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CREATIVE COMMONS AND EDUCATION – ARE WE THERE YET?
A UKSG event

Website: http://www.uksg.org/webinars/creativecommons
Date: Tuesday 9 June 2015
Time: 1400 BST
Duration: 45 minutes including Q&A (up to 60 minutes maximum if there is sufficient demand for an extended Q&A)

Speaker:
Joscelyn Upendran, Co-founder of Zilpa

Join Joscelyn for a look at Creative Commons licences, their impact and use in education.
This is a free webinar and open to all. If you are interested, but unable to join the live event, please register anyway as a recording will be made available to all who register.

For more information and to register, please visit http://www.uksg.org/webinars/creativecommons

Feedback from May’s webinar: “Open Access is a complex and potentially very contentious area, e.g. academic freedom to publish.  So amongst all the conflicting mandates and policies it was really useful to have the institutional role so clearly delineated – and an action plan to follow up on.” – Candace Guite, University of Stirling
92% of survey respondents would recommend May’s webinar.

Thank you for your attention. I do hope you can join us.
Maria
Maria Campbell
Digital Communications Associate, UKSG
E: maria@uksg.org
UKSG webinars: www.uksg.org/webinars

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

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Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

William Morris

William Morris

PARTICIPATE! CULTURAL TRANSFORMATION AND THE PARTICIPATORY AGENDA

CALL FOR PAPERS

Participate! Cultural Transformation and the Participatory Agenda, 2-3 October, 2015

The University of Southern Denmark (SDU), The Institute for The Study of Culture, in collaboration with Brandts and co-funded by the Velux Foundation.

 

The participatory agenda has been introduced in art and cultural policies in modern, post-welfare societies as a means of social transformation during the last decennial. The agenda has been driven forth by an entangled political, economic and social vision of democratisation, innovation and social integration. Now it is time to ask, what are the inherent paradoxes and ambiguities as this agenda is spelled out at different levels of cultural policies and in different types of art and cultural institutions? What are the dilemmas in real policy implications in and across institutions and in cultural communication practices in terms of professional principles such as arms’ length, quality and objectivity? How do we adapt inventive, collaborative methodologies from which to approach such questions and engage in the actual political rhetoric of ‘social impact’,‘value’ and ‘measurement’. The aim of the conference is to establish a dialogue between theoreticians, politicians, artists and professionals and raise questions of art and culture in relation to democracy, civic learning and empowerment.

 

Key note speakers:

Tony Bennett, Research Professor in Social and Cultural Theory at the Institute for Culture and Society, University of Western Sydney. Tony Bennett has written extensively on cultural sociology, on cultural policies and institutions, and on cultural/national heritage and the museum. Among his recent publications is Making Culture, Changing Society, 2013.

Gerald Raunig, Artist, philosopher, Director of Dpt. Kunst & Medien, Zürich University of the Arts and the EIPCP (European Institute for Progressive Cultural Policies), Vienna. Gerald Raunig has published on art, art institutions and cognitive capitalism, forthcoming is DIVIDUUM: Maschinischer kapitalismus und molekulare revolution, 2015.

Nina Möntmann, Professor and Head of The Department of Art Theory and the History of Ideas, The Royal Institute of Art, Stockholm. Nina Möntmann is an experienced curator, critic and academic engaged in new institutionalism and among her recent publications is Scandalous: A Reader on Art and Ethics, 2013.

Celia Lury, Professor and Director of Centre for Interdisciplinary Methodologies, University of Warwick. Celia Lury has been engaged in cultural policies in a broad sense, in global scaling and in inventive and performative methodologies. Among her recent books is Measure and Value (co-edited with Lisa Adkins), 2012.

 

Call for Papers:

Part of the conference will be organized in thematic workshops, and we invite cultural researchers and professionals to deliver an abstract (500 words) before April, 1 (to be proceeded before May, 1) and a final paper before September, 1. Workshops will include:

  • Governmentality and New Institutionalism
  • Participation, democracy und civic learning
  • Participation –challenges in commissioning, curating and facilitating participatory art/culture projects
  • Participation and/or/in Audience and Visitor Studies
  • Participatory practices in art, media and culture outside institutions
  • Critical/ethical practice and the performativity of research methodologies
  • Comparative/scaled cultural policies: EU, Nordic, national level etc.
  • Cognitive capitalism and creative commons

Contact: Professor Anne Scott Sørensen, Institute for the Study of Culture, SDU, annescott@sdu.dk

 

Abstracts to  be delivered to: participate@sdu.dk

See: http://static.sdu.dk/mediafiles//C/9/6/%7BC9622F11-7352-42A7-A751-551B9D0B0CBF%7DKULT.pdf

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Lateral

LATERAL

Issue 1 of Lateral now online:

http://culturalstudiesassociation.org/lateral/issue1.html

 Lateral is the publishing platform for the Cultural Studies Association (CSA). Its aims are to support, leverage, and organize the capacities of those affiliated with CSA to develop critical forms of publishing that are commensurate with innovative approaches to knowledge making, political intervention, and material forms of cultural expression. Lateral focuses on providing a place of experimentation in the range of material forms so that the knowing, feeling, sensibility ascribed to the cultural can find an elastic and sustainable outlet for expression. In short, Lateral is interested in recasting both the form and content of what cultural studies can be. Lateral is an online and open access journal published under the Creative Commons license. Lateral is organized in research threads; Issue 1 consists of four threads: Theory and Method, Mobilisations, Interventions and Cultural Policy, Universities in Question and Culture Industries. Patricia Ticineto Clough, Randy Martin and Bruce Burgett compose its curatorial board; design editor is Jamie “Skye” Bianco.

 

Contents of Issue 1:

Introduction (mashup by Erin R. Anderson)

 

Theory and Method (edited by Patricia Ticineto Clough)

The Humanities and the University in Ruins (by John Mowitt)

Ante Anti-Blackness: Afterthoughts (by Jared Sexton)

With responses by Morgan Adamson, Adam Sitze and Christina Sharpe

 

Mobilisations, Interventions, Cultural Policy (edited by Emma Dowling)

Urban Interventions/Interventi Urbani (by Alexander Dellantonio)

Postcool: the question of collective organization in postcolonial capitalism as challenged by a small militant group in the Raval, Barcelona (by Francesco Salvini)

nanopolitics: a first outline of our experiments in movement (by the nanopolitics group)

With responses by Gavin Grindon, Begüm Özden Firat and Sandro Mezzadra

 

Universities in Question (edited by Randy Martin and Bruce Burgett)

Countermapping the University (by the Countermapping Queen Mary Collective – Manuela Zechner, Tim Stallmann, Maria Catalina Bejarano Soto, Liz Mason-Deese,  Rakhee Kewada, Bue Rübner, Mara Ferreri, and Camille Barbagallo)

Interview Countermapping Queen Mary Collective

The Map | The Game ( Countermapping Queen Mary Collective/Interaction design by Erin R. Anderson)

Lateral Moves – Across Disciplines (by Miriam Bartha, Bruce Burgett, Randy Martin, Diane Douglas, and Kanta Kochhar-Lindgren)

 

Culture Industries edited by Jaafar Aksikas, Stefano Harney and Toby Miller

Towards a Cultural Study of the Culture Industries: A Research Resources Guide/ Chart

“Nothing gold can stay”: Labor, Political Economy, and the Birmingham Legacy of the Culture Industries Debate (by Sean Andrews)

Distributed Centralization: Web 2.0 as a Portal into Users. Lives (by Robert W. Gehl) 

 

Design: Erin R. Anderson

Published in http://www.historicalmaterialism.org/news/distributed/issue-1-of-lateral-now-online

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The Flow of Ideas: http://www.flowideas.co.uk

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Volumizer: http://glennrikowski.blogspot.com

The Entire Net

MARXISM AND NEW MEDIA CONFERENCE – DUKE UNIVERSITY

CALL FOR PAPERS / CALL FOR PROJECTS: MARXISM AND NEW MEDIA
DUKE UNIVERSITY PROGRAM IN LITERATURE (DURHAM, NC)
JANUARY 20 & 21, 2012
KEYNOTES: ALEX GALLOWAY (NYU) and RICARDO DOMINGUEZ (UCSD)
DEADLINE FOR ABSTRACTS: OCTOBER 30, 2011

CONTACT: marxismandnewmedia@gmail.com

New media technologies are leading to the emergence of vibrant public spaces in countries like China and Tunisia, facilitating previously restricted dissent and political deliberation. Similarly, scholars, journalists, and activists are using networking and social media to organize coalitions and mobilize resistance in contexts as diverse as the Wisconsin protests, the Wall Street protests, and the so-called “Arab Spring.” In an ironic self-critique, smartphone applications like the newly released “Phone Game” are even exposing the global working conditions and problematic material production of contemporary consumer technology through their very gameplay. With the implicit resistance to hegemony and material critique in these examples, Marxism offers both methodological and interpretive tools for interfacing with new media, not least among them a dialectical analysis of the global relations of production. However, writing in the Nation, Chris Lehmann has recently argued that the Internet is less the harbinger of post-capitalist cyber-Utopia than a “digital plantation” in which unpaid digital labor and leisure time become transmogrified into ad revenue. In their article, “The Internet’s Unholy Marriage to Capitalism,” John Bellamy Foster and Robert W. McChesney likewise argue that the Internet and related media signify not the suspension of the laws of capitalism, but rather their final perfection.

It seems, then, that a number of unresolved questions linger concerning the ways new media both participate in and creatively resist institutional power. As such, we hope to provide a fresh articulation interrogating the intersection between the theories and practices of new media technologies and Marxist critique. For example: how should we consider the economic, environmental, and human costs incurred in the production of new media technologies? How might resistance and radical change emerge among the ongoing institutionalization, and the incumbent conservatism, of both Marxism and new media studies? How will we navigate through the internal divisions of an academy that has eagerly appropriated new media as a strategy to “reinvigorate” the humanities through renewed funding and (often) corporate partnership?

We invite both papers and creative/artistic work that address these issues and others that deal with the engagement of Marxist thought and the study of media technologies. Papers may intervene at points of seeming incompatibility, address the current place of this convergence in one or many institutional and cultural settings, or perhaps look forward to emerging discourses relating to this intersection.

 

Possible paper, project, and panel topics might include:

* New Opportunities for Resistance, Wikileaks, Hacking and Hacktivism, Pirate Culture, the Arab Spring, the Jasmine Revolution, and Anonymous

* Immaterial Labor, User-Generated Content, the Knowledge Worker, Affective Labor, Precariousness and “the Precariat,” the DigitalPlantation, and the Attention Economy

* Intellectual Property, Copyright,Creative Commons, Open Access and Open Source Practices, and Virtual Property

* New Forms of Collectivity, Wikipedia, Crowdsourcing, Flash Mobs, Smart Mobs, and Partcipatory Journalism

* New Regimes of Control, Censorship, Filtering, Firewalls, and Search Engine Rankings

* New Media Art

* Critical Code Studies

* Critical Game Studies

* Biomedicine and Biometrics

* Energy, Ecology, Tech Trash

* The Open University

* ‘Re-Visualizing’ Marxism

* Ideology, Contact Zones, and Interfaces

 

Please send a 250-500 word abstract to marxismandnewmedia@gmail.com by October 30, 2011.

ORGANIZERS
Zach Blas
Gerry Canavan
Amanda Starling Gould
Rachel Greenspan
Melody Jue
Lisa Klarr
Clarissa Lee
John Stadler
Michael Swacha
Karim Wissa

 

Marxism and New Media Conference: http://literature.duke.edu/marxism-and-new-media-conference

CONTACT: marxismandnewmedia@gmail.com

 

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MySpace Profile: http://www.myspace.com/glennrikowski

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Anarchism

CONTEMPORARY ANARCHIST STUDIES

LAUNCH OF NEW BOOK SERIES: CALL FOR BOOK PROPOSALS
CONTEMPORARY ANARCHIST STUDIES
CONTINUUM BOOKS

In association with the U.K. Anarchist Studies Network, the North American Anarchist Studies Network, and AK Press

This new book series, the first peer-reviewed English-language series in anarchist studies by a major international academic publisher, seeks to promote the study of anarchism as a framework for understanding and acting on the most pressing problems of our times. To this end, we invite proposals for original manuscripts that exemplify cutting edge, socially engaged scholarship bridging theory and practice, academic rigour and the insights of contemporary activism.

We welcome book proposals on a wide variety of subjects including, but not limited to the following: anarchist history and theory broadly construed; individual anarchist thinkers; anarchist-informed analysis of current issues and institutions; and anarchist or anarchist-inspired movements and practices. Proposals informed by anti-capitalist, feminist, ecological, indigenous, and non-Western or global South anarchist perspectives are particularly welcome. So, too, are projects that promise to illuminate the relationships between the personal and the political aspects of transformative social change, local and global problems, and anarchism and other movements and ideologies. Above all, we wish to publish books that will help activist scholars and scholar activists think about how to challenge and build real alternatives to existing structures of oppression and injustice.

All proposals will be evaluated strictly according to their individual merits and compatibility with the aims of the series. In accord with this policy, we welcome proposals from independent scholars and new authors as well as from those with an institutional affiliation and publishing record. Titles accepted for publication in the series will be supported by an engaged and careful peer review process, including impartial assessments by members of an international editorial advisory board consisting of leading scholars in the field.*

All books published in the series will be publicised widely and distributed internationally via co-operative arrangements among a prominent network of independent academic, activist, and publishing organisations, including Continuum Books, AK Press, the U.K. Anarchist Studies Network, the North American Anarchist Studies Network, and a range of other professional and activist groups and their associated websites and listservs. The general format of the series will be simultaneous hardback and paperback publication, with the latter priced affordably so as to reach as wide an audience as possible. All of the titles in the series will be published under a Creative Commons License (‘copyleft’). This distinctive feature of the series ensures that permission for non-commercial reproduction of the books will be granted by the publishers free of charge to voluntary, campaign and community groups.

We are currently seeking book proposals that fit the description above.

Please send proposals to one or more of the Book Series Editors: Laurence Davis (ldavis@oceanfree.net), Alex Prichard (a.prichard@bristol.ac.uk ), Nathan Jun (nathan.jun@mwsu.edu), and Uri Gordon (uri@riseup.net). Proposal guidelines may be downloaded from the Continuum website: http://www.continuumbooks.com/authors/default.aspx

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Radical Politics

SERIES ON COMMU(O)NISM: OPEN PROCESS, THE ORGANIZATIONAL SPIRIT OF THE INTERNET MODEL

Abstract: The desires and the sources of emancipatory potential of the commons for the cooperative and egalitarian global togetherness, for a new communism born through the new generation of tools and organizational practices, have temporarily been appropriated and hi-jacked by capitalism under the Open Source and to an extent Creative Commons movements. Through and with the Open Process methods of the founding Internet communities, we can make a significant step towards claiming it back. Commu(o)nism, we could call it, is a new emerging form of communism hacked with open process and new commons. The small (o) in the middle stands for open.

Tuesday 16th March, 14-16.00hrs
Room WB117 (Whitehead building, opposite Ian Gulland)
Goldsmiths College, University of London

Gabriella Coleman

”Old and New Net Wars over Free Speech, Freedom and Secrecy, or How to Understand the Hacker and Lulz battle against the Church of Scientology”

Abstract: Why have geeks been compelled to protest the Church of Scientology vehemently for nearly two decades? This talk starts with this question to present a cultural history and political analysis of one of the oldest Internet wars, often referred to as “Internet vs Scientology.” During the 1990s, this war was waged largely on USENET (a large scale messaging board system), while in recent times it has taken the form of “Project Chanology.” This project is orchestrated by a loosely defined group called “Anonymous” who has led a series of online attacks and real world protests, often using a variety of media, against Scientology. I argue that to understand the significance of these battles and protests, we must examine how the two groups stand in a culturally antipodal relation to each other. Through this analysis of cultural inversion, I will consider how long-standing liberal ideals take cultural root in the context of these battles, use these two cases to reveal important political transformations in Internet/hacker culture between the mid 1990s and today and finally will map the tension between pleasure/freedom (the “lulz”) and moral good (“free speech”) found among Anonymous in terms of the tension between liberal freedom and romantic-Nietzschean freedom/pleasure.

Bios:

Gabriella Coleman

Trained as a Cultural Anthropologist, Gabriella Coleman is an Assistant Professor in the Department of Media, Culture and Communication at NYU. She researches and teaches on the politics of digital media with a focus on various genealogies of hacking, including Free and Open Source Software, the hacker ungrounded , phone phreaking, trolling, and cryptography/encryption. Between 2001-2003 she conducted ethnographic research on computer hackers primarily in San Francisco and the Netherlands, as well as on the largest free software project, Debian. She is completing a book manuscript “Coding Freedom: Hacker Pleasure and the Ethics of Free and Open Source Software” and is starting a new project on peer to peer patient activism on the Internet.

Toni Prug

Toni Prug is currently a PhD student at the School of Business and Management at Queen Mary College, University of London. With ten years of software and network engineering and hacking behind him, he is working on organizational forms, hacking existing practices, ideologies and state-forms. Along with working with academic journals on implementing aspects of open process cooperation, he is working on a book, “The Objects of Communism”. His work can be followed at http://hackthestate.org/.

Centre for Cultural Studies, Goldsmiths, University of London: http://www.gold.ac.uk/cultural-studies/

Location: http://www.gold.ac.uk/find-us/

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