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Aesthetics

ARTPOLITIK: SOCIAL ANARCHIST AESTHETICS IN AN AGE OF FRAGMENTATION

New book on radical aesthetics/politics…

Artpolitik: Social Anarchist Aesthetics in an Age of Fragmentation
Neala Schleuning

Artpolitik examines the relationship between art and politics, focusing on radical political aesthetics in western culture since the end of the nineteenth century.  Drawing from Surrealism, Socialist Realism, the Situationist International, capitalist consumer aesthetics, and critical theory, Neala Schleuning elaborates a social anarchist approach to aesthetics.

Artpolitik is not a history of radical art production but an exploration of the core ideas inspiring radical art. This provocative book is guaranteed to both challenge and inform, reframing radical aesthetics for the challenges of the present. It features an exploration of ideas and techniques employed by artists for more effective communication of radical political ideas. Art has played a central role in revolutionary change throughout history, and our own times call for a revitalization of art in the service of liberatory politics.  This book is an effort to understand how new ideas seeking to position themselves vis a vis the aesthetic tradition while simultaneously reflecting the transformation of political and social movement cultures in new directions.

“Artpolitik can be the basis of fruitful discussions among artists and activists alike about the role, character and communicative value of art in our struggle for a better world. Each period of artistic expression she analyzes, and specifically those that were consciously political, prod us to think about and rethink today’s art through these lenses.” – Wayne Nealis

Bio: Neala Schleuning is a writer and educator. She received her PhD in American Studies from the University of Minnesota in 1978 with an emphasis in political philosophy and intellectual history.  Fulbright Scholar to the Russian Federation, she is the author of many articles, higher education policy papers, films and radio productions, and several books, including America: Song We Sang Without Knowing (1983); Idle Hands and Empty Hearts: Work and Freedom in the United States (1990); Women, Community, and the Hormel Strike of 1985-86 (1994); and To Have and to Hold: the Meaning of Ownership in the United States (1997).

PDF available freely online (http://www.minorcompositions.info/?p=581).

Released by Minor Compositions, Wivenhoe / Brooklyn / Port Watson
Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life.

Minor Compositions is an imprint of Autonomedia
www.minorcompositions.info | minorcompositions@gmail.com

**END**

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.youtube.com/watch?v=YkP_Mi5ideo (new remix, and new video, 2012)

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

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