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WORKING WORLDS

Call for Papers:

Working Worlds explores the world-making capacities of the work of art. The conference seeks to reimagine the artwork as a space of compossibility in which multiple worlds, both real and potential, past and future, coexist. The present conference invites papers to intermix different scales of worlds, from the world in miniature to a world in collapse. Recent debates in art history have emphasised the artwork’s potential to represent global phenomena: conflict, ecological catastrophe and the flows of capital. Lost in these discussions is the fact that the artwork may also be understood as a world in and of itself. The artwork is of this world, but it is not reducible to it. From the sculptural practice of Camille Henrot to the performances of Marvin Gaye Chetwynd, attention paid to the particularity of the artwork reveals its potential to actualize speculative fictions in which worlds are formed and collapsed. Though the period addressed by the conference finds its beginnings with the fall of the Berlin Wall in 1989, an event that for many heralds the era of globalisation, Working Worlds also invites papers that draw lines of continuity between the modern and the post-modern, and thereby seek to challenge existing narratives that draw too firm a line between these historical periods.

 

Working Worlds proposes three panels with topics not exclusively related to:

  1. The work of the artwork / worldmaking / the artwork as theory
  2. Artistic labour / digital labor / artwork as situation / artwork as event / cognitive mapping
  3. Institution / artworld / capitalism as global process

 

Speakers should be prepared to present papers for 25 min followed by a discussion. Please send 300 word abstracts by February 26th to: Andrew Witt and Rye Holmboe, workingworlds2015@gmail.com The conference will be held on the 16th of May, 2015.

First Published in http://www.historicalmaterialism.org/news/distributed/call-for-papers-working-worlds-may-16-2015-university-college-london

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

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Time and Space in the Social Universe of Capital’ – by Michael Neary and Glenn Rikowski, now at Academia: http://www.academia.edu/10545768/Time_and_Speed_in_the_Social_Universe_of_Capital

Digitisation Perspectives

EPHEMERA – VOLUME 10 NUMBERS 3 – 4

The Digital Labour Group in the Faculty of Information and Media Studies at the University of Western Ontario and /ephemera: theory and politics in organization/ are pleased to announce the arrival of Volume 10: 3-4:

*** Digital Labour: Workers, Authors, Citizens ***

Edited by Jonathan Burston, Nick Dyer-Witheford and Alison Hearn

ephemera: http://www.ephemeraweb.org/

Born out of the conference of the same name held in the fall of 2009 at the University of Western Ontario, this special double issue of / ephemera / addresses the implications of digital labour as they are emerging in practice, politics, policy, culture, and theoretical enquiry. As workers, as authors, and as citizens, we are increasingly summoned and disciplined by new digital technologies that define the workplace and produce ever more complex regimes of surveillance and control. At the same time, new possibilities for agency and new spaces for collectivity are borne from these multiplying digital innovations.

This volume explores this social dialectic, with a specific focus on new forms of labour. Papers examine the histories and theories of digital capitalism, foundational assumptions in debates about digital labour, issues of intellectual property and copyright, material changes in the digital workplace, transnational perspectives on digital labour, the issue of free labour and new definitions of work, and struggles and contests on the scene of digital production.

Contributors include Brian Holmes, Andrea Fumagalli and Cristina Morini, David Hesmondhalgh, Ursula Huws, Barry King, Jack Bratich, Enda Brophy and many others.

This issue also contains vital contributions from union and guild activists hailing from the Canadian Media Guild (CMG), the Screen Actors Guild (SAG), the American  Federation of Television and Radio Artists (AFTRA), the University of Western Ontario Faculty Association and the Canadian Association of University Teachers (CAUT).

The Digital Labour Group: Jonathan Burston, Edward Comor, James Compton, Nick Dyer-Witheford, Alison Hearn, Ajit Pyati, Sandra Smeltzer, Matt Stahl, Samuel E. Trosow.

 

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