditioned by ‘the two recurrent poles of all culture still subject to capital’, being either ‘autistically advanced or collusively popular’.

In recent years, Rancière has done most to ‘widen participation’ by opening up Left aesthetics to encompass the people and places who disrupt this either/ or – but (speaking with Eagleton) ‘how are we to receive and appropriate these polemics today?’ Potential contributors are asked to address the tenor of contemporary inter-relationships of aesthetics and politics by re-interpreting the ideas and authors of this past. The panel-session seeks to stage a dialectic of (dis-)agreement.

 

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Radical Thinkers

RADICAL THINKERS SET 5 & RADICAL THINKERS CLASSIC EDITIONS

OUT NOW

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RADICAL THINKERS SET 5

Verso presents Set 5 of the highly popular Radical Thinkers series,
continuing its commitment to bring classic works of philosophy to a new
audience readership through affordable, attractively designed new editions.
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LAUNCH EVENT with TARIQ ALI and PETER OSBORNE

MEDITATIONS ON SPINOZA: THE APOSTLE OF REASON
http://www.tate.org.uk/modern/eventseducation/film/22966.htm

Part of the ‘In Defense of Philosophy’ series at Tate Modern

Friday 25th February 2011, 18.30
Tate Modern, Bankside London SE1 9TG

Christopher Spencer’s SPINOZA: THE APOSTLE OF REASON (1994) is the second film to be shown in the In Defense of Philosophy series. Written by Tariq Ali, the film presents the life and thought of Baruch Spinoza against the turmoil of seventeenth-century Europe. A fascinating modern man, Spinoza challenged orthodoxy in both religion andpolitics, angering his traditional contemporaries. Spinoza’s remarkable intellectual legacy has influenced thinkers as varied as Ludwig Wittgenstein, Gilles Deleuze, Albert Einstein and John Berger.

The film will be followed by a conversation with Tariq Ali and Peter Osborne.

Tate Modern Starr Auditorium
£10 (£8 concessions), booking recommended

For tickets book online here: http://www.tate.org.uk/modern/eventseducation/film/22966.htm or call 020 7887 8888.
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RADICAL THINKERS SET 5

OUT NOW

ALL BOOKS / PAPERBACK / ONLY ?8.99/$15.95
BUY THE FULL SET FOR THE DISCOUNT PRICE OF ?85
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Louis Althusser – MACHIAVELLI AND US, 978 1 84467 675 0
“Althusser, poised between modernism and postmodernism, meets Machiavelli, poised between the Middle Ages and modernity.”–Antonio Negri.
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Etienne Balibar and Immanuel Wallerstein – RACE, NATION, CLASS: AMBIGUOUS
IDENTITIES, 978 1 84467 671 2
The modernity of racism and its relationship to contemporary capitalism.
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Jean Baudrillard – PASSWORDS, 978 1 84467 676 7
In the spirit of Deleuze’s Abécédaire, PASSWORDS offers twelve entry
points into Baudrillard’s thought.
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Jeremy Bentham – THE PANOPTICON WRITINGS, 978 1 84467 666 8
A definitive collection of Bentham’s work on the model prison, key to Foucault’s theory of power
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Guy Debord – COMMENTS ON THE SOCIETY OF THE SPECTACLE,
978 1 84467 672 9
“Guy Debord is a time bomb, and a difficult one to defuse.” – Michael Löwy
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Hal Foster – DESIGN AND CRIME, 978 1 84467 670 5
“DESIGN AND CRIME is cool, measured, and steady, like a Gunsmoke shootout.”–Greil Marcus
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André Gorz – CRITIQUE OF ECONOMIC REASON, 978 1 84467 667 5
“Gorz’s greatest work, and a crucial book for our time” — LE MONDE

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Fredric Jameson – BRECHT AND METHOD, 978 1 84467 677 4

“Elegant dissection of Brecht’s method, from estrangements to allegory and beyond”– MODERN DRAMA
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Peter Osborne – THE POLITICS OF TIME: MODERNITY AND AVANT-GARDE, 978 1
84467 673 6
Elaborates a dialectics of modernity, eternity and tradition.
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Edward W. Soja – POSTMODERN GEOGRAPHIES: THE REASSERTION OF SPACE IN
CRITICAL SOCIAL THEORY, 978 1 84467 669 9
“One of the most challenging and stimulating books ever written”—David Harvey
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Sebastiano Timpanaro – FREUDIAN SLIP: PSYCHOANALYSIS AND TEXTUAL
CRITICISM, 978 1 84467 674 3
“A firework display of erudition.”–Perry Anderson
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Slavoj Žižek, Ernesto Laclau, and Judith Butler – CONTINGENCY, HEGEMONY,
UNIVERSALITY, 978 1 84467 668 2
The Hegelian legacy, Left strategy, and post-structuralism versus Lacanian psychoanalysis
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RADICAL THINKERS SET 5 (full set) 978 1 84467 678 1
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Praise for RADICAL THINKERS:

“An extremely pleasant surprise: a new imprint from Verso called Radical Thinkers, and a pile of white-covered paperbacks by the likes of Theodor Adorno, Fredric Jameson, Guy Debord and Walter Benjamin. Not only do they have nifty cover designs, they are ridiculously cheap.” Nick Lezard, GUARDIAN:  http://www.guardian.co.uk/books/2009/aug/15/jean-baudrillard-transparency-of-evil

“A compendium of left-wing philosophical and political thought, inoculating it against the ‘great idea’ of philosophy-as-self-help. As a way of transforming… formless disgust into educated critique, these books are a fine, cheap and decidedly elegant starting point.” —  Owen Hatherley http://www.3ammagazine.com/3am/radical-thought/

“A golden treasury of theory” — Eric Banks, BOOKFORUM

“Verso’s beautifully designed Radical Thinkers series, which brings together seminal works by leading left-wing intellectuals, is a sophisticated blend of theory and thought. The 12 authors whose writings are included in the series have worked tirelessly to expose the mechanisms by which culture and knowledge are manufactured, managed and controlled” — Ziauddin Sardar, NEW STATESMAN http://www.newstatesman.com/200604170041
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For more information & to buy the books visit: http://www.versobooks.com/series_collections/5-radical-thinkers
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RADICAL THINKERS CLASSIC EDITIONS
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To celebrate 40 years of radical publishing, Verso is reissuing four of the most popular and seminal titles from previous Radical Thinkers series in beautiful new hardback editions with black and red foil-embossed covers.
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RADICAL THINKERS CLASSIC EDITIONS:

HARDBACKS (EACH) ?14.99/$24.95
BUY THE FULL SET FOR THE DISCOUNT PRICE OF £45
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Theodor Adorno – MINIMA MORALIA: REFLECTIONS FROM DAMAGED LIFE, 978 1 84467 661 3

“A classic of twentieth century thought…whose translation is by far the best yet done of any work of Critical Theory.” – TIMES LITERARY SUPPLEMENT

“A volume of Adorno is equivalent to a whole shelf of books on literature.” – Susan Sontag
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Louis Althusser – FOR MARX, 978 1 84467 662 0

“Louis Althusser influenced so many discourses, actions and existences by the radiant and provocative voice of his thought” –– Jacques Derrida
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Raymond Williams – CULTURE AND MATERIALISM, 978 1 84467 663 7

“The left’s foremost cultural historian and critic” – COMMENT
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Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertold Brecht, Georg Lukács
– AESTHETICS AND POLITICS, 978 1 84467 664 4

“They are key texts in the study of modernism, of expressionist drama and of realism, and of many closely related general questions … It is genuinely an indispensable volume” — Raymond Williams
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Radical Thinkers Classic Editions (full set) 978 1 84467 665 1
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For more information and to buy the books visit: http://www.versobooks.com/series_collections/14-14-radical-thinkers-classic-editions
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Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Volumizer: http://glennrikowski.blogspot.com