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Jacques Ranciere

THE EMANCIPATED SPECTATOR – JACQUES RANCIERE

NEW TITLE: THE EMANCIPATED SPECTATOR

JACQUES RANCIÈRE

Published 25 January 2010

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“Ranciere’s writings offer one of the few conceptualizations of how we are to continue to resist.”  Slavoj Zizek

“Ranciere is an heir to Foucault.”  Alain Badiou

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AUTHOR EVENTS IN LONDON:

3rd February 2010: ICA / Jacques Ranciere in conversation with Kodwo Eshun, Otolith Group / For more details and to book click here:: http://www.ica.org.uk/The%20Image%20in%20Question+23536.twl

4th February 2010: Whitechapel Gallery / Big Ideas: Jacques Ranciere in conversation with Adrian Rifkin and Andrea Phillips / For more details and to book click here: http://www.whitechapelgallery.org/shop/product/category_id/22/product_id/437?session_id=126278107878a96fc6fd05d128adaed940ce9e71eb1

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“Every spectator is already an actor in her story; every actor, every man of action, is the spectator of the same story.”

A ‘68er whose radical ardour remains undimmed, Jacques Ranciere is one of the most influential and compelling thinkers of our age in France since Foucault and Deleuze, lauded by both art theorists and artists.

Now this leading theorist of the art world returns with the follow-up to his acclaimed manifesto for contemporary art and film, THE FUTURE OF THE IMAGE which located art firmly in relation to politics.

Theorists of art and film commonly depict the modern audience as passive consumers. In response, both artists and thinkers have sought to transform the viewer of art or the spectator into someone involved in the drama before them – seeking to ‘emancipate’ the spectator and make them politically active.

For example, the influential curator of the Tate Britain’s recent exhibition ‘Altermodern’, Nicholas Bourriaud, has championed the notion of a more socially engaged art, where the public are encouraged to participate in an event or artwork. We have seen the influence of such ideas in such projects as Antony Gormley’s ‘One & Other’ that took place on the fourth plinth in Trafalgar Square.

Ranciere turns these ideas over and argues that “Being a spectator is not some passive condition that we should transform into activity. It is our normal situation.” For Ranciere, there is no privileged starting point in art but we should reassess the relations between seeing, doing, speaking: emancipation means blurring these boundaries.

Looking over the tradition of critical art and what the desire to insert art into life has achieved, Ranciere asks, ‘has the militant critique of the consumption of images and commodities has become, ironically, a sad confirmation of its omnipotence?’

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Praise for Jacques Ranciere

“His art lies in the rigor of his argument – its careful, precise unfolding – and at the same time not treating his reader, whether university professor or unemployed actress, as an imbecile.” Kristin Ross

“It’s clear that Jacques Ranciere is relighting the flame that was extinguished for many—that is why he serves as such a signal reference today.” Thomas Hirschhorn

“In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, Ranciere shows a way out of the malaise.” Liam Gillick

Praise for HATRED OF DEMOCRACY

“A piercing essay on the definitions and redefinitions of the term “democracy” … the present catastrophe in Iraq provides more than ample proof of Ranciere’s bold assertion that we need to rethink the relationship between democracy and power before setting in motion any more wars in the name of “freedom”.” Times Higher Educational Supplement

“This tastily sardonic essay is partly a scholarly sprint through the history of political philosophy, and partly a very enjoyable stream of insults directed at rival penseurs.” The Guardian

“Ranciere critiques the political stance in the west that pours scorn on mass protests and popular culture at home, yet promotes the spread of democracy by force throughout the world. … But Ranciere eschews polemic in order to show the confusion in our political discourse. He challenges what he sees as the widely held view that democratic life is synonymous with “the apolitical life of the indifferent consumer”.” New Statesman

Praise for THE FUTURE OF THE IMAGE

“A series of gratifyingly knotty and close discussions of 19th- and 20th-century literature, film and painting” The Guardian

“French philosopher Jacques Ranciere is a refreshing read for anyone concerned with what art has to do with politics and society.” J.J. Charlesworth, Art Review

“What we see here is Ranciere developing a unique voice as a political theorist.” Bookforum

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Jacques Ranciere is Emeritus Professor of Philosophy at the University of Paris-VIII.  His books include THE FUTURE OF THE IMAGE, HATRED OF DEMOCRACY, and ON THE SHORES OF POLITICS (all from Verso), THE POLITICS OF AESTHETICS, DISAGREEMENT, THE PHILOSOPHER AND HIS POOR, THE IGNORANT SCHOOLMASTER,SHORT VOYWAGES TO THE LAND OF THE PEOPLE and NIGHTS OF LABOR.

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The Emancipated Spectator Author: Jacques Ranciere / 25 January 2010 / 
Hardback /
978 1 84467 343 8 /£12.99 / $23.95/144 pages / Hardback

For more information visit http://www.versobooks.com/books/nopqrs/r-titles/ranciere_j_emancipated_spectator.shtml

To buy the book in the U.K:
http://www.bookdepository.co.uk/book/9781844673438/The-Emancipated-Spectator
http://www.amazon.co.uk/Emancipated-Spectator-Jacques-Ranci%C3%A8re/dp/184467343X/ref=sr_1_1?ie=UTF8&s=books&qid=1264006364&sr=8-1

To buy the book in the U.S:
http://www.amazon.com/Emancipated-Spectator-Jacques-Ranci%C3%A8re/dp/184467343X/ref=sr_1_1?ie=UTF8&s=books&qid=1264000587&sr=8-

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ALSO OUT NOW:

New in Paperback

HATRED OF DEMOCRACY

Published 7 December 2009

978-1-84467-386-5 / Paperback /$16.95 /£8.99 / 112 pages

In his new book, Jacques Ranciere examines how the West can no longer simply extol the virtues of democracy by contrasting it with the horrors of totalitarianism. As certain governments are exporting democracy by brute force, and a reactionary strand in mainstream political opinion is willing to abandon civil liberties and destroy collective values of equality, Ranciere explains how democracy—government by all—is the principle that de-legitimates any form of power based on the superiority of those who govern. Hence the fear, and consequently the hatred, of democracy amongst the new powers that be.  HATRED OF DEMOCRACY rediscovers the ever-new and subversive power of the democratic idea.

To buy the book in the U.K:
http://www.bookdepository.co.uk/book/9781844673865/Hatred-of-Democracy
http://www.amazon.co.uk/Hatred-Democracy-Jacques-Ranci%C3%A8re/dp/1844673863/ref=sr_1_2?ie=UTF8&s=books&qid=1264006391&sr=1-2

To buy the book in the U.S:
http://www.amazon.com/Hatred-Democracy-Jacques-Ranci%C3%A8re/dp/1844673863/ref=sr_1_1?ie=UTF8&s=books&qid=1264000236&sr=8-1

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THE FUTURE OF THE IMAGE

Published 23 February 2009

978-1-84467-297-4 / Paperback /$16.95 /£9.99 /152 pages

The leading theorist of the art-world – the adjective ‘Rancierian’ is already in use –returns with his bestselling manifesto on the relationship between art and politics, now in paperback.

To buy the book in the U.K.:
http://www.bookdepository.co.uk/book/9781844672974/The-Future-of-the-Image  
http://www.amazon.co.uk/Future-Image-Jacques-Ranciere/dp/1844672972/ref=sr_1_1?ie=UTF8&s=books&qid=1264006443&sr=1-1

To buy the book in the U.S:
http://www.amazon.com/Future-Image-2009-paperback/dp/1844672972/ref=sr_1_1?ie=UTF8&s=books&qid=1264000279&sr=1-1

Posted here by Glenn Rikowski

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