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Tag Archives: 1984




A free adaptation of Zamyatin’s prospective novel “We”, this concept album will take you in the wake of D–503 and I–330, two freedom-and-passion loving people.

A Dystopia tinged with Revolutionary Romanticism, first of its kind.

Album available from January 15th 2015


Rémi Orts

Brave New World, 1984, The Wall, Equilibrium and more recently The Hunger Games, modern culture is haunted by the spectre of extremely well-organized societies whose apparent perfection conceals dark dictatorial worlds.

If this formal exercise is known to all, what is the intimate origin, the true source of its inspiration?
In fact, everything comes from a small Russian sci-fi novel published in 1920 by Yevgeny Zamyatin, “We “.

Rémi Orts Project and Alan B wish to pay tribute to this counter-utopia, first of its kind, by revisiting it in their concept album, “The Glass Fortress”.

Let yourself be taken in the wake of Daniel and Iris, two human beings opposed in every way, that nonetheless will rejoin in the same destiny, the choice of Life, even at their own peril…

Adapted from this album, a short film, innovative and moving, will be released in April 2015 with the collaboration of the talented photographer, Fanny Storck.

Lyrics : Alan B
Music : Rémi Orts
Photos : Fanny Storck



‘Human Herbs’ – a song by Cold Hands & Quarter Moon:

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The Origin of the Securitarian Order
Armand Mattelart
Translated by Susan Gruenheck Taponier and James A. Cohen


Video surveillance, public records, fingerprints, hidden microphones, radio frequency chips: in contemporary societies the use of intrusive techniques of surveillance in daily life has increased dramatically. The ‘war against terror’ has only exacerbated this trend, creating a world that is closer than one might imagine to the one envisaged by George Orwell in 1984.

How did we reach this point? Why have democratic societies allowed their rights and freedoms to be taken away, little by little, through increasingly sophisticated surveillance mechanisms?

From the anthropometry of the nineteenth century to the Patriot Act, via an analysis of military theory and the Echelon project, Armand Mattelart constructs a genealogy of this new power of control and examines its globalizing dynamic.

This book provides an essential wake-up call at a time when democratic societies are becoming less and less vigilant against the dangers of proliferating systems of surveillance.

A tightly packed and critical history of the global rise of security, surveillance and suspicion.’— David Lyon, Queens University

This book cuts through the clutter of post-9/11 political rhetoric to reveal the contours of a global capitalist surveillance economy in which the logics of policing and marketing converge. Mattelart counters the urgent injunction to ignore history in the face of the contemporary threat (because “everything has changed”) by exploring the long marriage between capitalism and surveillance. The book shows us how the mobilization of the promise of security has been used to undermine freedom, and suggests what it might mean to think the two together. This is an indispensable work that explores the sometimes invisible atmosphere in which we move: that of ubiquitous surveillance, tracking, and targeting – and the interests which these serve.’— Mark Andrejevic, University of Iowa

Printed in Great Britain, August 2010

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Raymond Williams


New from Peter Lang:


Edited by Andrew Milner

Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien,
2010. X, 243 pp.
Ralahine Utopian Studies. Vol. 7
Edited by Raffaella Baccolini, Joachim Fischer, Tom Moylan and Michael
J. Griffin
ISBN 978-3-03911-826-7 pb.
sFr. 52.– / €* 35.60 / €** 36.60 / € 33.30 / £ 30.– / US-$ 51.95

Raymond Williams was an enormously influential figure in late twentieth-century intellectual life as a novelist, playwright and critic, ‘the British Sartre’, as The Times put it. He was a central inspiration for the early British New Left and a close intellectual supporter of Plaid Cymru. He is widely acknowledged as one of the ‘founding fathers’ of cultural studies, who established ‘cultural materialism’ as a new paradigm for work in both literary and cultural studies. There is a substantial secondary literature on Williams, which treats his life and work in each of these respects. But none of it makes much of his enduring contribution to utopian studies and science fiction studies. This volume brings together a complete collection of Williams’s critical essays on science fiction and futurology, utopia, and dystopia, in literature, film, television, and politics, and with extracts from his two future novels, The Volunteers (1978) and The Fight for Manod (1979). Both the collection as a whole and the individual readings are accompanied by introductory essays written by Andrew Milner.

Contents: Space Anthropology, Utopia, and Putropia. Left Culturalism: Science Fiction (1956) – William Morris (1958) – George Orwell (1958) – The Future Story as Social Formula Novel (1961) – Terror (1971) – Texts in their Contexts. Cultural Materialism: Nineteen Eighty-Four (1971) – The City and the Future (1973) – On Orwell: An Interview (1977) – On Morris: An Interview (1977) – Learning from Le Guin. (Anti-) Postmodernism: Utopia and Science Fiction (1978) – The Tenses of Imagination (1978) – Beyond Actually Existing Socialism (1980) – Resources for a Journey of Hope (1983) – Nineteen Eighty-Four in 1984 (1984) – The Future Novels: From The Volunteers (1978) – From The Fight for Manod (1979).

‘With the twenty-first-century reader very much in mind, Andrew Milner’s selection of texts offers a new, “alternative” Raymond Williams – the critic and occasional author of science fiction, the futurologist, the wary, self-questioning utopian thinker for whom intellectual pessimism is a lazy response and never the last word.’ – Professor Patrick Parrinder, University of Reading

‘The future was the ultimate stake in all Raymond Williams’s thinking and writing, as Andrew Milner simply and powerfully shows us now, by assembling a volume of writings on science fiction and utopianism that turns out to be a very substantial, wide-ranging reader in Williams’s work as a whole. The defining importance of “the sense of the future”, as he called it, the future as the essential discipline of political and moral imagination, is the lesson of this very welcome collection.’ – Professor Francis Mulhern, Middlesex University.

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