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Daily Archives: May 17th, 2012

Revolution

Revolution

BOOK LAUNCH FOR ‘TRUTH AND REVOLUTION’ BY MICHAEL STAUDENMAIER

At Encuentro Cinco (33 Harrison Avenue in Boston MA)

Tuesday, May 22, 2012 at 6:00pm

Sponsored by the Howard Zinn Memorial Lecture Series:

Book launch for ‘Truth and Revolution’ by Michael Staudenmaier

Founded in Chicago in 1969 from the rubble of the recently crumbled SDS, the Sojourner Truth Organization (STO) brought working-class consciousness to the forefront of New Left discourse, sending radicals back into the factories and thinking through the integration of radical politics into everyday realities.

Through the influence of founding members like Noel Ignatiev and Don Hamerquist, STO took a Marxist approach to the question of race and revolution, exploring the notion of “white skin privilege,” and helping to lay the groundwork for the discipline of critical race studies.

Michael Staudenmaier is a twenty year veteran anarchist and student of revoutionary movements and a doctoral candidate in history at the University ofIllinois.

 

**END**

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Money

Money

VALUE, MONEY AND CRISIS: A WORKSHOP ON THE WORK OF HANS-GEORG BACKHAUS

The Department of Sociology, Goldsmiths, University of London invites you to:

Value, Money and Crisis: A Workshop on the Work of Hans-Georg Backhaus

Presentations by Riccardo Bellofiore and Tommaso Redolfi Riva, responses by Chris Arthur and Werner Bonefeld

4 June 2012
Room 137, Richard Hoggart Building, Goldsmiths, University of London
4-6 pm
All welcome

Hans-Georg Backhaus is one of the most provocative thinkers of the Frankfurt School. Together with Helmut Reichelt, Alfred Schmidt, and Hans-Jürgen Krahl, he was at the origin of the Neue Marx-Lektüre. Building on Adorno’s critical sociology, Backhaus has been engaged in a problematization of the Marxian critique of political economy which takes seriously its roots in Hegel’s Logic. Questioning orthodox Marxism and Engels’s legacy, he has advanced a whole-scale reconstruction of Marxian theory, confronting the inconsistencies in Das Kapital, and rescuing Marxism as a critical theory of society. The most important of his essays were collected in Dialektik der Wertform: Untersuchungen zur marxschen Okonomiekritik (The Dialectic of the Value Form: Investigations into Marx’s Critique of Economics) by the German publisher Caira. Very few of them are available in English, but the seminal contributions (in particular his 4-part Materials for the Reconstruction of Marx’s Theory of Value) have now been published in Italian under the editorship of Bellofiore and Redolfi Riva. At the core of Backhaus’s reconstructive project is the uniqueness of Marx in building the only monetary theory of value available to us, together with a full recognition of the fetish character and the displaced/perverted nature of contradictory capitalist reality. Backhaus’s contributions put the question of the ‘constitution’ of capitalist social ‘objectivity’ once again on the agenda of Marxian theory and politics. They are essential today for anyone preoccupied with building an analysis of the crisis – one that would not only depart radically from mainstream economic theory, but go far deeper than Neo-Ricardianism and Keynesianism.

Riccardo Bellofiore has published books on Marx, Luxemburg, Minsky, Napoleoni, globalization, and the current economic crisis. With Giovanna Vertova he has a FB page, Economisti di classe. He teaches at the University of Bergamo, Italy.

Tommaso Redolfi Riva studied Philosophy and History of Political Economy in the Universities of Pisa and Florence. Together with Riccardo Bellofiore he is the editor of Hans Georg Backhaus, Dialettica della forma di valore, Roma, 2009.

Chris Arthur is the author of The New Dialectic and Marx’s Capital.

Werner Bonefeld teaches at theUniversity ofYork. He recently edited Subverting the Present, Imagining the Future: Insurrection, Movement, Commons.

 

Further information: http://www.gold.ac.uk/sociology/calendar/?id=5410

 

**END**

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

Cold Hands & Quarter Moon

Cold Hands & Quarter Moon

MEMEFEST FESTIVAL OF SOCIALLY RESPONSIVE COMMUNICATION AND ART 2012

Memefest, an international organization dedicated to promoting new, productive and relevant forms of cultural activism, together with the Queensland College of Art, Griffith University, this year introduces the Memefest/Griffith-QCA award for ‘Imaginative Critical Intervention’.

This award invites cultural activists, creatives and thinkers from the productive margins of professions, radical theorists, imaginative intellectuals and anyone who is uncomfortable with the status quo and dreams of alternative futures that are more satisfying, just, and sustainable, to submit projects for peer feedback, broader dissemination, and a chance to work collaboratively with other imaginative activists, artists, researchers and intellectuals.

Memefest FESTIVAL 2012 theme: DEBT (debt, la dette, χρέος, dolg, задолженность, долг, debito, дълг, ŝuldo, חוב, schuld, deuda, borç …)

You can’t evict an idea whose time has come! 

These words express the nature of the current global movement against the rule of money over life. They belong to the people, the 99%, who are bringing the fundamental urgent issues to the streets, into the media, into the realm of public consciousness, into the schools, universities, jobs, homes and intimate discussions and relationships. 

These words also express something else. They speak about a state of mind, a focus and a concise articulation of the problem. The idea whose time has come is mainly about three things. First: interventions that create a rupture in the order of things with the goal to redefine our fields of experience and the relationship between being, doing and saying. Second: dialogue. Third: creating new emancipatory social institutions. 

If communication and art are to play a relevant role in shaping a future worth having, we need to further redirect, reinvent and re-imagine our own understanding and the way we think, theorise and practice them both. Debt is not only an opportunity to do so, but also an urgent responsibility. 

The Friendly Competition

Participants are invited to submit works three categories: critical writing, visual communication practice and the participatory art/communication category Beyond…

This year’s theme for Visual communication practice and Critical writing is: DEBT. Participants will respond with their work to three carefully chosen texts:

I. First written text is taken from the book Debt, the first 5000 years by American social anthropologist David Greaber in which he explains the function of debt in human history, showing that the current situation is not as natural at all as it seems to be.

II. Second visual text is taken from the documentary Debtocracy by Katerina Kitidi and Aris Hatzistefanou, who together with economist Samir Amin, philosopher Alain Badiou, sociologist and geographer David Harvey and other guests research the reasons for the crisis in Greece, while also showing how Latino American Ecuador stood up to the IMF and refused to acknowledge legitimacy to their enforced slavery. 

III. Third is the song No Banker Left Behind by American slide guitar virtuoso, taken from his politically engaged and critically acclaimed album Pull Up Some Dust and Sit Down (2011). 

Category Beyond…:

While a lot of subversive writing, communication and art has emerged which challenges the status quo using its own conventions, very few of these initiatives have employed a mode of communication that is not rooted in commercial culture itself.

The ‘Beyond…’ category hopes to bring out new visual and conceptual forms of communication and art which catalyse social change while engaging people as something more than mere consumers.

This category draws on the traditions of independent artistic practice in that the entries will have no brief other than to identity and radically address important issues on a deeply felt personal level. However, we expect that, unlike most ‘museum’ art, it will generate genuine participatory relations with its audience and be able to work outside institutional sites and conventions. Participatory art and communication is the core principle of what we are looking for at Beyond…

More about Beyond… here: http://www.memefest.org/en/competition/beyond_intro/

Awards: 

The international editorial and curatorial board will select the most convincing works. Among strong traditional awards, which you can see on www.memefest.org, two new awards are introduced this year.

1) The first Griffith-QCA/ Memefest Award for Critical Imaginative Critical Intervention.

Best authors of all three categories (critical writing, visual communication practice and Beyond…) will be invited toBrisbaneto take part in a special extradisciplinary workshop resulting in a public intervention in the city ofBrisbane.

2) Authors of best works in the category: critical writing will be invited to publish their work in the academic peer reviewed journal Zoontechnica http://zoontechnica.com.

Deadline for your submissions is May 30th.

Participation is free of charge and there is no age limit or any other restriction. Your work can be submitted online.

See more about our Awards here: www.memefest.org/en/competition/awards_2012/

More information on the whole Friendly competition: http://www.memefest.org/en/competition/intro/

More information on the Festival of Socially responsive communication and Art: www.memefest.org

Contact Patricia Laboca: memefest@memefest.org

 

**END**

 

‘I believe in the afterlife.

It starts tomorrow,

When I go to work’

Cold Hands & Quarter Moon, ‘Human Herbs’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=2h7tUq0HjIk (live)

 

‘Maximum levels of boredom

Disguised as maximum fun’

Cold Hands & Quarter Moon, ‘Stagnant’ at: http://www.myspace.com/coldhandsmusic (recording) and http://www.youtube.com/watch?v=GLjxeHvvhJQ (live, at the Belle View pub,Bangor, northWales)  

 

‘Human Herbs’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

‘Stagnant’ – a new remix and new video by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=YkP_Mi5ideo  

‘Cheerful Sin’ – a song by Victor Rikowski: http://www.youtube.com/watch?v=tIbX5aKUjO8

‘The Lamb’ by William Blake – set to music by Victor Rikowski: http://www.youtube.com/watch?v=vw3VloKBvZc

 

Posted here by Glenn Rikowski

The Flow of Ideas: http://www.flowideas.co.uk

MySpace Profile: http://www.myspace.com/glennrikowski

Cold Hands & Quarter Moon: http://www.myspace.com/coldhandsmusic

The Ockress: http://www.theockress.com

Rikowski Point: http://rikowskipoint.blogspot.com

Volumizer: http://glennrikowski.blogspot.com

Online Publications at: http://www.flowideas.co.uk/?page=pub&sub=Online%20Publications%20Glenn%20Rikowski

Glenn Rikowski on Facebook at: http://www.facebook.com/glenn.rikowski

Glenn Rikowski’s MySpace Blog: http://www.myspace.com/glennrikowski/blog