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Tag Archives: Dada

Aesthetics

ARTPOLITIK

Inspired by the Institute for the Future of the Book, Minor Compositions is launching a digital form for the forthcoming book Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation by Neala Schleuning.

Over the next month the entirety of the draft manuscript will be posted here: http://artpolitik.digress.it.

Comments and discussions will be integrated into revisions of the book before it is printed later this year (which will, as with all other Minor Compositions titles, be available for free download).

Cheers, Stevphen Shukaitis

More Information

Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation
Neala Schleuning

Artpolitik examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century. Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics.

Artpolitik is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics. This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions.

Bio: Neala Schleuning is a writer and educator. She received her PhD in American Studies from the University of Minnesota in 1978 with an emphasis in political philosophy and intellectual history. Fulbright Scholar to the Russian Federation, she is the author of many articles, higher education policy papers, films and radio productions, and several books, including America: Song We Sang Without Knowing (1983); Idle Hands and Empty Hearts: Work and Freedom in the United States (1990); Women, Community, and the Hormel Strike of 1985-86 (1994); and To Have and to Hold: the Meaning of Ownership in the United States (1997).

Minor Compositions, Wivenhoe / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Requisite fb page: http://www.facebook.com/artpolitikthebook

Minor Compositions is an imprint of Autonomedia: http://www.minorcompositions.info

— Stevphen Shukaitis
Autonomedia Editorial Collective
http://www.autonomedia.org
http://www.minorcompositions.info

“Autonomy is not a fixed, essential state. Like gender, autonomy is created through its performance, by doing/becoming; it is a political practice. To become autonomous is to refuse authoritarian and compulsory cultures of separation and hierarchy through embodied practices of welcoming difference… Becoming autonomous is a political position for it thwarts the exclusions of proprietary knowledge and jealous hoarding of resources, and replaces the social and economic hierarchies on which these depend with a politics of skill exchange, welcome, and collaboration. Freely sharing these with others creates a common wealth of knowledge and power that subverts the domination and hegemony of the master’s rule.” – subRosa Collective

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub, Bangor, north Wales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog

 

 

The Black Rock

SEMINAR ON THE AVANT-GARDE

KCL EUROPEAN STUDIES RESEARCH STUDENTS SEMINAR presents:

Tuesday 2nd November 2010, 5pm

Chrysi Papaioannou – From New Left Books to the October group: editorial collectives, publishing houses, and the emergence of an avant-garde paradigm

All meetings in room D11, French Department, East Wing, Strand Campus

All welcome!

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

THE SPIRIT OF CAPITAL – WITH MOISHE POSTONE

This message is to announce the Tenth Annual Graduate Student Conference in Philosophy at the New School For Social Research entitled “The Spirit of Capital: A Conference on Hegel and Marx

Date: April 28-29, 2011
Paper Submission Deadline: Dec 1st, 2010
Keynote Speaker: Moishe Postone (University of Chicago)

Submission Guidelines:

Papers ranging from 3,000 to 5,000 words should be submitted in blind review format via spiritofcapital@gmail.com and should include the following in the body of the email:

i. Author’s name

ii. Title of Paper

iii. Institutional affiliation

iv. Contact information (email, phone number, mailing address)
Please omit any self-identifying information within the body of the paper.

PLEASE POST, FORWARD AND CIRCULATE WIDELY

Sincerely,

Graduate Conference Committee 2010-2011, The New School for Social Research, spiritofcapital@gmail.com

THE SPIRIT OF CAPITAL: A CONFERENCE ON HEGEL AND MARX

THE TENTH ANNUAL GRADUATE STUDENT CONFERENCE IN PHILOSOPHY

AT THE NEW SCHOOL FOR SOCIAL RESEARCH

KEYNOTE SPEAKER: MOISHE POSTONE

APRIL 28TH -29TH, 2011

“It is impossible completely to understand Marx’s Capital, and especially its first chapter, without having thoroughly studied and understood the whole of Hegel’s Logic. Consequently, half a century later none of the Marxists understood Marx!!” wrote Lenin in 1915. In 1969, Althusser responded, “A century and a half later no one has understood Hegel because it is impossible to understand Hegel without having thoroughly studied and understood Capital.” What are we to make of this challenge today? Are we now ready to understand Hegel through Marx, and Marx through Hegel?

It is high time for a reassessment of the core stakes of the Marx-Hegel debate. What would it mean to think the concepts of capital and spirit together? This conference is a place to explore the internal relations between Hegel and Marx’s philosophical projects. Some possible questions include: how does Hegel’s phenomenology, logic, philosophy of nature, history and right internally contain the elements that Marx will use to decipher the world of property, labor, commodities and capital? Is Capital a logical theory of forms or a theory of history? How does Marx negate and realize Hegel’s project? What is the role of labor in Hegel, and the role of spirit in Marx? Does the development of history show the unfolding of freedom or the unfolding of capital?  This conference echoes the early Frankfurt School tradition, with its project for a critique of the social forms of the present. We encourage submissions on a wide range of topics and thinkers:

Possible Themes:

Capital and Spirit

Hegel’s Logic and Marx’s Grundrisse

Property, Alienation, and Class

Form and Content in Hegel and Marx

Concrete and Abstract Labor

Master and Slave

Critique, Dialectic and Method

Time and History

Freedom and Necessity

Substance and Subject in Capital

The Value-Form

Critique of Labor

Revolution and Negation

Materialism and Idealism

Proletarian Self-Abolition

Commodity, Money and Capital

The Philosophy of Right

Possible Thinkers:

I.I. Rubin

Gyorgy Lukacs

Karl Korsch

Ernst Bloch

Walter Benjamin

Alfred Sohn-Rethel

Theodore Adorno

Herbert Marcuse

CLR James

Raya Dunayevskaya

Guy Debord

Alexander Kojeve

Jean Hyppolite

Frantz Fanon

Helmut Reichelt

Hans-Georg Backhaus

Gillian Rose

EMAIL SUBMISSIONS TO: spiritofcapital@gmail.com

SUBMISSION DEADLINE is Dec 1st, 2010

Papers should be sent as word documents or pdfs, not exceeding 5000 words. Personal information including institutional affiliation is to be sent in the body of the email and should not appear on the paper itself or in the file name.

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Wavering on Ether: http://blog.myspace.com/glennrikowski

Rikowski Point: http://rikowskipoint.blogspot.com

Situationism

ESSEX / BRIGHTON SEMINARS ON AESTHETICS & POLITICS 10/25-10/26

:: Curating Resistance :: Aesthetics & Ethics in Social Movement ::
:: October 25th, 2010:: University of Essex ::
:: Room 4.722 :: 1PM – 5PM ::
http://www.minorcompositions.info/curatingresistance.html

Participants: Gavin Grindon (Kingston) // Paul Halliday (Goldsmiths) // Antigoni Memou (University of East London) // Matthew Poole (Essex)

Avant-garde and social movement art production has long had a troubled and conflictual relationship with the museum and the archive. The call to abandon the gallery as a space for art separated from everyday life, one that all too often neutralizes the antagonistic energies of radical art, reverberates from Dada through Fluxus, the Surrealists to Reclaim the Streets. But in today’s post-Fordist creativity-fuelled economy, the call to end this division rings hollow precisely because it has already been accomplished: the energies of insurgent creativity are rendered into forms of dispersed production for the net economy. The surrealist invocation of the marvellous is today’s advertising copy. Joseph Beuys’ proclamation that “everyone is an artist” has been realized in perverse form as “everyone is a worker,” where relationality is ‘socially sculpted’ through the circuits of an always present network culture as opportunities for capitalist valorization: all YouWork and MyProfit.

What might there be that could avoid these tensions and contradictions, or at least begin to suggest ways to work through and against them? Where does one go when life itself is both a direct producer of value and the substance of artistic production? To a gallery of the streets? Or maybe a university of trash? Is the archive of the undercommons a pile of zines sitting at the back of the infoshop? A pile of fleshy tissue inscribed on by a Kafka-esque writing machine? Perhaps it is all and none of these things. Thus we return to the question of the archive and history not to catalog social movement artistic production for a gallery-morgue or the productivity of the metropolitan factory, but rather to consider what an ethics and aesthetics of developing a living archive of experience and knowledges that can feed back into and through the fabric of everyday life might be.

Sponsored by the University of Essex Management Centre (http://www.essex.ac.uk/ebs/research/emc).

For more information contact Stevphen Shukaitis (sshuka@essex.ac.uk).

Metropolitan Strategies, Psychogeographic Investigations
:: A Drifting Seminar :: Brighton, October 26th, 2010 ::
Starting @ the Cowley Club, 2PM
http://www.minorcompositions.info/brightondrift.html

The notion of psychogeography (as well as many other ideas of the Situationists) appears frequently within political and artistic discussions. Indeed, they circulate to the point of cliché, in the process becoming almost completely emptied of content. The derive is reduced to a leisurely stroll, perhaps accompanied with some secondary musings about the nature of the spectacle, a dash of literary activity, or perhaps some local history. This is a hollowing out of the concept. Psychogeography for the Situationists was primarily not an aesthetic activity, but more than anything a strategic approach to understanding the forces shaping the city and from those finding points of intervention in it. At times it verged on a nearly military framework, working to gain an intuitive understanding of the territory and its layering of images, affects, and circuits of capitalist valorization.

Today we find ourselves in a condition of ever intensified spectacular sociability: all of life put to work in webs of biopolitical production, overwhelming communicative and media flows, and the reshaping of the metropolis through culture led gentrification. More than ever well-developed psychogeographic investigations are needed to comprehend the shaping of the metropolis and the possibilities this offers for political action. But this is not a task for the carefree wanderings of the flaneur, but perhaps better suited for what Ian Sinclair has described as the superseding figure of the stalker, the one who knows where he is going, but not why or how.

The aim of this encounter is to draw together concepts from psychogeography and unitary urbanism with recent writings on the shaping of the metropolis today. And from this approach to understanding the changing nature of the city elaborate new political strategies. For instance, if the metropolis is a factory, how would it go on strike? If all of everyday life and communication is put to work, how can we throw down our tools? And if capital attempts to recuperate all forms of radical politics in order to turn them into new energies for continued accumulation, is a strategy of concealment or incomprehensibility one way to escape from these dynamics?

This event will not be based around formal presentations, but rather will rather take the form of a drifting seminar. Participants will be asked to read several pieces of text that will form the basis of discussion and exploration.

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon at MySpace: http://www.myspace.com/coldhandsmusic

Cold Hands & Quarter Moon Profile: https://rikowski.wordpress.com/cold-hands-quarter-moon/

The Ockress: http://www.theockress.com

Wavering on Ether: http://blog.myspace.com/glennrikowski