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Category Archives: Film

The City

The City

MEDIATED CITIES

Mediated Cities Book Series

Open Call for Contributions
Intellect Books will launch its Mediated Cities book series April 01-03, 2016 with three books.

Digital Futures and the City of Today:  New Technologies and Physical Spaces. ISBN: 978-1-78320-560-8
Filming the City: Urban Documents, Design Practices & Social Criticism Through the Lens. ISBN: 978-1-78320-554-7
Imaging the City: Art, Creative Practices and Media Speculations. ISBN: 978-1-78320-557-8

This is a call for chapter contributions for the following book in the series from the perspective of all disciplines that engage with issues of the city, its design, mediation, representation and experience.

Contributions are welcome from urban design, planning, cultural studies, digital art, emerging technologies, social media, film, photography  etc.

The next book in the series will be drawn from the conference: Digital-Cultural Ecology and the Medium-Sized City.

For details: http://architecturemps.com/bristol-uk/

ABSTRACT DEADLINE: 15th NOVEMBER, 2015

This conference is organised by the journal Architecture_MPS, Intellect Books, the University of the West of England and the Centre for Moving Image Research. The publication series is a joint AMPS / Intellect Books initiative. See: http://architecturemps.com/publications-2/

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

The Sir Alfred Hitchcock Hotel

The Sir Alfred Hitchcock Hotel

FOREST ROOTS

THE SIR ALFRED HITCHCOCK HOTEL

27th NOVEMBER

 

Dear Forest Roots Folk

Thanks to everyone who turned up last month to see the amazing Acoustica. It was a great night and a real pleasure to see so many familiar faces.

This month we welcome back The Hot Strings Review featuring Martin Wheatley on guitar and ukulele and Mike Piggott www.mikepiggott.com on fiddle. They are both incredible musicians and gave us a fantastic evening last time they were at Forest Roots. If you saw them last time you will remember Martin’s mesmerizing performance of The Dambusters on the ukulele (check him out on YouTube) and Mike’s amazing jazz fiddle playing. These two are definitely not to be missed.

The Flats Family Band will be there as well as surprise guests and local performers.

If you’d like to be one of them email us @ forestroots@googlemail.com.

So that’s The Hot Strings Review at Forest Roots, The Sir Alfred Hitchcock, 147 Whipps Cross Road, Leytonstone, London E11 1NP on Friday 27th November.

Starts 8.30pm sharp

Transport: Bus (257); underground Central Line, Leytonstone

Alfred Hitchcock

Alfred Hitchcock

Stay forever young

Jenny and Caroline

Forest Root: Country, Folk, Blues and Beyond

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

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imagesVOTER REGISTRATION IN THE UK

Don’t lose your Right to Vote!

Get on the Voters Registration by 1st December 2015!

From 1st December 2015, in the UK, all household members must register individually or face being removed from the Voters Register.

Many could be disenfranchised – make sure you are not one of them!

Anyone who has not individually registered by 1 December 2015 will be removed from the register.

Originally, the deadline was December 2016 but the Tories have brought it forward by one year. This means that potentially over one million voters could lose the chance to vote in next May’s local elections.

Until 2009, one person in each household completed the registration for every resident eligible to vote, but now all that has changed. Each person who is eligible to vote now has to do this individually.

So, make sure you do not lose your right and opportunity to vote – something that has been fought so hard for by activists in history.

Also, see the film ‘Suffragette’ to emphasise the point for women!

So, get online and register to vote at: http://www.gov.uk/register-to-vote

 

Peterloo Massacre: https://en.wikipedia.org/wiki/Peterloo_Massacre

Suffragette (film trailer, 2015): https://www.youtube.com/watch?v=056FI2Pq9RY and Press Conference: https://www.youtube.com/watch?v=SUKjwIaTZ4Y

 

Further information:

http://www.bbc.co.uk/news/uk-politics-34652008

http://www.theguardian.com/public-leaders-network/2015/feb/05/missing-voters-individual-electoral-registration-disaster

Briefing: Electoral Registration – Order and Regulations, December 2013 [pdf]
Report: Missing Millions – Roundtable into Individual Electoral Registration[pdf]
Briefing: Electoral Registration and Administration Bill Committee stage briefing – day 2 [pdf] –

See more at: http://www.electoral-reform.org.uk/voter-registration#sthash.abXAE3qj.dpuf

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Test Dept

Test Dept

FUEL TO FIGHT DS30: TEST FILM & BOOK EVENT

June 13 @ 6PM, firstsite, Colchester: http://www.firstsite.uk.net/page/fuel-to-fight-ds30-test-dept-film-book-event
Followed by party at the Waiting Room
The legendary London industrial noise musicians Test Dept are presenting a special screening of their film DS30 at the firstsite on the 13 June.

Marking 30 years since the 1984-5 miners’ strike, DS30 is a political collage of sound and image. The film is set within the monumental structural lines of Dunston Staiths built on the River Tyne in 1893 to ship coal from the Durham coalfields to the world. Featuring footage of mining communities and industry along the River Tyne and of the wider mining community together with footage and sounds from Test Dept’s own archive related to the strike, DS30 reflects on the group’s nationwide Fuel to Fight Tour in support of the miners, during which they collaborated with local activists and mining communities. These included Kent miner Alan Sutcliffe, who performed as writer and guest vocalist on live and recorded material and the South Wales Striking Miners’ Choir, with whom they recorded the album ‘Shoulder to Shoulder’ to raise money for the Miners’ Hardship Fund.

This screening of DS30 is accompanied by a selection of archive material of the group on film and video and will be followed by a Q & A with founding member Paul Jamrozy, who will be joined by Peter Webb (from PC Press), and Stevphen Shukaitis (from the University of Essex).

This event also celebrates the release of the book Total State Machine, a major historical document and visual representation of Test Dept, published by PC-Press. There will be a launch event following the screening.

Test Dept formed in the decaying docklands of South London in late 1981. The group made raw, visceral music out of re-purposed scrap metal and machinery scavenged from industrial waste-ground and derelict factories; a percussive sound with a political edge performed live against monumental slide and film projections in recently abandoned industrial spaces. Drilling, pounding, grinding, metal bashing – a Constructivist/Futurist-inspired soundtrack to the death throes of industrial Britain.

SCHEDULE
6:00 PM Doors Open
6:15-7:15: Film screening
7:15-8:00 Discussion with Test Department
8:00-11:00 Move to Waiting Room for drinks, DJs

Event page: https://www.facebook.com/events/695456000563749/

Stevphen Shukaitis

Autonomedia Editorial Collective

http://www.autonomedia.org

http://www.minorcompositions.info

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

THE GLASS FORTRESS

THE GLASS FORTRESS

THE GLASS FORTRESS

A free adaptation of Zamyatin’s prospective novel “We”, this concept album will take you in the wake of D–503 and I–330, two freedom-and-passion loving people.

A Dystopia tinged with Revolutionary Romanticism, first of its kind.

Album available from January 15th 2015

 

Rémi Orts

Brave New World, 1984, The Wall, Equilibrium and more recently The Hunger Games, modern culture is haunted by the spectre of extremely well-organized societies whose apparent perfection conceals dark dictatorial worlds.

If this formal exercise is known to all, what is the intimate origin, the true source of its inspiration?
In fact, everything comes from a small Russian sci-fi novel published in 1920 by Yevgeny Zamyatin, “We “.

Rémi Orts Project and Alan B wish to pay tribute to this counter-utopia, first of its kind, by revisiting it in their concept album, “The Glass Fortress”.

Let yourself be taken in the wake of Daniel and Iris, two human beings opposed in every way, that nonetheless will rejoin in the same destiny, the choice of Life, even at their own peril…

Adapted from this album, a short film, innovative and moving, will be released in April 2015 with the collaboration of the talented photographer, Fanny Storck.

Lyrics : Alan B
Music : Rémi Orts
Photos : Fanny Storck
https://www.youtube.com/watch?v=cPuAwNUSLI8&list=PL5KtMvKvWwKDcTibMWVLeKg5YoHuCsZZ-&index=1

See: http://www.remiorts.com/index.php/albums-remiorts/41-remi-project/96-the-glass-fortress

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Monsters

Monsters

GODS AND MONSTERS: HISTORISIZING RITUAL, PUBLIC MEMORY, AND THE RELIGIOUS IMAGINATION

Call for Papers!

History Students Association Conference 2015

In his seminal essay The Great Cat Massacre, Robert Darnton gave a sage bit of advice to academics who study culture : “When you realize that you are not getting something—a joke, a proverb, a ceremony—that is particularly meaningful to the natives, you can see where to grasp a foreign system of meaning in order to unravel it.”

The monster is a construct and a projection, always interpreting the moment in which it is created. So too we see constructions of self in cultural phenomena as diverse as comic book heroes, ghost stories, fertility rituals, hagiography-even the villainization of the “other” informs the moment in which it enter public consciousness.

It is in this spirit that the 2015 History Students Association Conference at San Francisco State University is seeking papers that explore the intersection between humanity and its constructs.

How does ritual inform mentality? What can the supernatural tell us about historic truth and memory? How can we interpret stories so as to better understand the storyteller? How does politicization shape religious experience? How does the demonization of the other inform cultural fear? What do the fantastic elements interwoven with oral histories help us to discover about cultural norms?

Cross disciplinary submissions from film studies, literature, religious and ethnic studies, art history, and anthropology are encouraged.

Submission Guidelines: Please submit abstracts of 300 words or less to: hsa@mail.sfsu.edu

Please include the title of the submitted paper, your name, affiliated institution, field of study, and contact information. The deadline for submissions is FEBRUARY 13, 2015. If selected, final papers will be due to your panel chair no later than MID MARCH, 2015. Conference will be held April 25, 2015 at San Francisco State University.

Recent works that resonate with the spirit of the conference include:

Louise White’s monograph published in 2000, Speaking with Vampires: Rumor and History in Colonial Africa serves as a cogent example of how tales of the fantastic can be examined and interpreted to allow us to better understand the mentalities of discursive or liminal groups.

Stefan Goeble’s brilliant book on medievalism published in 2007, The Great War and Medieval Memory: War, Remembrance and Medievalism in Britain and Germany, 1914-1940, looks at how elements of medieval chivalric culture were interpreted in war memorials, interpreting iconography to uncover how communal memory functions in the search for historical continuity in the face of such horrific events.

 

HSA Conference website: http://history.sfsu.edu/content/hsa-2015-conference

WW2download

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

BlackMetaldownload

Black Metal Theory

Black Metal Theory

POLITICS AND BLACK METAL

Helvete: A Journal of Black Metal Theory

ISSUE 4 “POLITICS AND BLACK METAL” CALL FOR PROPOSALS

Call for Papers and Art

Proposals due August 1 2015.
Expectant publication, winter 2015

The complex subject of politics and black metal, directly and para-musically, has long been brushed up against within black metal theory work, but rarely unfolded at length. We would like to reserve this issue of Helvete as a forum to begin to address and perhaps even articulate some of these discussions.

While some may insist that black metal (as a diverse field of culture and music) exists outside of politics or cannot be described politically, it frequently sparks political repercussions, and its history courts political controversy. These include headline grabbing moments such as Varg Vikernes’s arrest in 2013 by the French government on accounts of suspicion of planning a terrorist attack; Norway’s implementation in 2011 of black metal education within its foreign diplomats; Nachtmystium’s forced cancellation in 2009 of a concert at Scion Rock Fest in Atlanta, Georgia; Inquisition’s forced cancellation in 2014 of their Vienna, Austria concert due to alleged connections to NSBM; and the complete ban on black metal in Malaysia in 2006. Most recently, Behemoth‘s recent encounter with Polish and Russian authorities has been well documented in the mainstream press. It may seem that the proposition that black metal is apolitical is itself a (privileged) political position.

The editors of Helvete are accepting proposals for essays that focus on politics and black metal. Contributors are encouraged to suggest topics such as Black Metal’s interactions with nation, race, linguistic, gender, religion, and culture. Special consideration will be given to the explorations of the negotiations that the individual makes within the city or community, using black metal as a verb rather than a noun.

In honor of this issue’s intent, and the innate politics of language, starting with Issue 4, Helvete will begin taking multi-lingual submissions. Please contact the editors for more details.

Helvete is an open access electronic and print journal dedicated to continuing the mutual blackening of metal and theory inaugurated by the Black Metal Theory Symposia. Not to be confused with a metal studies, music criticism, ethnography, or sociology, black metal theory is a speculative and creative endeavor, one which seeks ways of thinking that “count” as black metal events—and, indeed, to see how black metal might count as thinking. Theory of black metal, and black metal of theory. Mutual blackening. Black metal as a language of contemporary art practices a transmodality between sound and vision, mutually blackening both art and metal, and thus pushing the limits of contemporary academic genres by definition.

Essay proposals may be sent to the editors at helvetejournal@gmail.com
Art proposals may be sent to helvetejournalart@gmail.com
For detailed guidelines, see the Submission Checklist on our website: http://helvetejournal.org/forthcoming/submission-checklist/

Helvete

Helvete

Helvete: http://helvetejournal.org/

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Black Metal Theory

Black Metal Theory

 

William Morris

William Morris

NEWS FROM NOWHERE CLUB: 2015 PROGRAMME

Patron: Peter Hennessy                                                                      

‘Fellowship is life and the lack of fellowship is death.’ William Morris

 

PROGRAMME 2015

VENUE  Epicentre, West St. Leytonstone E11 4LJ

TIMES 7.30 Buffet: please bring something, 8.00 Talk and questions/discussion

TRAVEL Leytonstone or Stratford tube, 257 bus or Leytonstone High Rd overground and short walk

All welcome, just turn up. Free. Donations welcome. Car park.  You need to walk to the front of the building – back door is usually locked. Quiet kids welcome.

Enquiries:   0208 555 5248 or 07443 480 509   info@newsfromnowhereclub.org.

 

Saturday 10 January 2015: Bollington: Utopia in Cheshire? And Letchworth Garden City: Health of the Country, Comforts of the Town

Speakers: Jim Hoyle & William Armitage

Jim moved from Birmingham to Bollington in 2012, having fallen in love with it. He has not been disappointed. His talk will consider every aspect of this unique Cheshire town. Its history, rich cultural life, demographics and campaigns will be covered in a witty presentation……. In 1898 Ebenezer Howard, Letchworth’s founder, had a vision: through careful planning we could elevate many of the desperately poor living & working conditions in towns & villages.  Today Letchworth remains close to its original ideals. William, Board Member of Letchworth Heritage Foundation, was Managing Director of David’s Bookshop in Letchworth for 40 years.

 

Saturday 14 February 2015: The Bethnal Green Tube Shelter Disaster

Speaker: Joy Puritz

One evening in March 1943, 173 people, including 62 children, were crushed to death trying to enter a station shelter. This talk is a description of the circumstances which led to the worst civilian disaster of WWII in this country, whether it could have been avoided & if anyone was to blame. Many have thought there was a cover up. Poignant anecdotes will be related. Joy has been closely involved in the Bethnal Green Memorial Project, an oral history project organised by the University of East London & has studied witness statements taken for the Government enquiry in 1943, interviewed survivors, shown visitors around the memorial sculpture & written texts for the project’s archive & guidebook.

 

Saturday 14 March 2015: The Life of Bees

Speaker: Ian Nichols

Ian, a local beekeeper and active member and Trustee of Essex Beekeepers Association, initiated, as Annual Conference Chair in 2013, a forum on ‘Plants, Pollinators and Pesticides’, with lectures by leading experts. He has worked with prominent figures in the bee world, has done much to promote awareness of the plight of bees in the wider community & was delighted with the award of First Prize and Best in Show for his honey & photography at the Essex Show in 2014. He will give his high speed talk covering: A Short History of the Honey Bee, Life inside the Hive, Bee Products, Danger & Threats to Bees. He will also be selling his award winning honey.

 

Saturday 11 April 2015: ‘The most lovable figure’: George Lansbury and East End politics

Speaker: Professor John Shepherd

‘The most lovable figure in modern politics’ was how A.J.P. Taylor described Christian socialist and pacifist, George Lansbury. At 73 the former rebel in 1932 took over the helm of the Labour Party of only 46 MPs in the Depression years. Throughout a remarkable life, the immensely popular Lansbury remained an extraordinary politician of the people, associated with a multitude of crusades for women’s enfranchisement, social justice and universal disarmament. He was twice jailed for his political beliefs in 1913 over ‘votes for women’ and during the 1921 ‘Poplar Rates Revolt,’ when 30 Labour councillors willingly went to prison in defiance of the government, the courts and their own party leadership. Lansbury never sought personal wealth, travelled everywhere by public transport and made his family home in impoverished East London. His final years were spent in a tireless international crusade, including visits to Hitler and Mussolini in 1937, to prevent the drift towards another world war.

 

Saturday 9 May 2015:  Permaculture: Working with Nature

Speaker: Ros Bedlow

Take a walk in Epping Forest. Trees, grasses, fungi, birds, insects, squirrels, foxes, all going about their business. Things change, but the forest keeps going: sustainable in the true sense of the word. What is it about an ecosystem like this that keeps it going & can we learn anything from it? Permaculture, developed in Australia in the 1970s as a response to agricultural practices which were degrading the land, was based on observation of nature & provided a framework for designing sustainable food growing systems. Ros has taught permaculture since the 1980s  & is particularly interested in the way permaculture ethics & principles can be applied to groups, communities, indeed to any system, to increase their sustainability.

 

Saturday 13 June 2015:  “It’s the Monarchy, Stupid”: Why the Crown is the Biggest Obstacle to Constitutional Reform

Speaker: Graham Smith

The monarchy is the keystone of the British constitution & the source of political & royal power, the wellspring of the establishment’s culture of pomposity & authority.  Yet it is wrong in principle, wrong in practice & bad for British politics, the antithesis of the democratic spirit that drives ever-growing demands for reform & the biggest obstacle to the radical reform Britain needs.  Arguments about devolution, localism & city mayors miss the point: the democratic revolution must happen in Westminster first. Without a seismic shift in our political system’s  foundation, all else is tinkering at the edges of a fundamentally flawed system. Graham is the Chief Executive Officer of Republic campaign.

 

Saturday 11 July (part of the Leytonstone Festival): “All’s Well”: A Musical Journey to Antarctica

Speaker/ Performer: Jake Wilson

In 2012, guitarist & songwriter Jake Wilson released “All’s Well”, a collection of songs marking the centenary of the deaths of Captain Scott & his polar party on their return journey from the South Pole. In 2013, Jake received unique permission to travel to Antarctica & perform his songs in the actual hut where Scott & his team lived & worked before setting out for the Pole. Jake will be talking about Scott & his companions, performing his songs & discussing his own extraordinary musical expedition to Antarctica.  For more information:  http://www.jakewilsonmusic.com

 

Saturday 8 August 2015:  ‘It Happened Here’

Speaker: Kevin Brownlow

Kevin Brownlow, the British film restorer, historian & director recently awarded an honorary Oscar for lifetime services to cinema, will talk about his first film It Happened Here, co-directed with Andrew Mollo when both were teenagers: a counter-factual history of Britain under Nazi occupation in the closing year of World War Two. Often described as the best amateur film ever made, superb in its authenticity & attention to period detail, it contained scenes in which genuine British Nazis were allowed to expound their views, leading to its being misinterpreted & condemned by many as pro-Nazi.  Kevin, who visited Hamburg in 2014 for the film’s first public showing in Germany, will talk & show us excerpts of his film.

 

Saturday 12 September 2015: James Pound, Rector of Wanstead, Natural Philosopher and Astronomer

Speaker: Dr John Fisher

In 1707 James Pound survived a massacre at an outpost of the East India Company near Cambodia. He navigated a small ship through pirate-infested waters. In 1709 he was appointed Rector of Wanstead by Sir Richard Child. Pound, a Fellow of the Royal Society, sought a solution to the problem of determining the longitude at sea, before the Longitude Prize was instituted. From 1710 Wanstead became a leading centre of scientific research. Pound worked with Edmond Halley and Isaac Newton. Pound’s nephew, James Bradley, became the first to demonstrate that the Earth was in motion. The work at Wanstead led to the solution of determining longitude at sea. Dr John Fisher lives in Forest Gate, was a factory worker without any educational qualifications, was one of the first Open University students and later lectured in the history of science at Imperial College, London.

 

Saturday 10 October 2015: Walking with Passion: A One Way Ticket to Jarrow

Speaker: Carole Vincent

Journeying from Jarrow to Trafalgar Square, a group of people from all walks of life came together in August 2014, planning to walk an historic route first taken by the Jarrow March for Jobs on 2 October 1936. However, this was the first of its kind to enlighten communities on route of the devastating privatisation of our NHS & to muster support for the ‘Call999fortheNHS’ Campaign. Carole tells her story of those three weeks & why she walked the 300 miles.

 

Saturday 14 November 2015: Trauma, Grief and Resilience in Gaza

Speakers: Dr Mohamed Altawil and David Harrold

What does it means to be a child in Gaza? You may be surprised by answers from Dr Mohamed Altawil & David Harrold of Palestine Trauma Centre (UK) who work with a trauma centre in Gaza helping children & families. The situations are often harrowing; but the people, especially the children, can be inspiring. Mohamed & David will show the work of the trauma team, recite some poetry & discuss future prospects for these wonderful children who have experienced eight years of siege & four brutal invasions.

 

Saturday 12 December 2015: The Direct Path to Enlightenment

Speaker: Vanaraji

How can we live in a better world? Changing our mind changes the world. The teachings of the Buddha help us change how we think & give us a new perspective on life that leads  to freedom from suffering, for ourselves & others. Vanaraji, an Ordained Buddhist in the Triratana Buddhist Order, will give an overview of Buddhist principles & practices that free us from mundane consciousness & help us experience more vividly the Enlightened world.

 

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

 

The Capitorg

The Capitorg

CYBORGIAN IMAGES

First Issue Call for Articles

Yearbook of Moving Image Studies

Cyborgian Images: The moving image between apparatus and body

Deadline for Articles: December 31, 2014

The double-blind peer-reviewed Yearbook of Moving Image Studies (YoMIS) is now accepting articles from scientists, scholars, artists and film makers for the first issue entitled »Cyborgian Images: The moving image between apparatus and body.

YoMIS will be enriched by disciplines like media and film studies, image science, (film) philosophy, art history, game studies and other research areas related to the moving image in general. Modern perspectives on the structure of moving images exemplify a complex multimodal mechanism that interacts in specific ways with the recipient and various levels of the perception of images. In this case neither moving images nor the subjective reception are passive processes. Movement, time, space and different modalities interact with senses, memories and anticipation and create a complex hybrid structure of medium, recipient and sensory stimulus processing. This refers to the fact, that on the one hand the technological structure of displays and interfaces are relevant, and that on the other hand the role of the lived-body and mind is crucial for an understanding of the effects of the moving images. It is the interaction between the image, the dispositive and the recipient which brings the pictures to life and unfolds its meaning in diverse dimensions. This remark becomeS obvious when looking at the recent evolution in media technologies. New displays and interfaces like the Cinemizer (Zeiss), Oculus Rift (OculusVR) or Kinect (Microsoft) promote the progressive embodiment of the recipient or user by the medium, and, in doing so, they force the amalgamation of the subject of perception with the moving image.

Therefore »Cyborgian Images« addresses the broad field of the relationship between the technological dimension of the medium, its aesthetic and structural impact on the representational status of the moving image and the effect on the bodily level of the recipient, including affective and somatic reactions.

Contributions should be 5000 to 8000 words in length.

Please send your abstract, biographical informations, contact details and your article to Dr. Lars C. Grabbe and Prof. Dr. Patrick Rupert-Kruse via: kontakt@bewegtbildwissenschaft.de.

The official deadline for articles is the December 31, 2014.

If you are interested in contributing an article you will find a style sheet online: http://www.movingimagescience.com

If you have any questions, please do not hesitate to contact the managing editors via mail.

YoMIS: http://www.buechner-verlag.de/index.php/programm/yearbook-moving-image-studies

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Volumizer: http://glennrikowski.blogspot.com

Capitorg

Capitorg

APPROACHING POSTHUMANISM AND THE POSTHUMAN

Conference and Doctoral Workshop

June 4-6, 2015 – St. Maurice, Switzerland

 

Keynote Speakers:

Jeffrey Jerome Cohen, George Washington University

Stefan Herbrechter, Coventry University

Margrit Shildrick, Linköping University

Cary Wolfe, Rice University

 

Organizers: Deborah Madsen, Manuela Rossini, Kimberly Frohreich, and Bryn Skibo-Birney

 

CALL FOR PAPERS: http://call-for-papers.sas.upenn.edu/node/57765

 

A highly topical and sometimes contentious notion, posthumanism continues to spark debates as to how it is

and should be defined, particularly in relation to humanism. One might ask whether the posthuman is merely

an imaginative, literary, and/or theoretical figure or if we are already posthuman. Is posthumanism simply

“after the human” or does it speak to a being beyond, above, within, encompassing, and surpassing what we

currently know as “the human”? Moreover, even if we recognize that posthumanism is inextricably bound to

and wound up in humanist discourse, does the posthuman figure effectively open up alternative perspectives

and positions from which to question, to destabilize, and to decenter the human?

 

These questions permeate contemporary literature, film and television, comic books, video games, social

media, philosophical and theoretical essays in which posthuman figures abound. From avatars and cyborgs to

clones and zombies, the posthuman appears continually to challenge the line dividing the human from the

nonhuman. Whether blurring the distinction between human and machine, human and animal, organic and

inorganic, or the living from the dead, whether destabilizing gender, sexuality, race, class, age, the

mind/body dichotomy, or species categorization, posthumanism points to the ways in which (the exclusion

of) the Other is necessary to the self-bounded identity of the human(ist) subject. More than a contemporary

issue, posthumanism appears whenever “humanness” or anthropocentrism is in crisis, and critics have

accordingly noted the presence of posthumanist thought, themes, and figures not only in postmodern

literature but in much earlier literary periods as well.

 

The aim of this conference is both to explore the multiple ways in which posthumanism in its various

configurations questions, complicates, destabilizes, and “haunts” humanism and the human, as well as to

discuss theoretical approaches to posthumanism and/or the posthuman. In addition to inhabiting a wide range

of literary periods, genres, and media, posthumanism can also be said to blur the seemingly well-defined

borders between humanities disciplines, lending itself to interdisciplinary approaches involving literary and

cultural studies, media studies, animal studies, and fields like the digital, medical, and environmental

humanities, as well as drawing from multiple theoretical frameworks such as feminism, gender studies, queer

theory, race theory, disability studies, postcolonial studies, psychoanalysis, and deconstruction.

 

Please send 300 word abstracts to Kimberly Frohreich (kimberly.frohreich@unige.ch) and Bryn Skibo-

Birney (bryn.skibo@unige.ch) by September 15, 2014.

 

Paper topics can address (but are not limited to) any of the above areas and themes across disciplines, periods, genres, and media.

An additional list of potential paper topics is below:

  • Posthumanist discourse and/or figures in medieval, early modern, modern or contemporary literature
  • Posthuman figures in film and television
  • Posthuman figures in comic books and graphic novels
  • Posthuman figures in contemporary media forms, e.g. video games, social media, etc.
  • Posthumanism and critical animal studies
  • Digital humanities and posthumanism
  • Medical humanities and posthumanism
  • Environmental humanities and posthumanism
  • Postcolonial posthumanism
  • Posthumanism and the Gothic (then and now)
  • Posthumanism and fantasy, science fiction and/or speculative fiction
  • Virtual versus embodied reality
  • Monsters, ..freaks,.. and/or superheroes
  • Metamorphoses and interspecies being/becoming
  • Posthuman(ist) subjectivities
  • Embodying posthumanism or the posthuman body
  • The posthumous
  • Language and the posthuman
  • Posthumanism and gender, sexuality, race/ethnicity, and/or class
  • Anthropomorphism
  • Posthuman politics and ethics

 

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

 

Situationism

Situationism

THE GAME OF WAR

Class Wargames Presents “The Game of War” @ Essex

2:00 PM, June 10th @ the Waiting Room, St Botolphs (http://st-botolphs.org)
The Street with No Name (off Queen Street) Colchester, Essex CO1 2PQ

Class Wargames (http://www.classwargames.net) will come to Essex on June 10th to present “The Game of War,” staging a participatory playing of Guy Debord’s board military-strategy board game.

Class Wargames is playing Guy Debord’s The Game of War using a replica of his original 1977 design for the board game. Guy Debord is celebrated as the chief strategist of the Situationist International and author of the searing critique of the media-saturated society of consumer capitalism: The Society of the Spectacle. What is less well known is that after the French May ’68 Revolution, Debord devoted much of the rest of his life to inventing, refining and promoting what he came to regard as his most important project: The Game of War.

The Game of War is a Clausewitz simulator: a Napoleonic era military strategy game where armies must maintain their communications structure to survive – and where victory is achieved by smashing your opponent’s supply network rather than by taking their pieces. For Debord, The Game of War wasn’t just a game – it was a guide to how people should live their lives within Fordist society. By playing this Clausewitz simulator, revolutionary activists could learn how to fight and win against the oppressors of spectacular society.

Politics is a continuation of war by other means. Wargames are a continuation of politics by other means.

Requisite Facebook page: https://www.facebook.com/events/681989125188070

Guy Debord

Guy Debord

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Aesthetics

Aesthetics

THE MEDES

the medes is a volunteer collective of academic writers, artists, photographers and videographers advocating for social change

About

the medes [thəmēds]

We are an online multimedia publication that seeks to bring honest reporting and emotive art together through innovative media to promote social equality within our community.

Founded in Denver, Colorado in early 2012, the medes is a project of the nonprofit organization, Media Action Network (MAN) and was originally started out of frustration with the lack of coverage in mainstream media on the myriad of social justice issues facing our communities today.

We are run entirely by a volunteer collective. This collective consists of a wide-variety of contributors: writers, researchers, graphic designers, artists, photographers, and videographers. By blending the academic pursuit of social equality with artistic ability, we focus on social justice both from a written and visual perspective. We seek to bring awareness to the gamut of issues – including many in the human rights and environmental categories – which receive little to no attention through conventional media outlets.

the medes is run entirely on volunteer time and donation dollars.  If you would like to be a part of this effort in any form other MAN projects, please visit our contact page or our donate page.

the medes: http://themedes.org/

**END**

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: http://www.researchgate.net/profile/Glenn_Rikowski?ev=hdr_xprf

Online Publications at The Flow of Ideas: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

The Flow of Ideas: http://www.flowideas.co.uk