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Category Archives: Postmodernism

Biopolitics

Biopolitics

BIOPOLITICS

Call for Papers

Journal Pléyade

ISSN 0718-655x / Online ISSN 0719-3696

Nº 17 January-June, 2016

Special Edition on Biopolitics

Since Foucault’s initial work on “biopolitics”, the relation between life and politics has become of increasing significance in the contemporary debate in philosophy and in the social sciences. As an area of research and as a concept, biopolitics has received diverse and at times opposed applications in the works of Antonio Negri, Roberto Esposito, Giorgio Agamben, Nikolas Rose, among others. This year the journal Pléyade intends to dedicate a dossier on biopolitics with the aim of analyzing both the exploitation and administration of biological life as a form of power, and of proposing alternative conceptions of politics that allow biological life to escape or resist its domination. We are interested in receiving contributions that address both modalities of biopolitics from a variety of disciplinary points of view.

 

This dossier invites authors to make contributions in the different areas on biopolitics and biopower in the contemporary thought. Along these lines, the proposed themes could include:

– Debates in contemporary thought on life and politics

– New perspectives on Michel Foucault and biopolitics

– Italian Theory and biopolitics

– Biopolitics and neoliberalism

– Biopolitics and totalitarianism

– Origines of biopolitics in the history of philosophy

– Affirmative biopolitics

– Biopolitics and new materialism

 

Guest Editor:

Vanessa Lemm, Head of the School of Humanities and Languages, University of New

South Wales UNSW, Australia.

Reception until: December 30, 2015

Languages: English or Spanish

Publication date: June 2016

Send articles to: revistapleyade@caip.cl

Manuscripts will be evaluated by double blind refereeing

bIOdownload

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

images (2)

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Kevin Andersdon

Kevin Andersdon

RECAPTURING MARX ON GENDER, RACE AND COLONIALISM: BEYOND POST-MODERNISM AND ORTHODOX MARXISM

London Public Meeting

7.30 pm, Thursday, 5 November 2015
Cock Tavern, 23 Phoenix Road, Euston, London, NW1 1HB
(5 minute walk from Euston or Kings Cross Undergrounds)

 

Speakers:

Heather Brown, author of Marx on Gender and the Family: A Critical Study
Kevin Anderson, author of Marx at the Margins: On Nationalism, Ethnicity and Non-Western Societies
Gilbert Achcar, author of Marxism, Orientalism, Cosmopolitanism
Chairperson:
Peter Hudis, author of Frantz Fanon: Philosopher of the Barricades

 

Sponsored by the International Marxist-Humanist Organization
Further information: http://www.internationalmarxisthumanist.org/

Karl Marx

Karl Marx

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Marx's Grave

Marx’s Grave

NMdownloadNEW MATERIALIST POLITICS AND ECONOMIES OF KNOWLEDGE

2nd – 4th October 2015, MARIBOR, SLOVENIA

Sister-Sixth Conference on the New Materialisms

Organized by the IS1307 COST Action New Materialism: Networking European Scholarship on

“H o w M a t t e r C o m e s t o M a t t e r ”

Hosted by the Faculty of Law of the University of Maribor, Slovenia

Registration … http://www.newmaterialism.si

More … http://www.newmaterialism.eu

The conference addresses as an area of debate the nexus of:

Politics and activism

  • The economy and law
  • Philosophy and the power of knowledge
  • Genealogy and information
  • The role of creativity in political economies through public engagement and pedagogy

What is the new materialist impetus to make situated analyses of the im/material processes in these areas?

Keynote speakers:

Dr Vera Bühlmann

Professor Diana Coole

Dr Anna Hickey-Moody

Professor Katerina Kolozova

Selection of Panels:

  • A Philosophy of the Materialist Sciences
  • Art in a New Materialist Key
  • Ecologies that Matter
  • Information and Political Agency
  • Information Coming to Matter
  • Materiality-Critique-Transformation
  • New Materialist Pedagogies
  • New Materialist Subjectivities and Spatiotemporalities
  • New Media, New Activism
  • Political Intervention, Writing Materiality, and Creativity
  • Toward a New Materialist Theory of Socioeconomic Justice

images

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Social Imaginaries

Social Imaginaries

THE POLITICS OF POST-STRUCTURALISM TODAY WORKSHOP

TheoryLab

School of Politics & International Relations

Queen Mary, University of London

Arts One, Room 1.28

10 am – 6 pm, Friday 17 April 2015

It is generally accepted that the various strands of thought associated with ‘post-structuralism’ have had an extensive impact on the study of politics in the UK and the United States over the past 30 years. However, it is also clear from a number of recent publications that there is renewed interest in the vexed questions of how to define post-structuralism and how to evaluate its overall significance. Indeed, it would be fair to say that some half-century after the publication of seminal texts such as Michel Foucault’s Madness and Civilization, Gilles Deleuze’s Nietzsche and Philosophy and Jacques Derrida’s Of Grammatology, ‘post-structuralism’ remains an essentially contested concept. Both supporters and critics alike remain divided on whether or not post-structuralism represents a distinct tradition, and on the extent to which post-structuralist theory can enhance the study of politics.

We will use this workshop to take stock of the state of the art in post-structuralist political theory, while also identifying the key debates and issues that will shape the field in the future. The workshop brings together leading scholars from across the UK to address these questions, in order to provide a conceptual map of the politics of post-structuralism today. We expect the discussion to show how scholars diverge on several key points, while converging in common conviction that post-structuralism represents a distinct mode of theorizing, and one that remains crucially important for the study of political movements, practices and institutions.

 

Key themes and questions

The workshop engages substantive debates within the subfield. However, the presentations and discussions will also serve to introduce colleagues working across the disciplines of political science and international relations to a range of themes and questions about the status of post-structuralism today. These include:

 

Definitional questions:

What is post-structuralism and how does it relate to other major currents in continental philosophy such as structuralism, psychoanalysis, phenomenology, existentialism and post-modernism?

How, and to what extent, does post-structuralism form part of the wider linguistic turn in 20th century philosophy?

 

Questions about distinct schools and traditions:

What have been the major contributions of (for example) the Foucauldian analysis of governmentality and disciplinary power, of the Essex School of ‘discourse theory’, of Žižek’s account of ideology, and of contemporary theories of rhetoric?

What is the significance of the recent critiques of semiotics and of discourse theory put forward by the ‘new materialist’ approaches and the ‘speculative realists’?

How, and to what extent, does post-structuralist theory overlap with and impact upon related approaches within the disciplines of political science and international relations, such as (post-)Marxism, Feminism, constructivism and the new institutionalism.

 

Conceptual questions:

How do post-structuralists address some of the major issues in the philosophy of the social sciences, such as the nature and scope of the political, the question of the construction of interest and identities, of agency and structure, and of the role of ontology and epistemology?

What are the meaning and significance of terms such ‘anti-essentialism’ and ‘post-foundationalism’?

 

Normative questions:

Can post-structuralism or post-foundationalism sustain a coherent normative theory of politics without falling into a performative contradiction?

What is the significance of the main normative approaches to emerge from post-structuralism, for example the tradition of ‘agonistic democracy’ and the revived interest in the idea of communism?

 

PROGRAMME

9.30-10.00 Registration and welcome

10.00-12.30 Session 1

Benoît Dillet (University of Loughborough): The Right to Problems: Post-Structuralism, Ontology and Politics

Gulshan Khan (University of Nottingham): Post-Structuralism, Ontology and the Political

Lasse Thomassen (Queen Mary): Post-Structuralism and Representation

Chair: Mark Wenman (University of Nottingham)

 

12.30-13.30 Lunch

 

13.30-15.30 Session 2

Iain MacKenzie (University of Kent) and Robert Porter (University of Ulster): From Occupy to Activate: Or, the (Re-)Politicization of Post-Structuralism in Everyday Life

Mark Wenman (University of Nottingham): Rethinking Freedom: Political Agency after Post-Structuralism

Chair: Lasse Thomassen (Queen Mary)

 

15.30-16.00 Tea/coffee

 

16.00-18.00 Roundtable: Poststructuralism and Political Theory Today

Simon Choat (Kingston)

Eric Heinze (Queen Mary)

Kim Hutchings (Queen Mary)

Caroline Williams (Queen Mary)

Chair: Mark Wenman

 

Register here

 

Places are limited, and registration is necessary. PSA members will be able to attend for free; non-PSA members will pay a small fee (£30/employed; £15 unemployed/students), which includes tea/coffee and lunch.

Funded by the School of Politics and International Relations

and the Political Thought Specialist Group of the PSA

——————

Dr Lasse Thomassen
School of Politics & International Relations
Queen Mary, University of London
327 Mile End Road
London E14NS
United Kingdom
Tel: 0207 882 2848
http://www.politics.qmul.ac.uk/staff/thomassenlasse.html

Contemporary Political Theory Annual Prize winner: ‘Political theory in the square: Protest, representation and subjectification

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Aesthetics

Aesthetics

INTERNATIONAL POLITICS THROUGH ART AND PERFORMANCE
Date: Wednesday 22 April 2015
Time: 4.00pm – 8.00pm
Location: The Westminster Forum, 32-38 Wells Street, London, W1T 3UW
http://www.westminster.ac.uk/csd/events/the-international-politics-of-art-and-performance

4-6pm
Collage Methodology for Studying Visual World Politics
Saara Särmä, University of Tampere, Finland

6.30-8pm
Politics in Drag: Sipping Toffee with Hamas in Brussels
Catherine Charrett, University of Aberystwyth

Chaired by David Chandler and Thomas Moore, Centre for the Study of Democracy, University of Westminster

Collage Methodology for Studying Visual World Politics
Visual collaging is a playful and creative methodological approach which can be used in the study of everyday images of global politics, for example internet parody images and memes. It is an art-based intervention that disrupts the text-based modes of doing and writing up research which are dominant even in research which focuses on visuality and images. Collaging allows the use of images not only as decorative or as illustrations of an argument. Collages can also function as more than objects of analysis. In this presentation I present an overview of collage-making, describing the “data-collection”, composition, and the techniques I use. Different compositional techniques, e.g. repetition and exaggeration or unexpected juxtapositions, may produce different effects, aesthetically, emotionally, and politically. I explore collage as a mode of thinking, which can be aesthetic, analytical, and/or political. As a creative and artistic mode of studying global politics, collaging aims to unleash imaginations in order to gently deconstruct global and local hierarchies.
Saara Särmä is a feminist, an artist, and a scholar. Saara’s doctoral dissertation Junk Feminism and Nuclear Wannabe –Collaging Parodies of Iran and North Korea (2014, University of Tampere, Finland) focused on internet parody images and memes and developed a unique art-based collage methodology for studying world politics. She is interested in politics of visuality, feminist academic activism, and laughter in world politics. Currently she is working on developing the visual collage methodology further as both a research and a pedagogical tool and experimenting with collective possibilities of collaging. Her artwork can be seen at http://www.huippumisukka.fi

Politics in Drag: Sipping Toffee with Hamas in Brussels
Politics in Drag: Sipping Toffee with Hamas in Brussels is a 45 minute performance which attempts to re-envision the EU’s response to Hamas’s electoral success in the Palestinian legislative elections through a hyperbolic, melancholic and parodic telling of conversations that never took place. Hamas is a movement listed on the EU’s terrorist list and in 2006 the movement won elections that the EU had monitored and declared to be free and fair. The EU’s response was to diplomatically, financially and politically sanction the democratically elected body, which analysts argue was an opportunity missed to engage politically with Hamas. This live performance stages alternative encounters between the EU and Hamas by performatively addressing the vulnerabilities, intimacies and subjugations of their ritualised being not-together. It presents interviews with Hamas leaders and EU representatives conducted between 2012-2013 through the theoretical and aesthetic mode of the drag performance. By re-fictionalising the response to the 2006 elections, this performance imagines politics anew, allowing for different conversations to arise from performing what normally remains hidden in political encounters.
Catherine Charrett has a PhD in International Politics from Aberystwyth University and a MSc from the London School of Economics. Catherine researches EU-Palestinian relations and engages with theories of gender and performance studies to explore questions of ritualised subjectivity, agency and the possibility for creativity in diplomacy and foreign policy making.

Refreshments will be provided.

David Chandler, Professor of International Relations, Director of the Centre for the Study of Democracy, Department of Politics and International Relations, University of Westminster, 32-38 Wells Street, London, W1T 3UW. Tel: ++44 (0)776 525 3073.

Journal Editor, Resilience: International Policies, Practices and Discourses: http://www.tandfonline.com/loi/resi20

Amazon books page: http://www.amazon.co.uk/David-Chandler/e/B001HCXV7Y/ref=ntt_dp_epwbk_0

Personal website: http://www.davidchandler.org/
Twitter: @DavidCh27992090

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Knowledge

Knowledge

CAPITAL AS COMPUTATION & COGNITION

 

Capital as Computation & Cognition: From Babbage’s Factory to Google’s Algorithmic Governance

Seminar syllabus [draft, in progress]

New Centre for Research and Practice, 3-24 March 2015.

Enroll –› thenewcentre.org/seminars/capital-as-computation-cognition

Instructor: Matteo Pasquinelli –› matteopasquinelli.org

 

Since the times of Smith, Ricardo and Marx, if not for even longer, capital has functioned as a form of computation constituted by and as a complex mathematical system. As Simondon noticed, the industrial machine was already an informational relay, that was separating the source of energy (nature) from the source of information (the human). After WWII the numeric essence of capital has been coupled with the informational dimension of cybernetics and computing machines, while also subsuming emergent forms of augmented intelligence. Capitalism, as a form of accounting and as an exterior mnemonic technique, is in itself a form of transhuman intelligence. Cognitive capitalism, Specifically, on the basis of its infonumeric procedures, from layman’s accounting to sophisticated algotrading, as well as from immaterial labour to scientific research, is an institution of computation.

The aim of the seminar is twofold: on the one hand, it will provide an introduction to some critical keywords (such as abstract labour, general intellect, cybernetic loop, calculation problem, immaterial labour, cognitive capitalism, augmented intelligence, computational limit, etc.) and to more recent debates around the technological form (on Accelerationism and algorithmic governance, for instance). On the other hand, the seminar wants to provide a compact and accurate bibliography about the canonical approaches to the relation between capital, technology, knowledge and labour. A specific attention will be given to the precise historical contexts in which fundamental ideas were originated and crucial books published. All the bibliographies are therefore compiled in chronological order to make genealogies and the circulation of ideas more comprehensible (and to clarify also epic misunderstandings, weak intepretations and harsh criticism).

The seminar in structured in four parts that correspond roughly to four different historical periods and to their relative types of machinic assemblage. The seminar aims to illuminate each historical moment according to a specific composition of the three variables: capital, computation and cognition. The first technological assemblage to be covered is Marx’s industrial machine, that inaugurated the bifurcation between energy and information. The second one is the cybernetic machine, distinguished by the feedback loop system and by the first experiments at the scale of national economy. Third, the Turing machine more in general will be taken as the basic diagram of cognitive capitalism and the network society and as the terrain of a further bifurcation, that is of the split between data and metadata. Fourth, algorithms for data mining will be discussed as models of the last stage of capitalism and its algorithmic governance, marking the passage from metadata to a global machinic intelligence.

Each seminar presents two or three historical and fundamental texts that are selected from a general bibliography. Documents that will be discussed during the seminar are underlined in bold and marked with an arrow (it is mandatory to read only the texts marked with an arrow: titles in bold are highly recommended). At the end of the seminar, students will be asked to pick up one text or more and to reconstruct how the diagram of the composition of capital/computation/cognition emerges in a specific author or historical moment, or to propose new trajectories of analysis.

 

As a general introduction to the seminar is recommended the reading of:

➡ Pasquinelli, Matteo (2014) “Italian Operaismo and the Information Machine“, Theory, Culture

and Society, first published 2 February 2014. http://matteopasquinelli.com/operaismo-informationmachine

➡ Pasquinelli, Matteo (2014) “Augmented Intelligence”, in: Critical Keywords for the Digital

Humanities, Lüneburg: Leuphana university, 2014.

http://cdckeywords.leuphana.com/augmented_intelligence

 

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

PosthumanALIEN LIFE: MARX AND THE FUTURE OF THE HUMAN

My article, Alien Life: Marx and the Future of the Human, is now available at Academia.

It was published as:

Rikowski, G. (2003) Alien Life: Marx and the Future of the Human, Historical Materialism: Research in Critical Marxist Theory, Volume 11 Issue 2, pp.121-164.

The article can be viewed on Academia at: http://www.academia.edu/10986589/Alien_Life_Marx_and_the_Future_of_the_Human

It was a polished and heavily edited version of a paper I presented a few years earlier at one of the Birkbeck College Seminars on Marx, Individuals & Society, run by the late Cyril Smith: Marx and the Future of the Human (2000).

This paper is also on Academia, at: http://www.academia.edu/6043714/Marx_and_the_Future_of_the_Human

For those interested in the interface of Marxism and Post/Trans-humanism, my article Education, Capital and the Transhuman may also be of value.

This article is also at Academia, at:

http://www.academia.edu/9033532/Education_Capital_and_the_Transhuman

Also of interest on this theme is Planet of the Capitorg

This can also be found at Academia:

https://www.academia.edu/6921390/Planet_of_the_Capitorg

Glenn Rikowski

Glenn Rikowski

Glenn Rikowski

@ Academia: http://independent.academia.edu/GlennRikowski

Posthuman

Posthuman

POSTHUMANISM & SOCIETY

Call For Papers

Glocal Symposium

“POSTHUMANISM & SOCIETY”

NYU, New York City, May 8th 2015

In collaboration with the New York Posthuman Research Group we are delighted to announce the first Glocal Symposium, to be held at the Program of Liberal Studies, New York University (NYC)

In contemporary scholarship, “posthuman” has emerged as a key term in the effort to redefine the human in light of multiple and profound impacts of twentieth and twentyfirst century social, philosophical and technological trends.

On one hand, the biotechnological possibility of human enhancement, the growing significance of virtuality as an extension of the self, the scientific and cultural expectations of space migration have raised crucial questions which require the input of society as a whole.

On the other hand, the cumulative impact of anthropocentrism has become so massive that geologists have dubbed the present era the “Anthropocene” since human actions have had a profound systemic affect, leading to an ecological point of no return.

Capitorg

Capitorg

The New York Posthuman Research Group invites multiple perspectives to converge on these and related questions.

Keynote Speaker: Professor Rosi Braidotti

Connecting live from the University of Utrecht (Holland)

There will be parallel events in different International Universities around the world.

*Glocal: The survival of local specificities in a globalized world.

 

SUBMISSIONS & DEADLINES

We invite abstracts of up to 150 words and a short bio, to be sent to:

NYposthuman@gmail.com

Abstracts should be received by February 28th 2015.

*Presentations should be no longer than 10 minutes. Each presentation will be given 10 additional minutes each for questions and discussions with the audience, for a total of 20 minutes.

 

The Academic Committee:

Francesca Ferrando

Farzad Mahootian

Yunus Tuncel

Posthuman

Posthuman

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Panopticon

Panopticon

WRITING AND RESISTANCE

New Formations

We are pleased to announce the publication of New Formations Issue 83: ‘Writing and Resistance’
For online details see http://www.lwbooks.co.uk/journals/newformations/issue/nf83.html

[Please note that the deadline for the next general issue of New Formations is May 31st 2015. For  contributors guidelines see http://www.lwbooks.co.uk/journals/newformations/contributors.htm]

Details for this issue:
This issue of New Formations presents a range of exciting new work which spans and connects the fields of cultural studies, literary theory and radical political philosophy. Two contributors are concerned with the specificities of contemporary sexual politics. Three others address the relationships between writing, disclosure and interpretation. A further two texts offer radical philosophical interpretations of emergent political currents in Greece, Spain, Turkey and beyond. While there is no single theme, all the contributions share a concern to bring the most sophisticated theoretical tools available to bear upon the analysis of a range of urgent and emergent political questions. This continues to be the overriding purpose of New Formations: to explore the intersections between culture, theory and politics in order to understand the changing nature of each in the twenty-first century.

CONTENTS

Jeremy Gilbert: Editorial
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_editorial.pdf

David Alderson: Acting Straight: Reality TV, Gender Self-Consciousness and Forms of Capital

Clare Birchall: Aesthetics of the Secret
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_birchall.pdf

Naomi Booth: ‘Bathetic masochism and the shrinking woman’

Elizabeth Coles: ‘Psychoanalysis and the Poem: On Reading in Sándor Ferenczi and D.W. Winnicott’

Costas Douzinas: ‘Notes Towards an Analytics of Resistance’
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_douzinas.pdf

Sarah Kember: Why ‘Write? Feminism, publishing and the politics of communication’

Serhat Karakayali and Özge Yaka: ‘The Spirit of Gezi: The Recomposition of Political Subjectivities in Turkey’

REVIEWS:

James Penney Better tables
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_reviews_penney.pdf

Dhanveer Singh Brar Hieroglyphics of the flesh
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_reviews_singh_brar.pdf

Jade Munslow Ong Women, Crime and Sexual Transgression
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_reviews_munslow_ong.pdf

Caspar Melville Can sociologists write?
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_reviews_melville.pdf

Joseph Darlington That Dawn to Be Alive
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_reviews_darlington.pdf

Elena Tzelepis    Again Antigone
http://www.lwbooks.co.uk/journals/newformations/pdfs/nf83_reviews_tzelepis.pdf

Jeremy Gilbert
http://www.jeremygilbert.org
@jemgilbert

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

AestheticsORGANIZATION AND COLLABORATIVE PRACTICES IN THE ARTS

Call for PapersOrganization & Collaborative Practices in the Arts
Organizers: Mark Banks (University of Leicester), Mandy Earley (University of Leicester), Stevphen Shukaitis (University of Essex / Autonomedia)

As a part of the 9th Critical Management Studies Conference, 8-10 July 2015, University of Leicester
Theme: Is there an alternative? Management after critique

Artists work in groups. This is a primary fact of artistic production. Collective work is an a priori, a reality of creative life. At nearly every moment artists are working together in one way or another and under many different arrangements. Without the others no one can succeed. Artists’ groups have helped them to survive in a capitalist system which values art primarily as branded commodity, and in which agents seek to accumulate art as cheaply as possible. The history of artists’ collaborations describes a flow of both resistant and protective cultural formations that moves through time. These contingent practices change shape according to the necessities of artists’ lives – maximizing their chances to live cheaply with time to work on their art, and to escape alienated labour, first in the industrial shop, and now in the service and information industry.

The social organization of artistic production is generally considered to be extraneous to the forms of art. Indeed, the analysis of each has come to concern different scholarly disciplines, with formal criticism at one end, and the sociology of art – and increasingly arts administration and management of creative production – at the other. The questions of artistic collectivity and collaboration per se cuts across disciplinary lines. Different adaptations of the collaborative practice within artistic production have diverse outcomes, generating
institutions, programs and works of art, as they have ever done.

Artists’ work within groups in the fine arts is very different than work within most businesses, and even most cultural institutions. While the results may seem the same – exhibitions, installations, spectacles, publications, recordings, films, designed objects and architecture – the processes of self-organized collective work proceed from different premises and toward different goals. The organizational structure of artistic work in groups has not been much studied.

This conference stream invites contributes that engage analytically with the questions of collectivity and collaboration among artists. A materialist point of view on the question might find that collaboration among cultural workers is contingent, circumstantial, and practical – an outgrowth of cultural economies and a necessary condition of many kinds of cultural work. Working collectively is about making a living. But modalities of collaboration are also a prime concern of those who want to remake the world, to join the great issues of the day, and to find a reason to work at all.

Please send proposals / abstracts of up to 500 words to Stevphen Shukaitis (sshuka@essex.ac.uk) by 31 January 2015. Papers selected for the panel will receive confirmation by 15 February 2015.

Please note that there will be a registration fee for the conference (the amount of which has not been confirmed yet), although there is a reduced rate for PhD students.

More information about the overall conference can be found here: http://www2.le.ac.uk/conference/cms15

 

**END**

 

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

 

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

 

Occupy London

Occupy London

KRITIKOS – VOLUME 11, APRIL – SEPTEMBER 2014

Apocalypse Not, or How I Learned to Stop Worrying and Love the Machine…(d.gunkel and b.cripe)

Apocalypse Not, or How I Learned to Stop Worrying and Love the Machine…by David Gunkel and Billy Cripe, Kritikos V.11, April-Sept.2014

 

H.L.A. Hart on International Law…(a.h.lesser)

H.L.A. Hart on International Law…by Anthony H. Lesser, Kritikos V.11, April-Sept.2014

 

Kritikos Reviews: http://intertheory.org/reviews.htm
Intertheory Press, new books 2014:

Order now: Art After the Avant-Garde: Baudrillard’s Challenge
http://intertheory.org/coulter-baudrillard-avant-garde.htm
By Gerry Coulter

Product Description
After we have read Jean Baudrillard it is difficult to see the world as we previously did. Baudrillard offered a strong challenge to art and artists, as he did everyone else. Many believe that Baudrillard was against art when he was really against the majority of things which some person or group has attempted to pass off as art. Baudrillard’s significance for art however, is that he wipes the decks clear and allows us to think anew about the art we love, and the art we do not. One of the implications of this book – a book about seeing art after taking Baudrillard seriously – is that we learn art never had a better friend, than Jean Baudrillard.

About the Author
Gerry Coulter is the founding editor of the International Journal of Baudrillard Studies, and the author of Jean Baudrillard: From the Ocean to the Desert, or the Poetics of Radicality. He has received Bishop’s University’s highest award for teaching – the William and Nancy Turner Prize.

 

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com