Provocative Pedagogies

PROVOCATIVE PEDAGOGIES: PERFORMATIVE TEACHING AND LEARNING IN THE ARTS

School of Fine & Performing Arts, University of Lincoln, UK 
14 October 2017

 

 

Organisers:

Dr Lee Campbell, Lecturer in Fine Art, University of Lincoln, UK
Lisa Gaughan, Director of Teaching & Learning and Senior Lecturer, University of Lincoln

Keynote: Fred Meller, Senior Lecturer, Performance:  Design & Practice, Central Saint Martins, University of the Arts, London

PROVOCATIVE PEDAGOGIES: PERFORMATIVE TEACHING AND LEARNING IN THE ARTS is an international conference exploring the possibilities of the emerging field of ‘performative pedagogy’ and its potential as useful and applicable to enabling learning across a range of artistic and possibly other disciplines.

We welcome submissions from individuals and groups across all creative disciplines who deploy pedagogic approaches with an emphasis on performativity to drive learning. We invite papers, provocations and practical demonstrations that showcase good practice of making positive usage of performative teaching and learning.

Submitting a proposal:
We welcome proposals for 15-20 minute papers and practical workshops (to last up to 1 hour).

Please use the following format for proposals:
•            Name, institutional affiliation, contact details
•            Title of paper or workshop
•            250-word paper summary (max 1 page A4)
•            50-word contributor biography

Send proposals as a Word doc by email to Dr Lee Campbell, lcampbell@lincoln.ac.uk  and Lisa Gaughan, lgaughan@lincoln.ac.uk

Deadline: Friday 30^th June 5pm. Notification of successful applicants: 2^nd week of  July 2017

All abstracts will undergo a peer review process to ensure quality and relevance to conference theme and ambition.

 

Notes on organisers and keynote speaker:

Dr Lee Campbell is an artist, curator and academic. His practice plays with the parameters of contemporary art that draw attention to the performative and the participative within an art historical vernacular and seeks to theorise, articulate and demonstrate how we may construct meaning between politics of space and the politics of artist articulated through visual and verbal languages. He is very interested in pedagogical approaches which prioritise performative tactics.

Fred Meller’s research interests lie in the process of making performance as a dialogical design practice. Specifically, how the principles and characteristics of Performance can be used to interrogate, explore and expand the nature of teaching and learning in the subject area.  In particular, she has been researching disruptive pedagogy and relationships of power in teaching and learning and design practice.

Lisa Gaughan is the Director of Teaching and Learning for the School of Fine & Performing Arts University of Lincoln. She has worked at the University of Lincoln for 12 years and taught across a number of Degree Programmes. She has a background in Community Theatre and Student Engagement Initiatives. She recently led a project on Students’ Engagement in Curriculum Design which she will be presenting on at the National HEA Conference in Manchester in July 2017.

 

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Glenn Rikowski @ ResearchGate: https://www.researchgate.net/profile/Glenn_Rikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

By Robert White

 

 

Teaching for Democracy and Justice in an Age of Inequality

TEACHING FOR DEMOCRACY AND JUSTICE IN AN AGE OF INEQUALITY

THE ROUGE FORUM CONFERENCE – 2016

May 27-28, 2016

St Mary’s University

14500 Bannister Road SE Calgary, Alberta, Canada T2X 1Z4

 

Website: https://rougeforumconference.wordpress.com/2012/06/11/hello-world/

Location: St. Mary’s University [map]

 

Keynote: Adam Renner Education for Social Justice Memorial Lecture
E. Wayne Ross, University of British Columbia

 

Conference Program: https://rougeforumconference.files.wordpress.com/2016/05/rouge-forum-program.pdf

Registration: https://rougeforumconference.wordpress.com/rf-2014-registration/

Flyer for the Conference: https://rougeforumconference.files.wordpress.com/2016/05/rouge-forum-program.pdf

 

The Rouge Forum is a group of educators, students, and parents seeking a democratic society. We are concerned about questions like these: How can we teach against racism, national chauvinism and sexism in an increasingly authoritarian and undemocratic society? How can we gain enough real power to keep our ideals and still teach–or learn? Whose interests shall school serve in a society that is ever more unequal? We are both research and action oriented. We want to learn about equality, democracy and social justice as we simultaneously struggle to bring into practice our present understanding of what that is. We seek to build a caring inclusive community which understands that an injury to one is an injury to all. At the same time, our caring community is going to need to deal decisively with an opposition that is sometimes ruthless. We hope to demonstrate that the power necessary to win greater democracy will likely rise out of an organization that unites people in new ways–across union boundaries, across community lines, across the fences of race and sex/gender. We believe that good humor and friendships are a vital part of building this kind of organization, as important as theoretical clarity. Friendships allow us to understand that action always reveals errors–the key way we learn. We chose Brer Rabbit as a symbol to underline the good cheer that rightfully guides the struggle for justice. Every part of the world is our briar patch. We had modest success in defeating the standardized test, the MEAP, in Michigan. We work in faculty organizations and unions to deal with the racism and sexism in academia. We try to press forward questions of class size, curricular freedom, anti-racist pedagogy, real inclusion, and a just tax system. As part of the Whole Schooling Consortium, we have sponsored forums in the U.S., uniting hundreds of people for democracy and equality.

The Rouge Forum holds meetings on a regular basis at both local and national levels. The national conferences have been held on a more or less annual basis; all meetings are action-oriented and the national conferences usually include workshops for teachers and students; panel discussions; community-building and cultural events; as well as academic presentations. Many prominent voices for democracy and critical pedagogy have participated in Rouge Forum meetings. On its website you’ll find the latest information about upcoming Rouge Forum meetings and conferences as well information on past conferences, including abstracts, papers, and videos.

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

 

Forest Voices Choir – Singing at the Gate

Forest Voices Choir

FOREST VOICES CHOIR – SINGING AT THE GATE

 

On 16th June 2016, from 6.30 to 8.00pm Forest Voices will sing at The Gate Library and Community Centre, 4 – 20 Woodgrange Road, Forest Gate, London E7 0QH.

Come and join us for a free evening of song and enjoyment!

Light refreshments provided.

Funded by a “Let’s Get the Party Started” grant from the London Borough of Newham

See: https://forestvoicese7.wordpress.com/ and for the flyer relating to the event, see: https://forestvoicese7.files.wordpress.com/2016/05/flyer-forest-gate-sings-16-jun-164.pdf

Ruth Rikowski is a member of the Forest Voices choir, and will be singing with them at The Gate on 16^th June.

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Avant-Garde Pedagogies Conference

AVANT-GARDE PEDAGOGIES

Higher Education and Theory (HEAT) Network

The Institute for Modern and Contemporary Culture, and

The Philosophy of Education Research Centre, University of Winchester  

 

At: University of Westminster, London

309 Regent Street, London , W1B 2HW – View Map

8^th and 9^th July, 2016

 

CONFERENCE SCHEDULE

To book your seat for the Avant-Garde Pedagogies conference, please follow this link: Book Now!

 

Schedule (tbc)

 

FRIDAY 8TH JULY 2016

1.15pm – Registration (Foyer, 309 Regent Street)

1.30pm – Panel 1 (Room UG04)

–          Michael Kindellan, University of Sheffield, ‘Charles Olson’s pedagogical poetics’

–          Alan Golding, University of Louisville, ‘“Poetic Ambition on the Semester System”: Ezra Pound’s Avant-Gardism and Teaching Institutions’

2.45pm – Break (Room 209)

3.00pm – Panel 2 (Room UG04)

–          Kerstin Stutterheim, Bournemouth University, ‘Die Idee der Methode: Walter Gropius and the Bauhaus pedagogy’

–          Allan Parsons, University of Westminster, ‘You are Here Now: Design is (not) Dasein’

4.15pm – Break (Room 209)

4.30pm – Panel 3 (Room UG04)

–          Emile Bojesen, University of Winchester, tbc

–          Aislinn O’Donnell, Mary Immaculate College, University of Limerick, ‘How Things Teach Us: Experience and Experimentation in Spinoza’

5.45pm – Drinks reception (Foyer, 309 Regent Street)

 

SATURDAY 9TH JULY 2016

10.00am – Registration (Foyer, 309 Regent Street)

10.15am – Panel 4 (Room UG04)

–          Zlatina Nikolova, Royal Holloway, ‘Development of the Self: Women’s education in Bryher’s Early Prose’

–          Maria Teresa Cruz, New University of Libson (NOVA), ‘Avant-garde and Experimentation in the Age of Hyper Industrialization of Culture’

11.30am – Break (Room 209)

11.45am – Panel 5 (Room UG04)

–          Richard Miles, Leeds College of Art, ‘The School of the Damned: Autonomous Art education and the University Struggles’

–          David Blacker, University of Delaware, ‘The formula of inhumanity: moral challenge and neoliberal nihilism’

1.00pm – Lunch

2.00pm – Panel 6 (Room UG04)

–          Hannah Proctor, Birkbeck, University of London, tbc

–          Steven Cranfield, University of Westminster, ‘“Battles for the mind”: military psychiatry and pedagogic innovation in the ‘Cambridge English’ School

3.15pm – Break (Room 209)

3.30pm – Panel 7 (Room UG04)

–          Alys Moody, Macquarie University, ‘Learning with Brecht and Coetzee’

–          Gary Peters, York St John University, ‘The Music Teacher: The Pedagogy(s) of 20th Century Avant-garde Music’

4.45pm – Coffee Break (Room 209)

5.00pm – Panel 8 (Room UG04)

–          Peter Roberts, University of Canterbury, NZ, ‘Doubt, Despair and Education’

–          Closing Remarks

6.15pm – Conference Ends

 

Registration: https://www.eventbrite.co.uk/e/avant-garde-pedagogies-tickets-25238609360

 

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

PASTORAL – Art @ Compotes – Forest Gate

PASTORAL – ART @ COMPOTES – FOREST GATE

By Robert White

Compôtes

118 Woodgrange Road, Forest Gate, London, E7 0EW

Bakery, deli, café.

On Friday 12^th February 2016, I went to see the opening of the Pastoral art exhibition at Compôtes in Forest Gate, east London. There was some wonderful art on display. The exhibition was curated by Gabrielle Luca Iozzi and featured exhibits by the following artists: Giuseppe Iozzi, Sabela Mahlangu, Fungai Marima, Jose Pindian, and Robert White.

Pastoral is open free to view at Compôtes until March 12^th 2016.

The cakes and soup at Compôtes are particularly good. The freshly baked bread is top notch. Compôtes is close to both Forest Gate and Wanstead Park train stations.

Glenn Rikowski: 18^th February 2016

Giuseppe Iozzi

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Introduction to Cultural Studies: Culture, Technology and Power – A Free Course!

Cultural Studies

INTRODUCTION TO CULTURAL STUDIES: CULTURE, TECHNOLOGY AND POWER

A Free Course!

First Session: 23^rd February 2016

OPEN SCHOOL EAST

 

Open School East
The Rose Lipman Building
43 De Beauvoir Rd
London N1 5SQ

 

Details of a free course in Cultural Studies at Open School East in London, starting next week, can be found at https://jeremygilbertwriting.wordpress.com/2016/02/10/free-course-introduction-to-cultural-studies-culture-technology-power/

Please disseminate to anyone who might be interested
Thanks
Jeremy Gilbert
http://www.jeremygilbert.org
@jemgilbert

 

Free Course! Introduction to Cultural Studies: Culture, Technology & Power

From February to June this year, I’ll be teaching on a free fortnightly course at Open School East in Dalston which will be be covering a number of key issues in contemporary cultural politics – race, gender, sexuality, technology, neoliberalism, music, money, the future, etc. I’ll be taking most of the sessions – Stephen Maddison will do the one on queer politics.

Anyone is welcome and it should be very interesting.

These lectures / seminar are technically the second part of a free course titled ‘Introduction to Cultural Studies: Culture, Technology & Power’, but they should be accessible and interesting whether you are completely new to these things, or an advanced cultural theory postgrad, or anything in between.

Please do pass on to anyone who might be interested.

For more details about the course, the context, etc. see HERE and HERE

 

Open School East: http://www.openschooleast.org/

 

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

How I Learnt To Love The Seagulls – A Photography Exhibition by Neil Whitehead

Neil Whitehead

HOW I LEARNT TO LOVE THE SEAGULLS

Photography Exhibition: How I Learnt To Love The Seagulls

By Neil Philip Whitehead

The Window Gallery

Jubilee Library

Brighton

Saturday 9^th January 2016

2.30-4.30pm

 

How I Learnt To Love The Seagulls is a whimsical yet in-depth study of the birds that are hard to avoid seeing. The series combines genres of photography using studio, street, and nature photography and experiments with ways of displaying photography. The work is humorous, emotive, beautiful and even political, and is an untypical look at our most noticeable wildlife.

114 framed C-Prints printed on Matt Fujicolor Professional, 1 Hard Back Silk Lustre Book.

Brighton Jubilee Library.

Window Gallery, inside and out.

There will be snacks, wine, and a nice time on
Saturday 9th 2:30pm til 4:30.

If you can’t make it to that, the exhibition will be on show
4th January 2016 until 10th of January 2016.

10am to 7pm – Monday to Thursday
10am to 5pm – Friday to Sunday.

RSVP to: gulls@neilphilipwhitehead.co.uk

See more @: http://heyevent.uk/event/re6p3rgdhth4ca/photography-exhibition-how-i-learnt-to-love-the-seagulls

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

The Making of Humanities V

THE MAKING OF THE HUMANITIES V

CALL FOR PAPERS AND PANELS

Johns Hopkins University, Baltimore

5–7 October 2016

The fifth conference on the history of the humanities, ‘The Making of the Humanities V’, will take place at Johns Hopkins University in Baltimore (USA), from 5 till 7 October 2016.

Goal of the Making of the Humanities (MoH) Conferences

The MoH conferences are organized by the Society for the History of the Humanities and bring together scholars and historians interested in the history of a wide variety of disciplines, including archaeology, art history, historiography, linguistics, literary studies, musicology, philology, and media studies, tracing these fields from their earliest developments to the modern day.

We welcome panels and papers on any period or region. We are especially interested in work that transcends the history of specific humanities disciplines by comparing scholarly practices across disciplines and civilizations.

Please note that the Making of the Humanities conferences are not concerned with the history of art, the history of music or the history of literature, etc., but instead with the history of art history, the history of musicology, the history of literary studies, etc.

Structure of the Conference

MoH-V will feature three days of panel and paper sessions, next to three keynote speakers and a closing panel on the Status of the Humanities. A reception will take place on the first day in the magnificent Peabody Library, and a banquet on the second day. An overview of the previous conferences and resulting publications is on the Society’s homepage.

Keynote Speakers MoH-V

Karine Chemla (ERC project SAW, SPHERE, CNRS & U. Paris Diderot): “Writing the history of ancient mathematics in China and beyond in the 19th century: who? for whom?, and how?”

Anthony Grafton (Princeton U.): “Christianity and Philology: Blood Wedding?”

Sarah Kay (New York U.): “Inhuman Humanities and the Artes that Make up Medieval Song”

Abstract Submissions

Abstracts of single papers (25 minutes including discussion) should be in Word format and contain the name of the speaker, full contact address (including email address), the title and a summary of the paper of maximally to historyhumanities@gmail.com.

Deadline for abstracts: 30 April 2016

Notification of acceptance: End of June 2016

Panel Submissions

Panels last 1.5 hours and can consist of 3-4 papers including discussion and possibly a commentary. Panel proposals should be in Word format and contain respectively the name of the chair, the names of the speakers and commentator, full contact addresses (including email addresses), the title of the panel, a short (150 words) description of the panel’s content and for each paper an abstract of maximally 250 words. Panel proposals should be sent (in Word) to historyhumanities@gmail.com.

Deadline for panel proposals: 30 April 2016 Notification of acceptance: End of June 2016

Registration and Accommodation

Registration for the conference will be possible from April 2016. The conference fee will be kept as low as possible (the exact fee and information on student discount will be published in April 2016). Details about the conference fee and accommodation will also be posted in April 2016.

Organization and Support

Amsterdam Centre for Cultural Heritage and Identity

The Humanities Center, JHU

The Sheridan Libraries, JHU

Institute for Logic, Language and Computation

Huizinga Institute of Cultural History

MoH International Committee

Rens Bod (U. of Amsterdam), Christopher Celenza (JHU, Baltimore), Hent de Vries (JHU, Baltimore), Julia Kursell (U. of Amsterdam), Fenrong Liu (Tsinghua University), Jaap Maat (U. of Amsterdam), Helen Small (U. of Oxford), Thijs Weststeijn (U. of Amsterdam)

MoH Local Organizing Committee

Stephen Nichols (JHU), Hent de Vries (JHU), Christopher Celenza (JHU)

History of Humanities Journal

Selected conference papers will be published in the new journal History of Humanities. The first issue is due to appear in March 2016.

History of Humanities Journal: http://www.press.uchicago.edu/ucp/journals/journal/hoh.html

The Making of the Humanities Conferences: http://makingofthehumanities.blogspot.co.uk/

Society for the History of Humanities: http://www.historyofhumanities.org/2015/10/29/call-for-papers-and-panels-the-making-of-humanities-v/

 

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Mediated Cities

The City

MEDIATED CITIES

Mediated Cities Book Series

Open Call for Contributions
Intellect Books will launch its Mediated Cities book series April 01-03, 2016 with three books.

Digital Futures and the City of Today:  New Technologies and Physical Spaces. ISBN: 978-1-78320-560-8
Filming the City: Urban Documents, Design Practices & Social Criticism Through the Lens. ISBN: 978-1-78320-554-7
Imaging the City: Art, Creative Practices and Media Speculations. ISBN: 978-1-78320-557-8

This is a call for chapter contributions for the following book in the series from the perspective of all disciplines that engage with issues of the city, its design, mediation, representation and experience.

Contributions are welcome from urban design, planning, cultural studies, digital art, emerging technologies, social media, film, photography  etc.

The next book in the series will be drawn from the conference: Digital-Cultural Ecology and the Medium-Sized City.

For details: http://architecturemps.com/bristol-uk/

ABSTRACT DEADLINE: 15th NOVEMBER, 2015

This conference is organised by the journal Architecture_MPS, Intellect Books, the University of the West of England and the Centre for Moving Image Research. The publication series is a joint AMPS / Intellect Books initiative. See: http://architecturemps.com/publications-2/

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

Affects and Aesthetics of the Undercommons

Commons

AFFECTS AND AESTHETICS OF THE UNDERCOMMONS

Call for Papers: Affects & Aesthetics of the Undercommons
As part of the 8th Art of Management & Organization Conference
1st-4th September 2016 @ Bled, Slovenia
Conference theme: Empowering the intangible: exploring, feeling and expressing through the arts
See: http://www.artofmanagement.org/bled-slovenia-2016/

What affects circulate within the undercommons today (Harney & Moten, 2013)?

What is the relation between affective spaces and aesthetics in the construction of forms of collective intelligence and subjectivities, particularly in the ways this relation is worked with to expand forms of political action? The undercommons are organized through “engaging aesthetic rationality in the process of political transformation, of turning politics into art, everyday life into an aesthetically governed domain” (Katsiaficas 2001) – a “minor politics” (Thoburn 2003): one that is not based upon calling forth an already existing identity or position, but rather a politics based on a continual intensive and affective engagement of constant self-institution.

Might it be possible that we are already enmeshed in a world of unidentified autonomous organizations, a milieu of potential liberation that has remained imperceptible because of a narrow understanding of what organizations are? And might it not be that this imperceptibly, rather than being a condition to be addressed as a problem, could rather be part of building of what Robin D.G. Kelley and James Scott (2002) call an infrapolitical sphere: a space for politics coming out of people’s everyday experiences that do not express themselves as radical political organization at all.

As a conference stream “Affects & Aesthetics of the Undercommons” proposes to explore the these temporary and constantly shifting, yet always renewed, forms of organizing: the organizing that takes beneath and below as well as outside of formal organizations. These relations and their affectivity embody and express the movement of the social imaginary, or the constant process of becoming. Revolutions of everyday life, whether unseen or encoded in a hidden transcript, exists as a privileged location for political analysis and action precisely because it is where forms of collective intelligence, creativity, and social wealth are manifested.

Please send proposals / abstracts to s.shukaitis@essex.ac.uk by December 7th, 2015.
This stream is welcoming of non-standard forms of presentation, performance, and intervention.

Commons

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

The Glass Factory

The Glass Factory

THE GLASS FACTORY

A monthly evening of alternative music and performances of all shapes and sizes

Next performances: Saturday 14^th November 2915; 5^th December 2015; 9^th January 2016

Time: 4.00 – 8.00pm

Red Door Studios

E6 3RW

 

Red Door Studios

Masterman Road (rear 120 High St South)

E6 3RW

Email: Curator.reddoor@gmail.com

Phone: 07753186009

Nearest tube: East Ham

Bus routes: 101, 104, 115, 58, 474

Accessible by bus from: Stratford, Forest Gate, Leytonstone, Wanstead, Canning Town, Aldgate.

 

The Glass Factory @ Facebook: https://www.facebook.com/events/1644757859074990/

Red Door Studios & Facebook: https://www.facebook.com/RedDoorStudiosE6

Red Door Studios website: http://www.reddoorse6.co.uk/

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/

 

All Saints Chorus & Orchestra

Beethoven

ALL SAINTS CHORUS & ORCHESTRA

The All Saints Chorus and Orchestra are celebrating their 20^th anniversary concert season starting this year. Formed in 1994, the Chorus is a community choir. Membership is open to all and there are no auditions. The choir have a reputation for performing concerts of the highest standard in Newham, the area in which they rehearse and perform.

They have an extensive repertoire of music ranging from the 15th century to today. Included are the great works of composers such as Bach, Handel, Mozart, Haydn, Brahms, and Verdi. The chorus enjoys a good social life outside the rehearsal room and the annual weekend away provides the perfect opportunity to rehearse, socialise and relax.

The All Saints Orchestra is a mix of seasoned professional players featuring instrumentalists from many of the major London orchestras. Together with the Chorus and our dedicated group of acclaimed soloists they give a wide audience the chance to experience great music in the historic setting of West Ham Parish Church.

 

Next Event: West Ham Parish Church (All Saints), Church Street, E15 3HU

Saturday 21 November 2015

7.30pm

Vaughan-Williams: Towards the Unknown Region, and Antiphon: Let All the World

Beethoven: Symphony No.7

Brahms: A German Requium

 

Margaret Feuvoir – Soprano

Stephen Alder – Bass

All Saints Chorus

All Saints Orchestra

Jon Cullen – Conductor

 

Tickets: Adults £17; Concessions £10. On the door or in advance – Telephone: 07513 414665

Website: http://allsaintschorus.org/

***END***

‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski

Ruth Rikowski @ Academia: http://lsbu.academia.edu/RuthRikowski

Volumizer: http://glennrikowski.blogspot.com

Rikowski Point: http://rikowskipoint.blogspot.co.uk/

Ruth Rikowski at Serendipitous Moments: http://ruthrikowskiim.blogspot.co.uk/