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Tag Archives: Experience




Final call for participants: 

Creating worlds: The affective spaces of experimental politics

Monday 14 January, 2013
Royal Holloway, Bedford Square, 2 Gower Street, WC1E 6DP.
Facilitated by Anja Kanngieser and Jenny Pickerall.

This event seeks to bring together those exploring questions of how we live within, formulate, create and antagonise, spaces and places of politics: public and private, macro-political and micro-political. It is specifically interested in inviting conversation about spaces in which self-organisation occur, whereby people come together in some sort of common articulation. Moreover, what is of key interest is the ‘how’: how people come together in what kinds of spaces and places; what forces and desires inform these collective spaces, and how they are sustained; how spaces and subjects are processually entangled; how social reproduction occurs – the lines of class, gender, race, ability; and the ways spaces are differentiated, that is to say, how boundaries are performed. 

Rather than marking topographies of conventional ‘radical’ political sites, such as social centres, camps, protests, assemblies, allotments, workplaces, bookstores, what might be uncovered are the more messy affective and relational threads that run though them, and also far beyond them, and how we might even begin to apprehend and engage with them.

There will be three roundtables on the themes of:

Spatiality and affect with Kye Askins, Harriet Hawkins and Paul Simpson. Facilitated by Anna Feigenbaum

Spatiality and organisation (social reproduction) with Tim Cresswell, Jane Wills and Nazima Kadir. Facilitated by Fabian Frenzel

Spatiality and politics with Adam Ramadan, Andy Davies and Uri Gordon. Facilitated by Gavin Brown.

Please submit a short (200 word) statement by 15 December 2012 on why you would like to attend when registering your interest Attendance is limited to 30 people. 

Some travel funding is available for unwaged/ underwaged participants.

This event is part of a series associated with the Protest Camps: Experiments in Alternative Worlds project and is funded by an ESRC Postdoctoral Fellowship with Royal Holloway, University of London.




‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon:

‘The Lamb’ by William Blake – set to music by Victor Rikowski:


Posted here by Glenn Rikowski

The Flow of Ideas:

Glenn Rikowski on Facebook at:

Online Publications at:


Glenn Rikowski’s paper, Critical Pedagogy and the Constitution of Capitalist Society has been published at Heathwood Press as a Monthly Guest Article for September 2012, online at:


Heathwood Press: 


The Individuality Pr♥test:

I Love Transcontinental:





Call for Papers – Performance and Labour Symposium
3rd November – University College London
Supported by CRMEP, Kingston and the Centre for the Study of Contemporary Art, UCL

Keynote Speaker: Randy Martin (Tisch School of the Arts at NYU)


This symposium is an interdisciplinary event that will address performance in an expanded sense and as a form of labour. This means considering performance as an activity and a practice that takes place both within and outside the realm of art. The symposium will interrogate the physical and intellectual experiences of viewing and producing performances; these questions will be raised across the fields of art history, philosophy, performance studies, political economy, theatre and dance. Addressed in this expanded way, the aim of the symposium is to investigate the histories of mass performances and social choreographies in political contexts, to situate performance as a form of praxis and to interrogate the language of performance as a managerial strategy within late capitalism.

We invite papers on collective performance; reproductive labour and performance; aesthetics; the political economy of performance; histories of performance; divisions of labour and cultures of management within performance.


Collectivity and Mass Performance

Whilst theatre by its very nature generally tends to be thought of as a collective performance, the histories of performance art are overwhelmingly oriented towards a singular performer rather than a mass, or collective, and are therefore theorised through the body, rather than bodies. What are the political implications of this occlusion of histories of collective performance? How might this be negotiated by socially engaged or mass performance art? What is the pedagogy of performance?


Performance, Experience and Emancipation

This session aims to raise questions about the aesthetics of performance. Can we think about the aesthetic of performance as anemancipatory, transformative process for performers, rather than an experience directed towards an audience? What forms of aesthetic analyses are capable of theorising performance as a transformative experience? In thinking about our current moment, how have restrictions upon protest, gatherings, and occupations through the use of injunctions and dispersal orders implicated the possibilities of an emancipatory politics of collective movement?


Performance and the Commodity Form

Whilst the commodity form and the labour internal to it within art forms such as painting, sculpture and photography have been well examined – mainly through concepts such as reproducibility, technique and craft – performance art has frequently been neglected within this discussion. Many artists during the 1960s used performance as way to escape the increasing commodification of the visual arts and the rapid expansion of the art market.  But how can we relate the past aspirations of performance as an anti-commodity to the status of performance art today? How does performance circulate and re-produce itself on the art market and how can we conceptualise the labour internal to its production?


We ask for abstracts no longer than 500 words, papers are to be 20 minutes in length.

Please send your abstract proposals to by 23rd of July. 

The conference will take place on Saturday 3rd November 2012 at University College London.

This symposium is organised by Larne Abse Gogarty and Josefine Wikström with support from the Centre for Research in Modern European Philosophy, Kingston University London, and the Centre for the Study of Contemporary Art, History of Art Department, University College London.




‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: (recording) and (live)


‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: (recording) and (live, at the Belle View pub, Bangor, north Wales)  


‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon:

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon:  


Posted here by Glenn Rikowski

The Flow of Ideas:

The Ockress:

Rikowski Point:


Online Publications at: