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Tag Archives: Barry Bergdoll

Aesthetics

Aesthetics

DESIGN / HISTORY / REVOLUTION CONFERENCE

@PARSONS NEW SCHOOL FOR DESIGN AND NEW SCHOOL FOR SOCIAL RESEARCH

APRIL 27th and 28th, 2012
Kellen Auditorium, 66 5th Avenue, New York
http://designhistoryrevolution.wordpress.com/

Whether by providing agitprop for revolutionary movements, an aesthetics of empire, or a language for numerous avant-gardes, design has changed the world. But how? Why? And under what conditions? We propose a consideration of design as an historical agent, a contested category, and a mode of historical analysis. This interdisciplinary conference aims to explore these questions and open up new possibilities for understanding the relationships among design, history and revolution. Casting a wide net, we define our terms broadly.

Papers will examine the roles of design in generating, shaping, remembering or challenging moments of social, political, economic, aesthetic, intellectual, technological, religious, and other upheaval. We consider a range of historical periods (ancient, pre-modern, early modern, modern, post- and post-post-modern) and geographical locations (‘West’, ‘East’, ‘North’, ‘South’, and contact zones between these constructed categories). We examine not only designed objects (e.g., industrial design, decorative arts, graphic design, fashion) but also spaces (e.g., architecture, interiors, landscapes, urban settings) and systems (e.g., communications, services, governments). And we approach design from a diversity of disciplinary and inter-disciplinary approaches.

Keynoted by Barry Bergdoll, Philip Johnson Chief Curator of Architecture and Design at The Museum of Modern Art, and Professor of Architectural History in the Department of Art History and Archaeology at Columbia University, this conference brings together scholars from the humanities, sciences, and social sciences with designers. We hope not only to present multiple methodological approaches but also to foster conversations across traditional spatial, cultural, and disciplinary boundaries.

http://designhistoryrevolution.wordpress.com/

**END**

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cultural Studies

DESIGN / HISTORY / REVOLUTION

CALL FOR PAPERS: Design/History/Revolution

Deadline: December 7, 2011

Conference: April 27 & 28, 2012, The New School, NEW YORK CITY

Keynote speaker: Barry Bergdoll, The Philip Johnson Chief Curator of Architecture & Design, The Museum of Modern Art

Whether by providing agitprop for revolutionary movements, an aesthetics of empire, or a language for numerous avant-gardes, design has changed the world. But how? Why? And under what conditions?  We propose a consideration of design as an historical agent, a contested category, and a mode of historical analysis.

This interdisciplinary conference aims to explore these questions and to open up new possibilities for understanding the relationships among design, history and revolution.

Casting a wide net, we define our terms broadly. We seek 20-minute papers that examine the roles of design in generating, shaping, remembering or challenging moments of social, political, economic, aesthetic, intellectual, technological, religious, and other upheaval. We consider a range of historical periods (ancient, pre-modern, early modern, modern, post- and post-post-modern) and geographical locations (“West,” “East,” “North,” South,” and contact zones between these constructed categories).  We examine not only designed objects (e.g., industrial design, decorative arts, graphic design, fashion) but also spaces (e.g., architecture, interiors, landscapes, urban settings) and systems (e.g., communications, services, governments).  And we welcome a diversity of disciplinary and inter-disciplinary approaches.

This conference brings together scholars from the humanities, sciences, and social sciences with designers, artists, and other creators. We hope not only to present multiple methodological approaches but also to foster conversations across traditional spatial, cultural, and disciplinary boundaries.

We list some possible subject areas below, and encourage you to propose others:

Design and political / cultural / economic revolution….. Design and technological revolution…. Design and the print revolution

Design and government…. Design and social movements…. Design and surveillance…. Design and empire….

Design and historicity…. Design and the sacred……Design and the avant-garde…..

Design and memory…. Design and philosophy/philosophies of design…. Design and literature / literature of design….

Design and the everyday…. Design and consumerism… Design and education…. Designed landscapes…. Design and the environment…Design and the city….

Design and science … Design and cybernetics ….

 

Please submit a 250-word abstract (maximum) and 1-page CV to: designhistoryrevolution@gmail.com

 Laura Auricchio

Associate Professor of Art History and Chair of Humanities

The New School, NYC

AuricchL@newschool.edu

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com